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  1. Writing the black revolutionary diva
    women's subjectivity and the decolonizing text
    Published: 2010
    Publisher:  Indiana University Press, Bloomington ; EBSCO Industries, Inc., Birmingham, AL, USA

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780253004703; 0253004705; 9780253355256; 0253355257; 9780253222466; 025322246X
    RVK Categories: HU 1728
    Series: Blacks in the diaspora
    Scope: 1 Online-Ressource (x, 280 pages)
    Notes:

    Title from PDF title page (viewed Feb. 16, 2012)

    Includes bibliographical references and index

  2. Writing the black revolutionary diva
    women's subjectivity and the decolonizing text
    Published: c2010
    Publisher:  Indiana University Press, Bloomington

    Annotation From soul cleavage to soul survival: Double-consciousness and the emergence of the decolonized text/subject -- Who is the Black woman?: repositioning the gaze and reconstructing images in the black woman: An anthology and Essence magazine... more

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    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    Annotation From soul cleavage to soul survival: Double-consciousness and the emergence of the decolonized text/subject -- Who is the Black woman?: repositioning the gaze and reconstructing images in the black woman: An anthology and Essence magazine -- Constructing Diva citizenship: The enigmatic Angela Davis as case study -- Return to the flesh: The revolutionary ideology behind the poetry of Jayne Cortez -- She dreams a world: The decolonized text and the new world order, Toni Cade Bambara's "The Salt Eaters" -- CODA: This is not about "inward navel-gazing": Decolonizing my own mind as a critical stance. Kimberly Nichele Brown examines how African American women since the 1970s have found ways to move beyond the "double consciousness" of the colonized text to develop a healthy subjectivity that attempts to disassociate black subjectivity from its connection to white culture. Brown traces the emergence of this new consciousness from its roots in the Black Aesthetic Movement through important milestones such as the anthology The Black Woman and Essence magazine to the writings of Angela Davis, Toni Cade Bambara, and Jayne Cortez.

     

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  3. Writing the black revolutionary diva
    women's subjectivity and the decolonizing text
    Published: 2010
    Publisher:  Indiana Univ. Press, Bloomington, Ind. [u.a.]

    Universitäts- und Landesbibliothek Düsseldorf
    Unlimited inter-library loan, copies and loan
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  4. Writing the black revolutionary diva
    women's subjectivity and the decolonizing text
    Published: 2010
    Publisher:  Indiana Univ. Press, Bloomington, Ind. [u.a.]

    Universitäts- und Landesbibliothek Düsseldorf
    angm890.b878
    Unlimited inter-library loan, copies and loan
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  5. Writing the black revolutionary diva
    women's subjectivity and the decolonizing text
    Published: 2010
    Publisher:  Indiana Univ. Press, Bloomington, Ind. [u.a.]

    Export to reference management software   RIS file
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    Source: Union catalogues
    Media type: Book
    Format: Print
    ISBN: 9780253355256; 0253355257; 9780253222466; 025322246X
    RVK Categories: HU 1728
    Series: Blacks in the diaspora
    Subjects: American literature; African American women authors; African American women in literature; African American women; Subjectivity in literature
    Scope: X, 280 S., 24 cm
    Notes:

    Literaturverz. S. 243 - 259