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  1. Ezra Pound, Wyndham Lewis, and radical modernism
    Author: Sherry, Vincent B.
    Published: 1993
    Publisher:  Oxford Univ. Press, New York, NY [u.a.]

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0195076931
    RVK Categories: HU 4785
    Edition: 1. [Dr.]
    Scope: VIII, 228 S.
  2. Ezra Pound, Wyndham Lewis, and radical modernism
    Author: Sherry, Vincent B.
    Published: ©1993
    Publisher:  Oxford University Press, New York

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195076931; 1280442565; 1423764803; 1601298951; 9780195076936; 9781280442568; 9781423764809; 9781601298959
    Subjects: Modernism (Literature); LITERARY CRITICISM / American / General; Fascism and literature; Modernism (Literature); Radicalism in literature; Letterkunde; Modernisme (cultuur); Radicalisme; Fascisme; Literatur; Modernism (Literature); Modernism (Literature); Radicalism in literature; Fascism and literature; Moderne; Radikalismus
    Other subjects: Lewis, Wyndham / 1882-1957; Pound, Ezra / 1885-1972; Pound, Ezra (1885-1972); Lewis, Wyndham (1882-1957); Pound, Ezra (1885-1972); Lewis, Wyndham (1882-1957); Pound, Ezra (1885-1972); Lewis, Wyndham (1882-1957)
    Scope: 1 Online-Ressource (228 pages)
    Notes:

    Includes index

    Includes bibliographical references (pages 197-221) and index

    ILLUSTRATIONS; Prologue; 1 From the Continent to England, 1889-1925; Musical Empathy; Political Aesthetics; European Vortex; This Hulme Business; 2 Ezra Pound, 1908-1920; Negotiations; Early Cantos: Auditing the Tradition; Hugh Selwyn Mauberley; 3 Wyndham Lewis: L'Entre Deux Guerres; Untuning the Word; The Failure of Art; The Art of Failure; 4 Ezra Pound, 1921-1939; Resuming the Cantos: Eliot, Dada, Major Form; Making Friends with the Enemy; States of Excess; Epilogue; NOTES; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y.

    This study examines the relation between the aesthetic convictions and political opinions of the Anglo-American modernists, focusing on the collaboration between Pound and Lewis. It attempts to account for their parallel movements towards the parties of European fascism
  3. Ezra Pound, Wyndham Lewis, and radical modernism
    Author: Sherry, Vincent B.
    Published: 1993
    Publisher:  Oxford University Press, New york

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195076931
    Subjects: Radicalism in literature; Fascism and literature; Modernism (Literature); Moderne; Radikalismus
    Other subjects: Pound, Ezra (1885-1972); Lewis, Wyndham (1882-1957); Pound, Ezra (1885-1972); Lewis, Wyndham (1882-1957)
    Scope: viii, 228 p.
    Notes:

    Includes index
  4. Ezra Pound, Wyndham Lewis and radical modernism
    Author: Sherry, Vincent B
    Published: 1993
    Publisher:  Oxford Univ. Pr., New York [u.a.]

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    Universitätsbibliothek der RWTH Aachen
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0195076931
    Subjects: Pound, Ezra; Moderne; Literatur; Lewis, Wyndham; Moderne; Literatur
    Scope: VIII, 228 S. : Ill.
  5. Ezra Pound, Wyndham Lewis, and radical modernism
    Author: Sherry, Vincent B.
    Published: 1993
    Publisher:  Oxford Univ. Press, New York u.a.

    Ezra Pound and Wyndham Lewis developed a highly experimental art in verse, prose, and paint; they were attracted simultaneously to political programs remarkably backward its outlook - the autocracies of fascist Italy and Nazi Germany. That paradox,... more

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    Ezra Pound and Wyndham Lewis developed a highly experimental art in verse, prose, and paint; they were attracted simultaneously to political programs remarkably backward its outlook - the autocracies of fascist Italy and Nazi Germany. That paradox, central to the problematic achievement of Anglo-American modernism, is freshly addressed in this study. Sherry examines the influence of music and painting on literature, presents original research on European intellectual history, and proposes a new understanding of ideology as a force in the literary imagination. Following the example of continental ideologues like Julien Benda and Georges Sorel, the English modernists used the material of aesthetic experience to prove truths of human nature, making art the basis for social values and recomendations. This sensibility enriches their work, shaping the varied textures of Pound's Cantos and the complex designs of Lewis's painting and fiction, but their mastery of avant-garde techniques endorses the authority of an antique state. Sherry returns their "totalitarian synthesis" of art and politics to its originating moment, following its trajectory from 1910 to the eve of World War II. Skillfully relating aesthetic practice to political precepts, Sherry's study recovers a European tradition previously unrecognized by scholars, illustrating its profound intfluence on English modernism. Ezra Pound, Wyndham Lewis, and Radical Modernism will inform readers in the fields of modern British and American literature, modern intellectual history, modern art history, and political science.

     
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  6. Ezra Pound, Wyndham Lewis and radical modernism
    Author: Sherry, Vincent B.
    Published: 1993
    Publisher:  Oxford Univ. Pr., New York [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0195076931
    Subjects: Literatur; Moderne
    Other subjects: Pound, Ezra (1885-1972); Lewis, Wyndham (1882-1957)
    Scope: VIII, 228 S., Ill.
  7. Ezra Pound, Wyndham Lewis, and radical modernism
    Published: c1993
    Publisher:  Oxford University Press, New York

    This study examines the relation between the aesthetic convictions and political opinions of the Anglo-American modernists, focusing on the collaboration between Pound and Lewis. It attempts to account for their parallel movements towards the parties... more

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    Hochschule Aalen, Bibliothek
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    This study examines the relation between the aesthetic convictions and political opinions of the Anglo-American modernists, focusing on the collaboration between Pound and Lewis. It attempts to account for their parallel movements towards the parties of European fascism

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1601298951; 9781601298959; 9780195076936; 0195076931; 1280442565; 9781280442568; 1423764803; 9781423764809
    Subjects: Modernism (Literature); Modernism (Literature); Radicalism in literature; Fascism and literature; Modernism (Literature); Modernism (Literature); Modernism (Literature); Modernism (Literature); Radicalism in literature; Fascism and literature; Modernism (Literature); Fascism and literature; Radicalism in literature; Letterkunde; Modernisme (cultuur); Radicalisme; Fascisme; LITERARY CRITICISM ; American ; General; Criticism, interpretation, etc
    Other subjects: Pound, Ezra 1885-1972; Lewis, Wyndham 1882-1957; Pound, Ezra 1885-1972; Lewis, Wyndham 1882-1957; Pound, Ezra (1885-1972); Lewis, Wyndham (1882-1957); Pound, Ezra (1885-1972); Lewis, Wyndham (1882-1957); Lewis, Wyndham (1882-1957); Pound, Ezra (1885-1972); Pound, Ezra (1885-1972); Lewis, Wyndham (1882-1957); Pound, Ezra; Lewis, Wyndham
    Scope: Online Ressource (228 p.), ill.
    Notes:

    Includes index. - Includes bibliographical references (p. 197-221) and index. - Description based on print version record

    Includes index

    ILLUSTRATIONS; Prologue; 1 From the Continent to England, 1889-1925; Musical Empathy; Political Aesthetics; European Vortex; This Hulme Business; 2 Ezra Pound, 1908-1920; Negotiations; Early Cantos: Auditing the Tradition; Hugh Selwyn Mauberley; 3 Wyndham Lewis: L'Entre Deux Guerres; Untuning the Word; The Failure of Art; The Art of Failure; 4 Ezra Pound, 1921-1939; Resuming the Cantos: Eliot, Dada, Major Form; Making Friends with the Enemy; States of Excess; Epilogue; NOTES; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y.
  8. Ezra Pound, Wyndham Lewis, and radical modernism
    Author: Sherry, Vincent
    Published: 1993
    Publisher:  Oxford Univ. Press, New York [u.a.]

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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Source: Union catalogues
    Media type: Book
    Format: Print
    ISBN: 0195076931
    Edition: 2. print
    Subjects: Englisch; Literatur; Radikalismus
    Other subjects: Pound, Ezra (1885-1972); Lewis, Wyndham <Schriftsteller, 1882-1957>
    Scope: VIII, 228 S, Ill
  9. Ezra Pound, Wyndham Lewis, and radical modernism
    Author: Sherry, Vincent B.
    Published: 1993
    Publisher:  Oxford Univ. Press, New York, NY [u.a.]

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0195076931
    RVK Categories: HM 3355 ; HU 4785
    Subjects: Modernism (Literature); Modernism (Literature); Radicalism in literature; Fascism and literature; Literature
    Other subjects: Pound, Ezra (1885-1972); Lewis, Wyndham (1882-1957)
    Scope: VIII, 228 S., Ill.
  10. Ezra Pound, Wyndham Lewis, and radical modernism
    Author: Sherry, Vincent B.
    Published: 1993
    Publisher:  Oxford University Press, New York ; EBSCO Industries, Inc., Birmingham, AL, USA

    This study examines the relation between the aesthetic convictions and political opinions of the Anglo-American modernists, focusing on the collaboration between Pound and Lewis. It attempts to account for their parallel movements towards the parties... more

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    This study examines the relation between the aesthetic convictions and political opinions of the Anglo-American modernists, focusing on the collaboration between Pound and Lewis. It attempts to account for their parallel movements towards the parties of European fascism.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1423764803; 9781423764809; 1601298951; 9781601298959; 9780195076936; 0195076931; 1280442565; 9781280442568
    RVK Categories: HU 4785
    Scope: 1 Online-Ressource (228 pages), Illustrations
    Notes:

    Includes bibliographical references (pages 197-221) and index
  11. Ezra Pound, Wyndham Lewis, and radical modernism
    Author: Sherry, Vincent B.
    Published: 1993
    Publisher:  Oxford Univ. Press, New York u.a.

    Ezra Pound and Wyndham Lewis developed a highly experimental art in verse, prose, and paint; they were attracted simultaneously to political programs remarkably backward its outlook - the autocracies of fascist Italy and Nazi Germany. That paradox,... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Ezra Pound and Wyndham Lewis developed a highly experimental art in verse, prose, and paint; they were attracted simultaneously to political programs remarkably backward its outlook - the autocracies of fascist Italy and Nazi Germany. That paradox, central to the problematic achievement of Anglo-American modernism, is freshly addressed in this study. Sherry examines the influence of music and painting on literature, presents original research on European intellectual history, and proposes a new understanding of ideology as a force in the literary imagination. Following the example of continental ideologues like Julien Benda and Georges Sorel, the English modernists used the material of aesthetic experience to prove truths of human nature, making art the basis for social values and recomendations. This sensibility enriches their work, shaping the varied textures of Pound's Cantos and the complex designs of Lewis's painting and fiction, but their mastery of avant-garde techniques endorses the authority of an antique state. Sherry returns their "totalitarian synthesis" of art and politics to its originating moment, following its trajectory from 1910 to the eve of World War II. Skillfully relating aesthetic practice to political precepts, Sherry's study recovers a European tradition previously unrecognized by scholars, illustrating its profound intfluence on English modernism. Ezra Pound, Wyndham Lewis, and Radical Modernism will inform readers in the fields of modern British and American literature, modern intellectual history, modern art history, and political science.

     
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  12. Ezra Pound, Wyndham Lewis, and radical modernism
    Author: Sherry, Vincent B.
    Published: 1993
    Publisher:  Oxford University Press, New york

    This study examines the relation between the aesthetic convictions and political opinions of the Anglo-American modernists, focusing on the collaboration between Pound and Lewis. It attempts to account for their parallel movements towards the parties... more

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    This study examines the relation between the aesthetic convictions and political opinions of the Anglo-American modernists, focusing on the collaboration between Pound and Lewis. It attempts to account for their parallel movements towards the parties of European fascism

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195076931
    Subjects: Modernism (Literature); Fascism and literature; Radicalism in literature; Fascism and literature; Lewis, Wyndham ; 1882-1957 ; Criticism and interpretation; Modernism (Literature); Pound, Ezra ; 1885-1972 ; Criticism and interpretation; Radicalism in literature; Electronic books
    Other subjects: Pound, Ezra (1885-1972); Lewis, Wyndham (1882-1957)
    Scope: Online-Ressource (viii, 228 p), ill
    Notes:

    Includes index

    Electronic reproduction; Available via World Wide Web

    CONTENTS; ILLUSTRATIONS; Prologue; 1 From the Continent to England, 1889-1925; Musical Empathy; Political Aesthetics; European Vortex; This Hulme Business; 2 Ezra Pound, 1908-1920; Negotiations; Early Cantos: Auditing the Tradition; Hugh Selwyn Mauberley; 3 Wyndham Lewis: L'Entre Deux Guerres; Untuning the Word; The Failure of Art; The Art of Failure; 4 Ezra Pound, 1921-1939; Resuming the Cantos: Eliot, Dada, Major Form; Making Friends with the Enemy; States of Excess; Epilogue; NOTES; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y