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  1. Nobody's home
    speech, self, and place in American fiction from Hawthorne to DeLillo
    Published: 1993
    Publisher:  Oxford University Press, New York, NY

    Universität Mainz, Bereichsbibliothek Translations-, Sprach- und Kulturwissenschaft
    LIT-AM 05.41 Weins 1
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    Universität Mainz, Zentralbibliothek
    167.945
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    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    L/A W 39 1
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0195074939; 019508022X
    RVK Categories: HT 1520 ; HT 1800
    Edition: 1.[Dr.]
    Scope: XII, 349 Seiten
    Notes:

    Literaturangaben

  2. Nobody's home
    speech, self, and place in American fiction from Hawthorne to DeLillo
    Published: 1993
    Publisher:  Oxford Univ. Press, New York [u.a.]

    Universitätsbibliothek Augsburg
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  3. Nobody's home
    speech, self, and place in American fiction from Hawthorne to DeLillo
    Published: 1993
    Publisher:  Oxford University Press, New York

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195074939; 019508022X; 1280526629; 1429406992; 9780195074932; 9780195080223; 9781280526626; 9781429406994
    Subjects: LITERARY CRITICISM / American / General; Zelf; Recht van meningsuiting; Letterkunde; Amerikaans; Literatur; American fiction; Self in literature; Language and culture; Freedom of speech in literature; Speech in literature; Place (Philosophy) in literature; Home in literature; Redefreiheit <Motiv>; Prosa; Roman; Selbstverwirklichung <Motiv>; Epik
    Scope: 1 Online-Ressource (xii, 349 p.)
    Notes:

    Includes bibliographical references (p. 321-342) and index

    Hawthorne's "Wakefield" and the art of self-possession -- Melville : knowing Bartleby -- Stowe : ghosting in Uncle Tom's cabin -- Twain : the twinning principle in Puddn'head Wilson -- Anderson : the play of Winesburg, Ohio -- Flannery O'Connor and the art of displacement -- Fitzgerald's Great Gatsby : fiction as greatness -- Faulkner's As I lay dying : the voice from the coffin -- Faulkner : fusion and confusion in Light in August -- Hemingway's Garden of Eden : the final combat zone -- John Hawkes, skin trader -- Robert Coover : fiction as fission -- Dis-membering and re-membering in Toni Morrison's Beloved -- Don DeLillo : rendering the words of the tribe

    In Nobody's Home, Arnold Weinstein defies the current trends of cultural studies and postmodern criticism to create a sweeping account of American fiction. From Hawthorne's "Wakefield" to Don deLillo's novels, the book pursues the idea of freedom of speech in the work of American writers. Though many contemporary critics emphasize the ways in which we are bound by the limitations of culture, history and language, Weinstein sees the issue of freedom (to speak, to create a self, to overcome repression) as central to the enterprise of American fiction in the past two centuries. Weinstein brings together canonical American texts by Hawthorne, Melville, Stowe, Twain, Anderson, Fitzgerald, Faulkner and Hemingway with contemporary fiction by John Hawkes, Toni Morrison, Robert Coover and Don deLillo. This broad historical continuum is charted in a critical style that is lucid and engaging. The book's superb readings of individual texts, together form a coherent and inspiring vision of the great achievements of American fiction

  4. Nobody's home
    speech, self, and place in American fiction from Hawthorne to DeLillo
  5. Nobody's home
    speech, self, and place in American fiction from Hawthorne to DeLillo
    Published: 1993
    Publisher:  Oxford University Press, New York

    In Nobody's Home, Arnold Weinstein defies the current trends of cultural studies and postmodern criticism to create a sweeping account of American fiction. From Hawthorne's "Wakefield" to Don deLillo's novels, the book pursues the idea of freedom of... more

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    Hochschule Aalen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    In Nobody's Home, Arnold Weinstein defies the current trends of cultural studies and postmodern criticism to create a sweeping account of American fiction. From Hawthorne's "Wakefield" to Don deLillo's novels, the book pursues the idea of freedom of speech in the work of American writers. Though many contemporary critics emphasize the ways in which we are bound by the limitations of culture, history and language, Weinstein sees the issue of freedom (to speak, to create a self, to overcome repression) as central to the enterprise of American fiction in the past two centuries. Weinstein brings together canonical American texts by Hawthorne, Melville, Stowe, Twain, Anderson, Fitzgerald, Faulkner and Hemingway with contemporary fiction by John Hawkes, Toni Morrison, Robert Coover and Don deLillo. This broad historical continuum is charted in a critical style that is lucid and engaging. The book's superb readings of individual texts, together form a coherent and inspiring vision of the great achievements of American fiction

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1280526629; 9781280526626; 9780195074932; 0195074939; 1429406992; 9781429406994
    Other identifier:
    9780195080223
    Subjects: American fiction; Language and culture; Home in literature; Self in literature; Freedom of speech in literature; Speech in literature; Place (Philosophy) in literature; Language and culture; American fiction; Home in literature; Freedom of speech in literature; Speech in literature; Place (Philosophy) in literature; Home in literature; Language and culture; American fiction; Self in literature; LITERARY CRITICISM ; American ; General; American fiction; Freedom of speech in literature; Home in literature; Language and culture; Place (Philosophy) in literature; Self in literature; Speech in literature; Zelf; Recht van meningsuiting; Letterkunde; Amerikaans; Criticism, interpretation, etc
    Scope: Online Ressource (xii, 349 p.)
    Notes:

    Includes bibliographical references (p. 321-342) and index. - Description based on print version record

    Hawthorne's "Wakefield" and the art of self-possessionMelville : knowing Bartleby -- Stowe : ghosting in Uncle Tom's cabin -- Twain : the twinning principle in Puddn'head Wilson -- Anderson : the play of Winesburg, Ohio -- Flannery O'Connor and the art of displacement -- Fitzgerald's Great Gatsby : fiction as greatness -- Faulkner's As I lay dying : the voice from the coffin -- Faulkner : fusion and confusion in Light in August -- Hemingway's Garden of Eden : the final combat zone -- John Hawkes, skin trader -- Robert Coover : fiction as fission -- Dis-membering and re-membering in Toni Morrison's Beloved -- Don DeLillo : rendering the words of the tribe.

  6. Nobody's home
    speech, self, and place in American fiction from Hawthorne to DeLillo
    Published: 1993
    Publisher:  Oxford Univ. Press, New York, NY [u.a.]

    Staats- und Universitätsbibliothek Bremen
    03.d.4250
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    Technische Universität Chemnitz, Universitätsbibliothek
    HR 1520 wei
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    693083
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    Universitätsbibliothek Freiburg
    GE 93/5498
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    Bibliothek im KG IV, Bereich Anglistik und Amerikanistik
    Frei 24: AL 3346
    No loan of volumes, only paper copies will be sent
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    95 A 4064
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    LD MG
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    AA L XIV 8750
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    ET/95/9767
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    Universitätsbibliothek Heidelberg
    94 A 5653
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    Thüringer Universitäts- und Landesbibliothek
    AMK:MF:528:Wei::1993
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    Universitätsbibliothek Leipzig
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    Otto-von-Guericke-Universität, Universitätsbibliothek
    96.11737
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    500 HT 1800 W424
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    96 A 36898
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    44/3280
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    Universitätsbibliothek der Eberhard Karls Universität
    34 A 7920
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    PC 500.034
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0195074939; 019508022X
    RVK Categories: HT 1800
    Subjects: American fiction; Self in literature; Language and culture; Freedom of speech in literature; Speech in literature; Place (Philosophy) in literature; Home in literature; Literature
    Scope: XII, 349 S, 25 cm
    Notes:

    Includes bibliographical references (p. 321-342) and index

    Includes index

  7. Nobody's home
    speech, self, and place in American fiction from Hawthorne to DeLillo
    Published: 1993
    Publisher:  Oxford University Press, New York ; EBSCO Industries, Inc., Birmingham, AL, USA

    In Nobody's Home, Arnold Weinstein defies the current trends of cultural studies and postmodern criticism to create a sweeping account of American fiction. From Hawthorne's "Wakefield" to Don deLillo's novels, the book pursues the idea of freedom of... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    In Nobody's Home, Arnold Weinstein defies the current trends of cultural studies and postmodern criticism to create a sweeping account of American fiction. From Hawthorne's "Wakefield" to Don deLillo's novels, the book pursues the idea of freedom of speech in the work of American writers. Though many contemporary critics emphasize the ways in which we are bound by the limitations of culture, history and language, Weinstein sees the issue of freedom (to speak, to create a self, to overcome repression) as central to the enterprise of American fiction in the past two centuries. Weinstein brings together canonical American texts by Hawthorne, Melville, Stowe, Twain, Anderson, Fitzgerald, Faulkner and Hemingway with contemporary fiction by John Hawkes, Toni Morrison, Robert Coover and Don deLillo. This broad historical continuum is charted in a critical style that is lucid and engaging. The book's superb readings of individual texts, together form a coherent and inspiring vision of the great achievements of American fiction.

     

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1429406992; 9781429406994; 1280526629; 9781280526626; 9780195074932; 0195074939
    RVK Categories: HT 1520 ; HT 1800
    Scope: 1 Online-Ressource (xii, 349 pages)
    Notes:

    Includes bibliographical references (pages 321-342) and index

  8. Nobody's home
    speech, self, and place in American fiction from Hawthorne to DeLillo
    Published: 1993
    Publisher:  Oxford University Press, New York

    In this broad-based study of American fiction, canonical and otherwise, Arnold Weinstein examines closely the strong ties between language, history and culture, with a particular focus on freedom of the self more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    EBS ProQuest
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    In this broad-based study of American fiction, canonical and otherwise, Arnold Weinstein examines closely the strong ties between language, history and culture, with a particular focus on freedom of the self

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 019508022X; 0195074939; 9780195080223
    Subjects: Home in literature; Self in literature; Freedom of speech in literature; American fiction; Language and culture; Speech in literature; American fiction ; History and criticism; Freedom of speech in literature; Home in literature; Language and culture ; United States; Self in literature; Speech in literature; Electronic books
    Scope: Online-Ressource (xii, 349 p)
    Notes:

    Includes bibliographical references (p. 321-342) and index

    Electronic reproduction; Available via World Wide Web

    Contents; Introduction: Self-Making and Freedom of Speech; I: OUTCASTS OF THE UNIVERSE; 1. Hawthorne's ""Wakefield"" and the Art of Self-Possession; 2. Melville: Knowing Bartleby; II: MASTERS AND SLAVES; 3. Stowe: Ghosting in Uncle Tom's Cabin; 4. Twain: The Twinning Principle in Puddn'head Wilson; III: THE VILLAGE MODERNISTS; 5. Anderson: The Play of Winesburg, Ohio; 6. Flannery O'Connor and the Art of Displacement; IV: THE AMERICAN MODERNISTS AND FREEDOM OF SPEECH; 7. Fitzgerald's Great Gatsby: Fiction as Greatness; 8. Faulkner's As I Lay Dying: The Voice from the Coffin

    9. Faulkner: Fusion and Confusion in Light in August10. Hemingway's Garden of Eden: The Final Combat Zone; V: THE AMERICAN POSTMODERNISTS AND FREEDOM OF SPEECH; 11. John Hawkes, Skin Trader; 12. Robert Coover: Fiction as Fission; 13. Dis-Membering and Re-Membering in Toni Morrison's Beloved; 14. Don DeLillo: Rendering the Words of the Tribe; Conclusion; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z