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Displaying results 1 to 7 of 7.

  1. Cinephilia : Movies, Love and Memory
    Contributor: de Valck, Marijke (Publisher); Hagener, Malte (Publisher)
    Published: 2005
    Publisher:  Amsterdam University Press

    This anthology explores new periods, practices and definitions of what it means to love the cinema. The essays demonstrate that beyond individualist immersion in film, typical of the cinephilia as it was popular from the 1950s to the 1970s, a new... more

     

    This anthology explores new periods, practices and definitions of what it means to love the cinema. The essays demonstrate that beyond individualist immersion in film, typical of the cinephilia as it was popular from the 1950s to the 1970s, a new type of cinephilia has emerged since the 1980s, practiced by a new generation of equally devoted, but quite differently networked cinephilies. They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as François Truffaut's Hitchcock; they happily subscribe to the Sundance Channel-they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recordings devices, and online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike. Ze maken zich druk over symbolische details in een Douglas Sirk of Ingmar Bergman film; ze begraven zich in boeken als François Truffaut's Hitchcock; ze nemen met liefde een abonnement op het art-house filmkanaal en ze staan ook wel bekend als 'cinefielen' - filmliefhebbers. Na de vele studies over de klassieke periode van 'cinephilia' - van de vijftiger tot de zeventiger jaren - richt dit boek zich op de nieuwste generatie filmliefhebbers en de manier waarop zij gebruik maken van de nieuwste technologieën. Door de komst van 'home theatres', digitale opneemmogelijkheden en online filmcommunities, zoeken hedendaagse 'cinefielen' hun heil buiten de institutionele kanalen. Met een geheel nieuwe episode in de geschiedenis van filmcultuur, opent Cinephilia een nog onontgonnen terrein voor studenten en onderzoekers.

     
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    Source: OAPEN
    Contributor: de Valck, Marijke (Publisher); Hagener, Malte (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789053567685
    Other identifier:
    Subjects: Film, TV & radio; Films, cinema
    Other subjects: motion pictures; film
    Scope: 1 electronic resource (238 p.)
  2. Film Festivals : From European Geopolitics to Global Cinephilia
    Author: de Valck, Marijke
    Published: 2007
    Publisher:  Amsterdam University Press

    Film festivals are hugely popular events that attract lovers of cinema worldwide. Focusing on the world's most famous festivals - Cannes, Berlin, Venice and Rotterdam - Film Festivals tells the story of a phenomenon that began in the midst of... more

     

    Film festivals are hugely popular events that attract lovers of cinema worldwide. Focusing on the world's most famous festivals - Cannes, Berlin, Venice and Rotterdam - Film Festivals tells the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. De Valck shows how festivals turned the odds into advantages and developed into a successful global network. Taking into account the oft multilateral influences of major actors, such as Hollywood, the avant-garde and political/economic agenda's, the book offers a comprehensive understanding of film festivals. A must-read for everyone interested in quality film cultures that revolve around cultural value, aesthetic innovation and socio-political relevance. Filmfestivals zijn razend populaire evenementen. Niet verwonderlijk, want naast het zien van de nieuwste films, komt men uiteraard ook voor de 'glitter and glamour' dat onlosmakelijk met filmfestivals verbonden is. Film Festivals is het boek bij uitstek dat zich richt op deze en andere facetten die het filmfestival tot een wereldwijd succesvol netwerk hebben gemaakt. Film Festivals vertelt het verhaal van een fenomeen dat begon gedurende de geopolitieke strijd in het door oorlog verscheurde Europa, toegespitst op de meest belangrijke festivals: Cannes, Berlijn, Venetië en Rotterdam. Het boek biedt een vernieuwende kijk op het fenomeen filmfestivals door vanuit een breed perspectief onderwerpen als het festivalprogramma, de festivalprijzen, de nationale regelgeving en marketing, het cinefiele aspect, de glamour, en de filmmarkt te belichten. Film Festivals is een must voor iedereen die geïnteresseerd is in de toestand van globale filmculturen en de manier waarop zij zichzelf weten te handhaven door middel van een dynamische mix van culturele waarden, esthetische innovatie, en socio-politiek belang.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789053561928
    Other identifier:
    Subjects: Film, TV & radio
    Other subjects: motion pictures; film
    Scope: 1 electronic resource (280 p.)
  3. After the Break
    Television Theory Today
    Contributor: de Valck, Marijke (Publisher); Teurlings, Jan (Publisher)
    Published: [2013]; © 2013
    Publisher:  Amsterdam University Press, Amsterdam

    Television is evolving rapidly. How, then, might we respond to television today in light of its past? And do the old theoretical concepts still apply, or must we invent a new framework for this mutable medium? To answer these fundamental questions,... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Television is evolving rapidly. How, then, might we respond to television today in light of its past? And do the old theoretical concepts still apply, or must we invent a new framework for this mutable medium? To answer these fundamental questions, the contributors to this provocative collection examine diverse case studies, including up-to-date scholarship on the current television zeitgeist, nostalgic programming on broadcast television, YouTube, and public television art programming of the 1980s. As a whole, these essays challenge the supposed crisis in television in the light of its burgeoning development

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: de Valck, Marijke (Publisher); Teurlings, Jan (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048518678
    Other identifier:
    Series: Televisual culture
    Subjects: Fernsehen; Medientheorie
    Scope: 1 online resource, 10 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)
  4. After the Break
    Television Theory Today
    Contributor: de Valck, Marijke (Publisher); Teurlings, Jan (Publisher)
    Published: [2013]; © 2013
    Publisher:  Amsterdam University Press, Amsterdam

    Television is evolving rapidly. How, then, might we respond to television today in light of its past? And do the old theoretical concepts still apply, or must we invent a new framework for this mutable medium? To answer these fundamental questions,... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Television is evolving rapidly. How, then, might we respond to television today in light of its past? And do the old theoretical concepts still apply, or must we invent a new framework for this mutable medium? To answer these fundamental questions, the contributors to this provocative collection examine diverse case studies, including up-to-date scholarship on the current television zeitgeist, nostalgic programming on broadcast television, YouTube, and public television art programming of the 1980s. As a whole, these essays challenge the supposed crisis in television in the light of its burgeoning development

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: de Valck, Marijke (Publisher); Teurlings, Jan (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048518678
    Other identifier:
    Series: Televisual culture
    Subjects: Fernsehen; Medientheorie
    Scope: 1 online resource, 10 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)
  5. Re-disciplining the Audience: Godard’s Rube-Carabinier
    Author: Strauven, Wanda
    Published: 2005
    Publisher:  Philipps-Universität Marburg, Marburg ; Amsterdam University Press, Amsterdam

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    Source: Union catalogues
    Contributor: de Valck, Marijke (Herausgeber); Hagener, Malte (Herausgeber)
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Other subjects: intertextuality; film; history; early cinema; intermediality; television; Intertextualität; Filmgeschichte; Frühes Kino; Intermedialität; Fernsehen
    Scope: Online-Ressource
    Notes:

    In: Wanda Strauven: Re-disciplining the Audience: Godard’s Rube-Carabinier. In: Marijke de Valck und Malte Hagener (Hg.): Cinephilia. Movies, Love and Memory. Amsterdam: Amsterdam University Press (2005) (Film culture in transition), S. 125–133.
  6. Playing the Waves: The Name of the Game is Dogme95
    Author: Simons, Jan
    Published: 2005
    Publisher:  Philipps-Universität Marburg, Marburg ; Amsterdam University Press, Amsterdam

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    Source: Union catalogues
    Contributor: de Valck, Marijke (Herausgeber); Hagener, Malte (Herausgeber)
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Other subjects: Realismus; Ästhetik; Filmproduktion; Simulation; Nouvelle Vague; Dogma 95; Dogmafilm; realism; aesthetics; film production; Dogme95
    Scope: Online-Ressource
    Notes:

    In: Jan Simons: Playing the Waves: The Name of the Game is Dogme95. In: Marijke de Valck und Malte Hagener (Hg.): Cinephilia. Movies, Love and Memory. Amsterdam: Amsterdam University Press (2005) (Film culture in transition), S. 181–196.
  7. Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam
    Author: de Valck, Marijke
    Published: 2014

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    Source: Online Contents Comparative Literature
    Media type: Article (journal)
    Format: Print
    Parent title: Poetics; Amsterdam : Elsevier, 1971-; Band 42 (2014), Seite 40-59