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  1. A literatura austríaca como questão para a historiografia literária alemã
    a provocação formal em "Heldenplatz", de Thomas Bernhard
    Author: Villibor Flory, Alexandre
    Published: 2010

    This article is composed by two different, though articulated, moments. First we intend to discuss some aspects of the difficulties related to literary historiography nowadays, by questioning the concept itself, as well as the difficulties in... more

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    This article is composed by two different, though articulated, moments. First we intend to discuss some aspects of the difficulties related to literary historiography nowadays, by questioning the concept itself, as well as the difficulties in establishing a History of German Literature, when we consider some Austrian contemporary authors. After that, we discuss some aspects regarding the Austrian author Thomas Bernhard's last play, "Heroes' Square" ("Heldenplatz"), premièred in 1988. ... Este artigo é formado por dois momentos distintos, porém articulados. Em primeiro lugar, pretende-se colocar algumas questões centrais para a discussão sobre a historiografia literária. Isso será feito tanto pelo questionamento de seu estatuto nos dias de hoje, bem como das dificuldades de se estabelecer uma história literária em língua alemã, quando se tem em vista autores austríacos contemporâneos. Num segundo segmento, a partir das considerações anteriores, iremos discorrer sobre a pertinência de uma perspectiva imanente. Para isso discutiremos alguns aspectos sobre a última peça do austríaco Thomas Bernhard, "Praça dos Heróis" ("Heldenplatz"), de 1988. ...

     
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    Source: Union catalogues
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: In: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; Band 16 (2010), Seite 89-121-; Online-Ressource

    DDC Categories: 830
    Subjects: Deutsch; Literatur; Literaturgeschichtsschreibung; Kritische Theorie
    Other subjects: Bernhard, Thomas (1931-1989): Heldenplatz
    Scope: Online-Ressource
  2. Apontamentos sobre a recepção de Bertolt Brecht no Brasil via Anatol Rosenfeld Notes on Berthold Brecht's reception in Brazil by Anatol Rosenfeld
    Author: Villibor Flory, Alexandre

    One of the most important chapters in the reception of German theater in Brazil began in 1958 with the presentation of Berthold Brecht's play "The Good Woman of Setsuan". The subsequent performance of many of his works brought up new dramaturgic and... more

     

    One of the most important chapters in the reception of German theater in Brazil began in 1958 with the presentation of Berthold Brecht's play "The Good Woman of Setsuan". The subsequent performance of many of his works brought up new dramaturgic and theoretical questions in a context that was open to aesthetic experimentation and marked by a dialectic between the theater and the turbulent social context of the period. Groups such as Arena, Oficina, and CPC discussed, updated and articulated Brecht's work through their experimentation. Since this reception in Brazil, both in the late 1950s and today, is based on several different theoretical and critical references, it would seem well to go back to Anatol Rosenfeld's critique of Brecht. From his broad knowledge of aesthetic theater, epic theater theory, Brazilian theater and Brecht's work, Rosenfeld holds an important place in the debates on Brecht's works and Brecht's influence on Brazilian theater. In this article we take up several phases in Rosenfeld's work, which is theoretical as well as historical and critical. His contributions are considered among the most lucid and updated studies on Brecht and the Brazilian theater. Um dos capítulos mais importantes da recepção do teatro alemão no Brasil se iniciou em 1958, com a montagem de "A alma boa de Setsuan". A encenação de muitas entre suas obras a partir de então colocou novas questões dramatúrgicas e teóricas num cenário aberto à experimentação estética e marcado pela dialética entre o teatro e o turbulento contexto social brasileiro da época. Grupos como o Arena, o Oficina e o CPC discutiram, atualizaram e articularam a obra de Brecht com suas próprias pesquisas. Como essa recepção, ontem como hoje no Brasil, é feita a partir dos mais diferentes referenciais teóricos e críticos, faz-se necessária a revisitação da crítica esclarecedora de Anatol Rosenfeld sobre Brecht. Profundo conhecedor de estética teatral, da teoria do teatro épico, da obra de Brecht e do teatro brasileiro, Rosenfeld tem papel decisivo em vários debates em torno de sua obra e de sua influência no teatro brasileiro. Nesse artigo, a partir de questões que surgem da recepção contemporânea de Brecht, pretendemos acompanhar algumas etapas desse percurso na obra de Rosenfeld, que é tanto teórico como histórico e crítico e se constitui como um dos mais lúcidos e atuais estudos sobre Brecht e o teatro brasileiro.

     
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    Content information: free
    Source: CompaRe
    Language: Portuguese
    Media type: Article
    Format: Online
    DDC Categories: 830
    Subjects: Rosenfeld, Anatol; Brecht, Bertolt / Der gute Mensch von Sezuan; Rezeption; Brasilien
    Rights:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  3. A literatura austríaca como questão para a historiografia literária alemã : a provocação formal em "Heldenplatz", de Thomas Bernhard
    Author: Villibor Flory, Alexandre

    This article is composed by two different, though articulated, moments. First we intend to discuss some aspects of the difficulties related to literary historiography nowadays, by questioning the concept itself, as well as the difficulties in... more

     

    This article is composed by two different, though articulated, moments. First we intend to discuss some aspects of the difficulties related to literary historiography nowadays, by questioning the concept itself, as well as the difficulties in establishing a History of German Literature, when we consider some Austrian contemporary authors. After that, we discuss some aspects regarding the Austrian author Thomas Bernhard's last play, "Heroes' Square" ("Heldenplatz"), premièred in 1988. The whole process of writing and staging was marked by the author's design to cause an intentional scandal. As such, the very concept of the play involves its reception in a very fruitful dialectics between arts and society, and not resulting in a merely accidental provocation at the formal level. Thus, the play questions the very conception of art as something organic and self-enclosed, updating the brechtian epic tradition, decisive also for the development of the Brazilian theater, from the 50's until the present day. Este artigo é formado por dois momentos distintos, porém articulados. Em primeiro lugar, pretende-se colocar algumas questões centrais para a discussão sobre a historiografia literária. Isso será feito tanto pelo questionamento de seu estatuto nos dias de hoje, bem como das dificuldades de se estabelecer uma história literária em língua alemã, quando se tem em vista autores austríacos contemporâneos. Num segundo segmento, a partir das considerações anteriores, iremos discorrer sobre a pertinência de uma perspectiva imanente. Para isso discutiremos alguns aspectos sobre a última peça do austríaco Thomas Bernhard, "Praça dos Heróis" ("Heldenplatz"), de 1988. Todo seu processo de escrita e encenação foi marcado por um escândalo programado pelo autor. Deste modo, a própria concepção da peça envolve a recepção em uma dialética entre arte e sociedade muito fecunda, resultando numa provocação elevada ao nível da forma, e não meramente acidental. Assim, questiona uma concepção de obra de arte orgânica e fechada, atualizando uma tradição épica decisiva.

     
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    Content information: free
    Source: CompaRe
    Language: Portuguese
    Media type: Article
    Format: Online
    DDC Categories: 830
    Subjects: Bernhard, Thomas / Heldenplatz; Literatur; Deutsch; Literaturgeschichte; Kritische Theorie; Provokation; Formale Ästhetik
    Rights:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  4. A literatura austríaca como questão para a historiografia literária alemã : a provocação formal em "Heldenplatz", de Thomas Bernhard
    Author: Villibor Flory, Alexandre

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title:
    In:: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; 16.2010, S. 89-121; Online-Ressource
    Subjects: Bernhard, Thomas / Heldenplatz; Literatur; Deutsch; Literaturgeschichte; Kritische Theorie; Provokation; Formale Ästhetik
    Scope: Online-Ressource
  5. Apontamentos sobre a recepção de Bertolt Brecht no Brasil via Anatol Rosenfeld
    Author: Villibor Flory, Alexandre

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title:
    In:: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; 22.2013, S. 55-83; Online-Ressource
    Subjects: Rosenfeld, Anatol; Brecht, Bertolt / Der gute Mensch von Sezuan; Rezeption; Brasilien
    Scope: Online-Ressource
  6. A literatura austríaca como questão para a historiografia literária alemã : a provocação formal em "Heldenplatz", de Thomas Bernhard
    Author: Villibor Flory, Alexandre
    Published: 2010

    This article is composed by two different, though articulated, moments. First we intend to discuss some aspects of the difficulties related to literary historiography nowadays, by questioning the concept itself, as well as the difficulties in... more

     

    This article is composed by two different, though articulated, moments. First we intend to discuss some aspects of the difficulties related to literary historiography nowadays, by questioning the concept itself, as well as the difficulties in establishing a History of German Literature, when we consider some Austrian contemporary authors. After that, we discuss some aspects regarding the Austrian author Thomas Bernhard's last play, "Heroes' Square" ("Heldenplatz"), premièred in 1988. The whole process of writing and staging was marked by the author's design to cause an intentional scandal. As such, the very concept of the play involves its reception in a very fruitful dialectics between arts and society, and not resulting in a merely accidental provocation at the formal level. Thus, the play questions the very conception of art as something organic and self-enclosed, updating the brechtian epic tradition, decisive also for the development of the Brazilian theater, from the 50's until the present day. ; Este artigo é formado por dois momentos distintos, porém articulados. Em primeiro lugar, pretende-se colocar algumas questões centrais para a discussão sobre a historiografia literária. Isso será feito tanto pelo questionamento de seu estatuto nos dias de hoje, bem como das dificuldades de se estabelecer uma história literária em língua alemã, quando se tem em vista autores austríacos contemporâneos. Num segundo segmento, a partir das considerações anteriores, iremos discorrer sobre a pertinência de uma perspectiva imanente. Para isso discutiremos alguns aspectos sobre a última peça do austríaco Thomas Bernhard, "Praça dos Heróis" ("Heldenplatz"), de 1988. Todo seu processo de escrita e encenação foi marcado por um escândalo programado pelo autor. Deste modo, a própria concepção da peça envolve a recepção em uma dialética entre arte e sociedade muito fecunda, resultando numa provocação elevada ao nível da forma, e não meramente acidental. Assim, questiona uma concepção de obra de arte orgânica e fechada, ...

     
    Export to reference management software   RIS file
      BibTeX file
    Source: BASE Selection for Comparative Literature
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
    DDC Categories: 830
    Subjects: Bernhard; Thomas / Heldenplatz; Literatur; Deutsch; Literaturgeschichte; Kritische Theorie; Provokation; Formale Ästhetik
    Rights:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de ; info:eu-repo/semantics/openAccess
  7. Apontamentos sobre a recepção de Bertolt Brecht no Brasil via Anatol Rosenfeld ; Notes on Berthold Brecht's reception in Brazil by Anatol Rosenfeld
    Author: Villibor Flory, Alexandre
    Published: 2013

    One of the most important chapters in the reception of German theater in Brazil began in 1958 with the presentation of Berthold Brecht's play "The Good Woman of Setsuan". The subsequent performance of many of his works brought up new dramaturgic and... more

     

    One of the most important chapters in the reception of German theater in Brazil began in 1958 with the presentation of Berthold Brecht's play "The Good Woman of Setsuan". The subsequent performance of many of his works brought up new dramaturgic and theoretical questions in a context that was open to aesthetic experimentation and marked by a dialectic between the theater and the turbulent social context of the period. Groups such as Arena, Oficina, and CPC discussed, updated and articulated Brecht's work through their experimentation. Since this reception in Brazil, both in the late 1950s and today, is based on several different theoretical and critical references, it would seem well to go back to Anatol Rosenfeld's critique of Brecht. From his broad knowledge of aesthetic theater, epic theater theory, Brazilian theater and Brecht's work, Rosenfeld holds an important place in the debates on Brecht's works and Brecht's influence on Brazilian theater. In this article we take up several phases in Rosenfeld's work, which is theoretical as well as historical and critical. His contributions are considered among the most lucid and updated studies on Brecht and the Brazilian theater. ; Um dos capítulos mais importantes da recepção do teatro alemão no Brasil se iniciou em 1958, com a montagem de "A alma boa de Setsuan". A encenação de muitas entre suas obras a partir de então colocou novas questões dramatúrgicas e teóricas num cenário aberto à experimentação estética e marcado pela dialética entre o teatro e o turbulento contexto social brasileiro da época. Grupos como o Arena, o Oficina e o CPC discutiram, atualizaram e articularam a obra de Brecht com suas próprias pesquisas. Como essa recepção, ontem como hoje no Brasil, é feita a partir dos mais diferentes referenciais teóricos e críticos, faz-se necessária a revisitação da crítica esclarecedora de Anatol Rosenfeld sobre Brecht. Profundo conhecedor de estética teatral, da teoria do teatro épico, da obra de Brecht e do teatro brasileiro, Rosenfeld tem papel decisivo ...

     
    Export to reference management software   RIS file
      BibTeX file
    Source: BASE Selection for Comparative Literature
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
    DDC Categories: 830
    Subjects: Rosenfeld; Anatol; Brecht; Bertolt / Der gute Mensch von Sezuan; Rezeption; Brasilien
    Rights:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de ; info:eu-repo/semantics/openAccess
  8. A literatura austríaca como questão para a historiografia literária alemã
    a provocação formal em "Heldenplatz", de Thomas Bernhard
    Author: Villibor Flory, Alexandre
    Published: 2010

    This article is composed by two different, though articulated, moments. First we intend to discuss some aspects of the difficulties related to literary historiography nowadays, by questioning the concept itself, as well as the difficulties in... more

    Access:
    Verlag (kostenfrei)
    Verlag (kostenfrei)
    Resolving-System (kostenfrei)

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Inter-library loan:
    No inter-library loan
    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Inter-library loan:
    No inter-library loan
    Title in the local catalogue:
    https://hds.hebis.de/ubffm/Record/HEB347976603

     

    This article is composed by two different, though articulated, moments. First we intend to discuss some aspects of the difficulties related to literary historiography nowadays, by questioning the concept itself, as well as the difficulties in establishing a History of German Literature, when we consider some Austrian contemporary authors. After that, we discuss some aspects regarding the Austrian author Thomas Bernhard's last play, "Heroes' Square" ("Heldenplatz"), premièred in 1988. ... Este artigo é formado por dois momentos distintos, porém articulados. Em primeiro lugar, pretende-se colocar algumas questões centrais para a discussão sobre a historiografia literária. Isso será feito tanto pelo questionamento de seu estatuto nos dias de hoje, bem como das dificuldades de se estabelecer uma história literária em língua alemã, quando se tem em vista autores austríacos contemporâneos. Num segundo segmento, a partir das considerações anteriores, iremos discorrer sobre a pertinência de uma perspectiva imanente. Para isso discutiremos alguns aspectos sobre a última peça do austríaco Thomas Bernhard, "Praça dos Heróis" ("Heldenplatz"), de 1988. ...

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Specialised Catalogue of Comparative Literature
    Language: Portuguese
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: In: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; Band 16 (2010), Seite 89-121-; Online-Ressource

    DDC Categories: 830
    Subjects: Deutsch; Literatur; Literaturgeschichtsschreibung; Kritische Theorie
    Other subjects: Bernhard, Thomas (1931-1989): Heldenplatz
    Scope: Online-Ressource