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  1. American Cinema in the Shadow of 9/11
    Published: [2016]; ©2016
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    A comprehensive critical survey of the impact of 9/11 on Film, written by some of the foremost scholars in American cinemaAmerican Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the... more

    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    A comprehensive critical survey of the impact of 9/11 on Film, written by some of the foremost scholars in American cinemaAmerican Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.Key FeaturesFifteen original essays by some of the foremost scholars in American CinemaFeatures essays on the key films of the era, along with many that have previously been overlooked in scholarly literatureThe volume is critically informed but vibrant and engagingIncludes chapters by Geoff King, Guy Westwell, John Shelton Lawrence and Robert Jewett, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many othersCase StudiesAmericanEast (Hesham Issawi, 2008) American Sniper (Clint Eastwood, 2014)Avengers: Age of Ultron (Joss Whedon, 2015)Casino Royale (Martin Campbell, 2006)Children of Men (Alfonso Cuarón, 2006) Django Unchained (Quentin Tarantino, 2012)Edge of Tomorrow (Doug Liman, 2014)Extremely Loud and Incredibly Close (Stephen Daldry, 2011)Halloween (John Carpenter, 1978)Halloween (Rob Zombie, 2007)Halloween II (Rob Zombie, 2009)The Hateful Eight (Quentin Tarantino, 2015)Inglourious Basterds (Quentin Tarantino, 2009)The Kingdom (Peter Berg, 2007)Lincoln (Steven Spielberg, 2012)Marvel Avengers Assemble (Joss Whedon, 2012) U.S Title The AvengersPearl Harbour (Michael Bay, 2001)The Reluctant Fundamentalist (Mira Nair, 2012)RoboCop (Paul Verhoeven, 1987)RoboCop (José Padilha, 2014)The Siege (Edward Zwick, 1998)Source Code (Duncan Jones, 2011)Spectre (Sam Mendes, 2015)Unstoppable (Tony Scott, 2011)The Walk (Robert Zemeckis, 2015)The War Within (Joseph Castrello, 2005)Zero Dark Thirty (Kathryn Bigelow, 2012)...

     

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    Source: Union catalogues
    Contributor: Bennett, Karen (Mitwirkender); Gaine, Vincent M. (Mitwirkender); Hantke, Steffen (Mitwirkender); Jewett, Robert (Mitwirkender); Joyce, Stephen (Mitwirkender); Kendrick, James (Mitwirkender); King, Geoff (Mitwirkender); Knee, Adam (Mitwirkender); Lawrence, John Shelton (Mitwirkender); Mendes, Ana Cristina (Mitwirkender); Muller, Christine (Mitwirkender); Petrovic, Paul (Mitwirkender); Redmond, Sean (Mitwirkender); Schopp, Andrew (Mitwirkender); Scott, Ian (Mitwirkender); Westwell, Guy (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474413824
    Other identifier:
    RVK Categories: AP 44983 ; AP 59783 ; AP 44981
    Subjects: Film; Elfter September <Motiv>
    Scope: 1 Online-Ressource (352 p.), 40 B/W illustrations
  2. Coqs de clocher du XVIIIe s., autour d'Obernai
    Published: 1990

    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    Parent title:
    Annuaire de la Société d'Histoire et d'Archéologie de Dambach-la-Ville, Barr, Obernai / Société d'Histoire et d'Archéologie de Dambach-la-Ville, Barr, Obernai; Barr, 1990; 24.1990, 139-152
    Subjects: Wetterfahne; Ikonographie; Hahn <Motiv>
  3. D'Obernai à Eckartswiller, le tonnelier Michael Rumpler
    Published: octobre 2021

    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    Parent title:
    Annuaire de la Société d'Histoire et d'Archéologie de Dambach-la-Ville, Barr, Obernai; Barr, 2021; 55 (2021), Seite 87-92
    Subjects: Motiv; Fass; Böttcher; Böttcherhandwerk
    Scope: Illustrationen
  4. La léproserie d'Obernai du XIV au XVII siècle
    Published: 1989

    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    Parent title:
    Annuaire de la Société d'Histoire et d'Archéologie de Dambach-la-Ville, Barr, Obernai / Société d'Histoire et d'Archéologie de Dambach-la-Ville, Barr, Obernai; Barr, 1989; 23.1989, 59-78
    Subjects: Krankheit <Motiv>
  5. September 11, 2001 as a Cultural Trauma
    A Case Study through Popular Culture
    Published: 2017
    Publisher:  Palgrave Macmillan, Cham

    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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  6. September 11, 2001 as a Cultural Trauma
    A Case Study through Popular Culture
    Published: 2017
    Publisher:  Palgrave Macmillan, Cham

    Freie Universität Berlin, Universitätsbibliothek
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  7. September 11, 2001 as a Cultural Trauma
    A Case Study through Popular Culture
    Published: 2017
    Publisher:  Palgrave Macmillan, Cham

    This book investigates the September 11, 2001 attacks as a case study of cultural trauma, as well as how the use of widely-distributed, easily-accessible forms of popular culture can similarly focalize evaluation of other moments of acute and... more

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
    eBook Springer
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    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    eBook Springer
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    Universitätsbibliothek Mannheim
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    Universitätsbibliothek Mannheim
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    This book investigates the September 11, 2001 attacks as a case study of cultural trauma, as well as how the use of widely-distributed, easily-accessible forms of popular culture can similarly focalize evaluation of other moments of acute and profoundly troubling historical change. The attacks confounded the traditionally dominant narrative of the American Dream, which has persistently and pervasively featured optimism and belief in a just world that affirms and rewards self-determination. This shattering of a worldview fundamental to mainstream experience and cultural understanding in the United States has manifested as a cultural trauma throughout popular culture in the first decade of the twenty-first century. Popular press oral histories, literary fiction, television, and film are among the multiple, ubiquitous sites evidencing preoccupations with existential crisis, vulnerability, and moral ambivalence, with fate, no-win scenarios, and anti-heroes now pervading commonly-told and readily-accessible stories. Christine Muller examines how popular culture affords sites for culturally-traumatic events to manifest and how readers, viewers, and other audiences negotiate their fallout 1. Introduction: September 11, 2001, Cultural Trauma, and Popular Culture -- 2. Popular Press Oral Histories of September 11 -- 3. Limning the “Howling Space” of September 11 through Don DeLillo’s Falling Man -- 4. The Crisis Fetish in Post-September 11 American Television -- 5. “Nothing To Do with All Your Strength”: Power, Choice, and September 11 in The Dark Knight -- 6. Zero Dark Thirty and the Fantasy of Closure -- 7. Conclusion: Cultural Trauma: September 11, 2001 and Beyond

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783319501550
    Other identifier:
    Series: Array
    Array
    Subjects: Culture; Cultural and Media Studies; United States; Communication; Motion pictures; Historiography; America
    Scope: Online-Ressource (XVI, 220 p, online resource)
  8. September 11, 2001 as a cultural trauma
    a case study through popular culture
    Published: 2017
    Publisher:  Palgrave Macmillan, Cham

    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9783319501543; 3319501542
    Other identifier:
    9783319501543
    RVK Categories: HU 1691
    Subjects: Literatur; Massenkultur; Elfter September <Motiv>
    Other subjects: JFD; Don DeLillo; September 11; The Dark Knight; Trauma in American Culture; Zero Dark Thirty
    Scope: XVI, 220 pages
  9. September 11, 2001 as a cultural trauma
    a case study through popular culture
    Published: [2017]
    Publisher:  Palgrave Macmillan, Cham

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