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Displaying results 1 to 9 of 9.

  1. F.B. Eyes
    How J. Edgar Hoover's Ghostreaders Framed African American Literature
    Author: Maxwell, William J.
    Published: 2015
    Publisher:  Princeton University Press, Princeton, NJ

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691130200; 9781400852062
    Other identifier:
    RVK Categories: HU 1728
    Subjects: Schwarze; Literatur; Schriftsteller; Überwachung
    Scope: Online-Ressource (384 p)
  2. Complete Poems
    Author: McKay, Claude
    Published: 2003
    Publisher:  University of Illinois Press, Champaign ; ProQuest, Ann Arbor, Michigan

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    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Source: Union catalogues
    Contributor: Maxwell, William J.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780252094972
    RVK Categories: HQ 7580
    Series: American Poetry Recovery
    Subjects: Lyrik
    Other subjects: McKay, Claude (1889-1948)
    Scope: 1 Online-Ressource (457 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  3. Romance in Marseille
    Author: McKay, Claude
    Published: [2020]
    Publisher:  Penguin Books, [New York]

    "Buried in the archive for almost ninety years, Claude McKay's Romance in Marseille traces the adventures of a rowdy troupe of dockworkers, prostitutes, and political organizers--collectively straight and queer, disabled and able-bodied, African,... more

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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    "Buried in the archive for almost ninety years, Claude McKay's Romance in Marseille traces the adventures of a rowdy troupe of dockworkers, prostitutes, and political organizers--collectively straight and queer, disabled and able-bodied, African, European, Caribbean, and American. Set largely in the culture-blending Vieux Port of Marseille at the height of the Jazz Age, the novel takes flight along with Lafala, an acutely disabled but abruptly wealthy West African sailor"--

     
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    Source: Union catalogues
    Contributor: Holcomb, Gary Edward (VerfasserIn einer Einleitung); Maxwell, William J. (VerfasserIn einer Einleitung)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0525505989; 9780525505983
    Subjects: Harbors; Sex workers; Sexual minorities; Gender expression; Nineteen twenties; People with disabilities; Stevedores; Imperialism; Sailors; Sailors; Sex workers; Sexual minorities; Stevedores; FICTION / African American / Historical; People with disabilities; Gender expression; Fiction; Harbors; Imperialism; Nineteen twenties
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Includes bibliographical references
  4. Romance in Marseille
    Author: McKay, Claude
    Published: [2020]
    Publisher:  Penguin Books, [New York]

    "Buried in the archive for almost ninety years, Claude McKay's Romance in Marseille traces the adventures of a rowdy troupe of dockworkers, prostitutes, and political organizers--collectively straight and queer, disabled and able-bodied, African,... more

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    Aggregator (lizenzpflichtig)

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    "Buried in the archive for almost ninety years, Claude McKay's Romance in Marseille traces the adventures of a rowdy troupe of dockworkers, prostitutes, and political organizers--collectively straight and queer, disabled and able-bodied, African, European, Caribbean, and American. Set largely in the culture-blending Vieux Port of Marseille at the height of the Jazz Age, the novel takes flight along with Lafala, an acutely disabled but abruptly wealthy West African sailor"--

     
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    Source: Union catalogues
    Contributor: Holcomb, Gary Edward (VerfasserIn einer Einleitung); Maxwell, William J. (VerfasserIn einer Einleitung)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0525505989; 9780525505983
    Subjects: Harbors; Sex workers; Sexual minorities; Gender expression; Nineteen twenties; People with disabilities; Stevedores; Imperialism; Sailors; Sailors; Sex workers; Sexual minorities; Stevedores; FICTION / African American / Historical; People with disabilities; Gender expression; Fiction; Harbors; Imperialism; Nineteen twenties
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Includes bibliographical references
  5. F.B. eyes
    how J. Edgar Hoover's ghostreaders framed African American literature
    Author: Maxwell, William J.
    Published: 2017
    Publisher:  Princeton University Press, Princeton ; Oxford University Press, Oxford

    Few institutions seem more opposed than African American literature and J. Edgar Hoover's Federal Bureau of Investigation (FBI). But behind the scenes, the FBI's hostility to black protest was energized by fear of and respect for black writing.... more

    Access:

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Few institutions seem more opposed than African American literature and J. Edgar Hoover's Federal Bureau of Investigation (FBI). But behind the scenes, the FBI's hostility to black protest was energized by fear of and respect for black writing. Drawing on nearly 14,000 pages of newly released FBI files, this work exposes the Bureau's intimate policing of five decades of African American poems, plays, essays, and novels.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400852062
    Other identifier:
    RVK Categories: HU 1728
    Subjects: Schwarze; Literatur; Schriftsteller; Überwachung; American literature; American literature
    Scope: 1 Online-Ressource, Illustrations (black and white)
    Notes:

    Previously issued in print: 2015

    Includes bibliographical references and index
  6. Modernism, Inc
    Body, Memory, Capital
    Contributor: Damon, Maria (MitwirkendeR); Kalaidjian, Walter (MitwirkendeR); Lew, Walter K. (MitwirkendeR); Lyon, Janet (MitwirkendeR); Maxwell, William J. (MitwirkendeR); Nelson, Cary (MitwirkendeR); Nicholls, David G. (MitwirkendeR); Rabinowitz, Paula (MitwirkendeR); Rosenberg, Daniel (MitwirkendeR); Ross, Marlon B. (MitwirkendeR); Scandura, Jani (MitwirkendeR); Scandura, Jani (HerausgeberIn); Stewart, Kathleen (MitwirkendeR); Thurston, Michael (MitwirkendeR); Thurston, Michael (HerausgeberIn); Walker, Julia A. (MitwirkendeR)
    Published: [2000]; ©2000
    Publisher:  New York University Press, New York, NY

    Drawing on a variety of interdisciplinary debates in cultural studies and contemporary theory, Modernism, Inc. provides a new look at the relationship between modernism and postmodernism within the critical frame of twentieth-century American... more

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Initiative E-Books.NRW
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    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Bremen
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    Zentrale Hochschulbibliothek Flensburg
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    Universitätsbibliothek Greifswald
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Technische Universität Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Thüringer Universitäts- und Landesbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Universitätsbibliothek Osnabrück
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    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
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    eBook de Gruyter
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    Universitätsbibliothek der Eberhard Karls Universität
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Drawing on a variety of interdisciplinary debates in cultural studies and contemporary theory, Modernism, Inc. provides a new look at the relationship between modernism and postmodernism within the critical frame of twentieth-century American culture. Organized around the idea of "incorporation"--embodiment, repressed memory, and advanced capitalism--Modernism, Inc. covers a wide range of topics: Josephine Baker's "hot house style"; the president's penis in American political life; myth-making and the Hoover Dam; trauma, poetics, and the Armenian genocide; feminist kitsch and the recuperation of North America's "Great Lady painters"; Gertrude Stein and Jewish Social Science; the Reno Divorce Factory and the production of gender; Andy Razaf and Black Bolshevism. Collectively, the essays suggest that the relationship between the modern and the postmodern is not one of rupture, belatedness, dilution, or extremity, but of haunting. Modernism, Inc. looks at our ghosts, and at the unspeakable secrets of modernity from which they're derived. Contributors: Maria Damon, Walter Kalidjian, Walter Lew, Janet Lyon, William J. Maxwell, Cary Nelson, John Timberman Newcombe, David G. Nicholls, Thomas Pepper, Paula Rabinowitz, Daniel Rosenberg, Marlon Ross, Jani Scandura, Kathleen Stewart, Julia Walker

     
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    Content information
    Source: Union catalogues
    Contributor: Damon, Maria (MitwirkendeR); Kalaidjian, Walter (MitwirkendeR); Lew, Walter K. (MitwirkendeR); Lyon, Janet (MitwirkendeR); Maxwell, William J. (MitwirkendeR); Nelson, Cary (MitwirkendeR); Nicholls, David G. (MitwirkendeR); Rabinowitz, Paula (MitwirkendeR); Rosenberg, Daniel (MitwirkendeR); Ross, Marlon B. (MitwirkendeR); Scandura, Jani (MitwirkendeR); Scandura, Jani (HerausgeberIn); Stewart, Kathleen (MitwirkendeR); Thurston, Michael (MitwirkendeR); Thurston, Michael (HerausgeberIn); Walker, Julia A. (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780814786758
    Other identifier:
    Series: Cultural Front ; 7
    Subjects: American literature; Art and society; Art, American; Literature and society; Modernism (Art); Modernism (Literature); LITERARY CRITICISM / General
    Scope: 1 Online-Ressource
  7. Modernism, Inc.
    Body, Memory, Capital
    Contributor: Damon, Maria (Mitwirkender); Kalaidjian, Walter (Mitwirkender); Lew, Walter K. (Mitwirkender); Lyon, Janet (Mitwirkender); Maxwell, William J. (Mitwirkender); Nelson, Cary (Mitwirkender); Nicholls, David G. (Mitwirkender); Rabinowitz, Paula (Mitwirkender); Rosenberg, Daniel (Mitwirkender); Ross, Marlon B. (Mitwirkender); Scandura, Jani (Mitwirkender); Stewart, Kathleen (Mitwirkender); Thurston, Michael (Mitwirkender); Walker, Julia A. (Mitwirkender)
    Published: 2000; ©2000
    Publisher:  New York University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    Drawing on a variety of interdisciplinary debates in cultural studies and contemporary theory, Modernism, Inc. provides a new look at the relationship between modernism and postmodernism within the critical frame of twentieth-century American... more

    Access:

    Location:
    Universitätsbibliothek Gießen
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Mainz, Zentralbibliothek
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    No inter-library loan

    Location:
    Universität Marburg, Universitätsbibliothek
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    No inter-library loan

     

    Drawing on a variety of interdisciplinary debates in cultural studies and contemporary theory, Modernism, Inc. provides a new look at the relationship between modernism and postmodernism within the critical frame of twentieth-century American culture. Organized around the idea of "incorporation"--embodiment, repressed memory, and advanced capitalism--Modernism, Inc. covers a wide range of topics: Josephine Baker's "hot house style"; the president's penis in American political life; myth-making and the Hoover Dam; trauma, poetics, and the Armenian genocide; feminist kitsch and the recuperation of North America's "Great Lady painters"; Gertrude Stein and Jewish Social Science; the Reno Divorce Factory and the production of gender; Andy Razaf and Black Bolshevism. Collectively, the essays suggest that the relationship between the modern and the postmodern is not one of rupture, belatedness, dilution, or extremity, but of haunting. Modernism, Inc. looks at our ghosts, and at the unspeakable secrets of modernity from which they're derived. Contributors: Maria Damon, Walter Kalidjian, Walter Lew, Janet Lyon, William J. Maxwell, Cary Nelson, John Timberman Newcombe, David G. Nicholls, Thomas Pepper, Paula Rabinowitz, Daniel Rosenberg, Marlon Ross, Jani Scandura, Kathleen Stewart, Julia Walker.

     
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    Content information
    Source: Union catalogues
    Contributor: Damon, Maria (Mitwirkender); Kalaidjian, Walter (Mitwirkender); Lew, Walter K. (Mitwirkender); Lyon, Janet (Mitwirkender); Maxwell, William J. (Mitwirkender); Nelson, Cary (Mitwirkender); Nicholls, David G. (Mitwirkender); Rabinowitz, Paula (Mitwirkender); Rosenberg, Daniel (Mitwirkender); Ross, Marlon B. (Mitwirkender); Scandura, Jani (Mitwirkender); Stewart, Kathleen (Mitwirkender); Thurston, Michael (Mitwirkender); Walker, Julia A. (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780814786758
    Other identifier:
    Series: Cultural Front ; 7
    Scope: 1 Online-Ressource
  8. F.B. Eyes
    How J. Edgar Hoover's Ghostreaders Framed African American Literature
    Author: Maxwell, William J.
    Published: [2015]; © 2015
    Publisher:  Princeton University Press, Princeton, NJ

    Few institutions seem more opposed than African American literature and J. Edgar Hoover's white-bread Federal Bureau of Investigation. But behind the scenes the FBI's hostility to black protest was energized by fear of and respect for black writing.... more

     

    Few institutions seem more opposed than African American literature and J. Edgar Hoover's white-bread Federal Bureau of Investigation. But behind the scenes the FBI's hostility to black protest was energized by fear of and respect for black writing. Drawing on nearly 14,000 pages of newly released FBI files, F.B. Eyes exposes the Bureau's intimate policing of five decades of African American poems, plays, essays, and novels. Starting in 1919, year one of Harlem's renaissance and Hoover's career at the Bureau, secretive FBI "ghostreaders" monitored the latest developments in African American letters. By the time of Hoover's death in 1972, these ghostreaders knew enough to simulate a sinister black literature of their own. The official aim behind the Bureau's close reading was to anticipate political unrest. Yet, as William J. Maxwell reveals, FBI surveillance came to influence the creation and public reception of African American literature in the heart of the twentieth century.Taking his title from Richard Wright's poem "The FB Eye Blues," Maxwell details how the FBI threatened the international travels of African American writers and prepared to jail dozens of them in times of national emergency. All the same, he shows that the Bureau's paranoid style could prompt insightful criticism from Hoover's ghostreaders and creative replies from their literary targets. For authors such as Claude McKay, James Baldwin, and Sonia Sanchez, the suspicion that government spy-critics tracked their every word inspired rewarding stylistic experiments as well as disabling self-censorship.Illuminating both the serious harms of state surveillance and the ways in which imaginative writing can withstand and exploit it, F.B. Eyes is a groundbreaking account of a long-hidden dimension of African American literature

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400852062
    Other identifier:
    Edition: Course Book
    Subjects: LITERARY CRITICISM / American / African-American; American literature; American literature; American literature
    Scope: 1 online resource (384 pages), 10 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)
  9. F.B. Eyes
    How J. Edgar Hoover's Ghostreaders Framed African American Literature
    Author: Maxwell, William J.
    Published: 2015
    Publisher:  Princeton University Press, Princeton

    Few institutions seem more opposed than African American literature and J. Edgar Hoover's white-bread Federal Bureau of Investigation. But behind the scenes the FBI's hostility to black protest was energized by fear of and respect for black writing.... more

    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
    Inter-library loan:
    No inter-library loan

     

    Few institutions seem more opposed than African American literature and J. Edgar Hoover's white-bread Federal Bureau of Investigation. But behind the scenes the FBI's hostility to black protest was energized by fear of and respect for black writing. Drawing on nearly 14,000 pages of newly released FBI files, F.B. Eyes exposes the Bureau's intimate policing of five decades of African American poems, plays, essays, and novels. Starting in 1919, year one of Harlem's renaissance and Hoover's career at the Bureau, secretive FBI "ghostreaders" monitored the latest developments in African American l

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691130200
    Scope: Online-Ressource (385 p)
    Notes:

    Description based upon print version of record

    Cover; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; The FBI against and for African American Literature; The Files and the FOIA; Five Theses and the Way Forward; Part One/Thesis One: The Birth of the Bureau, Coupled with the Birth of J. Edgar Hoover, Ensured the FBI's Attention to African American Literature; The Bureau before Hoover; Hoover before the Bureau; Bureau of Letters: Lit.-Cop Federalism, the Hoover Raids, and the Harlem Renaissance

    Part Two/Thesis Two: The FBI's Aggressive Filing and Long Study of African American Writers Was Tightly Bound to the Agency's Successful Evolution under HooverFlatfoot Montage: The Genre of the Counterliterary FBI File; The Counterliterary State and the Charismatic Bureaucracy: Trimming the First Amendment, Fencing the Harlem Renaissance; Persons to Racial Conditions: Literary G-Men and FBI Counterliterature from the New Deal to the Second World War; Afro-Loyalty and Custodial Detention: Files of World War II; Total Literary Awareness: Files of the Cold War

    COINTELPRO Minstrelsy: Files of Black PowerPart Three/Thesis Three: The FBI Is Perhaps the Most Dedicated and Influential Forgotten Critic of African American Literature; Reading Like a CIA Agent; Reading Like an FBI Agent; Critics behind the Bureau Curtain: Meet Robert Adger Bowen and William C. Sullivan; Ask Dr. Hoover: Model Citizen Criticism and the FBI's Interpretive Oracle; Part Four/Thesis Four: The FBI Helped to Define the Twentieth-Century Black Atlantic, Both Blocking and Forcing Its Flows; The State in the Nation-State; the State of the Transnational Turn

    The State of Black Transnationalism the State in the Black Atlantic; Checking Diasporan ID: Hostile Translation and the Passport Office; State-Sponsored Transnationalism: The Stop Notice and the Travel Bureau; Jazz Ambassadors versus Literary Escapees; Part Five/Thesis Five: Consciousness of FBI Ghostreading Fills a Deep and Characteristic Vein of African American Literature; Reading Ghostreading in the Harlem Renaissance: New Negro Journalists and Claude McKay; Invisible G-Men En Route to the Cold War: George Schuyler, Langston Hughes, and Ralph Ellison

    Mysteries and Antifiles of Black Paris: Richard Wright, William Gardner Smith, and Chester HimesBlack Arts Antifiles and the "Hoover Poem": John A. Williams, James Baldwin, Sam Greenlee, Melvin Van Peebles, Ishmael Reed, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez; Bureau Writing after Hoover: Dudley Randall, Ai, Audre Lorde, Danzy Senna, and Gloria Naylor; Appendix: FOIA Requests for FBI Files on African American Authors Active from 1919 to 1972; Notes; Works Cited; Index