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  1. Fatal Desire
    Women, Sexuality, and the English Stage, 1660-1720
    Author: Marsden, Jean I.
    Published: [2018]; © 2006
    Publisher:  Cornell University Press, Ithaca, NY

    Informed by film theory and a broad historical approach, Fatal Desire examines the theatrical representation of women in England, from the Restoration to the early eighteenth century-a period when for the first time female actors could perform in... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Informed by film theory and a broad historical approach, Fatal Desire examines the theatrical representation of women in England, from the Restoration to the early eighteenth century-a period when for the first time female actors could perform in public. Jean I. Marsden maintains that the feminization of serious drama during this period is tied to the cultural function of theater. Women served as symbols of both domestic and imperial propriety, and so Marsden links the representation of women on the stage to the social context in which the plays appeared and to the moral and often political lessons they offered the audience. The witty heroines of comedies were usually absorbed into the social fabric by marrying similarly lighthearted gentlemen, but the heroines of tragedy suffered for their sins, real or perceived. That suffering served the dual purpose of titillating and educating the theater audience. Marsden discusses such plays as William Wycherley's Plain Dealer (1676), John Vanbrugh's Provoked Wife (1697), Thomas Otway's Orphan (1680), Thomas Southerne's Fatal Marriage (1694), and William Congreve's Mourning Bride (1697). The author also addresses tragedies written by three female playwrights, Mary Pix, Catharine Trotter, and Delarivier Manley, and sketches developments in tragedy during the period

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501728525
    Other identifier:
    Subjects: English drama (Tragedy); English drama; Women and literature; Women in the theater; Sexualität; Englisch; Frau <Motiv>; Drama
    Scope: 1 online resource, 4 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)
  2. Rewritten woman
    Shakespearean heroines in the restoration
    Author: Marsden, Jean I.

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: The Appropriation of Shakespeare : post-renaissance reconstructions of the works and the myth.(1991); 1991; S. 43 -
  3. The Appropriation of Shakespeare
    post-renaissance reconstructions of the works and the myth
    Contributor: Marsden, Jean I. (Publisher)
    Published: 1991
    Publisher:  Harvester Wheatsheaf, New York [u.a.]

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Marsden, Jean I. (Publisher)
    Media type: Book
    ISBN: 0-7450-0926-3; 0-7450-0927-1
    Other subjects: Shakespeare, William
    Scope: VI, 222 S.
  4. The appropriation of Shakespeare
    post-Rennaissance reconstructions of the works and the myth
    Contributor: Marsden, Jean I. (Hrsg.)
    Published: 1992
    Publisher:  St. Martin's Press, New York

    Location:
    Universität Mainz, Zentralbibliothek
    Signature:
    161.348
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    Source: Union catalogues
    Contributor: Marsden, Jean I. (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0312071981
    RVK Categories: HI 3331 ; HI 3330
    Scope: VI, 222 S., Ill.
  5. Fatal desire
    women, sexuality, and the English stage, 1660 - 1720
    Author: Marsden, Jean I.
    Published: 2006
    Publisher:  Cornell Uuniv. Pr., Ithaca [u.a.]

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    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
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    01/HK 1241 M364
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801444470; 9780801444470
    RVK Categories: HK 1241
    Subjects: Drama; Schauspielerin; Geschlechterverhältnis <Motiv>; Frau <Motiv>; Englisch; Theater
    Scope: 216 S., Ill.
  6. The re-imagined text
    Shakespeare, adaptation, & eighteenth-century literary theory
    Author: Marsden, Jean I.
    Published: 1995
    Publisher:  Univ. Press of Kentucky, Lexington, Ky.

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Universität Mainz, Bereichsbibliothek Translations-, Sprach- und Kulturwissenschaft
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0813119014
    RVK Categories: HI 3288 ; HI 3331 ; HI 3550
    Subjects: Literaturtheorie; Edition
    Other subjects: Shakespeare, William (1564-1616)
    Scope: X, 193 S.
  7. Early manuscript books
    Author: Winchilsea, Anne Kingsmill Finch
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge, United Kingdom ; New York, NY

    This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (1661-1720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and... more

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    This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (1661-1720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and manuscript copies in repositories across the United Kingdom and the United States, reveals her revision processes and uses of manuscript and print. Extensive commentary clarifies her techniques, sources, contexts, and diction. A detailed essay traces the history of her works' reception and transmission. The result is a complete view of her achievements that will promote more accurate assessments of her contributions to literary and cultural shifts, including perspectives on literary value, women's equality, religion, and affairs of state. This first volume provides established texts of Finch's early manuscript books, including Poems on Several Subjects and Miscellany Poems with Two Plays written under her pen name, Ardelia.

     
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    Source: Union catalogues
    Contributor: Keith, Jennifer (Herausgeber); Kairoff, Claudia Thomas (Herausgeber); Marsden, Jean I.; Bowman, Rachel
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107706019
    Scope: 1 Online-Ressource (clxiv, 819 pages)
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    Title from publisher's bibliographic system (viewed on 18 Jun 2021)
  8. The Re-Imagined Text
    Shakespeare, Adaptation, and Eighteenth-Century Literary Theory
    Author: Marsden, Jean I.
    Published: 2015
    Publisher:  The University Press of Kentucky, Lexington

    Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history -- the... more

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    Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history -- the rewriting and restructuring of Shakespeare's plays.Many of us are familiar with Nahum Tate's ""audacious"" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwri...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813119014; 9780813161433 (Sekundärausgabe)
    RVK Categories: HI 3288 ; HI 3331 ; HI 3550
    Subjects: Literaturtheorie; Edition
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 205 p.
    Notes:

    Description based upon print version of record

    Online-Ausg.:
  9. Theatres of feeling
    affect, performance, and the eighteenth-century stage
    Author: Marsden, Jean I.
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781108476133
    RVK Categories: AP 78829 ; HK 1264
    Subjects: English drama; Emotions in literature; Theater; Theater audiences; Emotions
    Scope: xii, 223 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 203-215 und Index
  10. Fatal Desire
    Women, Sexuality, and the English Stage, 1660-1720
    Author: Marsden, Jean I.
    Published: 2018; ©2006
    Publisher:  Cornell University Press, Ithaca, NY

    Informed by film theory and a broad historical approach, Fatal Desire examines the theatrical representation of women in England, from the Restoration to the early eighteenth century-a period when for the first time female actors could perform in... more

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    Informed by film theory and a broad historical approach, Fatal Desire examines the theatrical representation of women in England, from the Restoration to the early eighteenth century-a period when for the first time female actors could perform in public. Jean I. Marsden maintains that the feminization of serious drama during this period is tied to the cultural function of theater. Women served as symbols of both domestic and imperial propriety, and so Marsden links the representation of women on the stage to the social context in which the plays appeared and to the moral and often political lessons they offered the audience. The witty heroines of comedies were usually absorbed into the social fabric by marrying similarly lighthearted gentlemen, but the heroines of tragedy suffered for their sins, real or perceived. That suffering served the dual purpose of titillating and educating the theater audience. Marsden discusses such plays as William Wycherley's Plain Dealer (1676), John Vanbrugh's Provoked Wife (1697), Thomas Otway's Orphan (1680), Thomas Southerne's Fatal Marriage (1694), and William Congreve's Mourning Bride (1697). The author also addresses tragedies written by three female playwrights, Mary Pix, Catharine Trotter, and Delarivier Manley, and sketches developments in tragedy during the period.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501728525
    Other identifier:
    Subjects: English drama (Tragedy); English drama; Women and literature; Women in the theater; English drama (Tragedy).; English drama.; Women and literature.; Women in the theater.; LITERARY CRITICISM / Drama
    Scope: 1 Online-Ressource, 4 halftones
  11. Fatal desire
    women, sexuality, and the English stage, 1660-1720
    Author: Marsden, Jean I.
    Published: 2006
    Publisher:  Cornell University Press, Ithaca, N.Y

    "Informed by film theory and a broad historical approach, Fatal Desire examines the theatrical representation of women in England, from the Restoration to the early eighteenth century - a period when for the first time female actors could perform in... more

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    Hochschule Aalen, Bibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "Informed by film theory and a broad historical approach, Fatal Desire examines the theatrical representation of women in England, from the Restoration to the early eighteenth century - a period when for the first time female actors could perform in public. Jean I. Marsden maintains that the feminization of serious drama during this period is tied to the cultural function of theater. Women served as symbols of both domestic and imperial propriety, and so Marsden links the representation of women on the stage to the social context in which the plays appeared and to the moral and often political lessons they offered the audience. The witty heroines of comedies were usually absorbed into the social fabric by marrying similarly lighthearted gentlemen, but the heroines of tragedy suffered for their sins, real or perceived. That suffering served the dual purpose of titillating and educating the theater audience." "Marsden discusses such plays as William Wycherley's Plain Dealer (1676), John Vanbrugh's Provoked Wife (1697), Thomas Otway's Orphan (1680), Thomas Southerne's Fatal Marriage (1694), and William Congreve's Mourning Bride (1697). The author also addresses tragedies written by three female playwrights, Mary Pix, Catharine Trotter, and Delarivier Manley, and sketches developments in tragedy during the period."--Jacket Female spectatorship, Jeremy Collier, and the antitheatrical debate -- Women watching : the female spectator in late-seventeenth-century comedy -- Falling women : she-tragedy and sexual spectacle -- Women writing women : female authors of she-tragedy -- Nicholas Rowe and the second generation of she-tragedy -- Sex, politics, and the Hanoverian succession : refiguring Lady Jane Grey

     
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  12. The re-imagined text
    Shakespeare, adaptation & eighteenth-century literary theory
    Author: Marsden, Jean I.
    Published: 1995
    Publisher:  Univ. Press of Kentucky, Lexington, Ky.

    Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history - the... more

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    Universitätsbibliothek Augsburg
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    Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history - the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words. Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work. In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused - a clear step toward our modern concern for the word and its varying levels of signification.

     
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  13. Fatal Desire
    Women, Sexuality, and the English Stage, 1660-1720
    Author: Marsden, Jean I.
    Published: [2018]; © 2006
    Publisher:  Cornell University Press, Ithaca, NY

    Informed by film theory and a broad historical approach, Fatal Desire examines the theatrical representation of women in England, from the Restoration to the early eighteenth century-a period when for the first time female actors could perform in... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Informed by film theory and a broad historical approach, Fatal Desire examines the theatrical representation of women in England, from the Restoration to the early eighteenth century-a period when for the first time female actors could perform in public. Jean I. Marsden maintains that the feminization of serious drama during this period is tied to the cultural function of theater. Women served as symbols of both domestic and imperial propriety, and so Marsden links the representation of women on the stage to the social context in which the plays appeared and to the moral and often political lessons they offered the audience. The witty heroines of comedies were usually absorbed into the social fabric by marrying similarly lighthearted gentlemen, but the heroines of tragedy suffered for their sins, real or perceived. That suffering served the dual purpose of titillating and educating the theater audience. Marsden discusses such plays as William Wycherley's Plain Dealer (1676), John Vanbrugh's Provoked Wife (1697), Thomas Otway's Orphan (1680), Thomas Southerne's Fatal Marriage (1694), and William Congreve's Mourning Bride (1697). The author also addresses tragedies written by three female playwrights, Mary Pix, Catharine Trotter, and Delarivier Manley, and sketches developments in tragedy during the period

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501728525
    Other identifier:
    Subjects: English drama (Tragedy); English drama; Women and literature; Women in the theater; Sexualität; Englisch; Frau <Motiv>; Drama
    Scope: 1 online resource, 4 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)
  14. The re-imagined text
    Shakespeare, adaptation, & eighteenth-century literary theory
    Author: Marsden, Jean I.
    Published: 1995; © 1995
    Publisher:  The University Press of Kentucky, Lexington, Kentucky

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813119014; 9780813161433
    Subjects: Geschichte; English drama; English drama; Criticism; Theater; Literary form; Bearbeitung; Literatur; Rezeption; Englisch; Drama; Literaturtheorie
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 online resource (205 pages)
    Notes:

    Includes index

    Description based on print version record
  15. Fatal desire
    women, sexuality, and the English stage, 1660 - 1720
    Author: Marsden, Jean I.
    Published: 2006
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

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    Universitätsbibliothek Bayreuth
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  16. Affect and the problem of theater
    Author: Marsden, Jean I.
    Published: 2017

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    Herzog August Bibliothek Wolfenbüttel
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Print
    Parent title: Enthalten in: The eighteenth century; Philadelphia, Pa. : Univ. of Pennsylvania Press, 1979; 58(2017), 3, Seite 297-307

    Subjects: Englisch; Drama; Affekt <Motiv>;
  17. The re-imagined text
    Shakespeare, adaptation, & eighteenth century literary theory
    Author: Marsden, Jean I.
    Published: 1995
    Publisher:  Univ. Press of Kentucky, Lexington, Ky.

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0813119014
    Subjects: Literaturtheorie; Adaption <Literatur>; Englisch
    Other subjects: Shakespeare, William (1564-1616)
    Scope: X, 193 S.
  18. Fatal desire
    women, sexuality, and the English stage, 1660 - 1720
    Author: Marsden, Jean I.
    Published: 2006
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

    Location:
    Universitätsbibliothek Bielefeld
    Signature:
    WF341 M364
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    Ruhr-Universität Bochum, Fakultät für Philologie, Englisches Seminar, Bibliothek
    Signature:
    LI MAD Z06001
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    Universitäts- und Landesbibliothek Düsseldorf
    Signature:
    angg890.m364
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    Location:
    Englisches Seminar I, Bibliothek
    Signature:
    411/LC53/061
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    Location:
    Englisches Seminar der Universität, Bibliothek
    Signature:
    LIT FK 2006:1
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0801444470; 9780801444470
    RVK Categories: HK 1241
    Subjects: Sexualität; Englisch; Frau <Motiv>; Drama
    Scope: VIII, 216 S., Ill.
  19. Theatres of feeling
    affect, performance, and the eighteenth-century stage
    Author: Marsden, Jean I.
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    "Historicizing affect provides an important register of cultural developments, and because of this link between theatre and culture, explorations of performance as well as affect have turned to the work of Raymond Williams, in particular to his... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Historicizing affect provides an important register of cultural developments, and because of this link between theatre and culture, explorations of performance as well as affect have turned to the work of Raymond Williams, in particular to his discussion of 'structures of feelings,' as a means of approaching the complex operation of emotion and theatre. Williams's work has a strong affinity for eighteenth-century studies, and his discussion of what he famously termed 'structures of feeling' is admirably suited to a consideration of the overtly emotional world of eighteenth-century theatre. It is a slippery term, as Williams himself admits, and he suggests as an alternative structures of experience before rejecting that term because of its potential to imply past rather than present experience. These structures are, as Williams emphasizes, a process rather than an ideological system, growing out of lived experience, so that one of the crucial components of these structures of feeling is that they are immediate, situated in a specific moment"--

     
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  20. Theatres of feeling
    affect, performance, and the eighteenth-century stage
    Author: Marsden, Jean I.
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 74637
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    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2019/7244
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signature:
    2019/7904
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    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2019 A 7518
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    Location:
    Anglistisches Seminar der Universität, Bibliothek
    Signature:
    F YE 1991
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    Universitätsbibliothek der Eberhard Karls Universität
    Signature:
    60 A 3996
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    Location:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    295780 - A
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    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    71.2486
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781108476133
    RVK Categories: AP 78829 ; HK 1264
    Subjects: English drama; Emotions in literature; Theater; Theater audiences; Emotions
    Scope: xii, 223 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 203-215 und Index
  21. The Cambridge edition of the works of Anne Finch, Countess of Winchilsea
    Volume 1: Early manuscript books
    Author: Winchilsea, Anne Kingsmill Finch
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge, United Kingdom ; New York, NY

    This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (1661-1720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and... more

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    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (1661-1720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and manuscript copies in repositories across the United Kingdom and the United States, reveals her revision processes and uses of manuscript and print. Extensive commentary clarifies her techniques, sources, contexts, and diction. A detailed essay traces the history of her works' reception and transmission. The result is a complete view of her achievements that will promote more accurate assessments of her contributions to literary and cultural shifts, including perspectives on literary value, women's equality, religion, and affairs of state. This first volume provides established texts of Finch's early manuscript books, including Poems on Several Subjects and Miscellany Poems with Two Plays written under her pen name, Ardelia.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Keith, Jennifer (HerausgeberIn); Kairoff, Claudia Thomas (HerausgeberIn); Marsden, Jean I. (MitwirkendeR); Bowman, Rachel (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107706019; 9781107068605
    Other identifier:
    Other subjects: Winchilsea, Anne Kingsmill Finch Countess of (1661-1720)
    Scope: 1 online resource (clxiv, 819 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 18 Jun 2021)
  22. Fatal desire
    women, sexuality, and the English stage, 1660 - 1720
    Author: Marsden, Jean I.
    Published: 2006
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801444470; 9780801444470
    Other identifier:
    978080144447
    2005027429
    RVK Categories: HK 1241 ; HK 1264
    Edition: 1. publ.
    Subjects: English drama; Women in the theater; English drama (Tragedy); Women and literature; Literature and society; Sex role in literature; English drama; Women in the theater; English drama Tragedy; Women and literature; Literature and society; Sex role in literature
    Scope: VIII, 216 S., Ill.
    Notes:

    Includes bibliographical references and index

    Female spectatorship, Jeremy Collier, and the antitheatrical debate -- Women watching : Wycherley's Plain dealer and Vanbrugh's Provoked wife -- Falling women : she-tragedy and sexual spectacle -- Women writing women : female authors of she-tragedy -- Nicholas Rowe and the second generation of she-tragedy -- Sex, politics, and the Hanoverian succession : refiguring Lady Jane Grey
  23. The re-imagined text
    Shakespeare, adaptation, & eighteenth-century literary theory
    Author: Marsden, Jean I.
    Published: 1995
    Publisher:  University Press of Kentucky, Lexington, Ky.

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Signature:
    95 8 88553
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    Location:
    Freies Deutsches Hochstift / Frankfurter Goethe-Museum, Bibliothek
    Signature:
    110673
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    Location:
    Freies Deutsches Hochstift / Frankfurter Goethe-Museum, Bibliothek
    Signature:
    110673
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    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 95/4916
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signature:
    96/5446
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    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    95 A 8004
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    Location:
    Anglistisches Seminar der Universität, Bibliothek
    Signature:
    SHA FE 1511
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    Location:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Signature:
    eng 879:s527:pp/m17a
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    Location:
    Universitätsbibliothek Osnabrück
    Signature:
    ELA S 5276 5031-966 0
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    Location:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    Sh 113
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0813119014
    RVK Categories: HI 3331 ; HI 3550
    Subjects: English drama; English drama; Criticism; Theater; Literary form
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: X, 193 S, 23 cm
  24. The Appropriation of Shakespeare
    post-Renaissance reconstructions of the works and the myth
    Contributor: Marsden, Jean I. (Hrsg.)
    Published: 1992
    Publisher:  St. Martin's Press, New York

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    01.b.3275
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    Source: Union catalogues
    Contributor: Marsden, Jean I. (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0312071981
    Other subjects: Array; Array; Array
    Scope: vi, 222 p, ill, 24 cm
    Notes:

    Includes bibliographical references
  25. Theatres of feeling
    affect, performance, and the Eighteenth-century stage
    Author: Marsden, Jean I.
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge ; ProQuest, Ann Arbor, Michigan

    Engaging account of theatregoing in the later eighteenth century that explores how audiences responded emotionally to the performances. more

    Location:
    Universität Mainz, Zentralbibliothek
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    Engaging account of theatregoing in the later eighteenth century that explores how audiences responded emotionally to the performances.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108759717
    Scope: 1 Online-Ressource
    Notes:

    Description based on publisher supplied metadata and other sources