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Displaying results 1 to 11 of 11.

  1. Under representation
    the racial regime of aesthetics
    Author: Lloyd, David
    Published: 2019
    Publisher:  Fordham University Press, New York, NY

    Under representation -- The aesthetic regime of representation -- The pathological sublime: pleasure and pain in the racial regime -- Race under representation -- Representation's coup -- The aesthetic taboo: aura, magic, and the primitive more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Hochschule für Bildende Künste Braunschweig, Bibliothek
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    Staatliche Kunstsammlungen Dresden, Kunstbibliothek
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    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
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    14.20 2019
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    Zeppelin Universität gGmbH, Bibliothek
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    Under representation -- The aesthetic regime of representation -- The pathological sublime: pleasure and pain in the racial regime -- Race under representation -- Representation's coup -- The aesthetic taboo: aura, magic, and the primitive

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780823282371; 9780823282388
    Edition: First edition
    Subjects: Aesthetics; Minorities
    Scope: x, 230 Seiten
    Notes:

    Includes bibliographical references and index
  2. Nationalism and minor literature
    James Clarence Mangan and the emergence of Irish cultural nationalism
    Author: Lloyd, David
    Published: 1987
    Publisher:  Univ. of California Pr., Berkeley u.a.

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    Archiv der Akademie der Künste, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0520058240
    RVK Categories: HD 219 ; HG 290
    Series: The new historicism ; 3
    Subjects: Nationalismus; Kultur
    Other subjects: Mangan, James Clarence <1803-1849>; Mangan, James Clarence (1803-1849)
    Scope: XVIII, 257 S.
  3. Beckett's thing
    painting and theatre
    Author: Lloyd, David
    Published: [2016]
    Publisher:  Edinburgh University Press, Edinburgh

    Throughout his writing career, Beckett was deeply engaged with the visual arts and with individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd, explores what Beckett actually saw in the... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Throughout his writing career, Beckett was deeply engaged with the visual arts and with individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd, explores what Beckett actually saw in the paintings of the painters he wrote most about and, in each case, befriended. He explains what Beckett found in the visual resources of their work rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian, all of whose work he mentions. And he traces the common elements and developments in Beckett?s visual imagination, not only in his critical statements, but by actually looking with sustained attention at the paintings he is known to have viewed

     
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781474415729
    RVK Categories: HN 9990 ; IH 15721
    Series: Other Becketts
    Subjects: Kunst; Einfluss
    Other subjects: Yeats, Jack Butler (1871-1957); Beckett, Samuel (1906-1989); Arikha, Avigdor (1929-2010); Velde, Bram van (1895-1981)
    Scope: xiii, 253 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite 237-245
  4. Counterpoetics of modernity
    on Irish poetry and modernism
    Author: Lloyd, David
    Published: [2022]; © 2022
    Publisher:  Edinburgh University Press, Edinburgh

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474489805
    Other identifier:
    9781474489805
    RVK Categories: HM 1160 ; HM 1080
    Subjects: Lyrik; Moderne
    Scope: ix, 219 Seiten, Illustrationen
  5. Under representation
    the racial regime of aesthetics
    Author: Lloyd, David
    Published: 2019
    Publisher:  Fordham University Press, New York, NY

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    Freie Universität Berlin, Universitätsbibliothek
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    Content information
    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780823282388; 9780823282371
    RVK Categories: CC 6900
    Edition: First edition
    Subjects: Aesthetics; Minorities; Rasse; Repräsentation <Philosophie>; Ästhetik
    Scope: X, 230 Seiten
    Notes:

    Includes bibliographical references and index
  6. Nationalism and minor literature
    James Clarence Mangan and the emergence of Irish cultural nationalism
    Author: Lloyd, David
    Published: 1987
    Publisher:  University of California Press, Berkeley [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    TN 5268 / 600 ff
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    A 1988/5445
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    Universitätsbibliothek Heidelberg
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    Universität Stuttgart, Bibliothek der Institute für Linguistik und Literaturwissenschaft
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    Brechtbau-Bibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0520058240
    RVK Categories: HD 219 ; HG 290
    Series: The new historicism ; 3
    Subjects: Irland; Nationalismus; ; Mangan, James Clarence; ; Mangan, James Clarence; Irland; Nationalismus; Geschichte 1800-1900;
    Scope: XVIII, 257 S, 22 cm
    Notes:

    Includes index
  7. Irish culture and colonial modernity
    1800 - 2000 : the transformation of oral space
    Author: Lloyd, David
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    "From the Famine to political hunger strikes, from telling tales in the pub to Beckett's tortured utterances, the performance of Irish identity has always been deeply connected to the oral. Exploring how colonial modernity transformed the spaces that... more

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    1 A 840396
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2011 A 18305
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    A 2011/10883
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    Brechtbau-Bibliothek
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    OW 260.044
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    "From the Famine to political hunger strikes, from telling tales in the pub to Beckett's tortured utterances, the performance of Irish identity has always been deeply connected to the oral. Exploring how colonial modernity transformed the spaces that sustained Ireland's oral culture, this book explains why Irish culture has been both so creative and so resistant to modernization. David Lloyd brings together manifestations of oral culture in the nineteenth and twentieth centuries, showing how the survival of orality was central both to resistance against colonial rule and to Ireland's modern definition as a postcolonial culture. Specific to Ireland as these histories are, they resonate with postcolonial cultures globally. This study is an important and provocative new interpretation of Irish national culture and how it came into being"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107008977; 1107008972
    RVK Categories: LB 53190 ; NK 2100
    Edition: 1. publ.
    Subjects: National characteristics, Irish; Ethnicity; Oral tradition
    Other subjects: Array; Array; Array; Array
    Scope: XII, 285 S., Ill., Kt., 24 cm
    Notes:

    Formerly CIP Uk. - Includes bibliographical references and index

    Machine generated contents note: Introduction: a history of the Irish orifice; 1. Irish hunger: the political economy of the potato; 2. Closing the mouth: disciplining oral space; 3. Counterparts: the public house, masculinity and temperance nationalism; 4. 'Going nowhere': oral space in the cell block; 5. The breaker's yard: from forensic to interrogation modernity; 6. On extorted speech: back to How It Is; Bibliography; Index.
  8. Beckett's thing
    painting and theatre
    Author: Lloyd, David
    Published: [2016]; © 2016
    Publisher:  Edinburgh University Press, Edinburgh

    Throughout his writing career, Beckett was deeply engaged with the visual arts and with individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd, explores what Beckett actually saw in the... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 4812
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Universitätsbibliothek Mannheim
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    Throughout his writing career, Beckett was deeply engaged with the visual arts and with individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd, explores what Beckett actually saw in the paintings of the painters he wrote most about and, in each case, befriended. He explains what Beckett found in the visual resources of their work rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian, all of whose work he mentions. And he traces the common elements and developments in Beckett?s visual imagination, not only in his critical statements, but by actually looking with sustained attention at the paintings he is known to have viewed

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1474415725; 9781474415729
    Other identifier:
    9781474415729
    RVK Categories: HN 9990 ; IH 15721
    Series: Other Becketts
    Subjects: Beckett, Samuel; Theater; Malerei; Drama; Bühnenbild;
    Other subjects: Beckett, Samuel (1906-1989)
    Scope: xiii, 253 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 237-245
  9. Counterpoetics of modernity
    on Irish poetry and modernism
    Author: Lloyd, David
    Published: [2022]; © 2022
    Publisher:  Edinburgh University Press, Edinburgh

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 153587
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    Universitätsbibliothek Freiburg
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    Universitätsbibliothek Mannheim
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    500 HM 1160 L793
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474489805
    Other identifier:
    9781474489805
    RVK Categories: HM 1160 ; HM 1080
    Subjects: Lyrik; Moderne
    Scope: ix, 219 Seiten, Illustrationen
  10. Beckett's thing
    painting and theatre
    Author: Lloyd, David
    Published: 2016
    Publisher:  Edinburgh University Press, Edinburgh

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.<p>Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.

    Key Features
    • Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts
    • The first book to examine the paintings that Beckett would have known and on which he based his critical remarks
    • Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium
    • Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan

    Introduction: The painted stage - Beckett's visual aesthetics -- Republics of difference: Yeats, MacGreevy, Beckett -- Beckett's thing: Bram van Velde and the gaze -- 'Siege laid again': Arikha's gaze, Beckett's painted stage -- Conclusion: The play's the thing

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474415736
    RVK Categories: HN 9990 ; IH 15721
    Series: Other Becketts
    Subjects: Beckett, Samuel ; 1906-1989 ; Criticism and interpretation
    Other subjects: Beckett, Samuel (1906-1989)
    Scope: 1 Online-Ressource (xiii, 253 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Jun 2017)
  11. Beckett's thing
    painting and theatre
    Author: Lloyd, David
    Published: 2016
    Publisher:  Edinburgh University Press, Edinburgh

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.<p>Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.

    Key Features
    • Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts
    • The first book to examine the paintings that Beckett would have known and on which he based his critical remarks
    • Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium
    • Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan

    Introduction: The painted stage - Beckett's visual aesthetics -- Republics of difference: Yeats, MacGreevy, Beckett -- Beckett's thing: Bram van Velde and the gaze -- 'Siege laid again': Arikha's gaze, Beckett's painted stage -- Conclusion: The play's the thing

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474415736
    RVK Categories: HN 9990 ; IH 15721
    Series: Other Becketts
    Subjects: Beckett, Samuel ; 1906-1989 ; Criticism and interpretation
    Other subjects: Beckett, Samuel (1906-1989)
    Scope: 1 Online-Ressource (xiii, 253 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Jun 2017)