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  1. Reviews - Imago Triumphalis: The Function and Significance of Triumphal Imagery for Italian Renaissance Rulers
    Author: Zaho, Margaret Ann
    Published: 2005

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    Source: Online Contents Comparative Literature
    Contributor: Kirch, Miriam Hall
    Media type: Article (journal)
    Format: Print
    Parent title: Renaissance quarterly; New York, NY : Cambridge University Press, 1967-; Band 58, Heft 1 (2005), Seite 206-207

  2. Reviews - Lucas Cranach d. Ä und der deutsche Humanismus: Tafelmalerei im Kontext von Rhetorik, Chroniken und Fürstenspiegeln
    Author: Bierende, Edgar
    Published: 2004

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    Source: Online Contents Comparative Literature
    Contributor: Kirch, Miriam Hall
    Media type: Article (journal)
    Format: Print
    Parent title: Renaissance quarterly; New York, NY : Cambridge University Press, 1967-; Band 57, Heft 3 (2004), Seite 1035

  3. Indecent Bodies in Early Modern Visual Culture
    Contributor: Cuneo, Pia F. (MitwirkendeR); De Mambro Santos, Ricardo (MitwirkendeR); Emerson, Catherine (MitwirkendeR); Jonietz, Fabian (MitwirkendeR); Jonietz, Fabian (HerausgeberIn); Kirch, Miriam Hall (MitwirkendeR); Meurer, Susanne (MitwirkendeR); Richter, Mandy (MitwirkendeR); Richter, Mandy (HerausgeberIn); Sammern, Romana (MitwirkendeR); Stewart, Alison G. (MitwirkendeR); Stewart, Alison (HerausgeberIn); Talvacchia, Bette (MitwirkendeR)
    Published: 2022; ©2022
    Publisher:  Amsterdam University Press, Amsterdam

    The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered ‘decent’ and representable, and... more

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    Technische Universität Chemnitz, Universitätsbibliothek
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    The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered ‘decent’ and representable, and which disapproved, censored, or prohibited. Simultaneously, artists and the public became increasingly interested in the depiction of specific body parts or excretions. This book explores the concept of indecency and its relation to the human body across drawings, prints, paintings, sculptures, and texts. The ten essays investigate questions raised by such objects about practices and social norms regarding the body, and they look at the particular function of those artworks within this discourse. The heterogeneous media, genres, and historical contexts north and south of the Alps studied by the authors demonstrate how the alleged indecency clashed with artistic intentions and challenges traditional paradigms of the historiography of Early Modern visual culture

     
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    Content information
    Source: Union catalogues
    Contributor: Cuneo, Pia F. (MitwirkendeR); De Mambro Santos, Ricardo (MitwirkendeR); Emerson, Catherine (MitwirkendeR); Jonietz, Fabian (MitwirkendeR); Jonietz, Fabian (HerausgeberIn); Kirch, Miriam Hall (MitwirkendeR); Meurer, Susanne (MitwirkendeR); Richter, Mandy (MitwirkendeR); Richter, Mandy (HerausgeberIn); Sammern, Romana (MitwirkendeR); Stewart, Alison G. (MitwirkendeR); Stewart, Alison (HerausgeberIn); Talvacchia, Bette (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048551774
    Other identifier:
    Series: Visual and Material Culture, 1300 –1700 ; 40
    Subjects: Art, European; Human beings in art; Obscenity (Aesthetics); ART / History / Renaissance
    Scope: 1 Online-Ressource (292 p.)