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Cover -- Contents -- Acknowledgments -- Introduction -- I. Memory and Mediation -- Faulkner to Film in the Fifties -- What Is Television For? (or, From "The Brooch" to The Wire) -- A Little Boy and an Idea: "Two Soldiers" and "Shall Not Perish" -- Faulkner as Celebrity -- II. Sound and Vision -- The Unsynchable William Faulkner: Faulknerian Voice and Early Sound Film -- Faulkner, Adorno, and "the Radio Phenomenon," 1935 -- Auditory Exposures: Faulkner, Eisenstein, and Film Sound -- Skin and Structure: William Faulkner's Media Surfaces -- Kodak Harlot Tricks of Light: Faulkner and Melville in the Darkroom of Race -- III. Time and Space -- William Faulkner's Mediated Time: Capitalism, Cinema, Syntax -- "Crossing the Junctureless Backloop of Time's Trepan": Freedom, Indexicality, and Cinematic Time in Go Down, Moses -- Mired Mediations: As I Lay Dying, a Horse, a Fish, Telepathy, and Economics -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z.
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