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  1. The Shakespearean archive
    experiments in new media from the Renaissance to postmodernity
    Author: Galey, Alan
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    Universitätsbibliothek Gießen
    FH Angl KS GAL II
    Unlimited inter-library loan, copies and loan
    Universität Marburg, Universitätsbibliothek
    001 HI 3385 G154
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107040649
    RVK Categories: HI 3385
    Subjects: Informationstechnik; Veröffentlichung
    Other subjects: Shakespeare, William (1564-1616)
    Scope: xv, 331 Seiten
    Notes:

    Literaturverzeichnis Seite 281-307

  2. <<The>> Shakespearean archive
    experiments in new media from the Renaissance to postmodernity
    Author: Galey, Alan
    Published: 2014
    Publisher:  Cambridge Univ. Press, Cambridge

    Universitäts- und Landesbibliothek Düsseldorf
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Universitätsbibliothek Paderborn
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  3. <<The>> Shakespearean archive
    experiments in new media from the Renaissance to postmodernity
    Author: Galey, Alan
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

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    Content information
    93
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107040649
    RVK Categories: HI 3385
    Subjects: Shakespeare, William; Informationstechnik; Veröffentlichung;
    Scope: XV, 331 Seiten, Illustrationen
  4. The Shakespearean archive
    experiments in new media from the Renaissance to postmodernity
    Author: Galey, Alan
    Published: 2014
    Publisher:  Cambridge Univ. Press, Cambridge

    "Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 930261
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2014 A 18633
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    MK 18 8A Sha. Gal.1
    No inter-library loan
    Universitätsbibliothek Heidelberg
    2014 A 13152
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    Universitätsbibliothek Mannheim
    500 HI 3385 G154
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    Saarländische Universitäts- und Landesbibliothek
    2014-6338
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    Württembergische Landesbibliothek
    65/2537
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    Universitätsbibliothek der Eberhard Karls Universität
    55 A 418
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    HI 3378 G154
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    Herzog August Bibliothek Wolfenbüttel
    65.178
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    "Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyses how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analysing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitisation read through the afterlives of Shakespeare's texts"--

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107040649
    Other identifier:
    9781107040649
    RVK Categories: HI 3385
    Subjects: Archives; Archival materials; Literature and technology; Shakespeare, William 1564-1616 / Criticism and interpretation / History
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: XV, 331 S, Ill.
    Notes:

    Literaturverzeichnis S. 281 - 307

    Machine generated contents note: 1. Introduction: scenes from the prehistory of digitization; 2. Leaves of brass: Shakespeare and the idea of the archive; 3. The archive and the book: information architectures from folio to variorum; 4. The counterfeit presentments of Victorian photography; 5. Inventing Shakespeare's voice: early sound transmission and recording; 6. Networks of deep impression: Shakespeare and the modern invention of information; 7. Data and the ghosts of materiality; Conclusion.