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  1. Existentialism and social engagement in the films of Michael Mann
    Published: 2011
    Publisher:  Palgrave Macmillan, Houndmills, Basingstoke, Hampshire

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Regensburg
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: AP 51400
    Edition: 1. publ.
    Subjects: Existentialism in motion pictures; Motion pictures / Social aspects / United States; PERFORMING ARTS / Film & Video / History & Criticism; PERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts); BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts; PHILOSOPHY / Aesthetics; Film; Gesellschaft; Ästhetik; Film; Existenzialismus
    Other subjects: Mann, Michael / (Michael Kenneth) / Criticism and interpretation; Mann, Michael (1943-)
    Scope: IX, 251 S., cm
    Notes:

    Includes filmography

    Includes bibliographical references and index

    Introduction -- Mann and movies. Michael Mann: Hollywood auteur? -- Film and philosophy -- Crime and solitude. Being the Thief (1981) -- Psychological resolution in Manhunter (1986) -- Isolation and desolation in Heat (1995) -- Indifference and compassion in Collateral (2004) -- Pretence and romance in Miami vice (2006) -- History and social conscience. Origins of evil in The keep (1983) -- Utopia lost in The last of the Mohicans (1992) -- Hazardous authenticity in The insider (1999) -- Being the people's champion in Ali (2001) -- Conclusion: ethics, engagement and enemies

  2. American Cinema in the Shadow of 9/11
    Published: [2016]; ©2016
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    A comprehensive critical survey of the impact of 9/11 on Film, written by some of the foremost scholars in American cinemaAmerican Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the... more

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    A comprehensive critical survey of the impact of 9/11 on Film, written by some of the foremost scholars in American cinemaAmerican Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.Key FeaturesFifteen original essays by some of the foremost scholars in American CinemaFeatures essays on the key films of the era, along with many that have previously been overlooked in scholarly literatureThe volume is critically informed but vibrant and engagingIncludes chapters by Geoff King, Guy Westwell, John Shelton Lawrence and Robert Jewett, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many othersCase StudiesAmericanEast (Hesham Issawi, 2008) American Sniper (Clint Eastwood, 2014)Avengers: Age of Ultron (Joss Whedon, 2015)Casino Royale (Martin Campbell, 2006)Children of Men (Alfonso Cuarón, 2006) Django Unchained (Quentin Tarantino, 2012)Edge of Tomorrow (Doug Liman, 2014)Extremely Loud and Incredibly Close (Stephen Daldry, 2011)Halloween (John Carpenter, 1978)Halloween (Rob Zombie, 2007)Halloween II (Rob Zombie, 2009)The Hateful Eight (Quentin Tarantino, 2015)Inglourious Basterds (Quentin Tarantino, 2009)The Kingdom (Peter Berg, 2007)Lincoln (Steven Spielberg, 2012)Marvel Avengers Assemble (Joss Whedon, 2012) U.S Title The AvengersPearl Harbour (Michael Bay, 2001)The Reluctant Fundamentalist (Mira Nair, 2012)RoboCop (Paul Verhoeven, 1987)RoboCop (José Padilha, 2014)The Siege (Edward Zwick, 1998)Source Code (Duncan Jones, 2011)Spectre (Sam Mendes, 2015)Unstoppable (Tony Scott, 2011)The Walk (Robert Zemeckis, 2015)The War Within (Joseph Castrello, 2005)Zero Dark Thirty (Kathryn Bigelow, 2012)...

     

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    Content information
    Source: Union catalogues
    Contributor: Bennett, Karen (Mitwirkender); Gaine, Vincent M. (Mitwirkender); Hantke, Steffen (Mitwirkender); Jewett, Robert (Mitwirkender); Joyce, Stephen (Mitwirkender); Kendrick, James (Mitwirkender); King, Geoff (Mitwirkender); Knee, Adam (Mitwirkender); Lawrence, John Shelton (Mitwirkender); Mendes, Ana Cristina (Mitwirkender); Muller, Christine (Mitwirkender); Petrovic, Paul (Mitwirkender); Redmond, Sean (Mitwirkender); Schopp, Andrew (Mitwirkender); Scott, Ian (Mitwirkender); Westwell, Guy (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474413824
    Other identifier:
    RVK Categories: AP 44983 ; AP 59783 ; AP 44981
    Subjects: Film; Elfter September <Motiv>
    Scope: 1 Online-Ressource (352 p.), 40 B/W illustrations