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  1. Performance and identity in the classical world
    Author: Duncan, Anne
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 052185282X; 9780521852821
    RVK Categories: AP 66400 ; AP 78801 ; FB 5975
    Subjects: Theater; Ästhetik; Drama; Theaterspiel; Schauspieler; Antike
    Scope: VIII, 242 S.
  2. Performance and identity in the classical world
    Author: Duncan, Anne
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge

    Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of... more

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    Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an uneasy fascination with actors and acting, from the writings of elite intellectuals (philosophers, orators, biographers, historians) to the abundant theatrical anecdotes that can be read as a body of 'popular performance theory'. This 2005 text examines these sources, along with dramatic texts and addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511550577
    RVK Categories: AP 66400 ; AP 78801 ; FB 5975 ; LG 8000 ; NH 5250 ; FB 4066
    Subjects: Theater; Ästhetik; Drama; Theaterspiel; Schauspieler; Antike; Selbst; Identität
    Scope: 1 Online-Ressource (viii, 242 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. Theatre and Metatheatre
    Definitions, Problems, Limits
    Contributor: Bierl, Anton (MitwirkendeR); Brillet-Dubois, Pascale (MitwirkendeR); Capponi, Matteo (MitwirkendeR); Di Virgilio, Loredana (MitwirkendeR); Duncan, Anne (MitwirkendeR); Giannotti, Andrea (MitwirkendeR); Milanezi, Silvia (MitwirkendeR); Milanezi, Silvia (HerausgeberIn); Paillard, Elodie (MitwirkendeR); Paillard, Elodie (HerausgeberIn); Ruch, Emilie (MitwirkendeR); Skotheim, Mali (MitwirkendeR); Taplin, Oliver (MitwirkendeR); Vespa, Marco (MitwirkendeR)
    Published: [2021]
    Publisher:  De Gruyter, Berlin

    Frontmatter -- Acknowledgements -- Contents -- ‘“Theatre”, “Paratheatre”, “Metatheatre”: What Are We Talking About?’ -- Theatre and Paratheatre -- Definitions and Limits of Theatrical Performances -- ‘Diffused Performance and Core Performance of... more

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    Frontmatter -- Acknowledgements -- Contents -- ‘“Theatre”, “Paratheatre”, “Metatheatre”: What Are We Talking About?’ -- Theatre and Paratheatre -- Definitions and Limits of Theatrical Performances -- ‘Diffused Performance and Core Performance of Greek Theatre’ -- ‘(Un)Masking the πόλις: The Pre-Play Ceremonies of the Athenian Great Dionysia as Theatrical Performances?’ -- ‘Greek to Latin and Back: Did Roman Theatre Change Greek Theatre?’ -- Paratheatre -- ‘Defining Paratheatre, From Grotowski to Antiquity’ -- Metatheatre -- Theoretical Aspects -- ‘New Thoughts on Metatheatre in Attic Drama: Self-Referentiality, Ritual and Performativity as Total Theatre’ -- Performative Aspects -- ‘A Gesture That Reveals Itself As a Gesture: Thinking About the Metatheatricality of the Body in Greek Tragedy’ -- Case Studies -- Tragedy -- ‘Metatheatre and Dramaturgical Innovation: A Study of Recognition Scenes in Euripides’ Tragedies Electra, Helen, Iphigenia in Tauris, and Ion’ -- ‘The Mask of Troy: Metatheatre in the Prologue and Final kommos of Euripides’ Troades’ -- Aristophanes, Old Comedy -- ‘Animal Metaphors and Metadrama. A Cultural Insight into the Verb πιθηκίζειν’ -- ‘Ar. Eccl. 889 ὅμως ἔχει τερπνόν τι καὶ κωμῳδικόν. A Comedy’s Self- Consideration of Its Lyrical Forms at the Dawn of “Middle Comedy”?’ -- Mimes -- ‘Mime and Metatheatre’ -- Abbreviations -- Bibliography -- List of Contributors -- Index verborum -- Index locorum The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars.Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question.Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings? And is everything was performed within such buildings to be considered as ‘theatre’? How does the definition of what is considered as theatre evolve from one period to the other?As for ‘metatheatre’, the discussion revolves around the interaction between reality and fiction in dramatic pieces of all genres. The various definitions of ‘metatheatre’ are also explored and explicited by the papers gathered in this volume, as well as the question of the distinction between paratheatre (understood as paratragedy/comedy) and metatheatre.Readers will be encouraged by the diversity of approaches presented in this book to re-think their own understanding and use of ‘theatre’ and ‘metatheatre’ when examining ancient Greek reality

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Bierl, Anton (MitwirkendeR); Brillet-Dubois, Pascale (MitwirkendeR); Capponi, Matteo (MitwirkendeR); Di Virgilio, Loredana (MitwirkendeR); Duncan, Anne (MitwirkendeR); Giannotti, Andrea (MitwirkendeR); Milanezi, Silvia (MitwirkendeR); Milanezi, Silvia (HerausgeberIn); Paillard, Elodie (MitwirkendeR); Paillard, Elodie (HerausgeberIn); Ruch, Emilie (MitwirkendeR); Skotheim, Mali (MitwirkendeR); Taplin, Oliver (MitwirkendeR); Vespa, Marco (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110716559
    Other identifier:
    Series: MythosEikonPoiesis ; 11
    Subjects: Greek drama; Play within a play; Metadrama; Theater; Griechische Dramen; LITERARY CRITICISM / Ancient & Classical
    Other subjects: Ancient Greek drama; metatheatre; theatre
    Scope: 1 Online-Ressource (IX, 308 p)
  4. Theatre and Metatheatre
    Definitions, Problems, Limits
    Contributor: Bierl, Anton (Mitwirkender); Brillet-Dubois, Pascale (Mitwirkender); Capponi, Matteo (Mitwirkender); Di Virgilio, Loredana (Mitwirkender); Duncan, Anne (Mitwirkender); Giannotti, Andrea (Mitwirkender); Milanezi, Silvia Sueli (Herausgeber); Paillard, Elodie (Herausgeber); Ruch, Emilie (Mitwirkender); Skotheim, Mali (Mitwirkender); Taplin, Oliver (Mitwirkender); Vespa, Marco (Mitwirkender)
    Published: 2021; ©2021
    Publisher:  De Gruyter, Berlin ; Walter de Gruyter GmbH

    The aim of this book is to explore the definition(s) of 'theatre' and 'metatheatre' that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when... more

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    The aim of this book is to explore the definition(s) of 'theatre' and 'metatheatre' that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, 'theatre' as well as 'metatheatre' are used in many different, sometimes even contradictory, ways by modern scholars.Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question.Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings? And is everything was performed within such buildings to be considered as 'theatre'? How does the definition of what is considered as theatre evolve from one period to the other?As for 'metatheatre', the discussion revolves around the interaction between reality and fiction in dramatic pieces of all genres. The various definitions of 'metatheatre' are also explored and explicited by the papers gathered in this volume, as well as the question of the distinction between paratheatre (understood as paratragedy/comedy) and metatheatre.Readers will be encouraged by the diversity of approaches presented in this book to re-think their own understanding and use of 'theatre' and 'metatheatre' when examining ancient Greek reality.

     
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    Content information
    Source: Union catalogues
    Contributor: Bierl, Anton (Mitwirkender); Brillet-Dubois, Pascale (Mitwirkender); Capponi, Matteo (Mitwirkender); Di Virgilio, Loredana (Mitwirkender); Duncan, Anne (Mitwirkender); Giannotti, Andrea (Mitwirkender); Milanezi, Silvia Sueli (Herausgeber); Paillard, Elodie (Herausgeber); Ruch, Emilie (Mitwirkender); Skotheim, Mali (Mitwirkender); Taplin, Oliver (Mitwirkender); Vespa, Marco (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110716559
    Other identifier:
    DDC Categories: 880; 930
    Series: MythosEikonPoiesis , ; 11
    Subjects: Griechisch; Drama; Metatheater
    Scope: 1 Online-Ressource (IX, 308 p.)
  5. Theatre and Metatheatre
    Definitions, Problems, Limits
    Contributor: Bierl, Anton (MitwirkendeR); Brillet-Dubois, Pascale (MitwirkendeR); Capponi, Matteo (MitwirkendeR); Di Virgilio, Loredana (MitwirkendeR); Duncan, Anne (MitwirkendeR); Giannotti, Andrea (MitwirkendeR); Milanezi, Silvia (MitwirkendeR); Milanezi, Silvia (HerausgeberIn); Paillard, Elodie (MitwirkendeR); Paillard, Elodie (HerausgeberIn); Ruch, Emilie (MitwirkendeR); Skotheim, Mali (MitwirkendeR); Taplin, Oliver (MitwirkendeR); Vespa, Marco (MitwirkendeR)
    Published: [2021]
    Publisher:  De Gruyter, Berlin

    Frontmatter -- Acknowledgements -- Contents -- ‘“Theatre”, “Paratheatre”, “Metatheatre”: What Are We Talking About?’ -- Theatre and Paratheatre -- Definitions and Limits of Theatrical Performances -- ‘Diffused Performance and Core Performance of... more

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    Frontmatter -- Acknowledgements -- Contents -- ‘“Theatre”, “Paratheatre”, “Metatheatre”: What Are We Talking About?’ -- Theatre and Paratheatre -- Definitions and Limits of Theatrical Performances -- ‘Diffused Performance and Core Performance of Greek Theatre’ -- ‘(Un)Masking the πόλις: The Pre-Play Ceremonies of the Athenian Great Dionysia as Theatrical Performances?’ -- ‘Greek to Latin and Back: Did Roman Theatre Change Greek Theatre?’ -- Paratheatre -- ‘Defining Paratheatre, From Grotowski to Antiquity’ -- Metatheatre -- Theoretical Aspects -- ‘New Thoughts on Metatheatre in Attic Drama: Self-Referentiality, Ritual and Performativity as Total Theatre’ -- Performative Aspects -- ‘A Gesture That Reveals Itself As a Gesture: Thinking About the Metatheatricality of the Body in Greek Tragedy’ -- Case Studies -- Tragedy -- ‘Metatheatre and Dramaturgical Innovation: A Study of Recognition Scenes in Euripides’ Tragedies Electra, Helen, Iphigenia in Tauris, and Ion’ -- ‘The Mask of Troy: Metatheatre in the Prologue and Final kommos of Euripides’ Troades’ -- Aristophanes, Old Comedy -- ‘Animal Metaphors and Metadrama. A Cultural Insight into the Verb πιθηκίζειν’ -- ‘Ar. Eccl. 889 ὅμως ἔχει τερπνόν τι καὶ κωμῳδικόν. A Comedy’s Self- Consideration of Its Lyrical Forms at the Dawn of “Middle Comedy”?’ -- Mimes -- ‘Mime and Metatheatre’ -- Abbreviations -- Bibliography -- List of Contributors -- Index verborum -- Index locorum The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars.Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question.Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings? And is everything was performed within such buildings to be considered as ‘theatre’? How does the definition of what is considered as theatre evolve from one period to the other?As for ‘metatheatre’, the discussion revolves around the interaction between reality and fiction in dramatic pieces of all genres. The various definitions of ‘metatheatre’ are also explored and explicited by the papers gathered in this volume, as well as the question of the distinction between paratheatre (understood as paratragedy/comedy) and metatheatre.Readers will be encouraged by the diversity of approaches presented in this book to re-think their own understanding and use of ‘theatre’ and ‘metatheatre’ when examining ancient Greek reality

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Bierl, Anton (MitwirkendeR); Brillet-Dubois, Pascale (MitwirkendeR); Capponi, Matteo (MitwirkendeR); Di Virgilio, Loredana (MitwirkendeR); Duncan, Anne (MitwirkendeR); Giannotti, Andrea (MitwirkendeR); Milanezi, Silvia (MitwirkendeR); Milanezi, Silvia (HerausgeberIn); Paillard, Elodie (MitwirkendeR); Paillard, Elodie (HerausgeberIn); Ruch, Emilie (MitwirkendeR); Skotheim, Mali (MitwirkendeR); Taplin, Oliver (MitwirkendeR); Vespa, Marco (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110716559
    Other identifier:
    Series: MythosEikonPoiesis ; 11
    Subjects: Greek drama; Play within a play; Metadrama; Theater; Griechische Dramen; LITERARY CRITICISM / Ancient & Classical
    Other subjects: Ancient Greek drama; metatheatre; theatre
    Scope: 1 Online-Ressource (IX, 308 p)
  6. Performance and identity in the classical world
    Author: Duncan, Anne
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge, U.K

    Drag queens and in-betweens: Agathon and the mimetic body -- Demosthenes vs. Aeschines : the rhetoric of sincerity -- The fraud and the flatterer : images of actors on the comic stage -- Infamous performers : comic actors and female prostitutes in... more

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    Drag queens and in-betweens: Agathon and the mimetic body -- Demosthenes vs. Aeschines : the rhetoric of sincerity -- The fraud and the flatterer : images of actors on the comic stage -- Infamous performers : comic actors and female prostitutes in Rome -- The actor's freedom : Roscius and the slave actor at rome -- Extreme mimesis : spectacle in the empire. This 2005 text addresses issue of impersonation, from the late fifth century BCE to the early Roman Empire

     
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