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Displaying results 1 to 6 of 6.

  1. Art history before English
    negotiating a European lingua franca from Vasari to the present
    Contributor: Brennan, Robert (Publisher); O'Donnell, C. Oliver (Publisher); Mascolo, Marco M. (Publisher); Nova, Alessandro (Publisher)
    Published: [2021]; © 2021
    Publisher:  Officina libraria, Rome

    Universitätsbibliothek Eichstätt-Ingolstadt
    Unlimited inter-library loan, copies and loan
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Deutsches Forum für Kunstgeschichte, Bibliothek
    Universitätsbibliothek Regensburg
    Unlimited inter-library loan, copies and loan
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Contributor: Brennan, Robert (Publisher); O'Donnell, C. Oliver (Publisher); Mascolo, Marco M. (Publisher); Nova, Alessandro (Publisher)
    Language: English; Italian; German
    Media type: Book
    ISBN: 9788833670737
    RVK Categories: LH 62000
    Subjects: Lingua Franca; Wissenschaft; Geschichte; Englisch; Sprache; Übersetzung; Kunst
    Scope: 335 Seiten, Illustrationen, 24 cm
    Notes:

    Auf Seite 7: "These events culminated in a two-day international conference held at the Institute in early March 2018. The essays that make up this book are expanded and revised versions of the papers initially presented at that conference." - Genaue Konferenzdaten ermittelt

  2. Art history before English
    negotiating a European lingua franca from Vasari to the present
    Contributor: Brennan, Robert (Publisher); O'Donnell, C. Oliver (Publisher); Mascolo, Marco M. (Publisher); Nova, Alessandro (Publisher)
    Published: [2021]; © 2021
    Publisher:  Officina libraria, Rome

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität der Künste Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Contributor: Brennan, Robert (Publisher); O'Donnell, C. Oliver (Publisher); Mascolo, Marco M. (Publisher); Nova, Alessandro (Publisher)
    Language: English; Italian; German
    Media type: Book
    ISBN: 9788833670737
    RVK Categories: LH 62000
    Subjects: Lingua Franca; Wissenschaft; Geschichte; Englisch; Sprache; Übersetzung; Kunst
    Scope: 335 Seiten, Illustrationen, 24 cm
    Notes:

    Auf Seite 7: "These events culminated in a two-day international conference held at the Institute in early March 2018. The essays that make up this book are expanded and revised versions of the papers initially presented at that conference." - Genaue Konferenzdaten ermittelt

  3. Art history before English
    negotiating a European lingua franca from Vasari to the present
    Contributor: Brennan, Robert (Herausgeber); O'Donnell, C. Oliver (Herausgeber); Mascolo, Marco M. (Herausgeber); Nova, Alessandro (Herausgeber)
    Published: [2021]; © 2021
    Publisher:  Officina libraria, Rome

    Universität Bonn, Kunsthistorisches Institut, Bibliothek
    G 1384/16
    No inter-library loan
    Universitäts- und Landesbibliothek Düsseldorf
    kuna530.b838
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Brennan, Robert (Herausgeber); O'Donnell, C. Oliver (Herausgeber); Mascolo, Marco M. (Herausgeber); Nova, Alessandro (Herausgeber)
    Language: English; Italian; German
    Media type: Book
    ISBN: 9788833670737
    Series: (Signification)
    Subjects: Lingua Franca; Übersetzung; Geschichte; Wissenschaft; Kunst; Sprache; Englisch
    Scope: 335 Seiten, Illustrationen, 24 cm
    Notes:

    Auf Seite 7: "These events culminated in a two-day international conference held at the Institute in early March 2018. The essays that make up this book are expanded and revised versions of the papers initially presented at that conference." - Genaue Konferenzdaten ermittelt

  4. Art history before English
    negotiating a European lingua franca from Vasari to the present
    Contributor: Brennan, Robert (Herausgeber); O'Donnell, C. Oliver (Herausgeber); Mascolo, Marco M (Herausgeber); Nova, Alessandro (Herausgeber)
    Published: [2021]; © 2021
    Publisher:  Officina libraria, Rome

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Düsseldorf
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Brennan, Robert (Herausgeber); O'Donnell, C. Oliver (Herausgeber); Mascolo, Marco M (Herausgeber); Nova, Alessandro (Herausgeber)
    Language: English; Italian; German
    Media type: Book
    Format: Print
    ISBN: 9788833670737
    Series: (Signification)
    Subjects: Kunst; Geschichte; Englisch; Lingua Franca; Geschichte 1500-; Europa; Wissenschaft; Sprache; Übersetzung; Geschichte 1500-
    Scope: 335 Seiten, Illustrationen, 24 cm
    Notes:

    Auf Seite 7: "These events culminated in a two-day international conference held at the Institute in early March 2018. The essays that make up this book are expanded and revised versions of the papers initially presented at that conference." - Genaue Konferenzdaten ermittelt

  5. The idea of "modern art" in Renaissance Italy : essay
    Published: 2021

    The Italian Renaissance has long been studied as a point of origin for "modern" ideas about art. This approach, which can be traced back to figures like Giorgio Vasari and Jacob Burckhardt, remains central in scholarship on Renaissance art to this... more

     

    The Italian Renaissance has long been studied as a point of origin for "modern" ideas about art. This approach, which can be traced back to figures like Giorgio Vasari and Jacob Burckhardt, remains central in scholarship on Renaissance art to this day. For example, on the first page of a recent textbook on Italian Renaissance art, Stephen Campbell and Michael Cole begin by laying out two contrary views of the period. To Renaissance writers like Lorenzo Ghiberti, they explain, the Renaissance meant the rebirth of classical antiquity; "to others, however, it has seemed that the importance of Italian art after about 1400 lay not in its return to origins but in the emergence of something entirely new and characteristically modern - the idea of art itself." [.] While this outlook has certainly made a lasting contribution to Renaissance art history, it has also given rise to certain blind spots and misconceptions in the field. For example, it is often assumed that the word "art" underwent a radical change of meaning in the Renaissance, anticipating the later, post-Enlightenment notion of the "fine arts" as an autonomous field of creative activity. However, close readings of period texts often suggest the opposite.

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    DDC Categories: 700; 800
    Subjects: Kunst; Renaissance; Italien
    Rights:

    creativecommons.org/licenses/by-sa/4.0/ ; info:eu-repo/semantics/openAccess

  6. The idea of "modern art" in Renaissance Italy : essay
    Published: 16.03.2021

    The Italian Renaissance has long been studied as a point of origin for "modern" ideas about art. This approach, which can be traced back to figures like Giorgio Vasari and Jacob Burckhardt, remains central in scholarship on Renaissance art to this... more

     

    The Italian Renaissance has long been studied as a point of origin for "modern" ideas about art. This approach, which can be traced back to figures like Giorgio Vasari and Jacob Burckhardt, remains central in scholarship on Renaissance art to this day. For example, on the first page of a recent textbook on Italian Renaissance art, Stephen Campbell and Michael Cole begin by laying out two contrary views of the period. To Renaissance writers like Lorenzo Ghiberti, they explain, the Renaissance meant the rebirth of classical antiquity; "to others, however, it has seemed that the importance of Italian art after about 1400 lay not in its return to origins but in the emergence of something entirely new and characteristically modern - the idea of art itself." [...] While this outlook has certainly made a lasting contribution to Renaissance art history, it has also given rise to certain blind spots and misconceptions in the field. For example, it is often assumed that the word "art" underwent a radical change of meaning in the Renaissance, anticipating the later, post-Enlightenment notion of the "fine arts" as an autonomous field of creative activity. However, close readings of period texts often suggest the opposite.

     

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    Content information: free
    Source: CompaRe
    Language: English
    Media type: Part of a periodical; Part of a periodical
    Format: Online
    DDC Categories: 700; 800
    Collection: Figurationen des Übergangs
    Subjects: Kunst; Renaissance; Italien
    Rights:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess