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  1. „At Orientaleren skal tale som Orientaler…“
    Published: 2021

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    Source: BASE Selection for Comparative Literature
    Language: German
    Media type: Undefined
    Format: Online
    DDC Categories: 839
    Rights:

    kostenfrei

  2. „At Orientaleren skal tale som Orientaler…“
    Zur Problematik von Form und Funktion „Jüdischen Sprechens“ in M. A. Goldschmidts En Jøde (1845/52)
    Published: 2014
    Publisher:  Humboldt-Universität zu Berlin, Berlin

    This article examines the intricate functions of Jewish speech in Meïr Goldschmidt’s novel En Jøde. Starting out with an analysis of literary antisemitism, differences between the representation of Jewish figures in specific genre conventions are... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    This article examines the intricate functions of Jewish speech in Meïr Goldschmidt’s novel En Jøde. Starting out with an analysis of literary antisemitism, differences between the representation of Jewish figures in specific genre conventions are highlighted. It can be shown that in Danish literature until 1845 Jewish speech is presented in narrative and dramatic texts in very different ways. It is argued that in En Jøde diverse representational conventions of Jewish speech are made use of. Contrary to non-jewish fiction writers, Goldschmidt gives his Jewish characters a voice that is diverging from the Danish norm. Their particular language is not artificial like in contemporary plays but aims at showing genuine Jewish speech. This turns En Jøde into the first novel of a Jewish author that tries to present the speech of its Jewish characters as authentic. Mainly in the last chapter, Goldschmidt also implements the speech of the “comic stage Jew”, which serves several functions. First, its use points at the connection between this kind of representation on stage and anti-Semitic attitudes in Danish society. Second, it establishes an ultimate alternative draft to the failed protagonist. Third, it alienates the readers’ trust in literary representations of Jewish figures and unmasks them as fictitious. Focusing on its use of Jewish figural vocabulary, this essay offers a new perspective on Goldschmidt’s most famous novel. Peer Reviewed

     

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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: German
    Media type: Article (journal)
    ISSN: 2191-9399
    Other identifier:
    Parent title: European journal of Scandinavian studies; Boston ; New York, NY : De Gruyter; 44,2014,1, Seiten 103-126
    Other subjects: Andere germanische Sprachen; Literaturen germanischer Sprachen; Deutsche Literatur
    Scope: 1 Online-Ressource (24 Seiten)
    Notes:

    Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG-geförderten) Allianz- bzw. Nationallizenz frei zugänglich.

  3. „At Orientaleren skal tale som Orientaler…“
    Published: 2021
    Publisher:  Humboldt-Universität zu Berlin, Berlin

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    Parent title: In: European journal of Scandinavian studies, Band 44, Ausgabe 1, Seite 103-126, 2014
    Scope: Online-Ressource
  4. Ökononemesis und der masslose Wert der Literatur : zu Figuren des Ökonomischen in Carsten Hauchs Slottet ved Rhinen (1845)
    Published: 2013
    Publisher:  Schweizerische Gesellschaft für Skandinavische Studien

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    Source: BASE Selection for Comparative Literature
    Language: Undetermined
    Media type: Article (journal)
    Format: Online
    Parent title: Beiträge zur nordischen Philologie ; 185280-2 ; 1661-2086 ; 51 ; 2013 ; 165
    DDC Categories: 490; 890
  5. „At Orientaleren skal tale som Orientaler…“ ; Zur Problematik von Form und Funktion „Jüdischen Sprechens“ in M. A. Goldschmidts En Jøde (1845/52)
    Published: 2014
    Publisher:  Humboldt-Universität zu Berlin

    Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG-geförderten) Allianz- bzw. Nationallizenz frei zugänglich. ; This article examines the intricate functions of Jewish speech in Meïr Goldschmidt’s novel En Jøde. Starting out... more

     

    Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG-geförderten) Allianz- bzw. Nationallizenz frei zugänglich. ; This article examines the intricate functions of Jewish speech in Meïr Goldschmidt’s novel En Jøde. Starting out with an analysis of literary antisemitism, differences between the representation of Jewish figures in specific genre conventions are highlighted. It can be shown that in Danish literature until 1845 Jewish speech is presented in narrative and dramatic texts in very different ways. It is argued that in En Jøde diverse representational conventions of Jewish speech are made use of. Contrary to non-jewish fiction writers, Goldschmidt gives his Jewish characters a voice that is diverging from the Danish norm. Their particular language is not artificial like in contemporary plays but aims at showing genuine Jewish speech. This turns En Jøde into the first novel of a Jewish author that tries to present the speech of its Jewish characters as authentic. Mainly in the last chapter, Goldschmidt also implements the speech of the “comic stage Jew”, which serves several functions. First, its use points at the connection between this kind of representation on stage and anti-Semitic attitudes in Danish society. Second, it establishes an ultimate alternative draft to the failed protagonist. Third, it alienates the readers’ trust in literary representations of Jewish figures and unmasks them as fictitious. Focusing on its use of Jewish figural vocabulary, this essay offers a new perspective on Goldschmidt’s most famous novel. ; Peer Reviewed

     

    Export to reference management software   RIS file
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    Source: BASE Selection for Comparative Literature
    Language: German
    Media type: Article (journal)
    Format: Online
    DDC Categories: 430; 830; 439
    Rights:

    rightsstatements.org/vocab/InC/1.0/