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  1. Musical biographies
    the music of memory in post-1945 German literature
    Published: April 2016
    Publisher:  De Gruyter, Berlin

    Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they bear witness to and reverberate with traumatic experience that escapes or resists language? In search for an alternative mode of expression and representation, this volume focuses on postwar German and Austrian writers who made use of music in their exploration of the National Socialist past. Their works invoke, however, new questions: What happens when we cross the line between narration and documentation, and between memory and a musical piece? How does identification and fascination affect our reading of the text? What kind of ethical issues do these testimonies raise? As this volume shows, reading these musical biographies is both troubling and compelling since they ‘fail’ to come to terms with the past. In playing the haunting music that does not let us put the matter to rest, they call into question not only the exclusion of personal stories by official narratives, but also challenge writers’ and readers’ most intimate perspectives on an unmasterable past

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Article (edited volume)
    Format: Online
    ISBN: 9783110460933
    Other identifier:
    Parent title: Title is part of eBook package: EBOOK PACKAGE Literary, Cultural and Area Studies 2016; De Gruyter
    Title is part of eBook package: EBOOK PACKAGE COMPLETE 2016; De Gruyter
    Series: Interdisciplinary German cultural studies ; 20
    Subjects: German fiction; Music and literature; Music and literature; Memory in literature
    Scope: 1 Online-Ressource (181 Seiten)
    Notes:

    Includes bibliographical references and index

    Frontmatter -- -- Acknowledgments -- -- Contents -- -- Overture. German Catastrophe and the Rebirth of Musical Biography -- -- 1. Thomas Mann: Dissonance as a Mode of Documentation -- -- Interlude I. Siegfried: Atonality and Decentralized Narrative -- -- 2. Günter Grass: Rhythms of a Fictitious Testimony -- -- Interlude II. Clown: Ironic Tune between Memory and Oblivion -- -- 3. Ingeborg Bachmann: The Resonance of Trauma -- -- Interlude III. Pianist: Austria from a Musician’s Perspective -- -- 4. Thomas Bernhard: Writing, Playing, and the Compulsion to Repeat -- -- Interlude IV. Composer: Sound Transfiguration after Reunification -- -- Coda. The End of Musical Biography? -- -- Bibliography -- -- Index

  2. Musical biographies
    the music of memory in post-1945 German literature
    Published: April 2016
    Publisher:  De Gruyter, Berlin

    Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they... more

    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Universitätsbibliothek Hildesheim
    No inter-library loan
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    No inter-library loan
    Hochschule Merseburg, Bibliothek
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    No inter-library loan
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
    No inter-library loan
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
    No inter-library loan

     

    Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they bear witness to and reverberate with traumatic experience that escapes or resists language? In search for an alternative mode of expression and representation, this volume focuses on postwar German and Austrian writers who made use of music in their exploration of the National Socialist past. Their works invoke, however, new questions: What happens when we cross the line between narration and documentation, and between memory and a musical piece? How does identification and fascination affect our reading of the text? What kind of ethical issues do these testimonies raise? As this volume shows, reading these musical biographies is both troubling and compelling since they ‘fail’ to come to terms with the past. In playing the haunting music that does not let us put the matter to rest, they call into question not only the exclusion of personal stories by official narratives, but also challenge writers’ and readers’ most intimate perspectives on an unmasterable past

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Format: Online
    ISBN: 9783110460933
    Other identifier:
    Parent title: Title is part of eBook package: EBOOK PACKAGE Literary, Cultural and Area Studies 2016; De Gruyter
    Title is part of eBook package: EBOOK PACKAGE COMPLETE 2016; De Gruyter
    Series: Interdisciplinary German cultural studies ; 20
    Subjects: German fiction; Music and literature; Music and literature; Memory in literature
    Scope: 1 Online-Ressource (181 Seiten)
    Notes:

    Includes bibliographical references and index

    Frontmatter -- -- Acknowledgments -- -- Contents -- -- Overture. German Catastrophe and the Rebirth of Musical Biography -- -- 1. Thomas Mann: Dissonance as a Mode of Documentation -- -- Interlude I. Siegfried: Atonality and Decentralized Narrative -- -- 2. Günter Grass: Rhythms of a Fictitious Testimony -- -- Interlude II. Clown: Ironic Tune between Memory and Oblivion -- -- 3. Ingeborg Bachmann: The Resonance of Trauma -- -- Interlude III. Pianist: Austria from a Musician’s Perspective -- -- 4. Thomas Bernhard: Writing, Playing, and the Compulsion to Repeat -- -- Interlude IV. Composer: Sound Transfiguration after Reunification -- -- Coda. The End of Musical Biography? -- -- Bibliography -- -- Index