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  1. Beyond autonomy in eighteenth-century British and German aesthetics
    Contributor: Axelsson, Karl (Herausgeber); Flodin, Camilla (Herausgeber); Pirholt, Mattias (Herausgeber)
    Published: [2021]; © 2021
    Publisher:  Routledge, New York

    Max-Planck-Institut für empirische Ästhetik, Bibliothek
    CC 6700 axe 2021
    No inter-library loan
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    91.226.54
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    Content information
    Source: Union catalogues
    Contributor: Axelsson, Karl (Herausgeber); Flodin, Camilla (Herausgeber); Pirholt, Mattias (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367347963
    RVK Categories: CC 6700
    Series: Routledge studies in eighteenth-century philosophy
    Subjects: Ästhetik
    Scope: X, 302 Seiten, Diagramme
  2. Beyond autonomy in eighteenth-century British and German aesthetics
    Contributor: Axelsson, Karl (HerausgeberIn); Flodin, Camilla (HerausgeberIn); Pirholt, Mattias (HerausgeberIn)
    Published: 2021
    Publisher:  Routledge, New York

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so,... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic"--

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Axelsson, Karl (HerausgeberIn); Flodin, Camilla (HerausgeberIn); Pirholt, Mattias (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367347963
    Series: Routledge studies in eighteenth-century philosophy
    Subjects: Aesthetics, British; Aesthetics, German
    Scope: x, 302 Seiten, Illustrationen, Diagramme
    Notes:

    Literaturangaben

  3. Beyond autonomy in eighteenth-century British and German aesthetics
    Contributor: Axelsson, Karl (Publisher); Flodin, Camilla (Publisher); Pirholt, Mattias (Publisher)
    Published: 2021
    Publisher:  Routledge, New York ; London

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so,... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic"--

     

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    Content information
    Source: Union catalogues
    Contributor: Axelsson, Karl (Publisher); Flodin, Camilla (Publisher); Pirholt, Mattias (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780367347963
    RVK Categories: CC 6700
    Series: Routledge studies in eighteenth-century philosophy
    Subjects: Ästhetik
    Other subjects: Shaftesbury, Anthony Ashley Cooper of (1671-1713): The moralists; Aesthetics, British / 18th century; Aesthetics, German / 18th century; Aesthetics, British; Aesthetics, German; 1700-1799
    Scope: x, 302 Seiten, Diagramme
  4. Beyond autonomy in eighteenth-century British and German aesthetics
    Contributor: Axelsson, Karl (Publisher); Flodin, Camilla (Publisher); Pirholt, Mattias (Publisher)
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Content information
    Volltext (URL des Erstveröffentlichers)
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    Kapitel (kostenfrei)
    Source: Union catalogues
    Contributor: Axelsson, Karl (Publisher); Flodin, Camilla (Publisher); Pirholt, Mattias (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429330254
    Other identifier:
    RVK Categories: CC 6700
    Series: Routledge studies in eighteenth-century philosophy
    Subjects: Ästhetik
    Other subjects: Shaftesbury, Anthony Ashley Cooper of (1671-1713): The moralists; Aesthetics, British / 18th century; Aesthetics, German / 18th century; Aesthetics, British; Aesthetics, German; 1700-1799
    Scope: 1 Online-Ressource (x, 302 Seiten), Diagramme
    Notes:

    Die Kapitel "Introduction", "Beauty, nature, and society in Shaftesbury's 'The Moralists'", "Goethe's exploratory idealism" und "Hölderlin's higher enlightenment" sind Open Access verfügbar.

  5. Beyond autonomy in eighteenth-century British and German aesthetics
    Contributor: Axelsson, Karl (Herausgeber); Flodin, Camilla (Herausgeber); Pirholt, Mattias (Herausgeber)
    Published: 2021
    Publisher:  Routledge, New York, NY ; Taylor & Francis Group, London

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so,... more

    Access:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    No inter-library loan

     

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic"--...

     

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    Source: Union catalogues
    Contributor: Axelsson, Karl (Herausgeber); Flodin, Camilla (Herausgeber); Pirholt, Mattias (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429330254; 0429330251; 9781000077285; 1000077284; 9781000077247; 1000077241; 9781000077261; 1000077268
    Other identifier:
    RVK Categories: CC 6700
    Series: Routledge studies in eighteenth-century philosophy
    Subjects: Ästhetik; Aesthetics, British; Aesthetics, German; PHILOSOPHY / History & Surveys / Modern; PHILOSOPHY / Aesthetics
    Scope: 1 Online-Ressource (x, 302 pages), illustrations
  6. Beyond autonomy in eighteenth-century British and German aesthetics
    Contributor: Axelsson, Karl (Publisher); Flodin, Camilla (Publisher); Pirholt, Mattias (Publisher)
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    Access:
    Verlag (teilw. kostenfrei)
    Verlag (teilw. kostenfrei)
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Europa-Universität Viadrina, Universitätsbibliothek
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Kapitel (kostenfrei)
    Kapitel (kostenfrei)
    Source: Staatsbibliothek zu Berlin
    Contributor: Axelsson, Karl (Publisher); Flodin, Camilla (Publisher); Pirholt, Mattias (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429330254
    Other identifier:
    RVK Categories: CC 6700
    Series: Routledge studies in eighteenth-century philosophy
    Subjects: Ästhetik
    Other subjects: Shaftesbury, Anthony Ashley Cooper of (1671-1713): The moralists; Aesthetics, British / 18th century; Aesthetics, German / 18th century; Aesthetics, British; Aesthetics, German; 1700-1799
    Scope: 1 Online-Ressource (x, 302 Seiten), Diagramme
    Notes:

    Die Kapitel "Introduction", "Beauty, nature, and society in Shaftesbury's 'The Moralists'", "Goethe's exploratory idealism" und "Hölderlin's higher enlightenment" sind Open Access verfügbar.

  7. Beyond autonomy in eighteenth-century British and German aesthetics
    Contributor: Axelsson, Karl (Publisher); Flodin, Camilla (Publisher); Pirholt, Mattias (Publisher)
    Published: 2021
    Publisher:  Routledge, New York ; London

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so,... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic"--

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Axelsson, Karl (Publisher); Flodin, Camilla (Publisher); Pirholt, Mattias (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780367347963
    RVK Categories: CC 6700
    Series: Routledge studies in eighteenth-century philosophy
    Subjects: Ästhetik
    Other subjects: Shaftesbury, Anthony Ashley Cooper of (1671-1713): The moralists; Aesthetics, British / 18th century; Aesthetics, German / 18th century; Aesthetics, British; Aesthetics, German; 1700-1799
    Scope: x, 302 Seiten, Diagramme
  8. Beyond autonomy in eighteenth-century British and German aesthetics
    Contributor: Axelsson, Karl (HerausgeberIn); Flodin, Camilla (HerausgeberIn); Pirholt, Mattias (HerausgeberIn)
    Published: 2021
    Publisher:  Routledge, New York

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so,... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 124970
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Franckesche Stiftungen, Studienzentrum August Hermann Francke, Archiv und Bibliothek
    FDf 550
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    2021/5760
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    Universitätsbibliothek Heidelberg
    2020 A 13816
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    Germanisches Nationalmuseum, Bibliothek
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    CC 6700 A969
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    71.477
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    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic"--

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Axelsson, Karl (HerausgeberIn); Flodin, Camilla (HerausgeberIn); Pirholt, Mattias (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367347963
    Series: Routledge studies in eighteenth-century philosophy
    Subjects: Aesthetics, British; Aesthetics, German
    Scope: x, 302 Seiten, Illustrationen, Diagramme
    Notes:

    Literaturangaben

  9. Chapter Introduction
    Published: 2020
    Publisher:  Taylor & Francis

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so,... more

     

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests.

    The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others.

    This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic."

     

    Export to reference management software   RIS file
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Parent title: Beyond Autonomy in Eighteenth-Century British and Germany Aesthetics
    Subjects: Western philosophy, from c 1900 -; Philosophy: aesthetics; Literary studies: general
    Other subjects: Modern Philosophy, Aesthetics, 18th Century Literature, Philosophy of Art & Aesthetics, Philosophy of Literature, History of Philosophy, Literature & Philosophy, German Literature, British Literature
    Scope: 1 electronic resource (19 p.)
  10. Beyond Autonomy in Eighteenth-Century British and Germany Aesthetics
    Contributor: Axelsson, Karl (Publisher); Flodin, Camilla (Publisher); Pirholt, Mattias (Publisher)
    Published: 2020
    Publisher:  Taylor & Francis

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so,... more

     

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests.

    The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others.

    This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic."

     

    Export to reference management software   RIS file
      BibTeX file
  11. Beyond Autonomy in Eighteenth-Century British and German Aesthetics
    Contributor: Axelsson, Karl (Publisher); Flodin, Camilla (Publisher); Pirholt, Mattias (Publisher)
    Published: 2021
    Publisher:  Taylor & Francis

    This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so,... more

     

    This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.

     

    Export to reference management software   RIS file
      BibTeX file
  12. Chapter Introduction
    Published: 2020
    Publisher:  Taylor & Francis, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so,... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic."...

     

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  13. Beyond Autonomy in Eighteenth-Century British and Germany Aesthetics
    Contributor: Axelsson, Karl (Herausgeber); Flodin, Camilla (Herausgeber); Pirholt, Mattias (Herausgeber)
    Published: 2020
    Publisher:  Taylor & Francis, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so,... more

    Access:
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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    No inter-library loan
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    No inter-library loan
    Bibliothek der Frankfurt University of Applied Sciences
    No inter-library loan
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    No inter-library loan
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    No inter-library loan
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
    Universität Mainz, Zentralbibliothek
    No inter-library loan
    Universität Marburg, Universitätsbibliothek
    No inter-library loan

     

    "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic."...

     

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  14. Beyond Autonomy in Eighteenth-Century British and German Aesthetics
    Contributor: Axelsson, Karl (Herausgeber); Flodin, Camilla (Herausgeber); Pirholt, Mattias (Herausgeber)
    Published: 2021
    Publisher:  Taylor & Francis, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so,... more

    Access:
    Verlag (kostenfrei)
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    No inter-library loan
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    No inter-library loan
    Bibliothek der Frankfurt University of Applied Sciences
    No inter-library loan
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    No inter-library loan
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    No inter-library loan
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
    Universität Mainz, Zentralbibliothek
    No inter-library loan
    Universität Marburg, Universitätsbibliothek
    No inter-library loan

     

    This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.

     

    Export to reference management software   RIS file
      BibTeX file