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  1. Modernism and Cultural Conflict, 1880–1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge ; ProQuest, Ann Arbor, Michigan

    Ardis questions commonly held views of the radical nature of literary modernism. more

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    Ardis questions commonly held views of the radical nature of literary modernism.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139148443
    RVK Categories: HM 1071 ; HM 1132
    Scope: 1 Online-Ressource (199 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  2. Modernism and cultural conflict
    1880 - 1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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  3. Modernism and cultural conflict
    1880 - 1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitätsbibliothek Bayreuth
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  4. Modernism and cultural conflict, 1880-1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitäts- und Landesbibliothek Düsseldorf
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521812062
    Other identifier:
    2002-67060
    Subjects: English literature; Modernism (Literature); Culture conflict; Culture conflict in literature; Englisch; Literatur; Kulturkonflikt; Moderne
    Scope: IX, 187 S.
  5. Modernism and cultural conflict, 1880 - 1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0521812062
    RVK Categories: HM 1139
    Subjects: Literatur; Englisch; Moderne; Kulturkonflikt
    Scope: IX, 187 S.
  6. Modernism and cultural conflict, 1880-1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on... more

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    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century. Ardis emphasizes the ways in which modernists secured their cultural centrality, she documents their support of mainstream attitudes toward science, their retreat from a supposed valuing of scandalous sexuality in the wake of Oscar Wilde's trials in 1895, and the conservative cultural and sexual politics masked by their radical formalist poetics. She recovers key instances of opposition to modernist self-fashioning in British socialism and feminism of the period. Ardis goes on to consider how literary modernism's rise to aesthetic prominence paved the way for the institutionalization of English studies through the devaluation of other aesthetic practices.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484971
    RVK Categories: HM 1071 ; HM 1132
    Scope: 1 Online-Ressource (ix, 187 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  7. Modernism and cultural conflict, 1880-1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge, U.K.

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521812062
    Subjects: English literature; Modernism (Literature); Culture conflict; Culture conflict in literature; Moderne; Kulturkonflikt; Englisch; Literatur
    Scope: ix, 187 p
    Notes:

    Includes bibliographical references (p. 177-182) and index
  8. Modernism and cultural conflict
    1880 - 1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521052556; 9780521812061; 9780521052559; 0521812062
    Other identifier:
    12002-67060
    9780521812061
    RVK Categories: HM 1071 ; HM 1132
    Subjects: English literature; Modernism (Literature); Culture conflict; Culture conflict in literature
    Scope: IX, 187 S., 23 cm
    Notes:

    Literaturverz. S. 177 - 182

    Hier auch später erschienene, unveränderte Nachdrucke
  9. Modernism and cultural conflict, 1880-1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge, U.K

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    Jacobs University Bremen gGmbH, IRC-Library
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521812062
    Subjects: English literature; Modernism (Literature); Culture conflict; Culture conflict in literature
    Scope: ix, 187 p, 24 cm
    Notes:

    Includes bibliographical references (p. 177-182) and index
  10. Women's Experience of Modernity, 1875-1945
    Author: Ardis, Ann L.
    Published: 2002; ©2003
    Publisher:  The Johns Hopkins University Press, Baltimore

    Intro -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- Part I Negotiating the Literary Marketplace -- Writing a Public Self -- Towards a New "Colored" Consciousness -- The Authority of Experience -- "This Other Eden" -- The Heir Unapparent -- Part... more

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    Intro -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- Part I Negotiating the Literary Marketplace -- Writing a Public Self -- Towards a New "Colored" Consciousness -- The Authority of Experience -- "This Other Eden" -- The Heir Unapparent -- Part II Outside the Metropolis -- In-Between Modernity -- New Negro Modernity -- Olive Schreiner, South Africa, and the Costs of Modernity -- "Tropical Ovaries" -- Two Talks with Khun Fa -- "Stage Business" as Citizenship -- Phenomena in Flux -- Part III The Shifting Terrain of Public Life -- The New Woman's Appetite for "Riotous Living" -- Djuna Barnes Makes a Specialty of Crime -- In Pursuit of an Erogamic Life -- Shift Work -- Afterword -- NOTES ON CONTRIBUTORS -- INDEX.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801869358
    Subjects: Modernism (Literature); Modernism (Literature); Electronic books
    Scope: Online-Ressource (328 p)
    Notes:

    Description based upon print version of record

    ""CONTENTS""; ""ACKNOWLEDGMENTS""; ""Introduction""; ""Part I Negotiating the Literary Marketplace""; ""Writing a Public Self""; ""Towards a New “Colored� Consciousness""; ""The Authority of Experience""; ""“This Other Eden�""; ""The Heir Unapparent""; ""Part II Outside the Metropolis""; ""In-Between Modernity""; ""New Negro Modernity""; ""Olive Schreiner, South Africa, and the Costs of Modernity""; ""“Tropical Ovaries�""; ""Two Talks with Khun Fa""; ""“Stage Business� as Citizenship""; ""Phenomena in Flux""; ""Part III The Shifting Terrain of Public Life""

    ""The New Woman�s Appetite for “Riotous Living�""""Djuna Barnes Makes a Specialty of Crime""; ""In Pursuit of an Erogamic Life""; ""Shift Work""; ""Afterword""; ""NOTES ON CONTRIBUTORS""; ""INDEX""
  11. Modernism and cultural conflict, 1880-1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century. Ardis emphasizes the ways in which modernists secured their cultural centrality, she documents their support of mainstream attitudes toward science, their retreat from a supposed valuing of scandalous sexuality in the wake of Oscar Wilde's trials in 1895, and the conservative cultural and sexual politics masked by their radical formalist poetics. She recovers key instances of opposition to modernist self-fashioning in British socialism and feminism of the period. Ardis goes on to consider how literary modernism's rise to aesthetic prominence paved the way for the institutionalization of English studies through the devaluation of other aesthetic practices Introduction: Rethinking Modernism, remapping the turn of the twentieth century -- Beatrice Webb and the 'serious' artist -- Inventing literary tradition, ghosting Oscar Wilde and the Victorian Fin de Sic̈le -- The Lost Girl, Tarr, and the 'Moment' of Modernism -- Mapping the middlebrow in Edwardian England -- 'Life is not composed of watertight compartments': the New Age's Critique of Modernist Literary Specialization -- Conclusion: Modernism and English studies in history

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484971
    Other identifier:
    RVK Categories: HM 1071 ; HM 1132
    Subjects: Culture conflict; Culture conflict in literature; Modernism (Literature); English literature; English literature ; 20th century ; History and criticism; Modernism (Literature) ; Great Britain; Culture conflict ; Great Britain; Culture conflict in literature
    Scope: 1 Online-Ressource (ix, 187 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  12. Modernism and cultural conflict, 1880-1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge, U.K. [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centered around Pound, Eliot, and Joyce as one among a number of groups in Britain intent on redefining the cultural work of... more

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    Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centered around Pound, Eliot, and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511064551; 9780511064555; 0511073011; 9780511073014; 051112032X; 9780511120329; 9780521812061; 0521812062
    RVK Categories: HM 1071 ; HM 1132
    Scope: 1 Online-Ressource (ix, 187 pages)
    Notes:

    Includes bibliographical references (pages 177-182) and index
  13. Modernism and cultural conflict, 1880-1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge, U.K.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
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    Format: Online
    ISBN: 0511064551; 0511073011; 051112032X; 0521812062; 9780511064555; 9780511073014; 9780511120329; 9780521812061
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Culture conflict; English literature; Culture conflict in literature; Modernism (Literature); Littérature anglaise; Conflit culturel; Thème littéraire; Modernisme (Littérature); 20e siècle; English literature; Modernism (Literature); Culture conflict; Culture conflict in literature; Literatur; Englisch; Moderne; Kulturkonflikt
    Scope: 1 Online-Ressource (ix, 187 pages)
    Notes:

    Includes bibliographical references (pages 177-182) and index

    Introduction: Rethinking Modernism, remapping the turn of the twentieth century -- Beatrice Webb and the 'serious' artist -- Inventing literary tradition, ghosting Oscar Wilde and the Victorian Fin de Sic̈le -- The Lost Girl, Tarr, and the 'Moment' of Modernism -- Mapping the middlebrow in Edwardian England -- 'Life is not composed of watertight compartments': the New Age's Critique of Modernist Literary Specialization -- Conclusion: Modernism and English studies in history

    Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centered around Pound, Eliot, and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century
  14. Modernism and cultural conflict, 1880-1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on... more

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    Universitätsbibliothek Bamberg
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    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century. Ardis emphasizes the ways in which modernists secured their cultural centrality, she documents their support of mainstream attitudes toward science, their retreat from a supposed valuing of scandalous sexuality in the wake of Oscar Wilde's trials in 1895, and the conservative cultural and sexual politics masked by their radical formalist poetics. She recovers key instances of opposition to modernist self-fashioning in British socialism and feminism of the period. Ardis goes on to consider how literary modernism's rise to aesthetic prominence paved the way for the institutionalization of English studies through the devaluation of other aesthetic practices

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484971
    Other identifier:
    RVK Categories: HM 1071 ; HM 1132 ; HM 1139
    Subjects: English literature / 20th century / History and criticism; Modernism (Literature) / Great Britain; Culture conflict / Great Britain; Culture conflict in literature; Englisch; Literatur; Kulturkonflikt; Moderne
    Scope: 1 online resource (ix, 187 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: Rethinking Modernism, remapping the turn of the twentieth century -- Beatrice Webb and the 'serious' artist -- Inventing literary tradition, ghosting Oscar Wilde and the Victorian Fin de Sic̈le -- The Lost Girl, Tarr, and the 'Moment' of Modernism -- Mapping the middlebrow in Edwardian England -- 'Life is not composed of watertight compartments': the New Age's Critique of Modernist Literary Specialization -- Conclusion: Modernism and English studies in history
  15. Modernism and cultural conflict
    1880 - 1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521812062
    RVK Categories: HM 1132 ; HM 1071
    Edition: 1. publ.
    Subjects: English literature; Modernism (Literature); Culture conflict; Culture conflict in literature
    Scope: IX, 187 S., 24 cm
    Notes:

    Literaturverz. S. 177 - 182
  16. Modernism and cultural conflict, 1880-1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge, U.K

    Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centered around Pound, Eliot, and Joyce as one among a number of groups in Britain intent on redefining the cultural work of... more

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    Hochschulbibliothek Friedensau
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    Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centered around Pound, Eliot, and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521812062
    Subjects: Culture conflict in literature; Culture conflict; Modernism (Literature); English literature
    Scope: Online-Ressource (ix, 187 p), 24 cm
    Notes:

    Includes bibliographical references (p. 177-182) and index

    Electronic reproduction; Available via World Wide Web

    Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction: rethinking modernism, remapping the turn of the twentieth century; CHAPTER 1 Beatrice Webb and the "serious"" artist; CHAPTER 2 Inventing literary tradition, ghosting Oscar Wilde and the Victorian fin de siècle; CHAPTER 3 The Lost Girl, Tarr, and the "moment"" of modernism; CHAPTER 4 Mapping the middlebrow in Edwardian England; CHAPTER 5 ""Life is not composed of watertight compartments"": the New Age's critique of modernist literary specialization; Conclusion: modernism and English studies in history

    Select bibliographyIndex
  17. Modernism and cultural conflict, 1880-1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on... more

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    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century. Ardis emphasizes the ways in which modernists secured their cultural centrality, she documents their support of mainstream attitudes toward science, their retreat from a supposed valuing of scandalous sexuality in the wake of Oscar Wilde's trials in 1895, and the conservative cultural and sexual politics masked by their radical formalist poetics. She recovers key instances of opposition to modernist self-fashioning in British socialism and feminism of the period. Ardis goes on to consider how literary modernism's rise to aesthetic prominence paved the way for the institutionalization of English studies through the devaluation of other aesthetic practices Introduction: Rethinking Modernism, remapping the turn of the twentieth century -- Beatrice Webb and the 'serious' artist -- Inventing literary tradition, ghosting Oscar Wilde and the Victorian Fin de Sic̈le -- The Lost Girl, Tarr, and the 'Moment' of Modernism -- Mapping the middlebrow in Edwardian England -- 'Life is not composed of watertight compartments': the New Age's Critique of Modernist Literary Specialization -- Conclusion: Modernism and English studies in history

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484971
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    RVK Categories: HM 1071 ; HM 1132
    Subjects: Culture conflict; Culture conflict in literature; Modernism (Literature); English literature; English literature ; 20th century ; History and criticism; Modernism (Literature) ; Great Britain; Culture conflict ; Great Britain; Culture conflict in literature
    Scope: 1 Online-Ressource (ix, 187 pages), digital, PDF file(s)
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  18. Women's Experience of Modernity, 1875-1945
    Author: Ardis, Ann L.
    Published: 2002; ©2003
    Publisher:  The Johns Hopkins University Press, Baltimore

    Intro -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- Part I Negotiating the Literary Marketplace -- Writing a Public Self -- Towards a New "Colored" Consciousness -- The Authority of Experience -- "This Other Eden" -- The Heir Unapparent -- Part... more

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    Intro -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- Part I Negotiating the Literary Marketplace -- Writing a Public Self -- Towards a New "Colored" Consciousness -- The Authority of Experience -- "This Other Eden" -- The Heir Unapparent -- Part II Outside the Metropolis -- In-Between Modernity -- New Negro Modernity -- Olive Schreiner, South Africa, and the Costs of Modernity -- "Tropical Ovaries" -- Two Talks with Khun Fa -- "Stage Business" as Citizenship -- Phenomena in Flux -- Part III The Shifting Terrain of Public Life -- The New Woman's Appetite for "Riotous Living" -- Djuna Barnes Makes a Specialty of Crime -- In Pursuit of an Erogamic Life -- Shift Work -- Afterword -- NOTES ON CONTRIBUTORS -- INDEX.

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801869358
    Subjects: Modernism (Literature); Modernism (Literature); Electronic books
    Scope: Online-Ressource (328 p)
    Notes:

    Description based upon print version of record

    ""CONTENTS""; ""ACKNOWLEDGMENTS""; ""Introduction""; ""Part I Negotiating the Literary Marketplace""; ""Writing a Public Self""; ""Towards a New “Colored� Consciousness""; ""The Authority of Experience""; ""“This Other Eden�""; ""The Heir Unapparent""; ""Part II Outside the Metropolis""; ""In-Between Modernity""; ""New Negro Modernity""; ""Olive Schreiner, South Africa, and the Costs of Modernity""; ""“Tropical Ovaries�""; ""Two Talks with Khun Fa""; ""“Stage Business� as Citizenship""; ""Phenomena in Flux""; ""Part III The Shifting Terrain of Public Life""

    ""The New Woman�s Appetite for “Riotous Living�""""Djuna Barnes Makes a Specialty of Crime""; ""In Pursuit of an Erogamic Life""; ""Shift Work""; ""Afterword""; ""NOTES ON CONTRIBUTORS""; ""INDEX""
  19. Reviews - Women and Modernity - Women's Experience of Modernity
    Author: Laird, Holly A.
    Published: 2002

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    Source: Online Contents Comparative Literature
    Contributor: Ardis, Ann L.; Lewis, Leslie W.
    Media type: Article (journal)
    Format: Print
    Parent title: Novel; Durham, NC : Duke Univ. Press, 1967-; Band 36, Heft 1 (2002), Seite 133-137