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  1. Beyond Style and Genre
    Aesthetic Concepts in Popular Culture
    Contributor: Jost, Christofer (Herausgeber)
    Published: 2023
    Publisher:  Waxmann, Münster ; UTB GmbH, Stuttgart

    Popular culture today manifests itself in a dense network of styles and genres, while the aesthetic preferences of the audience are highly differentiated. Besides, popular culture also implies a diversity of aesthetic strategies, discourses and value... more

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan

     

    Popular culture today manifests itself in a dense network of styles and genres, while the aesthetic preferences of the audience are highly differentiated. Besides, popular culture also implies a diversity of aesthetic strategies, discourses and value systems that traverse the symbolic demarcations between styles and genres and are effective across different artistic fields and individual media. Aesthetic concepts such as camp, retro or trash are expressions of a transgressive mode of production that facilitates a multitude of cross-connections between aesthetic spaces of experience. The volume brings together authors from different disciplines who approach aesthetic concepts in popular culture on a historical, theoretical and methodological level, analyze them on the basis of various aesthetic phenomena, or discuss aspects relevant to their theoretical contextualization, such as the emergence and establishment of artistic practices and aesthetic value systems.

     

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    Source: Union catalogues
    Contributor: Jost, Christofer (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783830997702
    RVK Categories: LR 56828
    DDC Categories: 700; 300; 780
    Edition: 1st ed.
    Series: Populäre Kultur und Musik ; 39
    Subjects: Popkultur; Popmusik; Ästhetik; Popular culture; Popular aesthetics; aesthetic theory; jazz; reggae; dancehall; avant-garde; MAD; camp; pop; ostalgia; german cinema; queerness; wabi sabi; theater; space disco; electronic music; cold pop; german country music; Urban Explorers
    Scope: 1 Online-Ressource (268 p.)
  2. Beyond Style and Genre
    Aesthetic Concepts in Popular Culture
    Contributor: Jost, Christofer (HerausgeberIn)
    Published: 2023; ©2023
    Publisher:  Waxmann, Münster

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    Universitätsbibliothek Braunschweig
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    Hochschule für Bildende Künste Dresden, Bibliothek
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    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
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    Bibliothek der Pädagogischen Hochschule Freiburg/Breisgau
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    Universitätsbibliothek Hildesheim
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    Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, Bibliothek und Archiv
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    Universitätsbibliothek Leipzig
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    Popakademie Baden-Württemberg, Bibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Jost, Christofer (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783830997702
    Other identifier:
    9783830997702
    RVK Categories: EC 1990
    Subjects: Popular culture; Popular aesthetics; aesthetic theory; jazz; reggae; dancehall; avant-garde; MAD; camp; pop; ostalgia; german cinema; queerness; wabi sabi; theater; space disco; electronic music; cold pop; german country music; Urban Explorers
    Scope: 1 Online-Ressource (268 Seiten)
  3. Beyond Style and Genre
    Aesthetic Concepts in Popular Culture
    Contributor: Jost, Christofer (HerausgeberIn)
    Published: 2023; ©2023
    Publisher:  Waxmann, Münster

    Access:
    Verlag (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Jost, Christofer (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783830997702
    Other identifier:
    9783830997702
    RVK Categories: EC 1990
    Subjects: Popular culture; Popular aesthetics; aesthetic theory; jazz; reggae; dancehall; avant-garde; MAD; camp; pop; ostalgia; german cinema; queerness; wabi sabi; theater; space disco; electronic music; cold pop; german country music; Urban Explorers
    Scope: 1 Online-Ressource (268 Seiten)
  4. "Smoke the Weed" for the Planet : Snoop Lion's Green Reincarnation of Hip Hop
    Published: 2022

    While early hip hop could still offer social commentary, global issues began to disappear from the genre by the late 90s and early 2000s. Due to gangsta rap’s emphasis on authenticity and on the individual’s ‘realness,’ issues of social and... more

     

    While early hip hop could still offer social commentary, global issues began to disappear from the genre by the late 90s and early 2000s. Due to gangsta rap’s emphasis on authenticity and on the individual’s ‘realness,’ issues of social and environmental justice seem to have become increasingly inaccessible to rap music: any attempts to address wider, ‘real’ issues, if they were to happen, took the risk of appearing not ‘real’ but inauthentic, cynical capitalizations on social issues at best. This paper seeks to outline how Snoop Lion’s Reincarnated (2013) and in particular its eighth track “Smoke the Weed” employs the imagery of Reggae and Rastafarianism to reconstitute, transform, or “reincarnate” hip hop and thereby once again open it up to social and environmental commentary. While at first sight it is merely another glorification of recreational marihuana use in line with Snoop Dogg’s earlier, pre-Lion oeuvre, “Smoke the Weed” offers a highly complex critique of the environment and humans’ place and agency within it. “Smoke the Weed” can be seen to discuss, primarily through the metaphors of seeds, plant-growth, and marihuana use, the interconnection between (the necessity for) social action and (the necessity for) environmental action. Snoop harnesses the performativity of gangsta rap to offer a sincere, if never really ‘authentic,’ vision of green street consciousness. Through his clear lack of ‘realness’ as a Reggae artist, Snoop Lion can mobilize ‘naturalness’ for hip hop. ; published

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    Parent title: Ecozon@ : European Journal of Literature, Culture and Environment. Instituto Universitario de Investigación en Estudios Norteamericanos. 2022, 13(1), pp. 37-54. eISSN 2171-9594. Available under: doi:10.37536/ECOZONA.2022.13.1.4503
    DDC Categories: 800
    Subjects: Performatividad; rap gangsta; reggae; sinceridad; autenticidad
    Rights:

    rightsstatements.org/page/InC/1.0/