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  1. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Published: 2018
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding... more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Universität Potsdam, Universitätsbibliothek
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    What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of “icono-clash” (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency.

     
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  2. Screening religions in Italy
    contemporary Italian cinema and television in the post-secular public sphere
    Author: Brook, Clodagh J.
    Published: [2019]; © 2019
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    Religion has had been foundational in shaping Italy. Home to the Vatican State, the Italian peninsula is the religious centre for one billion Catholics globally. It is also increasingly home to those of other faiths, especially Islam. Italy’s... more

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    Religion has had been foundational in shaping Italy. Home to the Vatican State, the Italian peninsula is the religious centre for one billion Catholics globally. It is also increasingly home to those of other faiths, especially Islam. Italy’s development as a contemporary post-secular and multi-religious society is fraught and fascinating. The recent return of religious discourse from the margins of Western society to a central position is a sign of what German philosopher, Jürgen Habermas, has defined as the post-secular condition. Habermas and others have questioned what most people in the West had, up to a few years ago, taken for granted: the unstoppable forward march of secularization and the subsequent marginalization of religion. Instead, one of the greatest global fault-lines in the contemporary world – the divide between absolutist extremist Islamic faith and liberal, but Christian-inflected, secular values – has religious identity at its core. The first book-length study to examine religion in contemporary Italian cinema and television fiction, Screening Religions in Italy identifies two key issues: how Italian filmmaking constructs the continuing position of religion in the public sphere and why religion persists on Italian screens. It spans genres such as horror, comedy, hagiopics, and TV fiction, and explores both commercial and art-house filmmaking. It treats films and television series that range from Moretti’s Habemus Papam to Sorrentino’s The Young Pope

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487518004
    Other identifier:
    Series: Toronto Italian studies
    Subjects: Catholicism; Habermas; Islam; Italian cinema; Moretti; Sorrentino; fiction; hagiopic; horror; post-secular; religion; television; PERFORMING ARTS / Film & Video / General; Film; Religion <Motiv>; Öffentlicher Raum; Filmwirtschaft; Postsäkularismus; Fernsehen
    Scope: 1 Online-Ressource (180 Seiten)
  3. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Contributor: Kruse, Christiane; Schmitz, Norbert M.; Meyer, Birgit; Korte, Anne-Marie; Verrips, Jojada; Spalinger, Nika; O'Meara, Simon; Juneja, Monica; Svasek, Maruska; Becker, Tania
    Published: 2018
    Publisher:  Brill | Fink, Paderborn

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    Technische Hochschule Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    OTH- Ostbayerische Technische Hochschule Regensburg, Hochschulbibliothek
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    Source: Union catalogues
    Contributor: Kruse, Christiane; Schmitz, Norbert M.; Meyer, Birgit; Korte, Anne-Marie; Verrips, Jojada; Spalinger, Nika; O'Meara, Simon; Juneja, Monica; Svasek, Maruska; Becker, Tania
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783846763452
    Other identifier:
    Edition: 2018
    Subjects: Postsäkularismus; post-sekular; visual culture; religious conflict; post-secularism; post-secular; populäre Ästhetik; popular aesthetics; politics of representation; offensive images; museums; Museen; Medienwissenschaft; Literaturwissenschaft; literary studies; Kunstwissenschaft; Kulturwissenschaft; Islam; imaging gender; Hinduismus; Hinduism; Glaubenskonflikt; Filmwissenschaft; cultural studies; co-existence; anstößige Bilder; artistic research; Artistic Research; Bildpolitik; Bildwissenschaft; Blasphemie; blasphemy; Christentum; Christianity
    Scope: 1 Online-Ressource (383 Seiten)
    Notes:

    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of "icono-clash" (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency
  4. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Contributor: Kruse, Christiane (Publisher); Schmitz, Norbert M. (Publisher); Meyer, Birgit (Publisher); Korte, Anne-Marie (Publisher)
    Published: 2018
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding... more

    Location:
    Alice Salomon Hochschule Berlin, Bibliothek
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    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of "icono-clash" (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
  5. Screening religions in Italy
    contemporary Italian cinema and television in the post-secular public sphere
    Author: Brook, Clodagh J.
    Published: [2019]; © 2019
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    Religion has had been foundational in shaping Italy. Home to the Vatican State, the Italian peninsula is the religious centre for one billion Catholics globally. It is also increasingly home to those of other faiths, especially Islam. Italy’s... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Religion has had been foundational in shaping Italy. Home to the Vatican State, the Italian peninsula is the religious centre for one billion Catholics globally. It is also increasingly home to those of other faiths, especially Islam. Italy’s development as a contemporary post-secular and multi-religious society is fraught and fascinating. The recent return of religious discourse from the margins of Western society to a central position is a sign of what German philosopher, Jürgen Habermas, has defined as the post-secular condition. Habermas and others have questioned what most people in the West had, up to a few years ago, taken for granted: the unstoppable forward march of secularization and the subsequent marginalization of religion. Instead, one of the greatest global fault-lines in the contemporary world – the divide between absolutist extremist Islamic faith and liberal, but Christian-inflected, secular values – has religious identity at its core. The first book-length study to examine religion in contemporary Italian cinema and television fiction, Screening Religions in Italy identifies two key issues: how Italian filmmaking constructs the continuing position of religion in the public sphere and why religion persists on Italian screens. It spans genres such as horror, comedy, hagiopics, and TV fiction, and explores both commercial and art-house filmmaking. It treats films and television series that range from Moretti’s Habemus Papam to Sorrentino’s The Young Pope

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487518004
    Other identifier:
    Series: Toronto Italian studies
    Subjects: Catholicism; Habermas; Islam; Italian cinema; Moretti; Sorrentino; fiction; hagiopic; horror; post-secular; religion; television; PERFORMING ARTS / Film & Video / General; Film; Religion <Motiv>; Öffentlicher Raum; Filmwirtschaft; Postsäkularismus; Fernsehen
    Scope: 1 Online-Ressource (180 Seiten)
  6. Public Islam in Post-Apartheid South Africa
    The Radio Islam Controversy
    Author: Ingram, Brannon D.
    Published: [2015]

    This article examines the Radio Islam controversy of 1997, in which a South African Muslim radio station, affiliated with the conservative Deobandi organization Jamiatul Ulama, forbade women's voices on its airwaves, citing the notion that women's... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    This article examines the Radio Islam controversy of 1997, in which a South African Muslim radio station, affiliated with the conservative Deobandi organization Jamiatul Ulama, forbade women's voices on its airwaves, citing the notion that women's voices in this context were `awrah (part of the body that must be concealed), and thus should not be heard on the radio. It locates this event and the legal, ethical and theological debates that ensued within the context of emergent post-apartheid constitutional discourses on gender and religious freedom, and post-apartheid religious media. The article then situates these debates against the nature of 'public' religion during and after apartheid. It concludes by suggesting the Radio Islam case is a particularly salient example of the porousness of the 'secular' and 'post-secular' in a specific constitutional and legal arrangement.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Critical research on religion; London [u.a.] : Sage, 2013; 3(2015), 1, Seite 72-85; Online-Ressource

    Subjects: Islam; South Africa; gender; post-secular; publics; religion and law; religion and media
  7. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Published: 2018
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding... more

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    What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of “icono-clash” (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency.

     
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  8. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Contributor: Kruse, Christiane (Publisher); Schmitz, Norbert M. (Publisher); Meyer, Birgit (Publisher); Korte, Anne-Marie (Publisher)
    Published: 2018
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding... more

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    Hochschule Kempten, Hochschulbibliothek
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    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of "icono-clash" (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency

     
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  9. Special Religious Education in a post-secular Australia
    Author: Firth, Walter B.
    Published: 2022

    Special Religious Education (SRE) classes are held in New South Wales public primary schools weekly. This article is built on a review of SRE classes based on Anglican past experiences to develop recommendations to ameliorate shortcomings and enhance... more

     

    Special Religious Education (SRE) classes are held in New South Wales public primary schools weekly. This article is built on a review of SRE classes based on Anglican past experiences to develop recommendations to ameliorate shortcomings and enhance their quality and value in New South Wales public primary schools in a post-secular society. The research was a literature study and evaluative interpretation of Anglican SRE in New South Wales from the newly emerged post-secular context. It described and discussed the history of SRE and education in New South Wales: making a contextual inquiry into the history of such education in a secular society. It used a qualitative approach to describe and interpret historical interview responses of Anglican adults about their experiences as students in SRE classes while attending New South Wales public primary schools. Three meta-themes arose from their experiences: a space for questioning; the importance of relationship and the temporal experience of SRE lessons. Recommendations to improve and deepen the SRE curriculum were made as a result of these responses, and a possible pedagogical framework to work on improving both the curriculum and learning experiences of students in SRE was suggested. This research confirmed an expectation that there will be religion and Christian teaching within the secular education system to embed virtues, values and ethics into Australian society; it is in programmes, such as SRE, children can question the way we live and act, develop a sense of belonging and a sense that they matter. It also showed that the current way is not the most conducive model for this to occur. Intradisciplinary and/or interdisciplinary implications: In the context of the secular/non-religious public reflex in Australian society there are conflicting views in the community about the place of SRE in government schools. In this context, it is critical that Christian educators can support their claims of the continued value and role of SRE.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Verbum et ecclesia; Pretoria : Univ., 1995; 43(2022), 1, Seite 1-8; Online-Ressource

    Subjects: Australia; Special Religious Education; post-secular; religious education; spirituality
  10. Mission als theologisches Labor
    Koloniale Aushandlungen des Religiösen in Ostafrika um 1900
    Author: Wetjen, Karolin
    Published: [2021]; © 2021
    Publisher:  Franz Steiner Verlag, Stuttgart

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