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  1. Vladimir Sorokin's discourses
    a companion
    Author: Uffelmann, Dirk
    Published: 2020; © 2020
    Publisher:  Academic Studies Press, Brookline, MA

    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Unlimited inter-library loan, copies and loan

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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses

     
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  2. Vladimir Sorokin's discourses
    a companion
    Author: Uffelmann, Dirk
    Published: 2020; © 2020
    Publisher:  Academic Studies Press, Brookline, MA

    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in... more

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    Verlag (lizenzpflichtig)

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses

     
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  3. Community and culture in post-soviet Cuba
    Author: De Ferrari, Guillermina
    Published: 2015
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    Following the disintegration of the Soviet Union, the globalization of Cuban culture, along with the bankruptcy of the state, partly modified the terms of intellectual engagement. However, no significant change took place at the political level. In... more

    Location:
    Universitätsbibliothek Siegen
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    Following the disintegration of the Soviet Union, the globalization of Cuban culture, along with the bankruptcy of the state, partly modified the terms of intellectual engagement. However, no significant change took place at the political level. In Community and Culture in Post-Soviet Cuba, De Ferrari looks into the extraordinary survival of the Revolution by focusing on the personal, political and aesthetic social pacts that determined the configuration of the socialist state. Through close critical readings of a representative set of contemporary Cuban novels and works of visual art, this book argues that ethics and gender, rather than ideology, account for the intellectuals’ fidelity to the Revolution. Community and Culture does three things: it demonstrates that masculine sociality is the key to understanding the longevity of Cuba’s socialist regime; it examines the sociology of cultural administration of intellectual labor in Cuba; and it maps the emergent ethical and aesthetic paradigms that allow Cuban intellectuals to envision alternative forms of community and civil society

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138934382
    Other identifier:
    9781138934382
    Series: Routledge interdisciplinary perspectives on literature ; 23
    Subjects: LITERARY COLLECTIONS / Caribbean & Latin American; LITERARY CRITICISM / General; Contemporary Caribbean Fiction; Cuba; civil society; community; contemporary Cuban art; contemporary Cuban literature; contemporary Cuban reality; contemporary ethical theory; crisis; friendship; Guillermina De Ferrari; gender; ideology; moral philosophy; personal ethics; political philosophy; post-Soviet; Routledge Interdisciplinary Perspectives on Literature; revolutionary government; socialism; social contract; social presence; state appraisal; the Revolution; visual art
    Other subjects: Lateinamerikanische Literaturen, Spanische Literatur außerhalb Europas; Literatur: Sammlungen, Anthologien
    Scope: xv, 218 Seiten, Illustrationen, s/w Fotografien, 318 grams
    Notes:

    1. Socialism and Sociability 2.The Friendship Plot 3. Ethics After Dark 4. A Poetics of Evil 5. Ethics is the New Aesthetics 6. A Curated Culture