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  1. Ukrainian women writers and the national imaginary
    from the collapse of the USSR to the Euromaidan
    Author: Wallo, Oleksandra
    Published: [2020]; © 2020
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of their culture. In this first in-depth study of how Ukrainian women's prose writing was able to re-emerge so powerfully after being marginalized in the Soviet era, Oleksandra Wallo examines the writings and literary careers of leading contemporary Ukrainian women authors, such as Oksana Zabuzhko, Ievheniia Kononenko, and Maria Matios. Her study shows how these women reshaped literary culture with their contributions to the development of the Ukrainian national imaginary in the wake of the Soviet state's disintegration. The interjection of women's voices and perspectives into the narratives about the nation has often permitted these writers to highlight the diversity of the national picture and the complexity of the national story. Utilizing insights from postcolonial and nationalism studies, Wallo's book theorizes the interdependence between the national imaginary and narrative plots, and scrutinizes how prominent Ukrainian women authors experimented with literary form in order to rewrite the story of women and nationhood

     
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  2. Ukrainian women writers and the national imaginary
    from the collapse of the USSR to the Euromaidan
    Author: Wallo, Oleksandra
    Published: [2020]; © 2020
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of... more

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    Resolving-System (lizenzpflichtig)
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität Potsdam, Universitätsbibliothek
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    Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of their culture. In this first in-depth study of how Ukrainian women's prose writing was able to re-emerge so powerfully after being marginalized in the Soviet era, Oleksandra Wallo examines the writings and literary careers of leading contemporary Ukrainian women authors, such as Oksana Zabuzhko, Ievheniia Kononenko, and Maria Matios. Her study shows how these women reshaped literary culture with their contributions to the development of the Ukrainian national imaginary in the wake of the Soviet state's disintegration. The interjection of women's voices and perspectives into the narratives about the nation has often permitted these writers to highlight the diversity of the national picture and the complexity of the national story. Utilizing insights from postcolonial and nationalism studies, Wallo's book theorizes the interdependence between the national imaginary and narrative plots, and scrutinizes how prominent Ukrainian women authors experimented with literary form in order to rewrite the story of women and nationhood

     
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  3. The Politics of Stephen’s Storytelling
    Narrative Rhetoric and Reflexivity in Acts 7:2–53
    Author: Dinkler, Michal Beth
    Published: [2020]

    Taking Stephen’s lengthy speech in Acts 7:2-53 as its case study, this paper considers the complex ways that narratives function politically, and especially how the author of Acts constructs the act of storytelling as a purposive persuasive strategy... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    Taking Stephen’s lengthy speech in Acts 7:2-53 as its case study, this paper considers the complex ways that narratives function politically, and especially how the author of Acts constructs the act of storytelling as a purposive persuasive strategy within the complex political landscape of the first-century Mediterranean world. Although some have interpreted Stephen’s speech in light of ancient rhetorical conventions, I contend that Stephen is not portrayed primarily as an elite classical orator; he is, fundamentally, a storyteller. This paper considers previous approaches to Stephen’s speech, and then analyzes the speech as an act of persuasive political narration. In the end, I argue that Stephen’s audience reacts so violently because of the particular kind of national narrative that Stephen tells about the people of Israel. Ausgehend vom Fallbeispiel der ausführlichen Rede des Stephanus in Apg 7,2-53 bearbeitet dieser Beitrag die komplexe Frage nach der politischen Funktion von Narrativen. Ein besonderes Augenmerk wird darauf gerichtet, wie der Autor der Apg das Erzählen als bewusste Überzeugungsstrategie innerhalb der vielschichtigen politischen Landschaft des Mittelmeerraumes im 1. Jh. n. Chr. nutzt. Obwohl Teile der Forschung die Stephanusrede im Lichte antiker Rhetorikkonventionen zu interpretieren versuchen, soll im Folgenden entfaltet werden, dass Stephanus weniger als herausragender klassischer Redner porträtiert wird denn als Erzähler einer Geschichte. Der vorliegende Artikel bedenkt bisherige Herangehensweisen an die Stephanusrede und analysiert diese sodann als politische Erzählstrategie mit dem Zweck zu überzeugen. Schließlich wird argumentiert, dass die Hörerschaft der Rede deswegen so gewaltsam reagiert, weil Stephanus ein spezifisches, national codiertes Narrativ über das Volk Israel entwirft.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Zeitschrift für die neutestamentliche Wissenschaft; Berlin [u.a.] : de Gruyter, 1900; 111(2020), 1, Seite 33-64; Online-Ressource

    Subjects: Stephen’s speech; national narrative; persuasion; political storytelling; rhetoric