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Displaying results 1 to 8 of 8.

  1. Private goes public
    self-narrativisation in Brian Friel’s plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Universität Potsdam, Universitätsbibliothek
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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    9783772055348
    RVK Categories: HN 3445
    Series: Schweizer anglistische Arbeiten ; Band 140
    Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Beckett; Brian Friel; Contemporary Irish Drama; Darstellung; Dram; Edgeworth; Erzählweise; Fremddarstellung; Irisches Gegenwartsdrama; Joyce; kolonisiertes Irland; Kunst; Literatur; Macht; Methode; narratiiv; Narration; öffentlich; Öffentlichkeit; Post-colonia; postkolonial; Power; privat; Private / Public; Protagonisten; Brian Friel
    Scope: 1 Online-Ressource (271 S.)
    Notes:

    Dissertation, University of Zurich, 2013
  2. Private Goes Public: Self-Narrativisation in Brian Friel's Plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto Verlag, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    Alice Salomon Hochschule Berlin, Bibliothek
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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783772055348
    Edition: 1st ed
    Series: Schweizer Anglistische Arbeiten (SAA)
    Subjects: Beckett; Brian Friel; Contemporary Irish Drama; Darstellung; Dram; Edgeworth; Erzählweise; Fremddarstellung; Irisches Gegenwartsdrama; Joyce; kolonisiertes Irland; Kunst; Literatur; Macht; Methode; narratiiv; Narration; öffentlich; Öffentlichkeit; Post-colonia; postkolonial; Power; privat; Private / Public; Protagonisten; Selbst <Motiv>; Drama
    Other subjects: Friel, Brian (1929-2015)
    Scope: 1 Online-Ressource (271 Seiten)
    Notes:

    [1. Auflage]
  3. Private Goes Public: Self-Narrativisation in Brian Friel's Plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  A. Francke Verlag, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    Hochschulbibliothek Ansbach
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    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth

     
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    Content information
    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    RVK Categories: HN 3445
    Edition: [1. Auflage]
    Series: Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Brian Friel; privat; öffentlich; Öffentlichkeit; Irisches Gegenwartsdrama; Macht; postkolonial; Beckett; Edgeworth; Joyce; Fremddarstellung; kolonisiertes Irland; Protagonisten; Methode; narratiiv; Narration; Erzählweise; Darstellung; Literatur; Kunst; Dram; Private / Public; Contemporary Irish Drama; Power; Post-colonia; Drama; Selbst <Motiv>
    Other subjects: Friel, Brian (1929-2015)
    Scope: 1 Online-Ressource (271 Seiten)
  4. Private Goes Public: Self-Narrativisation in Brian Friel's Plays
    Published: 2015
    Publisher:  Narr Francke Attempto Verlag, Tübingen

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    Technische Hochschule Augsburg
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    Content information
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    Edition: 1. Auflage
    Subjects: Brian Friel; privat; öffentlich; Öffentlichkeit; Irisches Gegenwartsdrama; Macht; postkolonial; Beckett; Edgeworth; Joyce; Fremddarstellung; kolonisiertes Irland; Protagonisten; Methode; narratiiv; Narration; Erzählweise; Darstellung; Literatur; Kunst; Dram; Brian Friel; Private / Public; Contemporary Irish Drama; Power; Post-colonia; Selbst <Motiv>; Drama
    Other subjects: Friel, Brian (1929-2015)
    Scope: 1 Online-Ressource (271 Seiten)
    Notes:

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth
  5. Private Goes Public: Self-Narrativisation in Brian Friel's Plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto Verlag, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    Hochschule Kempten, Hochschulbibliothek
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    Technische Hochschulbibliothek Rosenheim
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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783772055348
    Edition: 1st ed
    Series: Schweizer Anglistische Arbeiten (SAA)
    Subjects: Beckett; Brian Friel; Contemporary Irish Drama; Darstellung; Dram; Edgeworth; Erzählweise; Fremddarstellung; Irisches Gegenwartsdrama; Joyce; kolonisiertes Irland; Kunst; Literatur; Macht; Methode; narratiiv; Narration; öffentlich; Öffentlichkeit; Post-colonia; postkolonial; Power; privat; Private / Public; Protagonisten; Selbst <Motiv>; Drama
    Other subjects: Friel, Brian (1929-2015)
    Scope: 1 Online-Ressource (271 Seiten)
    Notes:

    [1. Auflage]
  6. Private goes public
    self-narrativisation in Brian Friel’s plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

    Access:
    Resolving-System (kostenfrei)
    Resolving-System (kostenfrei)
    Verlag (kostenfrei)

    Location:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth.

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    9783772055348
    RVK Categories: HN 3445
    Series: Schweizer anglistische Arbeiten ; Band 140
    Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Englisch; Brian Friel; privat; öffentlich; Öffentlichkeit; Irisches Gegenwartsdrama; Macht; postkolonial; Beckett; Edgeworth; Joyce; Fremddarstellung; kolonisiertes Irland; Protagonisten; Methode; narratiiv; Narration; Erzählweise; Darstellung; Literatur; Kunst; Drama; Brian Friel; Private / Public; Contemporary Irish Drama; Power; Post-colonial
    Scope: 1 Online-Ressource (271 S.)
    Notes:

    Dissertation, University of Zurich, 2013
  7. Private goes public
    self-narrativisation in Brian Friel’s plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth.

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    9783772055348
    RVK Categories: HN 3445
    Series: Schweizer anglistische Arbeiten ; Band 140
    Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Beckett; Brian Friel; Contemporary Irish Drama; Darstellung; Dram; Edgeworth; Erzählweise; Fremddarstellung; Irisches Gegenwartsdrama; Joyce; kolonisiertes Irland; Kunst; Literatur; Macht; Methode; narratiiv; Narration; öffentlich; Öffentlichkeit; Post-colonia; postkolonial; Power; privat; Private / Public; Protagonisten; Brian Friel
    Scope: 1 Online-Ressource (271 S.)
    Notes:

    Dissertation, University of Zurich, 2013
  8. Private goes public
    self-narrativisation in Brian Friel’s plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth.

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    9783772055348
    RVK Categories: HN 3445
    Series: Schweizer anglistische Arbeiten ; Band 140
    Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Englisch; Brian Friel; privat; öffentlich; Öffentlichkeit; Irisches Gegenwartsdrama; Macht; postkolonial; Beckett; Edgeworth; Joyce; Fremddarstellung; kolonisiertes Irland; Protagonisten; Methode; narratiiv; Narration; Erzählweise; Darstellung; Literatur; Kunst; Drama; Brian Friel; Private / Public; Contemporary Irish Drama; Power; Post-colonial
    Scope: 1 Online-Ressource (271 S.)
    Notes:

    Dissertation, University of Zurich, 2013