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Displaying results 1 to 9 of 9.

  1. Über den Gebrauch des Wortes "grotesque"
    Author: Knaak, Paul
    Published: 1913

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Subjects: Adjektiv; Das Groteske; Roman; Geschichte; grotesque; Französisch
    Other subjects: Hugo, Victor (1802-1885)
    Scope: 111 S.
    Notes:

    Greifswald, Univ., Diss., 1912
  2. Beauty, spirit, matter
    icons in the modern world
    Author: Hart, Aidan
    Published: [2014]; © 2014
    Publisher:  Gracewing, Leominster, Herefordshire

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780852447826
    RVK Categories: LH 75000
    Subjects: Schönheit; Christliche Kunst; Abstrakte Kunst; Bilderverehrung; grotesque; Ikone
    Other subjects: Icons; Christian art and symbolism; Icônes; Christian art and symbolism; Icons
    Scope: viii, 214 Seiten, 32 ungezählte Seiten Tafeln, Illustrationen
  3. Beiträge zur Geschichte des Wortes "Grotesk"
    Author: Anderson, Robert R.
    Published: 1981
    Publisher:  Univ.Microfilms, Ann Arbor, Mich.

    Location:
    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    RVK Categories: GC 9217
    Subjects: grottesco; grotesque; Italienisch; Geschichte; Begriff; Französisch; Adjektiv; Deutsch; Das Groteske
    Scope: III, 151 Bl.
    Notes:

    Zugl.: Columbus (O.), Diss., 1958
  4. Le grotesque
    Théorie, généalogie, figures
    Author: Goriely, Serge
    Published: 2019
    Publisher:  Presses de l'Université Saint-Louis, Bruxelles ; OpenEdition, Marseille

    Incontestablement, le grotesque aujourd'hui fascine. Depuis son origine, on l'a vu franchir les frontières des arts plastiques pour venir s'immiscer en littérature, évoluer à travers les époques, et quelquefois se faire oublier pour mieux ressurgir... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Incontestablement, le grotesque aujourd'hui fascine. Depuis son origine, on l'a vu franchir les frontières des arts plastiques pour venir s'immiscer en littérature, évoluer à travers les époques, et quelquefois se faire oublier pour mieux ressurgir à certaines périodes critiques de l'Histoire, lorsque, tirant parti de son potentiel contestataire, d'aucuns s'en sont servi comme arme contre la culture dominante. Le fait est que le grotesque, sur le plan anthropologique au sens le plus large, touche diverses dimensions de l'agir humain. Cette publication propose des balises, des repérages ou des essais sur la question, ainsi que des tentatives originales de tester la force d'analyse de cet objet paradoxal qu'est le grotesque, essentiellement pour les études littéraires et philosophiques.

     
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  5. Über den Gebrauch des Wortes "grotesque"
    Author: Knaak, Paul
    Published: 1913

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Dissertation
    Subjects: Adjektiv; Das Groteske; Roman; Geschichte; grotesque; Französisch
    Other subjects: Hugo, Victor (1802-1885)
    Scope: 111 S.
    Notes:

    Greifswald, Univ., Diss., 1912
  6. Über den Gebrauch des Wortes "grotesque"
    Author: Knaak, Paul
    Published: 1913

    Location:
    Bibliotheken Romanisches Seminar und Institut für Slavistik
    Signature:
    Diss K 1
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Subjects: Roman; Das Groteske; Adjektiv; Geschichte; Französisch; grotesque
    Other subjects: Hugo, Victor (1802-1885)
    Scope: 111 Seiten
    Notes:

    Greifswald, Dissertation, 1912
  7. Über den Gebrauch des Wortes "grotesque"
    Author: Knaak, Paul
    Published: 1913
    Publisher:  Adler, Greifswald

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitätsbibliothek Freiburg
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    DA 5/6607
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    Romanisches Seminar der Universität, Bibliothek
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    F 6.402-120
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    Universitätsbibliothek Leipzig
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    Leibniz-Institut für Deutsche Sprache (IDS), Bibliothek
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    QB 350
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    Saarländische Universitäts- und Landesbibliothek
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    H 58-5133
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    Universität Stuttgart, Bibliothek der Institute für Linguistik und Literaturwissenschaft
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    Xfr19--HUG156
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    Location:
    Brechtbau-Bibliothek
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    Mag Rom D 26
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    Subjects: Hugo, Victor; Roman; Das Groteske; ; Französisch; Adjektiv; grotesque; Geschichte;
    Scope: 111 S.
    Notes:

    Greifswald, Univ., Diss., 1912
  8. Über den Gebrauch des Wortes "grotesque"
    Author: Knaak, Paul
    Published: 1913

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    Subjects: Hugo, Victor; Roman; <<Das>> Groteske; Französisch; Adjektiv; grotesque; Geschichte
    Scope: 111 Seiten
    Notes:

    Greifswald, Dissertation, 1912
  9. Poe and the Apocalyptic Sublime
    “The Masque of the Red Death”
    Author: Cook, Jon
    Published: [2019]

    This essay examines “The Masque of the Read Death,” one of Poe’s most allusive tales, as a striking example of the aesthetics of the apocalyptic sublime. Combining several key ideas from Burke’s Philosophical Enquiry into the Origins of our Ideas of... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    This essay examines “The Masque of the Read Death,” one of Poe’s most allusive tales, as a striking example of the aesthetics of the apocalyptic sublime. Combining several key ideas from Burke’s Philosophical Enquiry into the Origins of our Ideas of the Sublime and Beautiful with numerous motifs from biblical apocalyptic symbolism, Poe’s “Masque” was specifically designed to create an effect of sublime terror in the reader. Basing his image of mass death on the cholera pandemic of 1832, which killed thousands of individuals in Europe and America, Poe created a historically grounded parable of apocalyptic extinction with a myriad of connections with literary, biblical, and artistic tradition. Poe’s tale echoes many of Burke’s remarks on the nature and sources of sublime and beautiful effects while conveying a biblically based vision of human mortality.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Religion and the arts; Leiden : Brill, 1996; 23(2019), 5, Seite 489-515; Online-Ressource

    Subjects: Burke; apocalyptic; beautiful; cholera; grotesque; sublime