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  1. Should I wait or should I lie?
    path dependency and timing in repeated honesty decisions under frames
    Published: September 6, 2018
    Publisher:  Karl-Franzens-University Graz, Faculty of Social and Economic Sciences, [Graz]

    ZBW - Leibniz-Informationszentrum Wirtschaft, Standort Kiel
    VS 553
    No inter-library loan
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    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Series: Working paper / Faculty of Social and Economic Sciences, Karl-Franzens-University Graz ; 2018, 05
    Subjects: honesty; decision sequences; frames; path dependencies
    Scope: 1 Online-Ressource (circa 25 Seiten), Illustrationen
  2. <<The>> Routledge companion to literature and emotion
    Contributor: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Published: [2022]
    Publisher:  Routledge, London ; New York, NY

    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to... more

    Universitätsbibliothek Bielefeld
    Unlimited inter-library loan, copies and loan

     

    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to reading literature and emotion. Looking at a variety of formats including novels, drama, film, graphic fiction, and lyric poetry the book also includes focus on specific authors such as Shakespeare, Chaucer, Jane Austen, Virginia Woolf, and Viet Thanh Nguyen. The volume introduces the theoretical groundwork, covering such categories as affect theory, affective neuroscience, cognitive science, evolution, and history of emotions. It examines the range of emotions that play a special role in literature, including happiness, fear, aesthetic delight, empathy, and sympathy, as well as aspects of literature (style, narrative voice, and others) that bear on emotional response. Finally, it explores ethical and political concerns that are often intertwined with emotional response, including racism, colonialism, disability, ecology, gender, sexuality, and trauma. This is a crucial guide to the ways in which new, interdisciplinary understandings of emotion and affect—in fields from neuroscience to social theory--are changing the study of literature and of the ways those new understandings are impacted by work on literature also

     

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    Content information
    Source: Union catalogues
    Contributor: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367409159; 9781032219226
    Other identifier:
    9780367409159
    RVK Categories: EC 5410
    Series: Routledge literature companions
    Subjects: Literary criticism; Apollonius of Rhodes; Appraisal; Aristotle; aesthetics; aesthetics of poetry; aesthetic emotions; affect; affective ecocriticism; affective historicism; affective practices; affective structures; affect theory; alcoholism; anger; apostrophe; attachment; attachment-detachment; audiovisual media; Black feminisms; British Empire; basic emotions; bildungsroman; Cardinal Thomas Wolsey; Chaucer; Comedy; Conrad; Cymbeline; character; climate fiction; cognition; colonizer; coming of age; conceptual integration; conceptual metaphor; conceptual metonymy; constructed emotion; context; craft analysis; creativity; criterial prefocussing; cultural studies; Dhvani; decolonization; defamiliarization; direct address; disability; discourse; disgust; Edmund Spenser; Elizabeth Bishop; Elizabeth Bowen; Embodied cognition; Emotional Tears; Emotion Systems; Empiricism; Eve Kosofsky Sedgwick; econarratology; eco-criticism; embodied cognition; embodied simulation; embodiment; emotion; emotional contagion; emotions in the lyric; emotion concepts; emotion regulation; emotion systems; empathy; enactivism; encapsulated interest; ethics; ethnoracial pause; evolution; exploration; expression; Fatwa; fair play; fascination; feminism; fiction; film; force dynamics; frames; Gender; Gilles Deleuze; Gone Girl; Gothic fiction; G. Gabrielle Starr; gender; gender and emotion; graphic narrative; Habila; Hamlet; Hans Robert Jauss; Hans Ulrich Gumbrecht; habitus; healing; historical periodisation; history of emotion; history of emotions; history of literature; identification; image schema; inferences; intergroup emotion; irony; Jenefer Robinson; Jonathan Haidt; Joseph Henrich; Joshua Greene; Kendall Walton; King Lear; literary creativity; literary Darwinism; literary genres; literary judgement; literary meaning; literary reading; literary universals; literature; love; Macbeth; Medea; Milton; Murder of Roger Ackroyd; marginalization; materiality; mediality; mental imagery; mental simulation; mental spaces; mind-modelling; mind-style; mirror neurons; Nigerian fiction; narrative; narrative genres; narrative permissibility; narrative resolution; narrator; neocolonialism; neuroscience; Orientalism; Orphan of Zhào; Parasocial Relationships; PEN International; Plato; PSR; paradox of fiction; paradox of tragedy; participation; passions; phenomenology; plot; plot tricks; poetics; poetic imagery; postcolonial; posthumanism; post-structuralism; predictive processing; prose fiction; psychotherapy; queer studies; queer theory; Rasa; Reception Theory; Reciprocal Altruism; Research Methods; Restoration drama; Romeo and Juliet; R.G. Collingwood; race; race and ethnicity; racialization; reader emotions; reception studies; reparative reading; rhetoric; Shakespeare; Stanley Fish; Susanne K. Langer; sexuality; sexual literacy; similarity assessment; simulation; situation models; slavery; social capital; social cognition; social construction; sociology of emotion; spatial cognition; stigmatization; story function; story structure; strategic narrative empathy; structures of feeling; style; sublime; sympathy; Teens; Text processing; The Godfather; The Tempest; The Water Knife; The Years; Tragedy; Trust; texture; the Sympathizer; tone; transportation; trauma; trust; Usual Suspects; universals; unreliable narration; Viet Thanh Nguyen; Virginia Woolf; WEIRD societies; W.S. Merwin; Emotions in literature; Affect (Psychology) in literature
    Scope: xvii, 495 Seiten, Illustrationen
    Notes:

    Literaturangaben

  3. Künste des Dazwischen als Künste der Transgression: Text-Bild-Relationen in Diana Salus cartas para ninguém
    Published: 2023
    Publisher:  Redaktion apropos [Perspektiven auf die Romania], Universität Rostock - Institut für Romanistik

    Diana Salus Text cartas para ninguém (2019) verbindet Lyrik, Comic, Autobiografie und Skizzenbuch. Das transversale Kreuzen gesellschaftlicher Rahmungen steht in besonderer Weise mit der Identität der Autorin als lesbischer trans* Frau in Verbindung.... more

     

    Diana Salus Text cartas para ninguém (2019) verbindet Lyrik, Comic, Autobiografie und Skizzenbuch. Das transversale Kreuzen gesellschaftlicher Rahmungen steht in besonderer Weise mit der Identität der Autorin als lesbischer trans* Frau in Verbindung. Die vorliegende Untersuchung analysiert das Zusammenspiel zwischen Genre und Gender in Salus Text und stellt die These auf, dass dieser als ein Text im Werden zu verstehen ist, als ein unentwegtes Anschreiben gegen Zuschreibungsprozesse. Gerade die gezielte Verschiebung der Aufmerksamkeit auf die freien Flächen, die leeren Stellen und die Stille machen Salus Werk zu einem Werk des Dazwischen, das die Leser*innen dazu auffordert, sich einerseits mit den eigenen Sehgewohnheiten auseinanderzusetzen und andererseits in Beziehung zu treten und darüber handlungswirksam zu werden. ; Diana Salu’s text cartas para ninguém (2019) combines poetry, comic, autobiography and sketchbook. The transversal crossing of social framings is particularly related to the author’s identity as a lesbian trans* woman. The present study analyses the interplay between genre and gender in Salu’s text and argues that it should be understood as a work in progress, as an ongoing effort to write against external attributions. It is precisely the deliberate shifting of attention to the open spaces, the empty spots and the silent moments that make Salu’s work a work of the in-between, which invites readers not only to confront their own viewing habits, but also to relate with others and, through this, to assume agency.

     

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    Source: BASE Selection for Comparative Literature
    Language: German
    Media type: Article (journal)
    Format: Online
    Parent title: apropos [Perspektiven auf die Romania]; Nr. 10 (2023): Künste des Dazwischen: Graphische Literatur und visuelle Poesie der Romania als Genres ‘en marge‘ ; 170-190 ; apropos [Perspektiven auf die Romania]; No. 10 (2023): Künste des Dazwischen: Graphische Literatur und visuelle Poesie der Romania als Genres ‘en marge‘ ; apropos [Perspektiven auf die Romania]; Núm. 10 (2023): Künste des Dazwischen: Graphische Literatur und visuelle Poesie der Romania als Genres ‘en marge‘ ; apropos [Perspektiven auf die Romania]; No 10 (2023): Künste des Dazwischen: Graphische Literatur und visuelle Poesie der Romania als Genres ‘en marge‘ ; 2627-3446 ; 10.15460/apropos.10
    DDC Categories: 460; 741; 800; 840; 860
    Subjects: transgender; queer studies; doing genre; Rahmen; Brasilien; comic; frames; Brazil
    Rights:

    Copyright (c) 2023 Janek Scholz ; creativecommons.org/licenses/by/4.0