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Displaying results 1 to 4 of 4.

  1. Ibsen on the German Stage 1876–1918
    a quantitative study
    Author: Hanssen, Jens-Morten
    Published: 2018
    Publisher:  Narr Francke Attempto, Tübingen

    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception of Ibsen on the German stage from a quantitative angle using the performance database IbsenStage as a research tool. Visualization techniques are adopted as a means to prepare data for analysis and identify the major patterns in the production history, and data interrogation methodology is used to trigger new lines of enquiry. The study sheds new light on the greatest enigma of the early German reception of Ibsen: What caused A Dolls House, the play that eventually propelled Ibsen into global fame, to fail so blatantly on the German stage at the beginning of the 1880s, after the resounding success of Pillars of Society? Initially, Ibsen was treated as a commercial playwright. This changed in the late 1880s, when Ghosts was embraced by the avant-garde. At the same time, Ibsen was reintroduced as a commercially viable playwright, and it was only then that Ibsen began to have a lasting impact on the German stage.

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783823392712
    RVK Categories: GW 8833
    Series: Array ; Band 53
    Forum Modernes Theater ; 53
    Subjects: avant-gard; Digital humanities; early German reception of Ibsen; German stage; Henrik Ibsen
    Scope: 1 Online-Ressource (256 Seiten)
    Notes:

    Literaturverzeichnis: Seite 239-250

    Dissertation, University of Oslo, 2017
  2. Ibsen on the German Stage 1876–1918
    a quantitative study
    Author: Hanssen, Jens-Morten
    Published: 2018
    Publisher:  Narr Francke Attempto, Tübingen

    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universitätsbibliothek Hildesheim
    Inter-library loan:
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    Location:
    Universität Potsdam, Universitätsbibliothek
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    No inter-library loan

    Location:
    Hochschule Zittau / Görlitz, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

     

    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception of Ibsen on the German stage from a quantitative angle using the performance database IbsenStage as a research tool. Visualization techniques are adopted as a means to prepare data for analysis and identify the major patterns in the production history, and data interrogation methodology is used to trigger new lines of enquiry. The study sheds new light on the greatest enigma of the early German reception of Ibsen: What caused A Dolls House, the play that eventually propelled Ibsen into global fame, to fail so blatantly on the German stage at the beginning of the 1880s, after the resounding success of Pillars of Society? Initially, Ibsen was treated as a commercial playwright. This changed in the late 1880s, when Ghosts was embraced by the avant-garde. At the same time, Ibsen was reintroduced as a commercially viable playwright, and it was only then that Ibsen began to have a lasting impact on the German stage.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783823392712
    Other identifier:
    9783823392712
    RVK Categories: GW 8833
    Series: Array ; Band 53
    Forum Modernes Theater ; 53
    Subjects: avant-gard; Digital humanities; early German reception of Ibsen; German stage; Henrik Ibsen
    Scope: 1 Online-Ressource (256 Seiten)
    Notes:

    Literaturverzeichnis: Seite 239-250

    Dissertation, University of Oslo, 2017
  3. Ibsen on the German Stage 1876–1918
    A Quantitative Study
    Author: Hanssen, Jens-Morten
    Published: 2018
    Publisher:  Gunter Narr Verlag, Tübingen

    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception... more

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Zentrale Hochschulbibliothek Flensburg
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    Universitätsbibliothek Greifswald
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    Fachhochschule Westküste, Hochschule für Wirtschaft und Technik, Hochschulbibliothek
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    Universitätsbibliothek Hildesheim
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    Hochschulbibliothek Karlsruhe (PH)
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    eBook Narr
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    Universitätsbibliothek Mannheim
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    Universitätsbibliothek Mannheim
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    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
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    ebook Narr
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Technische Hochschule Ulm, Bibliothek
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    Universitätsbibliothek Vechta
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Hochschule Wismar, University of Applied Sciences: Technology, Business and Design, Hochschulbibliothek
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    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception of Ibsen on the German stage from a quantitative angle using the performance database IbsenStage as a research tool. Visualization techniques are adopted as a means to prepare data for analysis and identify the major patterns in the production history, and data interrogation methodology is used to trigger new lines of enquiry.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783823392712
    Other identifier:
    9783823392712
    Edition: 1. Auflage
    Series: Forum Modernes Theater ; 53
    Subjects: Norwegen; Literaturwissenschaft: 1800 bis 1900; Literaturwissenschaft: Dramen und Dramatiker; Digital humanities; Henrik Ibsen; German stage; early German reception of Ibsen; avant-garde
    Scope: 1 Online-Ressource (256 S.)
  4. Ibsen on the German Stage 1876–1918
    A Quantitative Study
    Author: Hanssen, Jens-Morten
    Published: 2018
    Publisher:  Narr Francke Attempto Verlag, Tübingen

    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Württembergische Landesbibliothek
    Inter-library loan:
    No inter-library loan

     

    Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception of Ibsen on the German stage from a quantitative angle using the performance database IbsenStage as a research tool. Visualization techniques are adopted as a means to prepare data for analysis and identify the major patterns in the production history, and data interrogation methodology is used to trigger new lines of enquiry.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783823392712
    Other identifier:
    9783823392712
    Edition: 1. Auflage
    Series: Forum Modernes Theater ; 53
    Subjects: Digital humanities; Henrik Ibsen; German stage; early German reception of Ibsen; avant-garde
    Scope: 1 Online-Ressource (256 S.)