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Displaying results 1 to 8 of 8.

  1. British women's short supernatural fiction, 1860-1930
    our own ghostliness
    Author: Margree, Victoria
    Published: [2019]; © 2019
    Publisher:  Palgrave Macmillan, Basingstoke

    Location:
    Universitätsbibliothek Regensburg
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    Location:
    Universitätsbibliothek Würzburg
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  2. Modernism and the women's popular romance in Britain, 1885 - 1925
    Author: Hipsky, Martin
    Published: 2011
    Publisher:  Ohio Univ. Press, Athens

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  3. Female aestheticism
    Published: 2011
    Publisher:  Presses Univ. de la Méditerranée, Montpellier

  4. Rage and reason
    women playwrights on playwriting
    Author: Stephenson, Heidi
    Published: 2020
    Publisher:  Methuen Drama, London, England ; Bloomsbury Publishing

    Location:
    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
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    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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  5. British women's short supernatural fiction, 1860-1930
    our own ghostliness
    Author: Margree, Victoria
    Published: [2019]; © 2019
    Publisher:  Palgrave Macmillan, Basingstoke

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  6. Women's experience of modernity, 1875-1945
    Published: 2003
    Publisher:  Johns Hopkins University Press, Baltimore

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0801877601; 9780801877605
    RVK Categories: HR 1704 ; HU 1520
    Subjects: Women and literature / United States / History / 20th century; Women and literature / United States / History / 19th century; Women and literature / Great Britain / History / 20th century; Women and literature / Great Britain / History / 19th century; Feminism and literature; Littérature américaine / Histoire et critique; Modernisme (Littérature) / États-Unis; Femmes et littérature / États-Unis / Histoire / 20e siècle; Femmes et littérature / États-Unis / Histoire / 19e siècle; Femmes et littérature / Grande-Bretagne / Histoire / 20e siècle; Femmes et littérature / Grande-Bretagne / Histoire / 19e siècle; Littérature anglaise / Histoire et critique; Modernisme (Littérature) / Grande-Bretagne; Féminisme et littérature; Rôle selon le sexe dans la littérature; Écrits de femmes américains / Histoire et critique; Écrits de femmes anglais / Histoire et critique; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Feminisme; Vrouwen; Letterkunde; Amerikaans; Modernisme (cultuur); Sekserol; Frauenliteratur; Feminismus; Frau; Geschichte; Literatur; American literature; Modernism (Literature); Women and literature; Women and literature; Women and literature; Women and literature; English literature; Modernism (Literature); Feminism and literature; Sex role in literature; Frauenliteratur
    Scope: 1 Online-Ressource (vii, 312 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    Introduction - Ann L. Ardis -- - PART I. Negotiating the literary marketplace -- - Writing a public self: Alice Meynell's "Unstable equilibrium" - Talia Schaffer -- - Towards a new "colored" consciousness: biracial identity in Pauline Hopkin's fiction - Leslie W. Lewis -- - Authority of experience: Jane Addams and Hull-house - Francesca Sawaya -- - "This other Eden": homoeroticism and the Great War in the early poetry of H.D. and Radclyffe Hall - Claire Buck -- - Heir unapparent: Opal Whitely and the female as child in America - Deborah Garfield -- - PART II. Outside the metropolis -- - In-between modernity: Toru Dutt (1856-1877) from a postcolonial perspective - Alpana Sharma -- - New Negro modernity: worldliness and interiority in the novels of Emma Dunham Kelly-Hawkins - Carla L. Peterson -- - Olive Schreiner, South Africa, and the costs of modernity - Carolyn Burdett -- - "Tropical ovaries": gynecological degeneration and Lady Arabella's "female difficulties" in Bram Stoker's The lair of the white worm - Piya Pal-Lapinski -- - Two talks with Khun Fa - Lynn Theismeyer -- - PART III. The shifting terrain of public life -- - "Stage business" as citizenship: Ida B. Wells at the world's Columbian exposition - James C. Davis -- - Phenomena in flux: the aesthetics and politics of traveling in modernity - Ana Parejo Vadillo -- - New woman's appetite for "riotous living": Rebecca West, modernist feminism, and the everyday - Barbara Green -- - Djuna Barnes makes a specialty of crime: violence and the visual in her early journalism - Katherine Biers -- - In pursuit of an erogamic life: Marie Stopes and the culture of Married love - Lucy Burke -- - Shift work: observing women observing, 1937-1945 - Julian Yates -- - Afterword - Rita Felski
  7. Feminist views on the English stage
    women playwrights, 1990-2000
    Author: Aston, Elaine
    Published: 2003
    Publisher:  Cambridge University Press, Cambridge

    Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting... more

    Location:
    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511486005
    Other identifier:
    RVK Categories: HN 1220 ; HN 1261
    Series: Cambridge studies in modern theatre
    Subjects: Geschichte; Feminist drama, English / History and criticism; Feminism and literature / Great Britain / History / 20th century; Women and literature / Great Britain / History / 20th century; English drama / Women authors / History and criticism; English drama / 20th century / History and criticism; Dramatikerin; Frauendrama; Feminismus; Englisch
    Scope: 1 online resource (x, 237 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    A feminist view on the 1990s -- Telling feminist tales: Caryl Churchill -- Saying no to daddy: child sexual abuse, the 'Big Hysteria' -- Girl power, the new feminism? -- The 'bad girl of our stage?': Sarah Kane -- Performing identities -- Feminist connections to a multicultural 'scene' -- Feminism past, and future?: Timberlake Wertenbaker -- Tales for the twenty-first century: final reflections
  8. Food, consumption, and the body in contemporary women's fiction
    Author: Sceats, Sarah
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    This study explores the subtle and complex significance of food and eating in contemporary women's fiction. Sarah Sceats reveals how preoccupations with food, its consumption and the body are central to the work of writers such as Doris Lessing,... more

    Location:
    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    This study explores the subtle and complex significance of food and eating in contemporary women's fiction. Sarah Sceats reveals how preoccupations with food, its consumption and the body are central to the work of writers such as Doris Lessing, Angela Carter, Margaret Atwood, Michèle Roberts and Alice Thomas Ellis. Through close analysis of their fiction, Sceats examines the multiple metaphors associated with these themes, making powerful connections between food and love, motherhood, sexual desire, self identity and social behaviour. The activities surrounding food and its consumption (or non-consumption) embrace both the most intimate and the most thoroughly public aspects of our lives. The book draws on psychoanalytical, feminist and sociological theory to engage with a diverse range of issues, including chapters on cannibalism and eating disorders. This lively study demonstrates that feeding and eating are not simply fundamental to life but are inseparable from questions of gender, power and control

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511485381
    Other identifier:
    RVK Categories: HG 680 ; HN 1331
    Subjects: Geschichte; English fiction / Women authors / History and criticism; Food in literature; Women and literature / Great Britain / History / 20th century; English fiction / 20th century / History and criticism; Consumption (Economics) in literature; Eating disorders in literature; Human body in literature; Food habits in literature; Gastronomy in literature; Anorexia nervosa <Motiv>; Frauenliteratur; Englisch; Hunger <Motiv>; Nahrungsaufnahme <Motiv>; Kannibalismus <Motiv>; Körper <Motiv>
    Other subjects: Atwood, Margaret (1939-); Lessing, Doris (1919-2013); Roberts, Michèle (1949-); Ellis, Alice T. (1932-2005); Carter, Angela (1940-1992)
    Scope: 1 online resource (viii, 213 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    The food of love -- Cannibalism and Carter -- Eating, starving and the body : Doris Lessing and others -- Sharp appetites : Margaret Atwood's consuming politics -- Food and manners : Roberts and Ellis -- Social eating : identity, communion and difference