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Displaying results 1 to 4 of 4.

  1. Mermaids and the production of knowledge in early modern England
    Author: Pedersen, Tara E.
    Published: 2015
    Publisher:  Ashgate, Farnham [u.a.]

    "We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
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    Unlimited inter-library loan, copies and loan

     

    "We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid's existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates" --

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781472440013
    Subjects: Women in literature; English drama / 17th century / History and criticism; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Mermaids in literature; Sex role in literature; Social values in literature; Sex role / England / History; Women and literature / England / History; Meerweib; Geschlechterrolle; Englisch; Literatur; English drama; English drama / Early modern and Elizabethan; Mermaids in literature; Sex role; Sex role in literature; Social values in literature; Women and literature; Women in literature; Geschichte; Meerweib; Englisch; Drama; Geschlechterrolle <Motiv>
    Scope: X, 155 S., Ill.
    Notes:

    Includes bibliographical references and index

    Introduction -- Identifying mermaids: economies of representation in Dekker and Middleton's The roaring girl -- "We shall discover our selves": practicing the mermaid's law in Margaret Cavendish's The convent of pleasure -- Perfect pictures: the mermaid's half-theater and the anti-theatrical debates in Book III of Spenser's The faerie queene -- Reading like a mermaid: Antony and Cleopatra's (un)mysterious history and the case of the disappearing snake -- Afterword: "drown'd O, where?": the mermaid and the map in Shakespeare's Hamlet
  2. Folk women and indirection in Morrison, Ní Dhuibhne, Hurston, and Lavin
    Author: Fulmer, Jacqueline
    Published: 2007
    Publisher:  Ashgate, Aldershot [u.a.]

    Location:
    Universitätsbibliothek Bayreuth
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    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek Regensburg
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  3. Women and medieval literary culture
    from the early middle ages to the fifteenth century
    Contributor: Saunders, Corinne (Publisher); Watt, Diane (Publisher)
    Published: 2023
    Publisher:  Cambridge University Press, Cambridge

    Focusing on England but covering a wide range of European and global traditions and influences, this authoritative volume examines the central role of medieval women in the production and circulation of books and considers their representation in... more

    Location:
    Universitätsbibliothek Bamberg
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    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Focusing on England but covering a wide range of European and global traditions and influences, this authoritative volume examines the central role of medieval women in the production and circulation of books and considers their representation in medieval literary texts, as authors, readers and subjects, assessing how these change over time. Engaging with Latin, French, German, Welsh and Gaelic literary culture, it places British writing in wider European contexts while also considering more distant influences such as Arabic. Essays span topics including book production and authorship; reception; linguistic, literary, and cultural contexts and influences; women's education and spheres of knowledge; women as writers, scribes and translators; women as patrons, readers and book owners; and women as subjects. Reflecting recent trends in scholarship, the volume spans the early Middle Ages through to the eve of the Reformation and emphasises the multilingual, multicultural and international contexts of women's literary culture

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Saunders, Corinne (Publisher); Watt, Diane (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108869485
    Other identifier:
    RVK Categories: HH 1121
    Subjects: English literature / Middle English, 1100-1500 / History and criticism; Women and literature / England / History; English literature / Women authors / History and criticism; Literature, Medieval / Women authors / History and criticism; Women in literature
    Scope: 1 Online-Ressource (xv, 487 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 01 Aug 2023)
  4. Mermaids and the production of knowledge in early modern England
    Author: Pedersen, Tara E.
    Published: 2014
    Publisher:  Ashgate Publishing Limited ; Burlington, VT : Ashgate Publishing Company, Farnham, Surrey, England

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781472440020; 1472440021; 9781472440013; 1472440013; 9781472440037
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English drama; English drama / Early modern and Elizabethan; Mermaids in literature; Sex role; Sex role in literature; Social values in literature; Women and literature; Women in literature; English drama / 17th century / History and criticism; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Mermaids in literature; Sex role / England / History; Sex role / England / History. Women and literature--England--History; Sex role in literature; Social values in literature; Women and literature / England / History; Women in literature; Geschichte; Array; Englisch; Meerweib; Drama; Geschlechterrolle <Motiv>
    Scope: 1 online resource
    Notes:

    Print version record

    Introduction -- Identifying mermaids: economies of representation in Dekker and Middleton's The roaring girl -- "We shall discover our selves": practicing the mermaid's law in Margaret Cavendish's The convent of pleasure -- Perfect pictures: the mermaid's half-theater and the anti-theatrical debates in Book III of Spenser's The faerie queene -- Reading like a mermaid: Antony and Cleopatra's (un)mysterious history and the case of the disappearing snake -- Afterword: "drown'd O, where?": the mermaid and the map in Shakespeare's Hamlet

    "We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid's existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates" --