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  1. Post-jazz poetics
    a social history
    Published: 2010
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    Universitäts- und Landesbibliothek Düsseldorf
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230623156; 0230623158
    Edition: 1. ed.
    Subjects: Williams, Sherley Anne, 1944-1999--Criticism and interpretation; Sanchez, Sonia, 1934---Criticism and interpretation; Cortez, Jayne--Criticism and interpretation; Coleman, Wanda--Criticism and interpretation; Mullen, Harryette Romell--Criticism and interpretation; American poetry--African American authors--History and criticism; American poetry--Women authors--History and criticism; Jazz in literature; Literature and society--United States--History--20th century; African American women--Intellectual life--20th century; Feminism and literature--United States--History--20th century; Poetics--History--20th century; Music and literature--History--20th century
    Scope: XI, 225 S., 22 cm
    Notes:

    Formerly CIP Uk. - Includes bibliographical references (p. [199]-216) and index. - Introduction: How do I make that sound? a new feminist poetics -- Finding her voice: the body politics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practice in Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape-shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- Conclusion: "Too many books for our eyes": future politics, future poetries

  2. Post-jazz poetics
    a social history