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Displaying results 1 to 25 of 79.

  1. Le réel de traviole
    Artaud, Bataille, Leiris, Michaux er alii
    Author: Barberger, Nathalie
    Published: 2002
    Publisher:  Presses Univ. du Septentrion, Paris

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    Universität Mainz, Zentralbibliothek
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    8097 FAD 6138
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2859397469
    RVK Categories: IH 1403
    Series: Objet
    Subjects: Französisch; Literatur; Realismus; Verzerrung
    Scope: 231 S.
  2. Monster
    Author: Baker, Peter
    Published: 2017
    Publisher:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    Monster: Distortion, Abstraction, and Originality in Contemporary American Poetry argues that memorable and resonant poetry often distorts form, image, concept, and notions of truth and metaphor. Discussing how changes in electronic communication and... more

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    Monster: Distortion, Abstraction, and Originality in Contemporary American Poetry argues that memorable and resonant poetry often distorts form, image, concept, and notions of truth and metaphor. Discussing how changes in electronic communication and artificial notions of landscape have impacted form and content in poetry, Monster redefines the idea of what is memorable and original through a broad range of poets including John Ashbery, Anne Carson, Thomas Sayers Ellis, Forrest Gander, Peter Gizzi, Jorie Graham, Robert Hass, Brenda Hillman, Laura Kasischke, W. S. Merwin, Srikanth Reddy, Donald Revell, Mary Ruefle, Arthur Sze, and James Tate. “In these essays Mark Irwin moves among poems like an ecstatic bee in pollen season. No one more zealous at placing both particulars and compositions under the strong light of a concept, whether distortion, transition, abstraction, or time.”—Calvin Bedient, Author, He Do the Police in Different Voices: The Waste Land and Its Protagonist... “This important work of literary and cultural criticism probes the essential issues of poetry today. For example, distortion in poetry may now be necessary to its truth-function, a broken language for a broken world. Are we so distracted by the buzz of electronic media that lyric silence, along with nature, has receded into the past? Is anything real or, as it often seems, a virtual creation? Quoting Alfred Jarry, ‘I call Monster all original and inexhaustible beauty,’ Irwin reminds us that monstrosity is inherent in the new. Every great work of art, from Picasso’s Guernica to W.C. Williams’ plainspoken objectivism, emerges as a monster. As the author writes in his wonderful essay, ‘The Emergency of Poetry’: ‘Poetry is born of crisis or will seek it, often beginning in medias res —the middle where the danger is.’ It is then a question if art can heal or does the cultural wound lie open. My response to reading this book was immediate. It made me want to write something.”—Paul Hoover, Editor, Postmodern American Poetry: A Norton Anthology...

     
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    Source: Union catalogues
    Contributor: Irwin, Mark
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781453918746
    Other identifier:
    DDC Categories: 810
    Edition: 1st, New ed.
    Series: Studies in Modern Poetry ; 21
    Subjects: Lyrik; Das Groteske; Verzerrung <Motiv>
    Scope: 1 Online-Ressource
  3. Die Maske des Bösen
    groteske Physiognomie als Gegenbild des Heiligen und Vollkommenen in der Kunst des 15. und 16. Jahrhunderts
    Author: Winkler, Christine
    Published: 1986
    Publisher:  Scaneg, München

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    Universitätsbibliothek Augsburg
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    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3980067181
    RVK Categories: LH 65720 ; LH 81260 ; LH 82000 ; LH 84123 ; NW 8290
    Series: Beiträge zur Kunstwissenschaft ; 8
    Subjects: Physiognomik; Mensch <Motiv>; Das Hässliche; Das Heilige; Spottmedaille; Verzerrung <Motiv>; Kunst; Klerus <Motiv>; Groteske <Kunst>; Kopf <Motiv>; Physiognomie
    Scope: 246 Seiten, Illustrationen
    Notes:

    Dissertation, Technische Hochschule Aachen, 1986
  4. L' universo illusorio di Arcimboldi
    Author: Porzio, Francesco
    Published: 1987
    Publisher:  Fabbri, Milano

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    Bayerische Staatsbibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Edition: 2. ed.
    Subjects: Grotesque in art; Malerei; Verzerrung <Motiv>; Anamorphose; Bildnis; Mensch <Motiv>; Perspektive
    Other subjects: Arcimboldi, Giuseppe <1527-1593>; Arcimboldo, Giuseppe (1527-1593); Lomazzo, Giovanni Paolo (1538-1600)
    Scope: 112 S., Ill.
  5. Fabeltiere und Dämonen in der Kunst
    die fantastische Welt der Mischwesen
    Author: Mode, Heinz
    Published: 1983
    Publisher:  Kohlhammer, Stuttgart

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3170075977
    RVK Categories: LC 33000 ; LH 84500
    Edition: 2., verb. Aufl.
    Subjects: Animals, Mythical, in art; Ikonographie; Dämon; Dämon <Motiv>; Kunst; Fabeltiere; Verzerrung <Motiv>; Mensch <Motiv>
    Scope: 279 S., zahlr. Ill.
  6. Le réel de traviole
    Artaud, Bataille, Leiris, Michaux et alii
    Author: Barberger, Nathalie
    Published: 2002
    Publisher:  Presses Univ. du Septentrion, Villeneuve-d'Ascq (Nord)

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Regensburg
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  7. Fabeltiere und Dämonen in der Kunst
    die fantastische Welt der Mischwesen
    Published: 1974
    Publisher:  Kohlhammer, Stuttgart

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    Staatliche Bibliothek, Provinzialbibliothek
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    Staatliche Bibliothek, Schloßbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3170016709
    RVK Categories: LH 84500
    Subjects: Animals, Mythical, in art; Ikonographie; Kunst; Dämon <Motiv>; Mensch <Motiv>; Dämon; Verzerrung <Motiv>; Fabeltiere
    Scope: 279 S., zahlr. Ill.
  8. Stift Altenburg
    eine Führung
    Author: Schweighofer, Gregor
    Published: 1957
    Publisher:  Stift, Altenburg

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    Benediktinerabtei Metten, Bibliothek
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    Source: Union catalogues
    Language: German
    Media type: Book
    RVK Categories: BO 1770
    Edition: 2. Aufl.
    Subjects: Verzerrung <Motiv>; Pest <Motiv>; Mensch <Motiv>
    Scope: 36 S., zahlr. Ill.
  9. Petite grammaire de l'obscène
    églises du Duché d'Aquitaine: XIe, XIIe s.
    Published: 1992
    Publisher:  Bellus Ed., Bordeaux

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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  10. Stift Altenburg
    eine Führung
    Author: Schweighofer, Gregor
    Published: 1975
    Publisher:  Kolorit-Verl., Wien

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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3851420055
    RVK Categories: BO 1770 ; LL 12350
    Edition: 2. Aufl.
    Subjects: Monasteries; Verzerrung <Motiv>; Pest <Motiv>; Mensch <Motiv>
    Scope: 27 S., [8] Bl., Ill.
  11. Stift Altenburg
    eine Führung
    Author: Schweighofer, Gregor
    Published: 1963
    Publisher:  Peichär, Saalfelden

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    Staatsbibliothek Bamberg
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    Source: Union catalogues
    Language: German
    Media type: Book
    RVK Categories: BO 1770
    Subjects: Mensch <Motiv>; Verzerrung <Motiv>; Pest <Motiv>
    Scope: 28 S., [8] Bl., Ill.
  12. Monster
    distortion, abstraction, and originality in contemporary American poetry
    Author: Irwin, Mark
    Published: [2017]; © 2017
    Publisher:  Peter Lang, New York ; Bern ; Frankfurt ; Berlin ; Brussels ; Vienna ; Oxford ; Warsaw

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781433134050; 1433134055
    RVK Categories: HU 1769
    DDC Categories: 420
    Series: Studies in modern poetry ; vol. 21
    Subjects: Lyrik; Verzerrung; Abstraktion; Verzerrung <Motiv>; Das Groteske
    Scope: xviii, 208 Seiten, Illustrationen
  13. Monster
    Distortion, Abstraction, and Originality in Contemporary American Poetry
    Contributor: Baker, Peter (Publisher)
    Published: 2017
    Publisher:  Peter Lang Inc., International Academic Publishers, New York

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Baker, Peter (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781453918746
    Other identifier:
    9781453918746
    RVK Categories: HU 1769
    Edition: 1st, New ed
    Subjects: Das Groteske; Lyrik; Verzerrung <Motiv>; Abstraktion; Verzerrung
    Scope: 1 Online-Ressource (230 Seiten), 6 ill
    Notes:

    Online resource; title from title screen (viewed June 27, 2019)

    Monster: Distortion, Abstraction, and Originality in Contemporary American Poetry argues that memorable and resonant poetry often distorts form, image, concept, and notions of truth and metaphor. Discussing how changes in electronic communication and artificial notions of landscape have impacted form and content in poetry, Monster redefines the idea of what is memorable and original through a broad range of poets including John Ashbery, Anne Carson, Thomas Sayers Ellis, Forrest Gander, Peter Gizzi, Jorie Graham, Robert Hass, Brenda Hillman, Laura Kasischke, W. S. Merwin, Srikanth Reddy, Donald Revell, Mary Ruefle, Arthur Sze, and James Tate

    "In these essays Mark Irwin moves among poems like an ecstatic bee in pollen season. No one more zealous at placing both particulars and compositions under the strong light of a concept, whether distortion, transition, abstraction, or time."-Calvin Bedient, Author, He Do the Police in Different Voices: The Waste Land and Its Protagonist

    "This important work of literary and cultural criticism probes the essential issues of poetry today. For example, distortion in poetry may now be necessary to its truth-function, a broken language for a broken world. Are we so distracted by the buzz of electronic media that lyric silence, along with nature, has receded into the past? Is anything real or, as it often seems, a virtual creation? Quoting Alfred Jarry, 'I call Monster all original and inexhaustible beauty,' Irwin reminds us that monstrosity is inherent in the new. Every great work of art, from Picasso's Guernica to W.C. Williams' plainspoken objectivism, emerges as a monster. As the author writes in his wonderful essay, 'The Emergency of Poetry': 'Poetry is born of crisis or will seek it, often beginning in medias res -the middle where the danger is.' It is then a question if art can heal or does the cultural wound lie open. My response to reading this book was immediate. It made me want to write something."-Paul Hoover, Editor, Postmodern American Poetry: A Norton Anthology
  14. Thomas Ruff nudes
    with text by Michel Houellebecq
    Author: Ruff, Thomas
    Published: 2003
    Publisher:  Abrams, New York

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0810945819
    Subjects: Verzerrung; Erotische Kunst; Aktfotografie
    Other subjects: Ruff, Thomas (1958-)
    Scope: VII, 149 S., überw. Ill.
  15. Christliches Exempel und profane Allegorie
    zum Verhältnis von Wort u. Bild in d. Graphik der Boschnachfolge
    Author: Unverfehrt, Gerd
    Published: 1984

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: German
    Media type: Book
    Parent title:
    Wort und Bild in der niederländischen Kunst und Literatur des 16. und 17. Jahrhunderts / Herman Vekeman ; Justus Müller Hofstede; Erftstadt, 1984; S. 220-241
    Subjects: Laster; Mensch <Motiv>; Fische <Motiv>; Verzerrung <Motiv>; Tugend; Ikonographie; Allegorie
    Other subjects: Bruegel, Pieter de Oudere (1525-1569); Bosch, Hieronymus (1450-1516)
  16. Stift Altenburg
    eine Führung
    Author: Schweighofer, Gregor
    Published: 1950
    Publisher:  Stift Altenburg, [Horn, Niederösterr.]

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    Dombibliothek Freising
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    Benediktinerabtei Metten, Bibliothek
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    Source: Union catalogues
    Language: German
    Media type: Book
    RVK Categories: BO 1770
    Subjects: Pest <Motiv>; Verzerrung <Motiv>; Mensch <Motiv>
    Scope: 31 S., Ill.
  17. Eine Handzeichnung von Giuseppe Arcimboldo
    Author: Spitzmüller, Anna
    Published: 1932

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: German
    Media type: Book
    Parent title:
    Josef Strzygowski-Festschrift; Klagenfurt, 1932; S. 168-170
    Subjects: Sommer <Motiv>; Verzerrung <Motiv>; Mensch <Motiv>; Allegorie; Monat <Motiv>
    Other subjects: Arcimboldo, Giuseppe (1527-1593)
  18. Ein Vorläufer des Surrealismus im 17. Jahrhundert
    Author: Champigneulle, Bernard
    Published: 1950

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: German
    Media type: Article (journal)
    Parent title:
    Graphis / Walter Herdeg, ed.; New York, NY, 1950; 6.1950, 33, 458-461
    Subjects: Mensch <Motiv>; Malerei; Verzerrung <Motiv>
    Other subjects: Lermessin, Nicolas
  19. Nouvelles images de l'homme
    Author: Selz, Peter Howard
    Published: 1960

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: French
    Media type: Article (journal)
    Parent title: L' oeil; Paris [u.a.], 1960; 1960, 62, 47-53
    Subjects: Mensch <Motiv>; Verzerrung <Motiv>
  20. Power and pelf
    a new-found "Old man" by Massys
    Author: Silver, Larry
    Published: 1977

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Parent title:
    Simiolus; Apeldoorn, 1977; 9.1977, 63-92
    Subjects: Mensch <Motiv>; Verzerrung <Motiv>
    Other subjects: Massys, Quentin (1466-1530); Erasmus, Desiderius (1466-1536)
  21. Das Monster-Portal am Palazzo Zuccari in Rom
    Wandlungen eines Motivs vom Mittelalter zum Manierismus
    Author: Guldan, Ernst
    Published: 1969

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: German
    Media type: Article (journal)
    Parent title:
    Zeitschrift für Kunstgeschichte; München ; Berlin [u.a.], 1969; 32.1969, 229-261
    Subjects: Hölle; Fensterbau; Verzerrung <Motiv>; Mensch <Motiv>; Ikonographie; Profanarchitektur; Portal
    Other subjects: Zuccari, Federico (1540-1609)
  22. Mirabilia mundi
    Author: Plotzek, Joachim M.
    Published: 1985

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Benediktinerabtei Metten, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Parent title:
    Ornamenta Ecclesiae, 1; Köln, 1985; S. 107-111
    Subjects: Mensch <Motiv>; Verzerrung <Motiv>
    Other subjects: Sakralbau; Kastelaz bei Tramin
  23. The new world of Pier Leone Ghezzi
    Author: Olszewski, Edward J.
    Published: 1983

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Parent title:
    The Art journal / College Art Association of America; New York, NY, 1983; 43.1983, 325-330
    Subjects: Mensch <Motiv>; Bildnis; Verzerrung <Motiv>
    Other subjects: Parmigianino (1504-1540); Ghezzi, Pier Leone (1674-1755); Pascoli, Lione (1674-1744)
  24. The poor in the frescoes of the Campo Santo at Pisa and Santa Croce in Florence
    Author: Skubiszewska, Maria; Skubiszewski, Piotr
    Published: 1986

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    Parent title:
    Symbolae historiae artium; Warszawa, 1986; S. 267-288
    Subjects: Bettler <Motiv>; Mensch <Motiv>; Verzerrung <Motiv>
  25. Delacroix's lions and tigers
    a link between man and nature
    Author: Kliman, Eve Twose
    Published: 1982

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Parent title:
    The art bulletin / ed. John Shapley [u.a.]; New York, NY, 1982; 64.1982, 446-466
    Subjects: Löwe <Motiv>; Verzerrung <Motiv>; Mensch <Motiv>; Kopf <Motiv>; Tiger <Motiv>; Ikonographie
    Other subjects: Delacroix, Eugène (1798-1863)