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  1. Third Voice
    Modern British and American Drama
    Published: [2015]; ©1963
    Publisher:  Princeton University Press, Princeton, NJ

    In this stimulating survey of the entire field of modern English verse drama, William Butler Yeats and T.S. Eliot are regarded as the key figures. Shorter studies are included of Christopher Fry, E.E. Cummings, W.H. Auden, Archibald MacLeish, Ezra... more

    Hochschule für Gesundheit, Hochschulbibliothek
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    ebook deGruyter
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    In this stimulating survey of the entire field of modern English verse drama, William Butler Yeats and T.S. Eliot are regarded as the key figures. Shorter studies are included of Christopher Fry, E.E. Cummings, W.H. Auden, Archibald MacLeish, Ezra Pound, Wallace Stevens, and Richard Eberhart.Differing from some contemporary critics, Mr. Donoghue believes that verse drama is a major creative art-form of our literature, with a vigorous present and promise of a vital future. In a persuasive and perceptive exposition of this belief, he considers such questions as the nature of dramatic verse, the mood play, the relation between dramatic verse and the behavior of speech, the necessity of distinguishing between “verse drama” and “poetic drama” or “theatre poetry.”Originally published in 1963.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400879267
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    Series: Princeton Legacy Library
    Subjects: Verse drama, English; American drama; English drama; Verse drama, American; Verse drama, English; English drama; American drama; Verse drama, American; American drama.; English drama.; Verse drama, American.; Verse drama, English.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- CONTENTS -- -- INTRODUCTION -- -- CHAPTER ONE. ON VERSE IN DRAMA: A “NEUTRAL” SURVEY -- -- CHAPTER TWO. FIVE ANECDOTES TO STAND FOR MANY -- -- CHAPTER THREE. YEATS AND THE CLEAN OUTLINE -- -- CHAPTER FOUR. DRAME À THÈSE: AUDEN AND CUMMINGS -- -- CHAPTER FIVE. T. S. ELIOT AND THE COMPLETE CONSORT: MURDER IN THE CATHEDRAL -- -- CHAPTER SIX. THE FAMILY REUNION -- -- CHAPTER SEVEN. THE COCKTAIL PARTY -- -- CHAPTER EIGHT. THE CONFIDENTIAL CLERK -- -- CHAPTER NINE. THE ELDER STATESMAN: ELIOT IN FAIR COLONUS -- -- CHAPTER TEN. ELIOT’S VERSE LINE -- -- CHAPTER ELEVEN. CHRISTOPHER FRY’S THEATRE OF WORDS -- -- CHAPTER TWELVE. THE MOOD PLAY IN VERSE: STEVENS, EBERHART, AND MACLEISH -- -- CHAPTER THIRTEEN. EZRA POUND AND WOMEN OF TRACHIS -- -- CHAPTER FOURTEEN. RICHARD EBERHART: THE VISIONARY FARMS -- -- CHAPTER FIFTEEN. ON SPEAKING THE VERSE -- -- CHAPTER SIXTEEN. THEATRE POETRY AND DRAMATIC VERSE -- -- ACKNOWLEDGMENTS -- -- INDEX

  2. T.S. Eliot's Dramatic Theory and Practice
    From Sweeney Agonistes to the Elder Statesman
    Published: [2015]; ©1963
    Publisher:  Princeton University Press, Princeton, NJ

    Although there have been innumerable studies of T. S. Eliot, this is the first to examine closely the changes in his dramatic practice and to relate them to his artistic and intellectual development. Professor Smith finds Eliot’s dramatic theory... more

    Hochschule für Gesundheit, Hochschulbibliothek
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    Universitätsbibliothek Braunschweig
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    Zentrale Hochschulbibliothek Flensburg
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    Universitätsbibliothek Greifswald
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
    No inter-library loan
    Technische Universität Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Thüringer Universitäts- und Landesbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
    ebook deGruyter
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Universitätsbibliothek Osnabrück
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    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
    eBook de Gruyter
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No loan of volumes, only paper copies will be sent
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
    No inter-library loan

     

    Although there have been innumerable studies of T. S. Eliot, this is the first to examine closely the changes in his dramatic practice and to relate them to his artistic and intellectual development. Professor Smith finds Eliot’s dramatic theory rooted in his conception of the need for order in religion and art; she traces this concept as it evolved from the overtly religious The Rock and Murder in the Cathedral through such symbolic drawing-room plays as The Family Reunion, The Cocktail Party, and The Confidential Clerk, to Eliot’s latest study of human and divine love in The Elder Statesman. Carol H. Smith explores Eliot’s interest in the jazz rhythms of the English music hall, in the mythical method of Yeats and Joyce, and in the work of the Cambridge School of Classical Anthropology.Originally published in 1963.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400879403
    Other identifier:
    Series: Princeton Legacy Library
    Subjects: Verse drama, American; Drama; Verse drama, American; Drama; Drama.; Verse drama, American.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Preface -- -- Contents -- -- Chapter I. The Pursuit of Order -- -- Chapter II. Sweeney Agonistes -- -- Chapter III. The Rock and Murder in The Cathedral -- -- Chapter IV. The Family Reunion -- -- Chapter V. The Cocktail Party -- -- Chapter VI. The Confidential Clerk -- -- Chapter VII. The Elder Statesman -- -- Bibliography -- -- Index

  3. T.S. Eliot's Dramatic Theory and Practice
    From Sweeney Agonistes to the Elder Statesman
    Published: [2015]; ©1963
    Publisher:  Princeton University Press, Princeton, NJ

    Although there have been innumerable studies of T. S. Eliot, this is the first to examine closely the changes in his dramatic practice and to relate them to his artistic and intellectual development. Professor Smith finds Eliot’s dramatic theory... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Although there have been innumerable studies of T. S. Eliot, this is the first to examine closely the changes in his dramatic practice and to relate them to his artistic and intellectual development. Professor Smith finds Eliot’s dramatic theory rooted in his conception of the need for order in religion and art; she traces this concept as it evolved from the overtly religious The Rock and Murder in the Cathedral through such symbolic drawing-room plays as The Family Reunion, The Cocktail Party, and The Confidential Clerk, to Eliot’s latest study of human and divine love in The Elder Statesman. Carol H. Smith explores Eliot’s interest in the jazz rhythms of the English music hall, in the mythical method of Yeats and Joyce, and in the work of the Cambridge School of Classical Anthropology.Originally published in 1963.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400879403
    Other identifier:
    Series: Princeton Legacy Library
    Subjects: Verse drama, American; Drama; Verse drama, American; Drama; Drama.; Verse drama, American.
    Scope: 1 online resource
    Notes:

    :