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Shakespeare's ‹i›Troilus & Cressida‹/i› and Its Setting
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The Iliad, Volume 2, Books 5-8
a commentary -
The Iliad, Volume 5, Books 17-20
a commentary -
Troy, Carthage and the Victorians
the drama of classical ruins in the nineteenth-century imagination -
The epic cycle
a commentary on the lost Troy epics -
The first pagan historian
the fortunes of a fraud from antiquity to the Enlightenment -
The first pagan historian
the fortunes of a fraud from antiquity to the Enlightenment -
The epic cycle
a commentary on the lost Troy epics -
Homer between history and fiction in imperial Greek literature
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Homer's Iliad and the Trojan War
dialogues on tradition -
Victorian epic burlesques
a critical anthology of nineteenth-century theatrical entertainments after Homer -
The Greek epic cycle
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To Homer through Pope
an introduction to Homer's Iliad and Pope's translation -
Mythos als Wissensform
Epistemik und Poetik des 'Trojanerkriegs' Konrads von Würzburg -
Homer between history and fiction in imperial Greek literature
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The first pagan historian
the fortunes of a fraud from antiquity to the Enlightenment -
Sanctified violence in Homeric society
oath-making rituals and narratives in the Iliad -
Ransom, revenge, and heroic identity in the Iliad
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Shakespeare's ‹i›Troilus & Cressida‹/i› and Its Setting
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The structure and performance of Euripides' Helen
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The Iliad, Volume 4, Books 13-16
a commentary -
Sanctified violence in Homeric society
oath-making rituals and narratives in the Iliad -
Homer, The Iliad
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Ransom, revenge, and heroic identity in the Iliad
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Homer between history and fiction in imperial Greek literature