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  1. The Participatory Journalism of Michael Herr, Norman Mailer, Hunter S. Thompson, and Joan Didion
    Creating New Reporting Styles
    Author: Mosser, Jason
    Published: 2011
    Publisher:  Edwin Mellen Press, Lewiston

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0773421572; 9780773421578
    Subjects: American prose literature / 20th century / History and criticism; Didion, Joan / Criticism and interpretation; Herr, Michael / Criticism and interpretation; Journalism / United States / History / 20th century; Mailer, Norman / Criticism and interpretation; Reportage literature, American / History and criticism; Thompson, Hunter S. / Criticism and interpretation; LITERARY CRITICISM / American / General; American prose literature; Journalism; Reportage literature, American; Geschichte; Reportage literature, American; American prose literature; Journalism; New journalism; Textanalyse
    Other subjects: Didion, Joan; Herr, Michael; Mailer, Norman; Thompson, Hunter S.; Herr, Michael; Mailer, Norman; Thompson, Hunter S.; Didion, Joan
    Scope: 1 online resource (260 pages)
    Notes:

    Print version record

    Among New Journalists of the 1960s-1970s, Michael Herr, Norman Mailer, Hunter S. Thompson, and Joan Didion approached their subjects by placing themselves in the center of their narratives as protagonists and by openly acknowledging their subjective impressions of the events they reported. Unlike journalists who adopted the conventions of detachment and objectivity, these New Journalists employed their subjective, literary styles to construct their narrative personae and to dramatize not only the events like the Vietnam War and the 1972 presidential campaign but their direct participation in t