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  1. Pedro Calderón de la Barca and the world theatre in early modern Europe
    the theatrum mundi of celebration
    Author: Vangshardt, Rasmus
    Published: [2024]
    Publisher:  De Gruyter, Berlin ; Boston

    Rasmus Vangshardt offers an original interpretation of one of the most famous images of literary history, the theatrum mundi. By applying methods of comparative literature, hispanic studies, and theology, he reconsiders the world theatre’s historical... more

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    Rasmus Vangshardt offers an original interpretation of one of the most famous images of literary history, the theatrum mundi. By applying methods of comparative literature, hispanic studies, and theology, he reconsiders the world theatre’s historical peak in early modern Europe in general and the Spanish Golden Age in particular. The author presents a new close reading of Pedro Calderón’s El gran teatro del mundo (c. 1633–36) and outlines the historical and systematic framework for a theatrum mundi of celebration. This concept entails using art to justify human existence in the face of changing conceptions of the cosmos: an early modern aesthetic theodicy and a justification of the world in that liminal space between drama and ritual. By discussing historiographical theories of early modern Europe, especially those of Hans Blumenberg and Bruno Latour, and through conversations with Shakespearean drama and Spanish Golden Age classics, Vangshardt also argues that the theatrum mundi of celebration questions traditional assumptions of great divides between the Middle Ages and Early Modernity and challenges theories of a European-wide early modern sense of crisis

     
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  2. "If Then the World a Theatre Present..."
    Revisions of the Theatrum Mundi Metaphor in Early Modern England
    Published: [2014]; ©2014
    Publisher:  De Gruyter, Berlin ; Boston

    To metaphorize the world as a theatre has been a common procedure since antiquity, but the use of this trope became particularly prominent and pregnant in early modern times, especially in England. Old and new applications of the "theatrum mundi"... more

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    To metaphorize the world as a theatre has been a common procedure since antiquity, but the use of this trope became particularly prominent and pregnant in early modern times, especially in England. Old and new applications of the "theatrum mundi" topos pervaded discourses, often allegorizing the deceitfulness and impermanence of this world as well as the futility of earthly strife. It was frequently woven into arguments against worldly amusements such as the stage: Commercial theatre was declared an undesirable competitor of God's well-ordered world drama. Early modern dramatists often reacted to this development by appropriating the metaphor, and in an ingenious twist, some playwrights even appropriated its anti-theatrical impetus: Early modern theatre seemed to discover a denial of its own theatricality at its very core. Drama was found to succeed best when it staged itself as a great unmasking. To investigate the reasons and effects of these developments, the anthology examines the metaphorical uses of theatre in plays, pamphlets, epics, treatises, legal proclamations and other sources

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110343939
    Other identifier:
    RVK Categories: HK 1091
    Series: Pluralisierung & Autorität ; 32
    Subjects: Theater / England / History / 16th century; Metaphorologie; Metaphorology; Shakespeare, William; Theater; Theatre; Theatrum Mundi; Welttheater; Literatur; Englisch; LITERARY CRITICISM / European / General
    Scope: 1 online resource (246 p.)
  3. Playgoing in Early Modern London After Shakespeare (1616-1642)
    Author: Tröger, Tim-Christoph; Haekel, Ralf; Schaff, Barbara
    Published: 2016