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Displaying results 1 to 3 of 3.

  1. Die Paradoxie der Maske
    Geschichte einer Form
    Author: Weihe, Richard
    Published: 2004
    Publisher:  Fink, München

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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 3770539141
    Other identifier:
    RVK Categories: AP 64300 ; AP 74200
    Subjects: Bacchus; Geschichte; Masks ; History; Theater ; History; Maske ; Motiv; Theater; Kunst; Philosophie; Maske; Commedia dell'arte ; Motiv
    Scope: 390 S., Ill.
    Notes:

    Zugl.: Witten, Herdecke, Univ., Habil.-Schr., 2003

    Volltext // 2010 digitalisiert von: Bayerische Staatsbibliothek, München. Exemplar der Bayerischen Staatsbibliothek mit der Signatur: PVA 2004.661

    Zugl.: Witten/Herdecke, Univ., Habil.-Schr., 2002
  2. Eroticism and death in theatre and performance
    Published: 2010
    Publisher:  University of Hertfordshire Press, Hatfield, Hertfordshire

    Exploring a range of topics, including Greek tragedy, Shakespearean theater, contemporary British plays, opera, and the theatricality of Parisian culture, this compilation provides new perspectives on the relationship between Eros and Death in a... more

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    Exploring a range of topics, including Greek tragedy, Shakespearean theater, contemporary British plays, opera, and the theatricality of Parisian culture, this compilation provides new perspectives on the relationship between Eros and Death in a series of dramatic texts, theatrical practices, and cultural performances. Detailed and analytical, these informative essays demonstrate how changing attitudes towards sexuality and death-opposed but entangled passions-were reflected in theater throughout the course of history. Psychoanalytical and philosophical models are also referenced in this work

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1902806921; 9781902806921
    Subjects: Theater; Desire in art; Death in the theater; Eroticism in literature; Drama; Death in the theater; Desire in art; Drama ; History and criticism; Eroticism in literature; Theater ; History; Electronic books
    Scope: Online-Ressource (xiii, 267 p), ill
    Notes:

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Contents; Figures; Acknowledgements; Contributors; Introduction by Karoline Gritzner; 1 Some Eros-Thanatos interfaces in Attic Tragedy by David Rudkin; 2 Dying for love: the tragicomedy of Shakespeare's Cleopatra by Robert Wilcher; 3 Desire and destruction in the drama of Georg Büchner by Karoline Gritzner; 4 Labyrinths of the taboo: theatrical journeys of eroticism and death in Parisian culture by Richard J. Hand; 5 The kiss of love and death: Eros and Thanatos in the opera by Dieter Borchmeyer

    6 Eros/sex, death/murder: sensuality, homicide and culture in Musil, Brecht and the Neue Sachlichkeit by George Hunka7 The living corpse: a metaphysic for theatre by Dic Edwards; 8 Flirting with disaster by David Ian Rabey; 9 Howard Barker's 'monstrous assaults': eroticism, death and the antique text by Graham Saunders; 10 'Welcome to the house of fun': Eros, Thanatos, and the uncanny in grand illusions by Michael Mangan; 11 Visions of Xs: experiencing La Fura dels Baus's XXX and Ron Athey's Solar Anus by Roberta Mock

    12 La petite mort: erotic encounters in One to One performance by Rachel Zerihan13 Saint Nick: a parallax view of Nick Cave by David Pattie; 14 Afterword: The corpse and its sexuality by Howard Barker; Bibliography; Index
  3. Physiologie du théâtre
    Par un journaliste
    Author: Couailhac, Louis
    Published: 2015
    Publisher:  Primento Digital Publishing, Cork

    Extrait : ""Où cours-tu donc, cher public? Tu as tellement l'habitude de faire la queue et d'aller prendre ton billet au bureau, que tu te précipites vers le péristyle du théâtre. Arrière ... ce n'est pas là notre chemin. Il faut que nous nous... more

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    Extrait : ""Où cours-tu donc, cher public? Tu as tellement l'habitude de faire la queue et d'aller prendre ton billet au bureau, que tu te précipites vers le péristyle du théâtre. Arrière ... ce n'est pas là notre chemin. Il faut que nous nous dirigions vers cette petite porte qui se dessine discrètement sur l'un des flancs de l'édifice. Allons, baisse la tête, monte ces trois marches et ne tremble pas ainsi. Que diable! tu es plus ému que lorsque tu te présentes en habit ... ""À PROPOS DES ÉDITIONS LIGARANLes éditions LIGARAN proposent des versions numériques de qualité de grands livres de la Extrait : ""Où cours-tu donc, cher public ? Tu as tellement l'habitude de faire la queue et d'aller prendre ton billet au bureau, que tu te précipites vers le péristyle du théâtre. Arrière... ce n'est pas là notre chemin. Il faut que nous nous dirigions vers cette petite porte qui se dessine discrètement sur l'un des flancs de l'édifice. Allons, baisse la tête, monte ces trois marches et ne tremble pas ainsi. Que diable ! tu es plus ému que lorsque tu te présentes en habit...""À PROPOS DES ÉDITIONS LIGARANLes éditions LIGARAN proposent des versions numériques de qualité de grands livres de la

     
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    Content information
    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9782335054309
    Subjects: English literature ; History and criticism; English wit and humor ; History and criticism; Theater ; History; Electronic books
    Scope: Online-Ressource (101 p)
    Notes:

    Description based upon print version of record

    Couverture; Page de Copyright; Page de titre; Introduction; I - La portière des coulisses; II - Le foyer des acteurs; III - Le comique; IV - Le premier rôle; V - La première amoureuse; VI - L'actrice surnuméraire; VII - La mère d'emprunt; VIII - La grande utilité; IX - La figurante et le figurant; X - De quelques figures du second plan; XI - Le directeur; XII - Le régisseur; XIII - Les auteurs; XIV - Encore quelques figures de second plan; XV - Les loges d'acteurs - Les jolies actrices; XVI - L'habitué; XVII - Vingt-quatre heures de la vie d'un théâtre - Une première représentation

    XVIII - Des comités de lectureXIX - Dialogue final entre le public et l'auteurr