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Displaying results 1 to 3 of 3.

  1. The witch as muse
    art, gender, and power in early modern Europe
    Author: Hults, Linda C.
    Published: 2005
    Publisher:  Univ. of Pennsylvania, Philadelphia

    "Occult topics have long fascinated artists, and the subject of witches - their imagined bodies and fantastic rituals - was a popular one for painters and print-makers in early modern Europe. Focusing on several artists in depth. Linda C. Hults... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsgemäldesammlungen, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "Occult topics have long fascinated artists, and the subject of witches - their imagined bodies and fantastic rituals - was a popular one for painters and print-makers in early modern Europe. Focusing on several artists in depth. Linda C. Hults probes the historical and theoretical contexts of their work to examine the ways witches were depicted and the motivations for those depictions." "While studying the work of such artists as Durer, Baldung, Jacques de Gheyn II, and Goya. Hults discerns patterns suggesting that the imagery of witchcraft served as both an expression of artistic license and as a tool of self-promotion for the artists."--BOOK JACKET.

     
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  2. The witch as muse
    art, gender, and power in early modern Europe
    Author: Hults, Linda C.
    Published: 2005
    Publisher:  Univ. of Pennsylvania, Philadelphia

    "Occult topics have long fascinated artists, and the subject of witches - their imagined bodies and fantastic rituals - was a popular one for painters and print-makers in early modern Europe. Focusing on several artists in depth. Linda C. Hults... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Stiftung Deutsches Historisches Museum, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Occult topics have long fascinated artists, and the subject of witches - their imagined bodies and fantastic rituals - was a popular one for painters and print-makers in early modern Europe. Focusing on several artists in depth. Linda C. Hults probes the historical and theoretical contexts of their work to examine the ways witches were depicted and the motivations for those depictions." "While studying the work of such artists as Durer, Baldung, Jacques de Gheyn II, and Goya. Hults discerns patterns suggesting that the imagery of witchcraft served as both an expression of artistic license and as a tool of self-promotion for the artists."--BOOK JACKET.

     
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  3. Art and witchcraft in early modern Italy
    Author: Tal, Guy
    Published: [2024]
    Publisher:  Amsterdam University Press, Amsterdam

    "The figure of the witch is familiar from the work of early modern German, Dutch, and Flemish artists, but much less so in the work of their Italian counterparts. Art and Witchcraft in Early Modern Italy seeks to explore the ways in which... more

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2024 C 1707
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The figure of the witch is familiar from the work of early modern German, Dutch, and Flemish artists, but much less so in the work of their Italian counterparts. Art and Witchcraft in Early Modern Italy seeks to explore the ways in which representations of witchcraft emerged from and coincided with the main cultural currents and artistic climate of an epoch chiefly celebrated for its humanistic and rational approaches. Through an in-depth examination of a panoply of arresting paintings, engravings, and drawings--variously portraying a hag-ridden colossal phallus, a horror-stricken necromancer dodging the devil's scrabbling claws, and a nocturnal procession presided over by an infanticidal crone--Guy Tal offers new ways of reading witchcraft images through and beyond conventional iconography. Artists such as Parmigianino, Alessandro Allori, Leonello Spada, and Angelo Caroselli effected visual commentaries on demonological notions that engaged their audience in a tantalizing experience of interpretation"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789463722599
    Series: Monsters and Marvels. Alterity in the Medieval and early modern Worlds
    Subjects: Witchcraft in art; Witches in art; Art; Witchcraft; Sorcellerie dans l'art; Art - Italie - Histoire; Sorcellerie - Italie - Histoire; Sorcières dans l'art; History of art and design styles: c 1400 to c 1600; History of art and design styles: c 1600 to c 1800; ART / History / Renaissance; ART / History / Baroque & Rococo; HISTORY / Renaissance; Paintings and painting; History of art
    Scope: 375 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references (pages [327]-361) and index