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  1. The French Atlantic Triangle
    Literature and Culture of the Slave Trade
    Author: Miller, Christopher L.
    Published: [2008]; © 2008
    Publisher:  Duke University Press, Durham

    The French slave trade forced more than one million Africans across the Atlantic to the islands of the Caribbean. It enabled France to establish Saint-Domingue, the single richest colony on earth, and it connected France, Africa, and the Caribbean... more

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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    The French slave trade forced more than one million Africans across the Atlantic to the islands of the Caribbean. It enabled France to establish Saint-Domingue, the single richest colony on earth, and it connected France, Africa, and the Caribbean permanently. Yet the impact of the slave trade on the cultures of France and its colonies has received surprisingly little attention. Until recently, France had not publicly acknowledged its history as a major slave-trading power. The distinguished scholar Christopher L. Miller proposes a thorough assessment of the French slave trade and its cultural ramifications, in a broad, circum-Atlantic inquiry. This magisterial work is the first comprehensive examination of the French Atlantic slave trade and its consequences as represented in the history, literature, and film of France and its former colonies in Africa and the Caribbean.Miller offers a historical introduction to the cultural and economic dynamics of the French slave trade, and he shows how Enlightenment thinkers such as Montesquieu and Voltaire mused about the enslavement of Africans, while Rousseau ignored it. He follows the twists and turns of attitude regarding the slave trade through the works of late-eighteenth- and early-nineteenth-century French writers, including Olympe de Gouges, Madame de Staël, Madame de Duras, Prosper Mérimée, and Eugène Sue. For these authors, the slave trade was variously an object of sentiment, a moral conundrum, or an entertaining high-seas "adventure." Turning to twentieth-century literature and film, Miller describes how artists from Africa and the Caribbean-including the writers Aimé Césaire, Maryse Condé, and Edouard Glissant, and the filmmakers Ousmane Sembene, Guy Deslauriers, and Roger Gnoan M'Bala-have confronted the aftermath of France's slave trade, attempting to bridge the gaps between silence and disclosure, forgetfulness and memory

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822388838
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    Subjects: HISTORY / Europe / France; French literature; Slave trade; Slavery in literature; Slavery in motion pictures
    Scope: 1 online resource (592 pages), 15 illustrations, 1 table, 2 figures
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
  2. Antike Sklaverei zwischen Verdammung und Beschönigung
    Kolloquium zur Rezeption antiker Sklaverei vom 17. bis 20. Jahrhundert
    Contributor: Schmitz, Winfried (HerausgeberIn)
    Published: [2016]; © 2016
    Publisher:  Franz Steiner Verlag, Stuttgart

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    Source: Union catalogues
    Contributor: Schmitz, Winfried (HerausgeberIn)
    Language: German
    Media type: Conference proceedings
    Format: Print
    ISBN: 3515110895; 9783515110891
    Other identifier:
    9783515110891
    RVK Categories: NK 9400 ; NH 5285 ; NH 5200 ; NW 8295
    Corporations / Congresses: Antike Sklaverei zwischen Verdammung und Beschönigung (2013, Köln)
    Series: Forschungen zur antiken Sklaverei ; Band 40
    Subjects: Slavery in literature; Slavery in motion pictures; Slavery in art
    Scope: XII, 259 Seiten, 5 Seiten Tafeln, 9 Illustrationen, 24 cm x 17 cm
    Notes:

    Literaturangaben
  3. Antike Sklaverei zwischen Verdammung und Beschönigung
    Kolloquium zur Rezeption antiker Sklaverei vom 17. bis 20. Jahrhundert
    Contributor: Schmitz, Winfried (HerausgeberIn)
    Published: [2016]; © 2016
    Publisher:  Franz Steiner Verlag, Stuttgart

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    Source: Union catalogues
    Contributor: Schmitz, Winfried (HerausgeberIn)
    Language: German
    Media type: Conference proceedings
    Format: Print
    ISBN: 3515110895; 9783515110891
    Other identifier:
    9783515110891
    RVK Categories: NK 9400 ; NH 5285 ; NH 5200 ; NW 8295
    Corporations / Congresses: Antike Sklaverei zwischen Verdammung und Beschönigung (2013, Köln)
    Series: Forschungen zur antiken Sklaverei ; Band 40
    Subjects: Slavery in literature; Slavery in motion pictures; Slavery in art
    Scope: XII, 259 Seiten, 5 Seiten Tafeln, 9 Illustrationen, 24 cm x 17 cm
    Notes:

    Literaturangaben
  4. The French Atlantic triangle
    literature and culture of the slave trade
    Author: Miller, Christopher L.
    Published: 2008
    Publisher:  Duke Univ. Press, Durham, DC [u.a.]

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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780822341277; 0822341514; 0822341271; 9780822341512
    Other identifier:
    9780822341512
    2007033635
    RVK Categories: IE 2836 ; IG 1378 ; IG 3950 ; IH 1546 ; NW 8295 ; HR 1704 ; HG 431
    Subjects: French literature; Slavery in literature; Slavery in motion pictures; Slave trade; French literature; Slavery in literature; Slavery in motion pictures; Slave trade
    Scope: XVI, 571 S., Ill.
    Notes:

    Includes bibliographical references and index
  5. Slaves on screen
    film and historical vision
    Author: Davis, Natalie Zemon
    Published: 2000
    Publisher:  Harvard Univ. Press, Cambridge, Mass.

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    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0674004442; 0674008219
    RVK Categories: MS 1660
    Subjects: Slavar i filmen; Slaveri i filmen; Slavery in motion pictures; Sklaverei; Sklaverei <Motiv>; Film
    Scope: XI, 164 S., Ill.
  6. Embodying American slavery in contemporary culture
    Author: Woolfork, Lisa
    Published: c2009
    Publisher:  University of Illinois Press, Urbana

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780252092961; 0252092961; 0252033906; 9780252033902
    RVK Categories: HU 1691 ; LB 50610
    Subjects: SOCIAL SCIENCE / Slavery; Gesellschaft; Psychologie; Sklaverei; Slavery; Slavery; Psychic trauma; Popular culture; Human body in popular culture; Slavery in literature; Slavery in motion pictures; Historical reenactments; Sklaverei <Motiv>; Literatur; Film
    Scope: 1 Online-Ressource (XI, 233 S.)
    Notes:

    Includes bibliographical references (p. [211]-221) and index

    Introduction : go there to know there -- Trauma and time travel -- Touching scars, touching slavery : trauma, quilting, and bodily epistemology -- Teach you a lesson, boy : endangered black male teens meet the slave past -- Slave tourism and rememory -- Ritual reenactments -- Historical reenactments -- Conclusion : a soul baby talks back

    This study explores contemporary novels, films, performances, and reenactments that depict American slavery and its traumatic effects by invoking a time-travel paradigm to produce a representational strategy of "bodily epistemology." Disrupting the prevailing view of traumatic knowledge that claims that traumatic events are irretrievable and accessible only through oblique reference, these novels and films circumvent the notion of indirect reference by depicting a replaying of the past, forcing present-day protagonists to witness and participate in traumatic histories that for them are neither dead nor past. Lisa Woolfork analyzes how these works deploy a representational strategy that challenges the divide between past and present, imparting to their recreations of American slavery a physical and emotional energy to counter America's apathetic or amnesiac attitude about the trauma of the slave past. --From publisher's description
  7. Cinema, slavery, and Brazilian nationalism
    Author: Gordon, Richard A.
    Published: 2015
    Publisher:  Univ. of Texas Press, Austin

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780292760974
    Series: Cognitive approaches to literature and culture series
    Subjects: Film; Gesellschaft; Politik; Slavery in motion pictures; Nationalism in motion pictures; Motion pictures; Motion pictures; Film; Sklaverei <Motiv>
    Scope: XI, 272 S., Ill.
    Notes:

    Includes bibliographical references and index
  8. The French Atlantic Triangle
    Literature and Culture of the Slave Trade
    Author: Miller, Christopher L.
    Published: [2008]; © 2008
    Publisher:  Duke University Press, Durham

    The French slave trade forced more than one million Africans across the Atlantic to the islands of the Caribbean. It enabled France to establish Saint-Domingue, the single richest colony on earth, and it connected France, Africa, and the Caribbean... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    The French slave trade forced more than one million Africans across the Atlantic to the islands of the Caribbean. It enabled France to establish Saint-Domingue, the single richest colony on earth, and it connected France, Africa, and the Caribbean permanently. Yet the impact of the slave trade on the cultures of France and its colonies has received surprisingly little attention. Until recently, France had not publicly acknowledged its history as a major slave-trading power. The distinguished scholar Christopher L. Miller proposes a thorough assessment of the French slave trade and its cultural ramifications, in a broad, circum-Atlantic inquiry. This magisterial work is the first comprehensive examination of the French Atlantic slave trade and its consequences as represented in the history, literature, and film of France and its former colonies in Africa and the Caribbean.Miller offers a historical introduction to the cultural and economic dynamics of the French slave trade, and he shows how Enlightenment thinkers such as Montesquieu and Voltaire mused about the enslavement of Africans, while Rousseau ignored it. He follows the twists and turns of attitude regarding the slave trade through the works of late-eighteenth- and early-nineteenth-century French writers, including Olympe de Gouges, Madame de Staël, Madame de Duras, Prosper Mérimée, and Eugène Sue. For these authors, the slave trade was variously an object of sentiment, a moral conundrum, or an entertaining high-seas "adventure." Turning to twentieth-century literature and film, Miller describes how artists from Africa and the Caribbean-including the writers Aimé Césaire, Maryse Condé, and Edouard Glissant, and the filmmakers Ousmane Sembene, Guy Deslauriers, and Roger Gnoan M'Bala-have confronted the aftermath of France's slave trade, attempting to bridge the gaps between silence and disclosure, forgetfulness and memory

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822388838
    Other identifier:
    Subjects: HISTORY / Europe / France; French literature; Slave trade; Slavery in literature; Slavery in motion pictures
    Scope: 1 online resource (592 pages), 15 illustrations, 1 table, 2 figures
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
  9. Cinema, Slavery, and Brazilian Nationalism
    Author: Gordon, Richard A.
    Published: 2015; © 2015
    Publisher:  University of Texas Press, Austin

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780292760981; 9780292760974
    Series: Cognitive Approaches to Literature and Culture Series
    Subjects: Film; Gesellschaft; Politik; Motion pictures -- Political aspects -- Brazil; Motion pictures -- Social aspects -- Brazil; Nationalism in motion pictures; Slavery in motion pictures; Sklaverei <Motiv>; Film
    Scope: 1 online resource (287 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  10. Embodying American slavery in contemporary culture
    Author: Woolfork, Lisa
    Published: c2009
    Publisher:  University of Illinois Press, Urbana

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0252033906; 9780252033902; 9780252092961
    Subjects: Gesellschaft; Psychologie; Sklaverei; Slavery; Slavery; Psychic trauma; Popular culture; Human body in popular culture; Slavery in literature; Slavery in motion pictures; Historical reenactments; Sklaverei <Motiv>; Film; Literatur
    Scope: xi, 233 p.
    Notes:

    Includes bibliographical references (p. [211]-221) and index
  11. Contact zones
    memory, origin, and discourses in Black diasporic cinema
    Author: Petty, Sheila
    Published: c2008
    Publisher:  Wayne State University Press, Detroit

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780814339909
    RVK Categories: HU 1728
    Subjects: Blacks in motion pictures; African Americans in motion pictures; Slavery in motion pictures; Sklaverei <Motiv>; Film; Migration <Motiv>; Schwarze
    Scope: 295 p.
    Notes:

    Includes bibliographical references (p. [269]-285) and index
  12. Contact zones
    memory, origin, and discourses in Black diasporic cinema
    Author: Petty, Sheila
    Published: c2008
    Publisher:  Wayne State University Press, Detroit

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0814339905; 9780814339909
    RVK Categories: HU 1728
    Series: Contemporary approaches to film and television series
    Subjects: African Americans in motion pictures; Blacks in motion pictures; Slavery in motion pictures; PERFORMING ARTS / Reference; Blacks in motion pictures; African Americans in motion pictures; Slavery in motion pictures; Sklaverei <Motiv>; Film; Migration <Motiv>; Schwarze
    Scope: 1 Online-Ressource (295 p. :)
    Notes:

    Includes bibliographical references (p. [269]-285) and index
  13. Representations of American slavery in post-civil rights fiction and film
    how literature shapes politics
    Author: Dacey-Groth, Camilla Elisabeth
    Published: 2009
    Publisher:  Mellen, Lewiston, NY [u.a.]

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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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  14. Embodying American slavery in contemporary culture
    Author: Woolfork, Lisa
    Published: 2009
    Publisher:  Univ. of Illinois Press, Urbana [u.a.]

    "This study explores contemporary novels, films, performances, and reenactments that depict American slavery and its traumatic effects by invoking a time-travel paradigm to produce a representational strategy of "bodily epistemology." Disrupting the... more

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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Würzburg
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    "This study explores contemporary novels, films, performances, and reenactments that depict American slavery and its traumatic effects by invoking a time-travel paradigm to produce a representational strategy of "bodily epistemology." Disrupting the prevailing view that traumatic events are irretrievable and accessible only through oblique reference, these novels and films circumvent the notion of indirect reference by depicting a replaying of the past, forcing present-day protagonists to witness and participate in traumatic histories that for them are neither dead nor past. Further, live performances and reenactments of slavery also rely on the time-travel motif (and the requisite suspension of disbelief) as a strategy to confront contemporary audiences with such spectacles as slave ship captivity, slave auctions, or a slave's decision to escape to freedom. As Lisa Woolfork cogently reveals, these cultural expressions indicate a concern that the traumatic meanings and consequences of American slavery have been lost to those living in the twentieth and twenty-first centuries. Woolfork analyzes how these works deploy a representational strategy that challenges the divide between past and present, imparting to their re-creations of American slavery a physical and emotional energy to counter America's apathetic or amnesiac attitude about the trauma of the slave past" --Publisher description.

     
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  15. The French Atlantic Triangle
    Literature and Culture of the Slave Trade
    Author: Miller, Christopher L
    Published: [2008]
    Publisher:  Duke University Press, Durham

    Frontmatter -- Contents -- Preface -- Abbreviations -- Part One. The French Atlantic -- One. Introduction -- Two Around the Triangle -- Three The Slave Trade in the Enlightenment -- Four The Veeritions of History -- Part Two. French Women Writers... more

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    Frontmatter -- Contents -- Preface -- Abbreviations -- Part One. The French Atlantic -- One. Introduction -- Two Around the Triangle -- Three The Slave Trade in the Enlightenment -- Four The Veeritions of History -- Part Two. French Women Writers Revolution, Abolitionist Translation, Sentiment (1783-1823) -- Five Gendering Abolitionism -- Six Olympe de Gouges, "Earwitness to the Ills of America" -- Seven Madame de Staël, Mirza, and Pauline: Atlantic Memories -- Eight Duras and Her Ourika, "The Ultimate House Slave" -- Conclusion to Part Two -- Part Three. French Male Writers Restoration, Abolition, Entertainment -- Nine Tamango around the Atlantic: Concatenations of Revolt -- Ten Forget Haiti: Baron Roger and the New Africa -- Eleven Homosociality, Reckoning, and Recognition in Eugène Sue's Atar-Gull -- Twelve Edouard Corbière, "Mating," and Maritime Adventure -- Part Four. The Triangle from "Below" -- Thirteen Césaire, Glissant, Condé: Reimagining the Atlantic -- Fourteen African "Silence" -- Conclusion: Reckoning, Reparation, and the Value of Fictions -- Notes -- Selected Bibliography -- Index The French slave trade forced more than one million Africans across the Atlantic to the islands of the Caribbean. It enabled France to establish Saint-Domingue, the single richest colony on earth, and it connected France, Africa, and the Caribbean permanently. Yet the impact of the slave trade on the cultures of France and its colonies has received surprisingly little attention. Until recently, France had not publicly acknowledged its history as a major slave-trading power. The distinguished scholar Christopher L. Miller proposes a thorough assessment of the French slave trade and its cultural ramifications, in a broad, circum-Atlantic inquiry. This magisterial work is the first comprehensive examination of the French Atlantic slave trade and its consequences as represented in the history, literature, and film of France and its former colonies in Africa and the Caribbean.Miller offers a historical introduction to the cultural and economic dynamics of the French slave trade, and he shows how Enlightenment thinkers such as Montesquieu and Voltaire mused about the enslavement of Africans, while Rousseau ignored it. He follows the twists and turns of attitude regarding the slave trade through the works of late-eighteenth- and early-nineteenth-century French writers, including Olympe de Gouges, Madame de Staël, Madame de Duras, Prosper Mérimée, and Eugène Sue. For these authors, the slave trade was variously an object of sentiment, a moral conundrum, or an entertaining high-seas "adventure." Turning to twentieth-century literature and film, Miller describes how artists from Africa and the Caribbean-including the writers Aimé Césaire, Maryse Condé, and Edouard Glissant, and the filmmakers Ousmane Sembene, Guy Deslauriers, and Roger Gnoan M'Bala-have confronted the aftermath of France's slave trade, attempting to bridge the gaps between silence and disclosure, forgetfulness and memory

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822388838
    Other identifier:
    RVK Categories: NW 8295
    Subjects: French literature; Slave trade; Slavery in literature; Slavery in motion pictures; HISTORY / Europe / France
    Scope: 1 Online-Ressource (592 p), 15 illustrations, 1 table, 2 figures
  16. The French Atlantic triangle
    literature and culture of the slave trade
    Author: Miller, Christopher L.
    Published: 2008
    Publisher:  Duke Univ. Press, Durham, NC [u.a.]

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  17. Contact zones
    memory, origin, and discourses in Black diasporic cinema
    Author: Petty, Sheila
    Published: 2008
    Publisher:  Wayne State Univ. Press, Detroit

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780814330999; 0814330991
    RVK Categories: HU 1728
    Series: Contemporary approaches to film and television series
    Subjects: Blacks in motion pictures; African Americans in motion pictures; Slavery in motion pictures; Film; Migration <Motiv>; Schwarze; Sklaverei <Motiv>
    Scope: 295 S., Ill.
    Notes:

    Includes bibliographical references and index
  18. <<The>> French Atlantic triangle
    literature and culture of the slave trade
    Author: Miller, Christopher L
    Published: 2008
    Publisher:  Duke Univ. Press, Durham, N.C. [u.a.]

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    Source: Union catalogues
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    Format: Print
    ISBN: 9780822341277; 9780822341512; 0822341271; 0822341514
    Series: French and Francophone studies
    Subjects: French literature; Slavery in literature; Slavery in motion pictures; Slave trade
    Scope: XVI, 571 S. : Ill.
  19. Representations of American slavery in post-civil rights fiction and film
    how literature shapes politics
    Author: Dacey-Groth, Camilla Elisabeth
    Published: 2009
    Publisher:  Edwin Mellen Press, Lewiston, NY

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  20. Contact zones
    memory, origin, and discourses in black diasporic cinema
    Author: Petty, Sheila
    Published: [2008]; ©2008
    Publisher:  Wayne State University Press, Detroit ; ProQuest, [Ann Arbor, Michigan]

    Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Africa and the Middle Passage: Recoupment of Origin in Sankofa -- 2. Collision of Cultures: Occulted Caribbean Histories in Sugar Cane Alley... more

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    Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Africa and the Middle Passage: Recoupment of Origin in Sankofa -- 2. Collision of Cultures: Occulted Caribbean Histories in Sugar Cane Alley -- 3. Reclaiming Africa: Black Women's Discourses in Daughters of the Dust -- 4. Disjunction from Self: The Politics of Arrival in Soleil O -- 5. Arrested Memory: The Problematics of Return in Testament -- 6. Slippage and Mutable Histories in Deluge -- 7. Transnational Gazes in Frantz Fanon: Black Skin, White Mask -- 8. Locality, Memory, and Zombification in The Man by the Shore -- 9. Mapping New Boundaries: Discourses of Blackness in Rude -- Notes -- Bibliography -- Index -- Back_Cover

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780814339909
    RVK Categories: AP 50300
    Series: Contemporary approaches to film and television series
    Subjects: Film; Schwarze <Motiv>; Migration <Motiv>; Sklaverei <Motiv>; African Americans in motion pictures; Blacks in motion pictures; Slavery in motion pictures; Electronic books
    Scope: 1 Online-Ressource (295 Seiten)
    Notes:

    Literaturverzeichnis Seite [269]-285
  21. The French Atlantic triangle
    literature and culture of the slave trade
    Author: Miller, Christopher L.
    Published: 2008
    Publisher:  Duke Univ. Press, Durham, N.C. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780822341277; 9780822341512; 0822341271; 0822341514
    Series: French and Francophone studies
    Subjects: French literature; Slavery in literature; Slavery in motion pictures; Slave trade; Französisch; Literatur; Sklavenhandel <Motiv>
    Scope: XVI, 571 S., Ill.
  22. Slaves on screen
    film and historical vision
    Author: Davis, Natalie Zemon
    Published: 2000
    Publisher:  Harvard Univ. Press, Cambridge, Mass.

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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0674004442; 0674008219
    RVK Categories: MS 1660
    Subjects: Slavar i filmen; Slaveri i filmen; Slavery in motion pictures; Sklaverei; Sklaverei <Motiv>; Film
    Scope: XI, 164 S., Ill.
  23. Cinema, slavery, and Brazilian nationalism
    Author: Gordon, Richard A.
    Published: 2015
    Publisher:  Univ. of Texas Press, Austin

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780292760974
    Series: Cognitive approaches to literature and culture series
    Subjects: Film; Gesellschaft; Politik; Slavery in motion pictures; Nationalism in motion pictures; Motion pictures; Motion pictures; Film; Sklaverei <Motiv>
    Scope: XI, 272 S., Ill.
    Notes:

    Includes bibliographical references and index
  24. Embodying American slavery in contemporary culture
    Author: Woolfork, Lisa
    Published: 2009
    Publisher:  Univ. of Illinois Press, Urbana [u.a.]

    "This study explores contemporary novels, films, performances, and reenactments that depict American slavery and its traumatic effects by invoking a time-travel paradigm to produce a representational strategy of "bodily epistemology." Disrupting the... more

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    "This study explores contemporary novels, films, performances, and reenactments that depict American slavery and its traumatic effects by invoking a time-travel paradigm to produce a representational strategy of "bodily epistemology." Disrupting the prevailing view that traumatic events are irretrievable and accessible only through oblique reference, these novels and films circumvent the notion of indirect reference by depicting a replaying of the past, forcing present-day protagonists to witness and participate in traumatic histories that for them are neither dead nor past. Further, live performances and reenactments of slavery also rely on the time-travel motif (and the requisite suspension of disbelief) as a strategy to confront contemporary audiences with such spectacles as slave ship captivity, slave auctions, or a slave's decision to escape to freedom. As Lisa Woolfork cogently reveals, these cultural expressions indicate a concern that the traumatic meanings and consequences of American slavery have been lost to those living in the twentieth and twenty-first centuries. Woolfork analyzes how these works deploy a representational strategy that challenges the divide between past and present, imparting to their re-creations of American slavery a physical and emotional energy to counter America's apathetic or amnesiac attitude about the trauma of the slave past" --Publisher description.

     
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  25. Slaves on screen
    film and historical vision
    Author: Davis, Natalie Zemon
    Published: 2000
    Publisher:  Harvard University Press, Cambridge, Massachusetts

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    Source: Union catalogues
    Language: English
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    Format: Print
    ISBN: 9780674004443; 0674004442
    RVK Categories: LC 96000 ; MS 1660
    Subjects: Slavery in motion pictures
    Other subjects: Slavery in motion pictures
    Scope: xi, 164 Seiten, Illustrationen, 22 cm
    Notes:

    Film as historical narrative -- Resistance and survival: Spartacus -- Ceremony and revolt: Burn! and The Last Supper -- Witnesses of trauma: Amistad and Beloved -- Telling the truth.