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  1. Fathers, daughters, and slaves
    women writers and French colonial slavery
    Published: 2012
    Publisher:  Liverpool University Press, Liverpool

    Fathers, Daughters, and Slaves brings to life the unique contribution by French women during the early nineteenth century, a key period in the history of colonialism and slavery. The book enriches our understanding of French and Atlantic history in... more

    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Fathers, Daughters, and Slaves brings to life the unique contribution by French women during the early nineteenth century, a key period in the history of colonialism and slavery. The book enriches our understanding of French and Atlantic history in the revolutionary and postrevolutionary years when Haiti was menaced with the re-establishment of slavery and when class, race, and gender identities were being renegotiated. It offers in-depth readings of works by Germaine de StaeÌ<<l, Claire de Duras, and Marceline Desbordes-Valmore. In addition to these now canonical French authors, it calls attention to the lives and works of two lesser-known but important figureś€"Charlotte Dard and Sophie Doin. Approaching these five women through the prism of paternal authority, Fathers, Daughters, and Slaves explores the empathy that daughters show toward blacks as well as their resistance against the oppression exercised by male colonists and other authority figures. The works by these French women antislavery writers bear significant similarities, which the book explores, with twentieth and twenty-first century Francophone texts. These womeń€™s contributions allow us to move beyond the traditional boundaries of exclusively male accounts by missionaries, explorers, functionaries, and military or political figures. They remind us of the imperative for ever-renewed gender research in the colonial archive and the need to expand conceptions of French womeń€™s writing in the nineteenth century as being a small minority corpus. Fathers, Daughters, and Slaves contributes to an understanding of colonial fiction, Caribbean writing, romanticism, and feminism. It undercuts neat distinctions between the cultures of France and its colonies and between nineteenth and twentieth-century Francophone writing

     

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  2. Beyond the slave narrative
    politics, sex, and manuscripts in the Haitian revolution
    Published: 2011
    Publisher:  Liverpool University Press, Liverpool

    The Haitian Revolution has generated responses from commentators in fields ranging from philosophy to historiography to twentieth-century literary and artistic studies. But what about the written work produced at the time, by Haitians? This book is... more

    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    The Haitian Revolution has generated responses from commentators in fields ranging from philosophy to historiography to twentieth-century literary and artistic studies. But what about the written work produced at the time, by Haitians? This book is the first to present an account of a specifically Haitian literary tradition in the Revolutionary era. Beyond the Slave Narrative shows the emergence of two strands of textual innovation, both evolving from the new revolutionary consciousness: the remarkable political texts produced by Haitian revolutionary leaders Toussaint Louverture and Jean-Jacques Dessalines, and popular Creole poetry from anonymous courtesans in Saint-Domingue's libertine culture. These textual forms, though they differ from each other, both demonstrate the increasing cultural autonomy and literary voice of non-white populations in the colony at the time of revolution. Unschooled generals and courtesans, long presented as voiceless, are at last revealed to be legitimate speakers and authors. These Haitian French and Creole texts have been neglected as a foundation of Afro-diasporic literature by former slaves in the Atlantic world for two reasons: because they do not fit the generic criteria of the slave narrative (which is rooted in the autobiographical experience of enslavement); and because they are mediated texts, relayed to the print-cultural Atlantic domain not by the speakers themselves, but by secretaries or refugee colonists. These texts challenge how we think about authorial voice, writing, print culture, and cultural autonomy in the context of the formerly enslaved, and demand that we reassess our historical understanding of the Haitian Independence and its relationship to an international world of contemporary readers

     

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  3. Fathers, daughters, and slaves
    women writers and French colonial slavery
    Published: 2012
    Publisher:  Liverpool University Press, Liverpool

    Fathers, Daughters, and Slaves brings to life the unique contribution by French women during the early nineteenth century, a key period in the history of colonialism and slavery. The book enriches our understanding of French and Atlantic history in... more

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
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    Fathers, Daughters, and Slaves brings to life the unique contribution by French women during the early nineteenth century, a key period in the history of colonialism and slavery. The book enriches our understanding of French and Atlantic history in the revolutionary and postrevolutionary years when Haiti was menaced with the re-establishment of slavery and when class, race, and gender identities were being renegotiated. It offers in-depth readings of works by Germaine de StaeÌ<<l, Claire de Duras, and Marceline Desbordes-Valmore. In addition to these now canonical French authors, it calls attention to the lives and works of two lesser-known but important figureś€"Charlotte Dard and Sophie Doin. Approaching these five women through the prism of paternal authority, Fathers, Daughters, and Slaves explores the empathy that daughters show toward blacks as well as their resistance against the oppression exercised by male colonists and other authority figures. The works by these French women antislavery writers bear significant similarities, which the book explores, with twentieth and twenty-first century Francophone texts. These womeń€™s contributions allow us to move beyond the traditional boundaries of exclusively male accounts by missionaries, explorers, functionaries, and military or political figures. They remind us of the imperative for ever-renewed gender research in the colonial archive and the need to expand conceptions of French womeń€™s writing in the nineteenth century as being a small minority corpus. Fathers, Daughters, and Slaves contributes to an understanding of colonial fiction, Caribbean writing, romanticism, and feminism. It undercuts neat distinctions between the cultures of France and its colonies and between nineteenth and twentieth-century Francophone writing

     

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  4. Beyond the slave narrative
    politics, sex, and manuscripts in the Haitian revolution
    Published: 2011
    Publisher:  Liverpool University Press, Liverpool

    The Haitian Revolution has generated responses from commentators in fields ranging from philosophy to historiography to twentieth-century literary and artistic studies. But what about the written work produced at the time, by Haitians? This book is... more

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    The Haitian Revolution has generated responses from commentators in fields ranging from philosophy to historiography to twentieth-century literary and artistic studies. But what about the written work produced at the time, by Haitians? This book is the first to present an account of a specifically Haitian literary tradition in the Revolutionary era. Beyond the Slave Narrative shows the emergence of two strands of textual innovation, both evolving from the new revolutionary consciousness: the remarkable political texts produced by Haitian revolutionary leaders Toussaint Louverture and Jean-Jacques Dessalines, and popular Creole poetry from anonymous courtesans in Saint-Domingue's libertine culture. These textual forms, though they differ from each other, both demonstrate the increasing cultural autonomy and literary voice of non-white populations in the colony at the time of revolution. Unschooled generals and courtesans, long presented as voiceless, are at last revealed to be legitimate speakers and authors. These Haitian French and Creole texts have been neglected as a foundation of Afro-diasporic literature by former slaves in the Atlantic world for two reasons: because they do not fit the generic criteria of the slave narrative (which is rooted in the autobiographical experience of enslavement); and because they are mediated texts, relayed to the print-cultural Atlantic domain not by the speakers themselves, but by secretaries or refugee colonists. These texts challenge how we think about authorial voice, writing, print culture, and cultural autonomy in the context of the formerly enslaved, and demand that we reassess our historical understanding of the Haitian Independence and its relationship to an international world of contemporary readers

     

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  5. El intersticio de la colonia
    ruptura y mediación en la narrativa antiesclavista cubana
    Published: 2002
    Publisher:  Vervuert, Frankfurt am Main ; Iberoamericana, Madrid

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Inhaltsverzeichnis (Kostenfrei)
    Source: Union catalogues
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 8484890678; 3893546057
    RVK Categories: IQ 00512
    Series: Colección Nexos y diferencias ; Nr 3
    Subjects: Cuban fiction; Antislavery movements in literature; Slavery in literature; Blacks in literature
    Scope: 126 S
  6. <<The>> delectable Negro
    human consumption and homoeroticism within U.S. slave culture
    Published: [2014]
    Publisher:  New York University Press, New York

    "Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person's claims of human consumption seriously, focusing on both the literal starvation... more

     

    "Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person's claims of human consumption seriously, focusing on both the literal starvation of the slave and the tropes of cannibalism on the part of the slaveholder, and further draws attention to the ways in which Blacks experienced their consumption as a fundamentally homoerotic occurrence. The Delectable Negro explores these connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture. Utilizing many staples of African American literature and culture, such as the slave narratives of Olaudah Equiano, Harriet Jacobs, and Frederick Douglass, as well as other less circulated materials like James L. Smith's slave narrative, runaway slave advertisements, and numerous articles from Black newspapers published in the nineteenth century, Woodard traces the racial assumptions, political aspirations, gender codes, and philosophical frameworks that dictated both European and white American arousal towards Black males and hunger for Black male flesh. Woodard uses these texts to unpack how slaves struggled not only against social consumption, but also against endemic mechanisms of starvation and hunger designed to break them. He concludes with an examination of the controversial chain gang oral sex scene in Toni Morrison's Beloved, suggesting that even at the end of the twentieth and beginning of the twenty-first century, we are still at a loss for language with which to describe Black male hunger within a plantation culture of consumption"--

     

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  7. Black Subjects
    Identity Formation in the Contemporary Narrative of Slavery
    Published: [2018]; © 2004
    Publisher:  Cornell University Press, Ithaca, NY

    Writers as diverse as Carolivia Herron, Charles Johnson, Paule Marshall, Toni Morrison, and Derek Walcott have addressed the history of slavery in their literary works. In this groundbreaking new book, Arlene R. Keizer contends that these writers... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Writers as diverse as Carolivia Herron, Charles Johnson, Paule Marshall, Toni Morrison, and Derek Walcott have addressed the history of slavery in their literary works. In this groundbreaking new book, Arlene R. Keizer contends that these writers theorize the nature and formation of the black subject and engage established theories of subjectivity in their fiction and drama by using slave characters and the condition of slavery as focal points.In this book, Keizer examines theories derived from fictional works in light of more established theories of subject formation, such as psychoanalysis, Althusserian interpellation, performance theory, and theories about the formation of postmodern subjects under late capitalism. Black Subjects shows how African American and Caribbean writers' theories of identity formation, which arise from the varieties of black experience re-imagined in fiction, force a reconsideration of the conceptual bases of established theories of subjectivity. The striking connections Keizer draws between these two bodies of theory contribute significantly to African American and Caribbean Studies, literary theory, and critical race and ethnic studies

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501727375
    Other identifier:
    Subjects: American fiction; Caribbean literature (English); Identity (Psychology) in literature; Slavery in literature; Sklaverei <Motiv>; Schwarze; Roman
    Scope: 1 online resource, 1 halftone
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Feb 2019)

  8. Creole Crossings
    Domestic Fiction and the Reform of Colonial Slavery
    Published: [2018]; © 2005
    Publisher:  Cornell University Press, Ithaca, NY

    The character of the Creole woman-the descendant of settlers or slaves brought up on the colonial frontier-is a familiar one in nineteenth-century French, British, and American literature. In Creole Crossings, Carolyn Vellenga Berman examines the use... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The character of the Creole woman-the descendant of settlers or slaves brought up on the colonial frontier-is a familiar one in nineteenth-century French, British, and American literature. In Creole Crossings, Carolyn Vellenga Berman examines the use of this recurring figure in such canonical novels as Jane Eyre, Uncle Tom's Cabin, and Indiana, as well as in the antislavery discourse of the period. "Creole" in its etymological sense means "brought up domestically," and Berman shows how the campaign to reform slavery in the colonies converged with literary depictions of family life. Illuminating a literary genealogy that crosses political, familial, and linguistic lines, Creole Crossings reveals how racial, sexual, and moral boundaries continually shifted as the century's writers reflected on the realities of slavery, empire, and the home front. Berman offers compelling readings of the "domestic fiction" of Honoré de Balzac, Charlotte Brontë, Maria Edgeworth, Harriet Jacobs, George Sand, Harriet Beecher Stowe, and others, alongside travel narratives, parliamentary reports, medical texts, journalism, and encyclopedias. Focusing on a neglected social classification in both fiction and nonfiction, Creole Crossings establishes the crucial importance of the Creole character as a marker of sexual norms and national belonging

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501726835
    Other identifier:
    Subjects: Antislavery movements in literature; Creoles in literature; Domestic fiction; Slavery in literature; Sklaverei <Motiv>; Englisch; Kreolenbild; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)

  9. Neither Fugitive nor Free
    Atlantic Slavery, Freedom Suits, and the Legal Culture of Travel
    Published: [2009]; © 2009
    Publisher:  New York University Press, New York, NY

    Neither Fugitive nor Free draws on the freedom suit as recorded in the press and court documents to offer a critically and historically engaged understanding of the freedom celebrated in the literary and cultural histories of transatlantic... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Neither Fugitive nor Free draws on the freedom suit as recorded in the press and court documents to offer a critically and historically engaged understanding of the freedom celebrated in the literary and cultural histories of transatlantic abolitionism. Freedom suits involved those enslaved valets, nurses, and maids who accompanied slaveholders onto free soil. Once brought into a free jurisdiction, these attendants became informally free, even if they were taken back to a slave jurisdiction—at least according to abolitionists and the enslaved themselves. In order to secure their freedom formally, slave attendants or others on their behalf had to bring suit in a court of law.Edlie Wong critically recuperates these cases in an effort to reexamine and redefine the legal construction of freedom, will, and consent. This study places such historically central anti-slavery figures as Frederick Douglass, Olaudah Equiano, and William Lloyd Garrison alongside such lesser-known slave plaintiffs as Lucy Ann Delaney, Grace, Catharine Linda, Med, and Harriet Robinson Scott. Situated at the confluence of literary criticism, feminism, and legal history, Neither Fugitive nor Free presents the freedom suit as a "new" genre to African American and American literary studies

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780814795460
    Other identifier:
    Series: America and the Long 19th Century ; 8
    Subjects: African; American; Free; Fugitive; Neither; Situated; confluence; criticism; feminism; freedom; genre; history; legal; literary; new; presents; studies; suit; LITERARY CRITICISM / American / African-American; American literature; American literature; American literature; Antislavery movements; Antislavery movements; Blacks; Blacks; Law and literature; Law and literature; Law in literature; Slave narratives; Slavery in literature; Slavery; Slavery; Slaves; Slaves; Slaves; Slaves
    Scope: 1 online resource, 15 black and white illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  10. Fire on the water
    sailors, slaves, and insurrection in early American literature, 1789-1886
    Published: [2019]; © 2019
    Publisher:  Bucknell University Press, Lewisburg, PA

    Lenora Warren tells a new story about the troubled history of abolition and slave violence by examining representations of shipboard mutiny and insurrection in late eighteenth- and early nineteenth-century Anglo-American and American literature. Fire... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Lenora Warren tells a new story about the troubled history of abolition and slave violence by examining representations of shipboard mutiny and insurrection in late eighteenth- and early nineteenth-century Anglo-American and American literature. Fire on the Water centers on five black sailors, whose experiences of slavery and insurrection either inspired or found resonance within fiction: Olaudah Equiano, Denmark Vesey, Joseph Cinqué, Madison Washington, and Washington Goode. These stories of sailors, both real and fictional, reveal how the history of mutiny and insurrection is both shaped by, and resistant to, the prevailing abolitionist rhetoric surrounding the efficacy of armed rebellion as a response to slavery. Pairing well-known texts with lesser-known figures (Billy Budd and Washington Goode) and well-known figures with lesser-known texts (Denmark Vesey and the work of John Howison), this book reveals the richness of literary engagement with the politics of slave violence. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781684480210; 9781684480197
    Other identifier:
    Series: Transits: literature, thought & culture 1650-1850
    Subjects: LITERARY CRITICISM / General; Abolitionists in literature; American literature; Antislavery movements in literature; English literature; Slave insurrections in literature; Slavery in literature; Sklaverei <Motiv>; Amerikanisches Englisch; Aufstand <Motiv>; Seefahrer <Motiv>; Literatur
    Scope: 1 Online-Ressource (169 Seiten), Illustrationen
  11. The Captive Woman's Lament in Greek Tragedy
    Author: Dué, Casey
    Published: [2021]; © 2006
    Publisher:  University of Texas Press, Austin

    The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave... more

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman's Lament in Greek Tragedy addresses the possible meanings ancient audiences might have attached to these songs. Casey Dué challenges long-held assumptions about the opposition between Greeks and barbarians in Greek thought by suggesting that, in viewing the plight of the captive women, Athenian audiences extended pity to those least like themselves. Dué asserts that tragic playwrights often used the lament to create an empathetic link that blurred the line between Greek and barbarian. After a brief overview of the role of lamentation in both modern and classical traditions, Dué focuses on the dramatic portrayal of women captured in the Trojan War, tracing their portrayal through time from the Homeric epics to Euripides' Athenian stage. The author shows how these laments evolved in their significance with the growth of the Athenian Empire. She concludes that while the Athenian polis may have created a merciless empire outside the theater, inside the theater they found themselves confronted by the essential similarities between themselves and those they sought to conquer

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780292796119
    Other identifier:
    Subjects: LITERARY CRITICISM / General; Greek drama (Tragedy); Laments; Prisoners of war in literature; Revenge in literature; Slavery in literature; Women and literature; Women in literature; Women prisoners in literature
    Scope: 1 Online-Ressource (199 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)

  12. The French Atlantic Triangle
    Literature and Culture of the Slave Trade
    Published: [2008]; © 2008
    Publisher:  Duke University Press, Durham

    The French slave trade forced more than one million Africans across the Atlantic to the islands of the Caribbean. It enabled France to establish Saint-Domingue, the single richest colony on earth, and it connected France, Africa, and the Caribbean... more

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The French slave trade forced more than one million Africans across the Atlantic to the islands of the Caribbean. It enabled France to establish Saint-Domingue, the single richest colony on earth, and it connected France, Africa, and the Caribbean permanently. Yet the impact of the slave trade on the cultures of France and its colonies has received surprisingly little attention. Until recently, France had not publicly acknowledged its history as a major slave-trading power. The distinguished scholar Christopher L. Miller proposes a thorough assessment of the French slave trade and its cultural ramifications, in a broad, circum-Atlantic inquiry. This magisterial work is the first comprehensive examination of the French Atlantic slave trade and its consequences as represented in the history, literature, and film of France and its former colonies in Africa and the Caribbean.Miller offers a historical introduction to the cultural and economic dynamics of the French slave trade, and he shows how Enlightenment thinkers such as Montesquieu and Voltaire mused about the enslavement of Africans, while Rousseau ignored it. He follows the twists and turns of attitude regarding the slave trade through the works of late-eighteenth- and early-nineteenth-century French writers, including Olympe de Gouges, Madame de Staël, Madame de Duras, Prosper Mérimée, and Eugène Sue. For these authors, the slave trade was variously an object of sentiment, a moral conundrum, or an entertaining high-seas "adventure." Turning to twentieth-century literature and film, Miller describes how artists from Africa and the Caribbean-including the writers Aimé Césaire, Maryse Condé, and Edouard Glissant, and the filmmakers Ousmane Sembene, Guy Deslauriers, and Roger Gnoan M'Bala-have confronted the aftermath of France's slave trade, attempting to bridge the gaps between silence and disclosure, forgetfulness and memory

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822388838
    Other identifier:
    Subjects: HISTORY / Europe / France; French literature; Slave trade; Slavery in literature; Slavery in motion pictures
    Scope: 1 online resource (592 pages), 15 illustrations, 1 table, 2 figures
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)

  13. Mark Twain's Pudd'nhead Wilson
    Race, Conflict and Culture
    Contributor: Robinson, Forrest G. (Publisher); Gillman, Susan Kay (Publisher)
    Published: [1990]; © 1990
    Publisher:  Duke University Press, Durham

    This collection seeks to place Pudd'nhead Wilson-a neglected, textually fragmented work of Mark Twain's-in the context of contemporary critical approaches to literary studies. The editors' introduction argues the virtues of using Pudd'nhead Wilson as... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    This collection seeks to place Pudd'nhead Wilson-a neglected, textually fragmented work of Mark Twain's-in the context of contemporary critical approaches to literary studies. The editors' introduction argues the virtues of using Pudd'nhead Wilson as a teaching text, a case study in many of the issues presently occupying literary criticism: issues of history and the uses of history, of canon formation, of textual problematics, and finally of race, class, and gender.In a variety of ways the essays build arguments out of, not in spite of, the anomalies, inconsistencies, and dead ends in the text itself. Such wrinkles and gaps, the authors find, are the symptoms of an inconclusive, even evasive, but culturally illuminating struggle to confront and resolve difficult questions bearing on race and sex. Such fresh, intellectually enriching perspectives on the novel arise directly from the broad-based interdisciplinary foundations provided by the participating scholars. Drawing on a wide variety of critical methodologies, the essays place the novel in ways that illuminate the world in which it was produced and that further promise to stimulate further study.Contributors. Michael Cowan, James M. Cox, Susan Gillman, Myra Jehlen, Wilson Carey McWilliams, George E. Marcus, Carolyn Porter, Forrest Robinson, Michael Rogin, John Carlos Rowe, John Schaar, Eric Sundquist

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Robinson, Forrest G. (Publisher); Gillman, Susan Kay (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822381624
    Other identifier:
    Subjects: LITERARY CRITICISM / American / General; Doubles in literature; Identity (Psychology) in literature; Literature and society; Race relations in literature; Slavery in literature; Social conflict in literature
    Scope: 1 online resource (280 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  14. The Death-Bound-Subject
    Richard Wright's Archaeology of Death
    Published: [2005]; © 2005
    Publisher:  Duke University Press, Durham

    During the 1940s, in response to the charge that his writing was filled with violence, Richard Wright replied that the manner came from the matter, that the "relationship of the American Negro to the American scene [was] essentially violent," and... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    During the 1940s, in response to the charge that his writing was filled with violence, Richard Wright replied that the manner came from the matter, that the "relationship of the American Negro to the American scene [was] essentially violent," and that he could deny neither the violence he had witnessed nor his own existence as a product of racial violence. Abdul R. JanMohamed provides extraordinary insight into Wright's position in this first study to explain the fundamental ideological and political functions of the threat of lynching in Wright's work and thought. JanMohamed argues that Wright's oeuvre is a systematic and thorough investigation of what he calls the death-bound-subject, the subject who is formed from infancy onward by the imminent threat of death. He shows that with each successive work, Wright delved further into the question of how living under a constant menace of physical violence affected his protagonists and how they might "free" themselves by overcoming their fear of death and redeploying death as the ground for their struggle.Drawing on psychoanalytic, Marxist, and phenomenological analyses, and on Orlando Patterson's notion of social death, JanMohamed develops comprehensive, insightful, and original close readings of Wright's major publications: his short-story collection Uncle Tom's Children; his novels Native Son, The Outsider, Savage Holiday, and The Long Dream; and his autobiography Black Boy/American Hunger. The Death-Bound-Subject is a stunning reevaluation of the work of a major twentieth-century American writer, but it is also much more. In demonstrating how deeply the threat of death is involved in the formation of black subjectivity, JanMohamed develops a methodology for understanding the presence of the death-bound-subject in African American literature and culture from the earliest slave narratives forward

     

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    Source: Union catalogues
    Contributor: Fish, Stanley (Publisher); Jameson, Fredric (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822386629
    Other identifier:
    Series: Post-Contemporary Interventions
    Subjects: LITERARY CRITICISM / American / African-American; African Americans in literature; Death in literature; Literature and society; Slavery in literature; Violence in literature
    Scope: 1 online resource (342 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  15. Master plots
    race and the founding of an American literature, 1787-1845
    Published: ©1998
    Publisher:  Johns Hopkins University Press, Baltimore, Md

    Otto-von-Guericke-Universität, Universitätsbibliothek
    eBook EBSCO AC
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0801870240; 9780801870248
    Subjects: National characteristics, American, in literature; African Americans in literature; Slavery in literature; Indians in literature; Race in literature; American literature; Literature and society; Literature and society
    Scope: Online-Ressource (xvii, 238 pages), illustrations
    Notes:

    Includes bibliographical references (pages 215-231) and index

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  16. The Stowe debate
    rhetorical strategies in Uncle Tom's cabin
    Published: ©1994
    Publisher:  University of Massachusetts Press, Amherst

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    Universitätsbibliothek Freiburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Subjects: Narration (Rhetoric); Fiction; Didactic fiction, American; Slavery in literature; Rhetoric; Political fiction, American; Race relations in literature
    Other subjects: Stowe, Harriet Beecher (1811-1896): Uncle Tom's cabin; Stowe, Harriet Beecher (1811-1896)
    Scope: 1 Online-Ressource (vi, 318 pages)
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    Includes bibliographical references (pages 295-308) and index

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  17. Kulturelle Narrative und Dekonstruktion
    von den American Studies zu den Cultural Studies
    Published: 1996
    Publisher:  Univ.-Gesamthochschule, Paderborn

    Universitätsbibliothek Braunschweig
    2732-1717
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    Series: Paderborner Universitätsreden ; 53
    Subjects: Slavery in literature
    Other subjects: Sealsfield, Charles (1793-1864)
    Scope: 18 S, 21 cm
  18. The problem of embodiment in early African American narrative
    Published: 1997
    Publisher:  Greenwood Press, Westport, Conn. [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 299561
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0313303592
    Series: Contributions in Afro-American and African studies ; no. 183
    Subjects: American prose literature; American fiction; African Americans; Narration (Rhetoric); African Americans in literature; Human body in literature; Slavery in literature
    Scope: xiii, 195 p, 24 cm
    Notes:

    Includes bibliographical references (p. [157]-174) and index

  19. The Stowe debate
    rhetorical strategies in Uncle Tom's cabin
    Published: ©1994
    Publisher:  University of Massachusetts Press, Amherst

    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585083851; 9780585083858
    Subjects: Slavery in literature; Narration (Rhetoric); Fiction; Political fiction, American; Rhetoric; Didactic fiction, American; Race relations in literature
    Other subjects: Stowe, Harriet Beecher (1811-1896); Stowe, Harriet Beecher (1811-1896): Uncle Tom's cabin
    Scope: Online-Ressource (vi, 318 pages)
    Notes:

    Includes bibliographical references (pages 295-308) and index

    Use copy Restrictions unspecified star MiAaHDL

    "Magic of the Real Presence of Distress" : sentimentality and competing rhetorics of authority / Catharine E. O'Connell

    Flirting with patriarchy : feminist dialogics / Melanie J. Kisthardt

    Rhetoric and satire / Jan Pilditch

    Pliable rhetoric of domesticity / S. Bradley Shaw

    Sentimentality and the uses of death / Isabelle White

    Matriarchy and the rhetoric of domesticity / Susan L. Roberson

    Confronting Antichrist : the influence of Jonathan Edwards's Millenial Vision / Helen Petter Westra

    Biblical typology and the allegorical mode : the prophetic strain / Mason I. Lowance, Jr.

    Myths and rhetoric of the slavery debate and Stowe's comic vision of slavery / James Bense

    Stowe's construction of an African persona and the creation of white identity for a new world order / Sarah Smith Ducksworth

    Toward a rhetoric of equality : reflective and refractive images in Stowe's language / Michael J. Meyer

    Rhetoric of race / Susan Marie Nuernberg.

    Electronic reproduction

  20. The Stowe debate
    rhetorical strategies in Uncle Tom's cabin
    Published: 2010
    Publisher:  University of Massachusetts Press, Amherst

    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585083851; 9780585083858
    Subjects: Rhetoric; Political fiction, American; Didactic fiction, American; Race relations in literature; Slavery in literature; Narration (Rhetoric); Fiction; Didactic fiction, American; Fiction; Narration (Rhetoric); Political fiction, American; Race relations in literature; Rhetoric; Slavery in literature
    Other subjects: Stowe, Harriet Beecher 1811-1896; Stowe, Harriet Beecher 1811-1896; Stowe, Harriet Beecher 1811-1896; Stowe, Harriet Beecher 1811-1896
    Scope: Online Ressource (vi, 318 pages)
    Notes:

    Includes bibliographical references (pages 295-308) and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

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  21. Apocalyptic sentimentalism
    love and fear in U.S. antebellum literature
    Published: [2015]
    Publisher:  University of Georgia Press, Athens [u.a.]

    "In contrast to the prevailing scholarly con-sensus that understands sentimentality to be grounded on a logic of love and sympathy, Apocalyptic Sentimentalism demonstrates that in order for sentimentality to work as an antislavery engine, it needed... more

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    1 A 945881
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    "In contrast to the prevailing scholarly con-sensus that understands sentimentality to be grounded on a logic of love and sympathy, Apocalyptic Sentimentalism demonstrates that in order for sentimentality to work as an antislavery engine, it needed to be linked to its seeming opposite--fear, especially the fear of God's wrath. Most antislavery reformers recognized that calls for love and sympathy or the representation of suffering slaves would not lead an audience to "feel right" or to actively oppose slavery. The threat of God's apocalyptic vengeance--and the terror that this threat inspired--functioned within the tradition of abolitionist sentimentality as a necessary goad for sympathy and love. Fear,then, was at the center of nineteenth-century sentimental strategies for inciting antislavery reform, bolstering love when love faltered, and operating as a powerful mechanism for establishing interracial sympathy. Depictions of God's apocalyptic vengeance constituted the most efficient strategy for antislavery writers to generate a sense of terror in their audience. Focusing on a range of important anti-slavery figures, including David Walker, Nat Turner, Maria Stewart, Harriet Beecher Stowe, and John Brown, Apocalyptic Sentimentalism illustrates how antislavery discourse worked to redefine violence and vengeance as the ultimate expression (rather than denial) of love and sympathy. At the sametime, these warnings of apocalyptic retribution enabled antislavery writers to express, albeit indirectly, fantasies of brutal violence against slaveholders. What began as a sentimental strategy quickly became an incendiary gesture, with antislavery reformers envisioning the complete annihilation of slaveholders and defenders of slavery"-- "Situated at the intersection of love and fear, Apocalyptic Sentimentalism proposes a new genealogy for understanding literary sentimentalism as a complex negotiation of seemingly oppositional emotional economies. In the manuscript, Kevin Pelletier investigates the convergence of emergent sentimental practices with the fire and brimstone rhetoric of evangelical Christianity. Its aims are threefold: 1) to demonstrate that prophecies of apocalypse, and the fear they stimulate, are foundational to the U.S. sentimental tradition; 2) to analyze how abolitionist and antislavery writers adopted and revised the rhetoric of apocalyptic sentimentality in the years leading up to the Civil War; and 3) to examine how this discourse of apocalyptic sentimentalism was used to produce an innovative theory of selfhood, one that challenged the then-prevalent notion that African Americans were inherently inferior--physically, emotionally, and intellectually--than whites. The works of Harriet Beecher Stowe, Frederick Douglass, Martin Delany, and others are discussed, as Pelletier works to uncover this ignored tradition and demonstrate how nineteenth-century apocalyptic sentimentalists produced messianic selfhood in order to subvert established racial hierarchies"--

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780820339481
    Subjects: American literature; Slavery in literature; Antislavery movements in literature; Apocalyptic literature; African Americans in literature; Emotions in literature; Literature and society
    Scope: xii, 256 pages, 24 cm
    Notes:

    Includes bibliographical references (pages 229-243) and index

  22. Romantic reformers and the antislavery struggle in the Civil War era
    Published: 2014
    Publisher:  Cambridge University Press, New York

    "On the cusp of the American Civil War, a new generation of reformers, including Theodore Parker, Frederick Douglass, Harriet Beecher Stowe, Martin Robison Delany and Thomas Wentworth Higginson, took the lead in the antislavery struggle. Frustrated... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 927939
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    "On the cusp of the American Civil War, a new generation of reformers, including Theodore Parker, Frederick Douglass, Harriet Beecher Stowe, Martin Robison Delany and Thomas Wentworth Higginson, took the lead in the antislavery struggle. Frustrated by political defeats, a more aggressive slave power, and the inability of early abolitionists like William Lloyd Garrison to rid the nation of slavery, the New Romantics crafted fresh, often more combative, approaches to the peculiar institution. Contrary to what many scholars have argued, however, they did not reject Romantic reform in the process. Instead, the New Romantics roamed widely through Romantic modes of thought, embracing not only the immediatism and perfectionism pioneered by Garrisonians but also new motifs and doctrines, including sentimentalism, self-culture, martial heroism, Romantic racialism, and Manifest Destiny. This book tells the story of how antebellum America's most important intellectual current, Romanticism, shaped the coming and course of the nation's bloodiest--and most revolutionary--conflict"--

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107074590; 9781107426986
    RVK Categories: HT 1691 ; NP 6033 ; NW 8295
    Subjects: Antislavery movements; Abolitionists; Social reformers; Romanticism; Romanticism; Slavery in literature; Antislavery movements in literature; American literature
    Scope: xii, 301 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    The transcendental politics of Theodore ParkerFrederick Douglass, perfectionist self-help, and a constitution for the ages -- Harriet Beecher Stowe and the divided heart of Uncle Tom's Cabin -- African dreams, American realities : Martin Robison Delany and the emigration question -- Thomas Wentworth Higginson's war on slavery -- Conclusion: Emancipation Day, 1863 -- Epilogue: The reconstruction of Romantic reform.

  23. Debating the slave trade
    rhetoric of British national identity, 1759 - 1815
    Published: 2009
    Publisher:  Ashgate, Farnham [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780754667674
    RVK Categories: HL 1101
    Series: Ashgate series in nineteenth-century transatlantic studies
    Subjects: English literature; Slavery in literature; Antislavery movements; Antislavery movements; English literature; English language; English language; Antislavery movements in literature; Slave trade in literature
    Scope: XIII, 245 S., Ill.
    Notes:

    Literaturverz. S. [219] - 237 und Index

  24. The Cambridge companion to slavery in American literature
    Contributor: Tawil, Ezra F. (HerausgeberIn, VerfasserIn einer Einleitung)
    Published: 2016
    Publisher:  Cambridge University Press, New York, NY

    "Slavery is of course an indisputably central topic in American history. Yet to date, students, teachers and scholars have had no collection of essays aimed at an overview of its place in American literature. The seeds of this book were sown a few... more

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    "Slavery is of course an indisputably central topic in American history. Yet to date, students, teachers and scholars have had no collection of essays aimed at an overview of its place in American literature. The seeds of this book were sown a few years ago when I set out to design a survey course on race and slavery in American writing. To broaden my preparation beyond the eighteenth- and early-nineteenth century focus of my previous research on the subject, I returned to a long-admired group of essays: Deborah McDowell and Arnold Rampersad's Slavery and the Literary Imagination (1989), a brilliant and enduring collection, but a set of English Institute papers that made no attempt at comprehensive treatment"-- Machine generated contents note: Introduction Ezra Tawil; 1. Slavery in the eighteenth-century literary imagination Philip Gould; 2. US antislavery tracts and the literary imagination Teresa A. Goddu; 3. White slaves in the late-eighteenth- and nineteenth-century American literary imagination Joe Shapiro; 4. Slave narratives as literature Sarah Meer; 5. Slavery and the emergence of the African American novel John C. Havard; 6. Proslavery fiction Gavin Jones and Judith Richardson; 7. The poetry of slavery Meredith L. McGill; 8. Reading slavery and 'classic' American literature Robert S. Levine; 9. Slavery's performance-texts Douglas A. Jones, Jr; 10. The music and the musical inheritance of slavery Radiclani Clytus; 11. US slave revolutions in Atlantic world literature Paul Giles; 12. Slavery and American literature 1900-45 Tim Armstrong; 13. Moving pictures: spectacles of enslavement in American cinema Sharon Willis; 14. Slavery and historical memory in late-twentieth-century fiction Ashraf H. A. Rushdy; 15. Beyond the borders of the neo-slave narrative: science fiction and fantasy Jeffrey Allen Tucker

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Tawil, Ezra F. (HerausgeberIn, VerfasserIn einer Einleitung)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107625983; 9781107048768
    RVK Categories: HR 1708 ; HR 1706 ; HR 1704 ; HG 434
    Series: Cambridge companions to literature
    Subjects: Slavery in literature; American literature
    Scope: xx, 276 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seiten 265-270

    Machine generated contents note: Introduction Ezra Tawil; 1. Slavery in the eighteenth-century literary imagination Philip Gould; 2. US antislavery tracts and the literary imagination Teresa A. Goddu; 3. White slaves in the late-eighteenth- and nineteenth-century American literary imagination Joe Shapiro; 4. Slave narratives as literature Sarah Meer; 5. Slavery and the emergence of the African American novel John C. Havard; 6. Proslavery fiction Gavin Jones and Judith Richardson; 7. The poetry of slavery Meredith L. McGill; 8. Reading slavery and 'classic' American literature Robert S. Levine; 9. Slavery's performance-texts Douglas A. Jones, Jr; 10. The music and the musical inheritance of slavery Radiclani Clytus; 11. US slave revolutions in Atlantic world literature Paul Giles; 12. Slavery and American literature 1900-45 Tim Armstrong; 13. Moving pictures: spectacles of enslavement in American cinema Sharon Willis; 14. Slavery and historical memory in late-twentieth-century fiction Ashraf H. A. Rushdy; 15. Beyond the borders of the neo-slave narrative: science fiction and fantasy Jeffrey Allen Tucker.

  25. Affect and abolition in the Anglo-Atlantic, 1770 - 1830
    Published: 2013
    Publisher:  Ashgate, Farnham [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781409455615
    RVK Categories: HL 1101
    Subjects: English literature; English literature; Slavery in literature; Sentimentalism in literature; Affect (Psychology) in literature; English language; English language; Antislavery movements; Antislavery movements
    Scope: [IX], 225 S.
    Notes:

    Enth. Literaturverz. S. [211] - 218 und Index

    Stephen AhernCapitalism and slavery, once again with feeling / George Boulukos: The bonds of sentiment

    Tobias Menely: Acts of sympathy : abolitionist poetry and transatlantic identification

    Anthony John Harding: Commerce, sentiment, and free air : contradictions of abolitionist rhetoric

    Mary Waters: Sympathy, nerve physiology, and national degeneration in Anna Letitia Barbauld's Epistle to William Wilberforce

    Brycchan Carey: To force a tear : British abolitionism and the eighteenth-century stage

    Joanne Tong: Pity for the poor Africans : William Cowper and the limits of abolitionist affect

    Christine Levecq: We beg your excellency : the sentimental politics of abolitionist petitions in the late eighteenth century

    Jamie Rosenthal: The contradictions of racialized sensibility : gender, slavery and the limits of sympathy

    Margaret Abruzzo.: The cruelty of slavery, the cruelty of freedom : colonization and the politics of humaneness in the early republic