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Displaying results 1 to 23 of 23.

  1. Shakespearean intersections
    language, contexts, critical keywords
    Author: Parker, Patricia A.
    Published: 2018
    Publisher:  University of Pennsylvania Press, Philadelphia

    Providing innovative and interdisciplinary perspectives on Shakespeare's plays, Patricia Parker offers a series of dazzling readings that demonstrate how easy-to-overlook textual or semantic details reverberate within and beyond the Shakespearean... more

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    Providing innovative and interdisciplinary perspectives on Shakespeare's plays, Patricia Parker offers a series of dazzling readings that demonstrate how easy-to-overlook textual or semantic details reverberate within and beyond the Shakespearean text, and suggest that the boundary between language and context is an incontinent divide Cover -- Contents -- List of Illustrations -- Introduction -- Chapter 1. Preposterous Reversals, Latter Ends: Language and Contexts in Love's Labor's Lost -- Chapter 2. Mastering Bianca, Preposterous Constructions, and Wanton Supposes: The Taming of the Shrew -- Chapter 3. Multilingual Quinces and A Midsummer Night's Dream: Visual Contexts, Carpenters' Coigns, Athenian Weddings -- Chapter 4. "No Sinister Nor No Awkward Claim": Theatrical Contexts and Preposterous Recalls in Henry V -- Chapter 5. What's in a Name? Brabant and the Global Contexts of Othello -- Chapter 6. Intimations of Ganymede in Cymbeline -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z -- Acknowledgments

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812294767
    RVK Categories: HI 3381 ; HI 3390
    Series: Haney Foundation series
    Haney Foundation Ser
    Subjects: Shakespeare, William ; 1564-1616 ; Language; Shakespeare, William ; 1564-1616 ; Literary style; English language ; Early modern, 1500-1700 ; Style; English language ; Early modern, 1500-1700 ; Semantics; Electronic books
    Scope: 1 online resource (420 pages).
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    Includes bibliographical references and index. Description based on print version record
  2. Shakespeare in the marketplace of words
    Author: Lamb, Jonathan P.
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    Making innovative use of digital and library archives, this book explores how Shakespeare used language to interact with the verbal marketplace of early modern England. By also combining word history with book history, Jonathan P. Lamb demonstrates... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Making innovative use of digital and library archives, this book explores how Shakespeare used language to interact with the verbal marketplace of early modern England. By also combining word history with book history, Jonathan P. Lamb demonstrates Shakespeare's response to the world of words around him, in and through the formal features of his works. In chapters that focus on particular rhetorical features in Richard II, The Merchant of Venice, As You Like It, Hamlet, and Troilus and Cressida, Lamb argues that we can best understand Shakespeare's writing practice by scrutinizing how the formal features of his works circulated in an economy of imaginative writing. Shakespeare's interactions with this verbal market preceded and made possible his reputation as a playwright and dramatist. He was, in his time, a great buyer and seller of words Machine generated contents note: 1. Shakespeare's writing practice: value, exchange, and the work of form; 2. The stylistic self in Richard II; 3. Portia's laboratory: The Merchant of Venice and the new science; 4. The medium and the message: As You Like It; 5. Hamlet's parenthesis; 6. Shakespeare rewords Chaucer: Troilus and Cressida; Conclusion

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108147729
    Other identifier:
    Subjects: English language; Shakespeare, William ; 1564-1616 ; Language; Shakespeare, William ; 1564-1616 ; Literary style; English language ; Early modern, 1500-1700 ; Terms and phrases
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xii, 243 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 17 Jul 2017)
  3. The Cambridge companion to Shakespeare's language
    Contributor: Magnusson, Lynne (HerausgeberIn); Schalkwyk, David (HerausgeberIn)
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    Shakespeare and the problem of style / Jeff Dolven -- Shakespeare's creativity with words / Alysia Kolentsis -- The performative power of Shakespeare's language / David Schalkwyk -- Verse and metre / Oliver Morgan -- The dynamics of Shakespearean... more

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    Universitätsbibliothek Greifswald
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Universitätsbibliothek Heidelberg
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    Shakespeare and the problem of style / Jeff Dolven -- Shakespeare's creativity with words / Alysia Kolentsis -- The performative power of Shakespeare's language / David Schalkwyk -- Verse and metre / Oliver Morgan -- The dynamics of Shakespearean dialogue / Lynne Magnusson -- Figures of speech at work / Ruth Morse -- Approaching Shakespeare through rhetoric / Peter Mack -- Shakespeare and social languages / James Siemon -- Digital approaches to Shakespeare's language / Jonathan Hope -- Authorship, computers, and comparative style / Hugh Craig -- Reading in time : cognitive dynamics and the literary experience of Shakespeare / Amy Cook And Seth Frey -- Writing for actors : language that cues performance / Carol Chillington Rutter -- Language and translation / Dirk Delabastita -- Popular culture and Shakespeare's language / Douglas M. Lanier. "The power of Shakespeare's complex language - his linguistic playfulness, poetic diction and dramatic dialogue - inspires and challenges students, teachers, actors and theatre-goers across the globe. It has iconic status and enormous resonance, even as language change and the distance of time render it more opaque and difficult. The Cambridge Companion to Shakespeare's Language provides important contexts for understanding Shakespeare's experiments with language and offers accessible approaches to engaging with it directly and pleasurably. Incorporating both practical analysis and exemplary readings of Shakespearean passages, it covers elements of style, metre, speech action and dialogue; examines the shaping contexts of rhetorical education and social language; test-drives newly available digital methodologies and technologies; and considers Shakespeare's language in relation to performance, translation and popular culture. The Companion explains the present state of understanding while identifying opportunities for fresh discovery, leaving students equipped to ask productive questions and try out innovative methods"--

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Magnusson, Lynne (HerausgeberIn); Schalkwyk, David (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316443668
    Other identifier:
    RVK Categories: HI 3300 ; HI 3381
    Series: Cambridge companions to literature
    Cambridge companions to authors
    Cambridge companions to literature and classics
    Cambridge companions online
    Subjects: Shakespeare, William ; 1564-1616 ; Language; Shakespeare, William ; 1564-1616 ; Literary style
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xiv, 293 Seiten)
    Notes:

    Includes bibliographical references and index
  4. Shakespeare's language
    perspectives, past and present
    Author: Johnson, Keith
    Published: 2019
    Publisher:  Routledge,, Abingdon, Oxon

    The seventeenth century: "true sublimity ... but puffy style" -- "Retrieving original purity": The eighteenth century -- Measuring and classifying: the nineteenth century -- Making Shakespeare difficult: the early twentieth century -- From oxcart to... more

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    Universitätsbibliothek Osnabrück
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    The seventeenth century: "true sublimity ... but puffy style" -- "Retrieving original purity": The eighteenth century -- Measuring and classifying: the nineteenth century -- Making Shakespeare difficult: the early twentieth century -- From oxcart to computer: lexical studies -- "A richness of variant forms": grammar -- Shakespearean "rules of use": pragmatics -- Original pronunciation: "pronounced out of Ireland"? -- "Multifarious liberty and gay individualism": Shakespeare in print -- Verse and prose: changing a "sorry bed" -- Rhetoric: "maggot ostentation"? -- Where the future lies.

     
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  5. Shakespeare's late style
    Author: McDonald, Russ
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge

    When Shakespeare gave up tragedy around 1607 and turned to the new form we call romance or tragicomedy, he created a distinctive poetic idiom that often bewildered audiences and readers. The plays of this period, Pericles, Cymbeline, The Winter's... more

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    When Shakespeare gave up tragedy around 1607 and turned to the new form we call romance or tragicomedy, he created a distinctive poetic idiom that often bewildered audiences and readers. The plays of this period, Pericles, Cymbeline, The Winter's Tale, The Tempest, as well as Shakespeare's part in the collaborations with John Fletcher (Henry VIII and The Two Noble Kinsmen), exhibit a challenging verse style - verbally condensed, metrically and syntactically sophisticated, both conversational and highly wrought. In Shakespeare's Late Style, McDonald anatomizes the components of this late style, illustrating in a series of topically organized chapters the contribution of such features as ellipsis, grammatical suspension, and various forms of repetition. Resisting the sentimentality that frequently attends discussion of an artist's 'late' period, Shakespeare's Late Style shows how the poetry of the last plays reveals their creator's ambivalent attitude towards art, language, men and women, the theatre, and his own professional career

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511483783
    Other identifier:
    Subjects: Shakespeare, William ; 1564-1616 ; Literary style
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (x, 260 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  6. "Think on my words"
    exploring Shakespeare's language
    Author: Crystal, David
    Published: 2008
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    'You speak a language that I understand not.' Hermione's words to Leontes in The Winter's Tale are likely to ring true with many people reading or watching Shakespeare's plays today. For decades, people have been studying Shakespeare's life and... more

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    'You speak a language that I understand not.' Hermione's words to Leontes in The Winter's Tale are likely to ring true with many people reading or watching Shakespeare's plays today. For decades, people have been studying Shakespeare's life and times, and in recent years there has been a renewed surge of interest into aspects of his language. So how can we better understand Shakespeare? How did he manipulate language to produce such an unrivalled body of work, which has enthralled generations both as theatre and as literature? David Crystal addresses these and many other questions in this lively and original introduction to Shakespeare's language. Covering in turn the five main dimensions of language structure - writing system, pronunciation, grammar, vocabulary, and conversational style - the book shows how examining these linguistic 'nuts and bolts' can help us achieve a greater appreciation of Shakespeare's linguistic creativity 1. 'You speak a language that I understand not' : myths and realities -- 2. 'Now, sir, what is your text?' : knowing the sources -- 3. 'In print I found it' : Shakespearean graphology -- 4. 'Know my stops' : Shakespearean punctuation -- 5. 'Speak the speech' : Shakespearean phonology -- 6. 'Trippingly upon the tongue' : Shakespearean pronunciation -- 7. 'Think on my words' : Shakespearean vocabulary -- 8. 'Talk of a noun and a verb' : Shakespearean grammar -- 9. 'Hear sweet discourse' : Shakespearean conversation -- Epilogue -- 'Your daring tongue' : Shakespearean creativity

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511755095
    Other identifier:
    Subjects: English language; Shakespeare, William ; 1564-1616 ; Language; Shakespeare, William ; 1564-1616 ; Literary style; English language ; Early modern, 1500-1700 ; Style
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xii, 254 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  7. Shakespeare and the idea of late writing
    authorship in the proximity of death
    Author: !552694398!
    Published: 2007
    Publisher:  Cambridge University Press, Cambridge

    What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or... more

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    What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death Shakespeare and the idea of late writing : authorship in the proximity of death -- The Shakespearean caesura : genre, chronology, style -- The invention of late Shakespeare : subjectivism and its discontents -- Last words/late plays : the possibility and impossibility of late Shakespeare in early modern culture and theatre -- How old is 'late'? : late Shakespeare, old age, King Lear -- The tempest and the uses of late Shakespeare in the theatre : Gielgud, Rylance, Prospero

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511483790
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    Subjects: Old age; Death; Style, Literary; Authorship; Shakespeare, William ; 1564-1616 ; Literary style; Authorship ; Psychological aspects; Old age ; Psychological aspects; Death ; Psychological aspects; Style, Literary
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xii, 402 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  8. 'Think on my words'
    exploring Shakespeare's language
    Author: Crystal, David
    Published: 2012
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    For decades, people have been studying Shakespeare's life and times and in recent years there has been a renewed surge of interest in aspects of his language. So how can we better understand Shakespeare? David Crystal provides a lively and original... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    For decades, people have been studying Shakespeare's life and times and in recent years there has been a renewed surge of interest in aspects of his language. So how can we better understand Shakespeare? David Crystal provides a lively and original introduction to Shakespeare's language, making his plays easily accessible to modern-day audiences. Covering the five main dimensions of language structure - writing system, pronunciation, grammar, vocabulary and conversational style - this book demonstrates how examining these linguistic 'nuts and bolts' can help us achieve a greater appreciation of Shakespeare's linguistic creativity 1 'You speak a language that I understand not' : myths and realities -- 2 'Now, sir, what is your text?' : knowing the sources -- 3 'In print I found it' : Shakespearean graphology -- 4. 'Know my stops' : Shakespearean punctuation -- 5 'Speak the speech' : Shakespearean phonology -- 6 'Trippingly upon the tongue' : Shakespearean pronunciation -- 7 'Think on my words' : Shakespearean vocabulary -- 8 'Talk of a noun and a verb' : Shakespearean grammar -- 9. 'Hear sweet discourse' : Shakespearean conversation -- Epilogue : 'Your daring tongue' : Shakespearean creativity

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139196994
    Other identifier:
    Edition: Canto classics ed.
    Series: Canto classics
    Subjects: English language; Shakespeare, William ; 1564-1616 ; Language; Shakespeare, William ; 1564-1616 ; Literary style; English language ; Early modern, 1500-1700 ; Style
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (XII, 254 Seiten), Illustrationen
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  9. Shakespeare, computers, and the mystery of authorship
    Author: Craig, D. H.; Kinney, Arthur F.
    Published: 2009
    Publisher:  Cambridge University Press, Cambridge

    In this book Craig, Kinney and their collaborators confront the main unsolved mysteries in Shakespeare's canon through computer analysis of Shakespeare's and other writers' styles. In some cases their analysis confirms the current scholarly... more

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    In this book Craig, Kinney and their collaborators confront the main unsolved mysteries in Shakespeare's canon through computer analysis of Shakespeare's and other writers' styles. In some cases their analysis confirms the current scholarly consensus, bringing long-standing questions to something like a final resolution. In other areas the book provides more surprising conclusions: that Shakespeare wrote the 1602 additions to The Spanish Tragedy, for example, and that Marlowe along with Shakespeare was a collaborator on Henry VI, Parts 1 and 2. The methods used are more wholeheartedly statistical, and computationally more intensive, than any that have yet been applied to Shakespeare studies. The book also reveals how word patterns help create a characteristic personal style. In tackling traditional problems with the aid of the processing power of the computer, harnessed through computer science, and drawing upon large amounts of data, the book is an exemplar of the new domain of digital humanities Introduction / Hugh Craig and Arthur F. Kinney -- Methods / Hugh Craig and Arthur F. Kinney -- The three parts of Henry VI / Hugh Craig -- Authoring Arden of Faversham / Arthur F. Kinney -- Edmond Ironside and the question of Shakespearean authorship / Philip Palmer -- The authorship of The Raigne of Edward the Third / Timothy Irish Watt -- The authorship of the hand-d addiction to The Book of Sir Thomas More / Timothy Irish Watt -- The 1602 addictions to The Spanish Tragedy / Hugh Craig -- Transforming King Lear / Arthur F. Kinney -- Conclusion / Arthur F. Kinney

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511605437
    Other identifier:
    Subjects: Authorship, Disputed; Language and languages; Shakespeare, William ; 1564-1616 ; Spurious and doubtful works; Shakespeare, William ; 1564-1616 ; Authorship; Shakespeare, William ; 1564-1616 ; Literary style; Authorship, Disputed; Language and languages ; Style ; Statistical methods
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xix, 234 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  10. Shakespeare as Literary Dramatist
    Author: Erne, Lukas
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. Examining the evidence... more

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    Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. Examining the evidence from early published playbooks, Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these 'literary' texts would have been abridged for the stage because they were too long for performance. The variant early texts of Romeo and Juliet, Henry V and Hamlet are shown to reveal important insights into the different media for which Shakespeare designed his plays. This revised and updated edition includes a new and substantial preface that reviews and intervenes in the controversy the study has triggered and lists reviews, articles and books which respond to or build on the first edition The legitimation of printed playbooks in Shakespeare's time -- The making of "Shakespeare" -- Shakespeare and the publication of his plays (I): the late sixteenth century -- Shakespeare and the publication of his plays (II): the early seventeenth century -- The players' alleged opposition to print -- Why size matters: "the two hours' traffic of our stage" and the length of Shakespeare's plays -- Editorial policy and the length of Shakespeare's plays -- "Bad" quartos and their origins: Romeo and Juliet, Henry V, and Hamlet -- Theatricality, literariness, and the texts of Romeo and Juliet, Henry V, and Hamlet -- Appendixes: A. The plays of Shakespeare and his contemporaries in print, 1584-1623 -- B. Heminge and Condell's "Stolne, and surreptitious copies" and the Pavier quartos -- C. Shakespeare and the circulation of dramatic manuscripts

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139342445
    Other identifier:
    RVK Categories: HI 3378
    Edition: Second edition
    Subjects: Authors and readers; Authors and readers; English language; Shakespeare, William ; 1564-1616 ; Literary style; Shakespeare, William ; 1564-1616 ; Criticism, Textual; Authors and readers ; England ; History ; 16th century; Authors and readers ; England ; History ; 17th century; English language ; Early modern, 1500-1700 ; Style
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xii, 313 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  11. Shakespeare's language
    perspectives, past and present
    Author: Johnson, Keith
    Published: 2019
    Publisher:  Routledge,, Abingdon, Oxon

    The seventeenth century: "true sublimity ... but puffy style" -- "Retrieving original purity": The eighteenth century -- Measuring and classifying: the nineteenth century -- Making Shakespeare difficult: the early twentieth century -- From oxcart to... more

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    The seventeenth century: "true sublimity ... but puffy style" -- "Retrieving original purity": The eighteenth century -- Measuring and classifying: the nineteenth century -- Making Shakespeare difficult: the early twentieth century -- From oxcart to computer: lexical studies -- "A richness of variant forms": grammar -- Shakespearean "rules of use": pragmatics -- Original pronunciation: "pronounced out of Ireland"? -- "Multifarious liberty and gay individualism": Shakespeare in print -- Verse and prose: changing a "sorry bed" -- Rhetoric: "maggot ostentation"? -- Where the future lies.

     
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  12. The Cambridge companion to Shakespeare's language
    Contributor: Magnusson, Lynne (HerausgeberIn); Schalkwyk, David (HerausgeberIn)
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    Shakespeare and the problem of style / Jeff Dolven -- Shakespeare's creativity with words / Alysia Kolentsis -- The performative power of Shakespeare's language / David Schalkwyk -- Verse and metre / Oliver Morgan -- The dynamics of Shakespearean... more

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    Shakespeare and the problem of style / Jeff Dolven -- Shakespeare's creativity with words / Alysia Kolentsis -- The performative power of Shakespeare's language / David Schalkwyk -- Verse and metre / Oliver Morgan -- The dynamics of Shakespearean dialogue / Lynne Magnusson -- Figures of speech at work / Ruth Morse -- Approaching Shakespeare through rhetoric / Peter Mack -- Shakespeare and social languages / James Siemon -- Digital approaches to Shakespeare's language / Jonathan Hope -- Authorship, computers, and comparative style / Hugh Craig -- Reading in time : cognitive dynamics and the literary experience of Shakespeare / Amy Cook And Seth Frey -- Writing for actors : language that cues performance / Carol Chillington Rutter -- Language and translation / Dirk Delabastita -- Popular culture and Shakespeare's language / Douglas M. Lanier. "The power of Shakespeare's complex language - his linguistic playfulness, poetic diction and dramatic dialogue - inspires and challenges students, teachers, actors and theatre-goers across the globe. It has iconic status and enormous resonance, even as language change and the distance of time render it more opaque and difficult. The Cambridge Companion to Shakespeare's Language provides important contexts for understanding Shakespeare's experiments with language and offers accessible approaches to engaging with it directly and pleasurably. Incorporating both practical analysis and exemplary readings of Shakespearean passages, it covers elements of style, metre, speech action and dialogue; examines the shaping contexts of rhetorical education and social language; test-drives newly available digital methodologies and technologies; and considers Shakespeare's language in relation to performance, translation and popular culture. The Companion explains the present state of understanding while identifying opportunities for fresh discovery, leaving students equipped to ask productive questions and try out innovative methods"--

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Magnusson, Lynne (HerausgeberIn); Schalkwyk, David (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316443668
    Other identifier:
    RVK Categories: HI 3300 ; HI 3381
    Series: Cambridge companions to literature
    Cambridge companions to authors
    Cambridge companions to literature and classics
    Cambridge companions online
    Subjects: Shakespeare, William ; 1564-1616 ; Language; Shakespeare, William ; 1564-1616 ; Literary style
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xiv, 293 Seiten)
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    Includes bibliographical references and index
  13. Shakespeare in the marketplace of words
    Author: Lamb, Jonathan P.
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    Making innovative use of digital and library archives, this book explores how Shakespeare used language to interact with the verbal marketplace of early modern England. By also combining word history with book history, Jonathan P. Lamb demonstrates... more

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    Making innovative use of digital and library archives, this book explores how Shakespeare used language to interact with the verbal marketplace of early modern England. By also combining word history with book history, Jonathan P. Lamb demonstrates Shakespeare's response to the world of words around him, in and through the formal features of his works. In chapters that focus on particular rhetorical features in Richard II, The Merchant of Venice, As You Like It, Hamlet, and Troilus and Cressida, Lamb argues that we can best understand Shakespeare's writing practice by scrutinizing how the formal features of his works circulated in an economy of imaginative writing. Shakespeare's interactions with this verbal market preceded and made possible his reputation as a playwright and dramatist. He was, in his time, a great buyer and seller of words Machine generated contents note: 1. Shakespeare's writing practice: value, exchange, and the work of form; 2. The stylistic self in Richard II; 3. Portia's laboratory: The Merchant of Venice and the new science; 4. The medium and the message: As You Like It; 5. Hamlet's parenthesis; 6. Shakespeare rewords Chaucer: Troilus and Cressida; Conclusion

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108147729
    Other identifier:
    Subjects: English language; Shakespeare, William ; 1564-1616 ; Language; Shakespeare, William ; 1564-1616 ; Literary style; English language ; Early modern, 1500-1700 ; Terms and phrases
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xii, 243 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 17 Jul 2017)
  14. Stylistics in Shakespeare's language
    transdisciplinary approaches
    Published: 2011
    Publisher:  Continuum, London

    This innovative volume testifies to the current revived interest in Shakespeare's language and style and opens up new and captivating vistas of investigation. Transcending old boundaries between literary and linguistic studies, this engaging... more

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    This innovative volume testifies to the current revived interest in Shakespeare's language and style and opens up new and captivating vistas of investigation. Transcending old boundaries between literary and linguistic studies, this engaging collaborative book comes up with an original array of theoretical approaches and new findings. The chapters in the collection capture a rich diversity of points of view and cover such fields as lexicography, versification, dramaturgy, rhetorical analyses, cognitive and computational corpus-based stylistic studies, offering a holistic vision of Shakespeare'

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781441171726; 1283122871; 9781283122870
    Series: Advances in stylistics
    Advances in Stylistics Ser.
    Subjects: English language; English language ; Style; Shakespeare, William ; 1564-1616 ; Language; Shakespeare, William ; 1564-1616 ; Literary style; Electronic books
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: Online-Ressource (xi, 273 p), ill
    Notes:

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Notes on Contributors; Introduction Mireille Ravassat and Jonathan Culpeper; Chapter 1 'Strange deliveries': Contextualizing Shakespeare's First Citations in the OED Giles Goodland; Chapter 2 Shakespeare's Vocabulary: Did it Dwarf All Others? Ward E. Y. Elliott and Robert J. Valenza; Chapter 3 A New Kind of Dictionary for Shakespeare's Plays: an Immodest Proposal1 Jonathan Culpeper; Chapter 4 'If I break time': Shakespearean Line Endings on the Page and the Stage Peter Kanelos

    Chapter 5 Subject-Verb Inversion and Iambic Rhythmin Shakespeare's Dramatic Verse Richard Ingham and Michael Ingham1Chapter 6 Shakespeare's 'Short' Pentameters and the Rhythms of Dramatic Verse Peter Groves; Chapter 7 Wholes and Holes in the Study of Shakespeare's Wordplay Dirk Delabastita1; Chapter 8 'a thing inseparate/Divides more wider than the sky and earth' - of Oxymoron in Shakespeare's Sonnets1 Mireille Ravassat; Chapter 9 'Rue with a difference': a Computational Stylistic Analysis of the Rhetoric of Suicide in Hamlet Thomas Anderson and Scott Crossley

    Chapter 10 Shakespeare's Sexual Language and Metaphor: a Cognitive-Stylistic Approach José L. Oncins-Martínez1Chapter 11 Cognitive Interplay: How Blending Theory and Cognitive Science Reread Shakespeare1 Amy Cook; Index
  15. Shakespeare as Literary Dramatist
    Author: Erne, Lukas
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    This second edition of Erne's groundbreaking study includes a new preface that reviews the controversy the book has triggered more

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    This second edition of Erne's groundbreaking study includes a new preface that reviews the controversy the book has triggered

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107029651
    Subjects: Authors and readers ; England ; History ; 16th century; Authors and readers ; England ; History ; 17th century; English language ; Early modern, 1500-1700 ; Style; Shakespeare, William ; 1564-1616 ; Criticism, Textual; Shakespeare, William ; 1564-1616 ; Literary style; Electronic books
    Scope: Online-Ressource (328 p)
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    Description based upon print version of record

    Cover; Contents; Illustrations; Acknowledgments; Preface to the second edition; Introduction; Part I Publication; Chapter 1 The legitimation of printed playbooks in Shakespeare's time; Chapter 2 The making of "Shakespeare"; Chapter 3 Shakespeare and the publication of his plays (I): the late sixteenth century; Chapter 4 Shakespeare and the publication of his plays (II): the early seventeenth century; Chapter 5 The players' alleged opposition to print; Part II Texts; Chapter 6 Why size matters: "the two hours' traffic of our stage" and the length of Shakespeare's plays

    Chapter 7 Editorial policy and the length of Shakespeare's playsChapter 8 "Bad" quartos and their origins: Romeo and Juliet, Henry V, and Hamlet; Chapter 9 Theatricality, literariness, and the texts of Romeo and Juliet, Henry V, and Hamlet; Appendix A The plays of Shakespeare and his contemporaries in print, 1584-1623; Appendix B Heminge and Condell's "Stolne, and surreptitious copies" and the Pavier quartos; Appendix C Shakespeare and the circulation of dramatic manuscripts; Select bibliography; Index
  16. Shakespeare and the idea of late writing
    authorship in the proximity of death
    Author: !552694398!
    Published: 2007
    Publisher:  Cambridge University Press, Cambridge

    What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or... more

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    What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death Shakespeare and the idea of late writing : authorship in the proximity of death -- The Shakespearean caesura : genre, chronology, style -- The invention of late Shakespeare : subjectivism and its discontents -- Last words/late plays : the possibility and impossibility of late Shakespeare in early modern culture and theatre -- How old is 'late'? : late Shakespeare, old age, King Lear -- The tempest and the uses of late Shakespeare in the theatre : Gielgud, Rylance, Prospero

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511483790
    Other identifier:
    Subjects: Old age; Death; Style, Literary; Authorship; Shakespeare, William ; 1564-1616 ; Literary style; Authorship ; Psychological aspects; Old age ; Psychological aspects; Death ; Psychological aspects; Style, Literary
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xii, 402 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  17. Shakespeare, computers, and the mystery of authorship
    Author: Craig, D. H.; Kinney, Arthur F.
    Published: 2009
    Publisher:  Cambridge University Press, Cambridge

    In this book Craig, Kinney and their collaborators confront the main unsolved mysteries in Shakespeare's canon through computer analysis of Shakespeare's and other writers' styles. In some cases their analysis confirms the current scholarly... more

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    In this book Craig, Kinney and their collaborators confront the main unsolved mysteries in Shakespeare's canon through computer analysis of Shakespeare's and other writers' styles. In some cases their analysis confirms the current scholarly consensus, bringing long-standing questions to something like a final resolution. In other areas the book provides more surprising conclusions: that Shakespeare wrote the 1602 additions to The Spanish Tragedy, for example, and that Marlowe along with Shakespeare was a collaborator on Henry VI, Parts 1 and 2. The methods used are more wholeheartedly statistical, and computationally more intensive, than any that have yet been applied to Shakespeare studies. The book also reveals how word patterns help create a characteristic personal style. In tackling traditional problems with the aid of the processing power of the computer, harnessed through computer science, and drawing upon large amounts of data, the book is an exemplar of the new domain of digital humanities Introduction / Hugh Craig and Arthur F. Kinney -- Methods / Hugh Craig and Arthur F. Kinney -- The three parts of Henry VI / Hugh Craig -- Authoring Arden of Faversham / Arthur F. Kinney -- Edmond Ironside and the question of Shakespearean authorship / Philip Palmer -- The authorship of The Raigne of Edward the Third / Timothy Irish Watt -- The authorship of the hand-d addiction to The Book of Sir Thomas More / Timothy Irish Watt -- The 1602 addictions to The Spanish Tragedy / Hugh Craig -- Transforming King Lear / Arthur F. Kinney -- Conclusion / Arthur F. Kinney

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511605437
    Other identifier:
    Subjects: Authorship, Disputed; Language and languages; Shakespeare, William ; 1564-1616 ; Spurious and doubtful works; Shakespeare, William ; 1564-1616 ; Authorship; Shakespeare, William ; 1564-1616 ; Literary style; Authorship, Disputed; Language and languages ; Style ; Statistical methods
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xix, 234 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  18. Shakespeare as Literary Dramatist
    Author: Erne, Lukas
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. Examining the evidence... more

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    Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. Examining the evidence from early published playbooks, Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these 'literary' texts would have been abridged for the stage because they were too long for performance. The variant early texts of Romeo and Juliet, Henry V and Hamlet are shown to reveal important insights into the different media for which Shakespeare designed his plays. This revised and updated edition includes a new and substantial preface that reviews and intervenes in the controversy the study has triggered and lists reviews, articles and books which respond to or build on the first edition The legitimation of printed playbooks in Shakespeare's time -- The making of "Shakespeare" -- Shakespeare and the publication of his plays (I): the late sixteenth century -- Shakespeare and the publication of his plays (II): the early seventeenth century -- The players' alleged opposition to print -- Why size matters: "the two hours' traffic of our stage" and the length of Shakespeare's plays -- Editorial policy and the length of Shakespeare's plays -- "Bad" quartos and their origins: Romeo and Juliet, Henry V, and Hamlet -- Theatricality, literariness, and the texts of Romeo and Juliet, Henry V, and Hamlet -- Appendixes: A. The plays of Shakespeare and his contemporaries in print, 1584-1623 -- B. Heminge and Condell's "Stolne, and surreptitious copies" and the Pavier quartos -- C. Shakespeare and the circulation of dramatic manuscripts

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139342445
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    RVK Categories: HI 3378
    Edition: Second edition
    Subjects: Authors and readers; Authors and readers; English language; Shakespeare, William ; 1564-1616 ; Literary style; Shakespeare, William ; 1564-1616 ; Criticism, Textual; Authors and readers ; England ; History ; 16th century; Authors and readers ; England ; History ; 17th century; English language ; Early modern, 1500-1700 ; Style
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xii, 313 pages), digital, PDF file(s)
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  19. Shakespeare and Spenser
    Attractive opposites
    Author: Lethbridge, J. B.
    Published: 2008
    Publisher:  Manchester University Press, Manchester

    *Shakespeare and Spenser: Attractive Opposites* is a much-needed volume that brings together ten original papers by the experts, on the relations between Spenser and Shakespeare. There has been much noteworthy work on the linguistic borrowings of... more

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    *Shakespeare and Spenser: Attractive Opposites* is a much-needed volume that brings together ten original papers by the experts, on the relations between Spenser and Shakespeare. There has been much noteworthy work on the linguistic borrowings of Shakespeare from Spenser, but the subject has never before been treated systematically, and the linguistic borrowings lead to broader-scale borrowings and influences which are treated here. An additional feature of the book is that for the first time a large bibliography of previous work is offered which will be of the greatest help to those who follo

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780719079627
    Series: The Manchester Spenser
    The Manchester Spenser Ser
    Subjects: Shakespeare, William ; 1564-1616 ; Criticism and interpretation; Shakespeare, William ; 1564-1616 ; Literary style; Spenser, Edmund ; 1552?-1599 ; Criticism and interpretation; Spenser, Edmund ; 1552?-1599 ; Influence; Spenser, Edmund ; 1552?-1599 ; Literary style; Electronic books
    Scope: Online-Ressource (317 p)
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    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    9780719079627; 9780719079627; Copyright; Contents; General Editor's Preface; Acknowledgments; Introduction: Spenser, Marlowe, Shakespeare:Methodological Investigations; Beyond Binarism: Eros/Death and Venus/Mars inShakespeare's Antony and Cleopatra and Spenser's Faerie Queene; Spenser and Shakespeare: Polarized Approaches to Psychology, Poetics, and Patronage; Perdita, Pastorella, and the Romance of Literary Form:Shakespeare's Counter-Spenserian Authorship; Pastoral Forms and Religious Reform in Spenser and Shakespeare

    The Equinoctial Boar: Venus and Adonis in Spenser'sGarden, Shakespeare's Epyllion, and Richard III's EnglandHamlet's Debt to Spenser's Mother Hubberds Tale: A Satireon Robert Cecil?; Fusion: Spenserian Metaphor and Sidnean Example in Shakespeare's King Lear; What Means a Knight? Red Cross Knight and Edgar; The Seven Deadly Sins and Shakespeare's Jacobean Tragedies; Works Cited; Bibliography of Books and Papers on Spenser and Shakespeare; Index;

    Introduction : Spenser, Marlowe, Shakespeare : methodological investigations / J.B. Lethbridge -- Beyond binarism : Eros/death and Venus/Mars in Shakespeare's Antony and Cleopatra and Spenser's Faerie Queene / Judith H. Anderson -- Spenser and Shakespeare : polarized approaches to psychology, poetics, and patronage / Robert Lanier Reid -- Perdita, Pastorella, and the romance of literary form : Shakespeare's counter-Spenserian authorship / Patrick Cheney -- Pastoral forms and religious reform in Spenser and Shakespeare / Karen Nelson -- Equinoctial boar : Venus and Adonis in Spenser's Garden, Shakespeare's Epyllion, and Richard III's England / Anne Lake Prescott -- Hamlet's debt to Spenser's Mother Hubberds tale : a satire on Robert Cecil? / Rache E. Hile -- Fusion : Spenserian metaphor and Sidnean example in Shakespeare's King Lear / Susan Oldrieve -- What means a knight? Red cross knight and Edgar / Michael L. Hays -- Seven deadly sins and Shakespeare's Jacobean tragedies / Ronald Horton.
  20. Shakespeare and the arts of language
    Author: McDonald, Russ
    Published: 2013
    Publisher:  Oxford University Press, Oxford

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    Source: Union catalogues
    Language: English
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    ISBN: 9780191512117
    Subjects: Shakespeare, William ; 1564-1616 ; Language; Shakespeare, William ; 1564-1616 ; Technique; Shakespeare, William ; 1564-1616 ; Literary style; English language ; Early modern, 1500-1700 ; Style; English language ; Early modern, 1500-1700 ; Rhetoric; Electronic books
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    Includes bibliographical references (pages [193]-206) and index. Description based on print version record
  21. Shakespeare's late style
    Author: McDonald, Russ
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge

    When Shakespeare gave up tragedy around 1607 and turned to the new form we call romance or tragicomedy, he created a distinctive poetic idiom that often bewildered audiences and readers. The plays of this period, Pericles, Cymbeline, The Winter's... more

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    When Shakespeare gave up tragedy around 1607 and turned to the new form we call romance or tragicomedy, he created a distinctive poetic idiom that often bewildered audiences and readers. The plays of this period, Pericles, Cymbeline, The Winter's Tale, The Tempest, as well as Shakespeare's part in the collaborations with John Fletcher (Henry VIII and The Two Noble Kinsmen), exhibit a challenging verse style - verbally condensed, metrically and syntactically sophisticated, both conversational and highly wrought. In Shakespeare's Late Style, McDonald anatomizes the components of this late style, illustrating in a series of topically organized chapters the contribution of such features as ellipsis, grammatical suspension, and various forms of repetition. Resisting the sentimentality that frequently attends discussion of an artist's 'late' period, Shakespeare's Late Style shows how the poetry of the last plays reveals their creator's ambivalent attitude towards art, language, men and women, the theatre, and his own professional career

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511483783
    Other identifier:
    Subjects: Shakespeare, William ; 1564-1616 ; Literary style
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (x, 260 pages), digital, PDF file(s)
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  22. "Think on my words"
    exploring Shakespeare's language
    Author: Crystal, David
    Published: 2008
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    'You speak a language that I understand not.' Hermione's words to Leontes in The Winter's Tale are likely to ring true with many people reading or watching Shakespeare's plays today. For decades, people have been studying Shakespeare's life and... more

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    'You speak a language that I understand not.' Hermione's words to Leontes in The Winter's Tale are likely to ring true with many people reading or watching Shakespeare's plays today. For decades, people have been studying Shakespeare's life and times, and in recent years there has been a renewed surge of interest into aspects of his language. So how can we better understand Shakespeare? How did he manipulate language to produce such an unrivalled body of work, which has enthralled generations both as theatre and as literature? David Crystal addresses these and many other questions in this lively and original introduction to Shakespeare's language. Covering in turn the five main dimensions of language structure - writing system, pronunciation, grammar, vocabulary, and conversational style - the book shows how examining these linguistic 'nuts and bolts' can help us achieve a greater appreciation of Shakespeare's linguistic creativity 1. 'You speak a language that I understand not' : myths and realities -- 2. 'Now, sir, what is your text?' : knowing the sources -- 3. 'In print I found it' : Shakespearean graphology -- 4. 'Know my stops' : Shakespearean punctuation -- 5. 'Speak the speech' : Shakespearean phonology -- 6. 'Trippingly upon the tongue' : Shakespearean pronunciation -- 7. 'Think on my words' : Shakespearean vocabulary -- 8. 'Talk of a noun and a verb' : Shakespearean grammar -- 9. 'Hear sweet discourse' : Shakespearean conversation -- Epilogue -- 'Your daring tongue' : Shakespearean creativity

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511755095
    Other identifier:
    Subjects: English language; Shakespeare, William ; 1564-1616 ; Language; Shakespeare, William ; 1564-1616 ; Literary style; English language ; Early modern, 1500-1700 ; Style
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xii, 254 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  23. 'Think on my words'
    exploring Shakespeare's language
    Author: Crystal, David
    Published: 2012
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    For decades, people have been studying Shakespeare's life and times and in recent years there has been a renewed surge of interest in aspects of his language. So how can we better understand Shakespeare? David Crystal provides a lively and original... more

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    For decades, people have been studying Shakespeare's life and times and in recent years there has been a renewed surge of interest in aspects of his language. So how can we better understand Shakespeare? David Crystal provides a lively and original introduction to Shakespeare's language, making his plays easily accessible to modern-day audiences. Covering the five main dimensions of language structure - writing system, pronunciation, grammar, vocabulary and conversational style - this book demonstrates how examining these linguistic 'nuts and bolts' can help us achieve a greater appreciation of Shakespeare's linguistic creativity 1 'You speak a language that I understand not' : myths and realities -- 2 'Now, sir, what is your text?' : knowing the sources -- 3 'In print I found it' : Shakespearean graphology -- 4. 'Know my stops' : Shakespearean punctuation -- 5 'Speak the speech' : Shakespearean phonology -- 6 'Trippingly upon the tongue' : Shakespearean pronunciation -- 7 'Think on my words' : Shakespearean vocabulary -- 8 'Talk of a noun and a verb' : Shakespearean grammar -- 9. 'Hear sweet discourse' : Shakespearean conversation -- Epilogue : 'Your daring tongue' : Shakespearean creativity

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139196994
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    Edition: Canto classics ed.
    Series: Canto classics
    Subjects: English language; Shakespeare, William ; 1564-1616 ; Language; Shakespeare, William ; 1564-1616 ; Literary style; English language ; Early modern, 1500-1700 ; Style
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (XII, 254 Seiten), Illustrationen
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