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Displaying results 1 to 18 of 18.

  1. Towering figures
    reading the 9/11 archive
    Author: Cvek, Sven
    Published: 2011
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- ACKNOWLEDGMENTS -- READING THE 9/11 ARCHIVE -- ENDURING EVENT: TELLING STORIES AROUND SEPTEMBER 11 -- CONSTANT REPLAY: COMMUNITY BUILDING AT THE SITE/SIGHT OF TRAUMA -- COMMON GROUND: MELODRAMAS OF 9/11 -- SHOCK AND OWN:... more

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    Preliminary Material -- ACKNOWLEDGMENTS -- READING THE 9/11 ARCHIVE -- ENDURING EVENT: TELLING STORIES AROUND SEPTEMBER 11 -- CONSTANT REPLAY: COMMUNITY BUILDING AT THE SITE/SIGHT OF TRAUMA -- COMMON GROUND: MELODRAMAS OF 9/11 -- SHOCK AND OWN: MEDIATION AND EXPROPRIATION IN THE SHADOW OF NO TOWERS -- GLOBALIZING (THE) NATION -- THE MARKET MOVES US IN MYSTERIOUS WAYS: DON DELILLO ON 9/11 -- COSMOPOLIS: A MEDITATION ON DETERRITORIALIZATION -- KILLING POLITICS: THE ART OF RECOVERY IN FALLING MAN -- GOOD MOURNING, AMERICA: GENEALOGIES OF LOSS IN AGAINST THE DAY -- CONCLUSION -- BIBLIOGRAPHY -- INDEX. This volume offers a critical analysis of a segment of American literary production surrounding the September 11, 2001 attacks on the United States. While focusing on the writing of Jonathan Safran Foer, Art Spiegelman, Don DeLillo, and Thomas Pynchon, the author locates this work within a larger 9/11 cultural archive. The book proceeds by way of a series of thematic leaps in order to unearth the active entanglement of the event with systems of meaning and power that create the conditions for its emergence and understanding. The main problem of such an approach consists in articulating the three-fold relation at the heart of the archive in which issues of traumatic loss, affect, and politics appear as central: between the historical event, its cultural imprint, and the wider social system. In order to grasp these fundamental relations, the author resorts to a layered interpretive framework and engages a number of theoretical protocols, from psychoanalysis and nationalism studies to philosophy of history, world-system theory, and the heterogeneous critical practices of American Studies. Coming from a non-US Americanist perspective, this contribution to the scholarly production about 9/11 concentrates on trauma as a problem in the conceptualization the event, insists on globalization as its crucial context, and argues for a historical materialist approach to the 9/11 archive

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401200769
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    Series: Costerus ; new series 190
    Subjects: Literature, Modern; September 11 Terrorist Attacks (2001) in literature; Influence (Literary, artistic, etc.); Literature, Modern; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (271 pages)
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    Includes bibliographical references (p. 253-264) and index

  2. Cultural melancholia
    US trauma discourses before and after 9/11
    Published: 2015
    Publisher:  Brill Rodopi, Leiden

    Preliminary Material -- Introduction -- Theorizations of Melancholia -- Trauma Studies in The Medico-Psychiatric Field -- Theorizations of Cultural Trauma in Relation to Cultural Melancholia -- Cultural Narratives Activated by the 9/11 Attacks --... more

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    Preliminary Material -- Introduction -- Theorizations of Melancholia -- Trauma Studies in The Medico-Psychiatric Field -- Theorizations of Cultural Trauma in Relation to Cultural Melancholia -- Cultural Narratives Activated by the 9/11 Attacks -- White Middle Class Melancholia in Jay Mcinerney’s Fiction -- Postmodern Melancholia and the Fantasy of the Tuché in Don Delillo’s Pre-9/11 Novels -- Falling Man’s Escape into Hyperreality -- Conclusion -- Index. In Cultural Melancholia: US Trauma Discourses Before and After 9/11 , Christina Cavedon frames her examination of 9/11 fiction, especially Jay McInerney’s The Good Life and Don DeLillo’s Falling Man , with a thorough discussion of what US reactions to the terrorist attacks of September 11, 2001 disclose about American culture. Offering a comparative reading of pre- and post-9/11 literary, public, and academic discourses, she deconstructs the still commonly held belief that cultural repercussions of the attacks primarily testify to a cultural trauma in the wake of the collectively witnessed media event. She innovatively re-interprets discourses to be symptomatic of a malaise which had afflicted American culture already prior to 9/11 and can best be approached with melancholia as an analytical concept

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004305984
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    Series: Costerus ; new series, v. 212
    Subjects: September 11 Terrorist Attacks, 2001, in literature; Melancholy; September 11 Terrorist Attacks (2001) in literature; Melancholy ; Social aspects
    Scope: 1 Online-Ressource (x, 414 pages)
    Notes:

    Includes bibliographical references and index

  3. 9/11 fiction, empathy, and otherness
    Published: 2015
    Publisher:  Lexington Books, Lanham [u.a.]

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  4. 9/11 fiction, empathy, and otherness
    Published: 2015
    Publisher:  Lexington Books, Lanham ; Boulder ; New York ; London

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  5. Narrative innovation in 9/11 fiction
    Published: 2014
    Publisher:  Rodopi, Amsterdam, Netherlands

    Narrative Innovation in 9/11 Fiction; Copyright; Contents; Acknowledgements; Introduction Narrative Innovation in 9/11 Fiction; Chapter 1 Frédéric Beigbeder's Windows on the World; Chapter 2 Jonathan Safran Foer's Extremely Loud and Incredibly Close;... more

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    Narrative Innovation in 9/11 Fiction; Copyright; Contents; Acknowledgements; Introduction Narrative Innovation in 9/11 Fiction; Chapter 1 Frédéric Beigbeder's Windows on the World; Chapter 2 Jonathan Safran Foer's Extremely Loud and Incredibly Close; Chapter 3 Jess Walter's The Zero; Chapter 4 Don DeLillo's Falling Man; Chapter 5 Ian McEwan's Saturday; Bibliography; Index. Narrative Innovation in 9/11 Fiction demonstrates how certain novels create narratives about the 9/11 attacks that refuse to shy away from exploring and representing their difficult and problematic aspects and, in fact, insist on doing so as the only means of coming to terms with the events in all their cultural and historical specificity

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401211895
    Series: Costerus ; 208
    Subjects: September 11 Terrorist Attacks, 2001, in literature; September 11 Terrorist Attacks (2001) in literature; LITERARY CRITICISM ; American ; General
    Other subjects: Foer, Jonathan Safran (1977-); Foer, Jonathan Safran
    Scope: 1 Online-Ressource (269 pages)
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    Includes bibliographical references and index

  6. Writing the 9/11 decade
    reportage and the evolution of the novel
    Published: 2017
    Publisher:  Bloomsbury Academic, New York

    Introduction -- Richard Ford and Ian McEwan: transactors and redeemers -- Narratives of retrogenesis and abstraction -- Paul Auster: after the past -- The long view -- The end of the decade -- Coda: in the realm of the real. Writing the 9/11 Decade"... more

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    Introduction -- Richard Ford and Ian McEwan: transactors and redeemers -- Narratives of retrogenesis and abstraction -- Paul Auster: after the past -- The long view -- The end of the decade -- Coda: in the realm of the real. Writing the 9/11 Decade" investigates the relation of the novel to reportage, and the role of both in shaping culture, by looking at novelists' journalistic responses to 9/11. Journalist, academic and literary critic Charlie Lee-Potter argues that novelists were entrapped by the expectation that they would provide an immediate non-fiction response to the September 11 attacks. Jonathan Lethem expressed the plaintive view that 'most of the novelists in New York were asked by one magazine or another to write something, and to me it seems our voices, at that moment, blended into one vast impotent scream'. Beginning with an examination of the sometimes mawkish literary journalism that emerged in the days after the attacks, Writing the 9/11 Decade traces its evolution-in writers such as Ian McEwan, Paul Auster, Don DeLillo, Mohsin Hamid, and Nadeem Aslam-into new literary methods of subsuming the disaster, while attempting to stand apart from it. In assessing the novel's capacity to respond to and contain an unimagined traumatic event, "Writing the 9/11 Decade" stands as a contemporary history of the form

     

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  7. Cultural melancholia
    US trauma discourses before and after 9/11
    Published: [2015]
    Publisher:  Brill Rodopi, Leiden

    Introduction -- Theorizations of melancholia -- Trauma studies in the medico-psychiatric field -- Theorizations of cultural trauma in relation to cultural melancholia -- Cultural narratives activated by the 9/11 attacks -- White middle class... more

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    Introduction -- Theorizations of melancholia -- Trauma studies in the medico-psychiatric field -- Theorizations of cultural trauma in relation to cultural melancholia -- Cultural narratives activated by the 9/11 attacks -- White middle class melancholia in Jay McInerney's fiction -- Postmodern melancholia and the fantasy of the Tuché in Don DeLillo's pre-9/11 novels -- Falling man's escape into hyperreality -- Conclusion Applying melancholia as an analytical concept, Christina Cavedon's Cultural Melancholia: US Trauma Discourses Before and After 9/11 discusses novels by Jay McInerney and Don DeLillo in light of an American cultural malaise pre-dating the terrorist attacks of September 11, 2001

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004305984
    Series: Costerus ; new series, volume 212
    Subjects: Melancholy; September 11 Terrorist Attacks, 2001, in literature; LITERARY CRITICISM ; American ; General; Melancholy ; Social aspects; September 11 Terrorist Attacks (2001) in literature
    Scope: 1 Online-Ressource (x, 414 pages)
    Notes:

    Includes bibliographical references and index

  8. Radical planes? 9/11 and patterns of continuity
    Contributor: Däwes, Birgit (HerausgeberIn); Mohr, Dunja M. (HerausgeberIn)
    Published: 2016
    Publisher:  Brill, Leiden

    6 Letters to Osama and Terrorist Mindsets: Coming to Terms with 9/11 in Chris Cleave's Incendiary and John Updike's Terrorist7 Homeland Security and Transmigration in Richard Powers's The Echo Maker; 8 Male Domesticity and the 9/11-Novel: Jay... more

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    6 Letters to Osama and Terrorist Mindsets: Coming to Terms with 9/11 in Chris Cleave's Incendiary and John Updike's Terrorist7 Homeland Security and Transmigration in Richard Powers's The Echo Maker; 8 Male Domesticity and the 9/11-Novel: Jay McInerney's The Good Life; Part 3: 9/11, the Performative, and the Visual; 9 "This is My Country, Too, You Know!" Intercultural Encounters in Post-9/11 Arab American Drama; 10 "You Ever Think about the Term 'Homeland Security'?" Todd Field's Adaptation of Tom Perrotta's Little Children Radical Planes? 9/11 and Patterns of Continuity; Copyright; Contents; Notes on Contributors; 1 Transnational Dimensions of 9/11: An Introduction; Part 1: Positionings of 9/11; 2 Public Culture after 9/11 and Peter Josyph's Liberty Street; 3 The Coincidence of Historical Fiction: "Code-Orange" Reading after 9/11; 4 Philosophical and Literary Dialogues in a Time of Terror; Part 2: 9/11 and Patterns of Continuity; 5 Terror as Catalyst? Negotiations of Silences, Perspectives, and Complicities in Ian McEwan's Saturday, Ali Smith's The Accidental, and Mohsin Hamid's The Reluctant Fundamentalist Radical Planes? 9/11 and Patterns of Continuity explores the intersections between narrative disruption and continuity in post-9/11 narratives from an interdisciplinary transnational perspective, foregrounding the transatlantic cultural memory of 9/11. Contesting the earlier notion of a cataclysm that has changed "everything," and critically reflecting on American exceptionalism, the collection offers an inquiry into what has gone unchanged in terms of pre-9/11, post-9/11, and post-post-9/11 issues and what silences persist. How do literature and performative and visual arts negotiate this precarious balance of a pervasive discourse of change and emerging patterns of political, ideological, and cultural continuity?

     

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  9. Plotting justice
    narrative ethics and literary culture after 9/11
    Published: (c)2012
    Publisher:  University of Nebraska Press, Lincoln

    "Have the terrorist attacks of September 11 shifted the moral coordinates of contemporary fiction? And how might such a shift, reflected in narrative strategies and forms, relate to other themes and trends emerging with the globalization of... more

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    "Have the terrorist attacks of September 11 shifted the moral coordinates of contemporary fiction? And how might such a shift, reflected in narrative strategies and forms, relate to other themes and trends emerging with the globalization of literature? This book pursues these questions through works written in the wake of 9/11 and examines the complex intersection of ethics and narrative that has defined a significant portion of British and American fiction over the past decade. Don DeLillo, Pat Barker, Aleksandar Hemon, Lorraine Adams, Michael Cunningham, and Patrick McGrath are among the authors Georgiana Banita considers. Their work illustrates how post-9/11 literature expresses an ethics of equivocation--in formal elements of narrative, in a complex scrutiny of justice, and in tense dialogues linking this fiction with the larger political landscape of the era. Through a broad historical and cultural lens, Plotting Justice reveals links between the narrative ethics of post-9/11 fiction and events preceding and following the terrorist attacks--events that defined the last half of the twentieth century, from the Holocaust to the Balkan War, and those that 9/11 precipitated, from war in Afghanistan to the Abu Ghraib scandal. Challenging the rhetoric of the war on terror, the book honors the capacity of literature to articulate ambiguous forms of resistance in ways that reconfigure the imperatives and responsibilities of narrative for the twenty-first century."--Project Muse

     

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  10. 9/11 fiction, empathy, and otherness
    Published: 2015
    Publisher:  Lexington Books, Lanham [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  11. Reflecting 9/11
    new narratives in literature, television, film and theatre
    Contributor: Pope, Heather E. (HerausgeberIn); Bryan, Victoria M. (HerausgeberIn)
    Published: 2016
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

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  12. 9/11 fiction, empathy, and otherness
    Published: [2015]
    Publisher:  Lexington Books, Lanham, Maryland

    9/11 Fiction, Empathy, and Otherness analyzes recent works of fiction whose principal subject is the attacks of September 11, 2001 Empathetically Unsettled: The Falling People in Art and Fiction -- Otherness as Counternarrative in the Graphic Novel:... more

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    9/11 Fiction, Empathy, and Otherness analyzes recent works of fiction whose principal subject is the attacks of September 11, 2001 Empathetically Unsettled: The Falling People in Art and Fiction -- Otherness as Counternarrative in the Graphic Novel: Spiegelman, Rehr, Torres -- French Fiction and the Utopian Potential of 9/11 -- "Toward These Uncanny Young Men": Entering the Mind of the Terrorist -- "Selective in Your Mercies": Privilege, Vulnerability, and the Limits of Empathy in Ian McEwan's Saturday -- The Otherness of Islam in Amy Waldman's The Submission -- Communal Trauma?: The Wounded City in Hunt and Lethem.

     

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  13. 9/11 and the literature of terror
    Published: 2011
    Publisher:  Edinburgh University Press, Edinburgh

    Explores the fiction, poetry, theatre and cinema that have represented the 9/11 attacks. Works by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a... more

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    Explores the fiction, poetry, theatre and cinema that have represented the 9/11 attacks. Works by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a visually spectacular 'event' that has had enormous global implications

     

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  14. 9/11 als kulturelle Zäsur
    Repräsentationen des 11. September 2001 in kulturellen Diskursen, Literatur und visuellen Medien
    Contributor: Poppe, Sandra (Herausgeber); Schüller, Thorsten (Herausgeber); Seiler, Sascha (Herausgeber)
    Published: 2009
    Publisher:  transcript Verlag, Bielefeld ; [Walter de Gruyter GmbH], [Berlin]

    Wie hat sich die Kulturproduktion in der Folge des Terrors verändert? Die Anschläge vom 11. September 2001 stellen nicht nur eine politische und gesellschaftliche Zäsur dar, sie lassen sich auch als Trauma des Denkens betrachten. Im Mittelpunkt... more

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    Wie hat sich die Kulturproduktion in der Folge des Terrors verändert? Die Anschläge vom 11. September 2001 stellen nicht nur eine politische und gesellschaftliche Zäsur dar, sie lassen sich auch als Trauma des Denkens betrachten. Im Mittelpunkt dieses Bandes stehen die Auswirkungen von »9/11« auf kulturelle und künstlerische Diskurse. Dabei geht es nicht nur um eine Inventarisierung von Repräsentationen des Terrors in Medien, visueller Kunst und Literatur; vielmehr wird aufgezeigt, wie sehr »9/11« Denkmodalitäten verändert hat. Aus unterschiedlichen Perspektiven untersuchen die interdisziplinären Beiträge den Zäsurcharakter von »9/11« in Theoriebildung, Schrift- und Bildmedien.

     

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  15. 9/11 fiction, empathy, and otherness
    Published: 2015
    Publisher:  Lexington Books, Lanham ; Boulder ; New York ; London

    Universitätsbibliothek Koblenz
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  16. 9/11 and the literature of terror
    Published: 2011
    Publisher:  Edinburgh University Press, Edinburgh

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748646975; 0748646973; 9780748651825; 0748651829; 9780748638529; 0748638520
    RVK Categories: HU 1105 ; HU 1691
    Subjects: LITERARY CRITICISM / American / General; LITERARY CRITICISM / General; Influence (Literary, artistic, etc.); Literature; September 11 Terrorist Attacks (2001) in literature; Literatur; Literature; September 11 Terrorist Attacks, 2001, in literature; September 11 Terrorist Attacks, 2001; Elfter September <Motiv>; Literatur; Englisch
    Scope: 1 Online-Ressource (174 S.)
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    Includes bibliographical references (p. [145]-167) and index

    Introduction: eyewitnesses, conspiracies and baudrillard -- "Beyond belief": McEwan, DeLillo and 110 stories -- "Total malignancy... militant irony": Martin Amis, The second plane -- "You know how it ends": metafiction and 9/11 in Windows on the world -- "A wing and a prayer": Simon Armitage, Out of the blue -- "A certain blurring of the facts": Man on wire and 9/11 -- "He is consoling, she is distraught": men and women and 9/11 in The mercy seat and The guys -- "Everything seemed to mean something": signifying 9/11 in Don DeLillo's Falling man -- Conclusion: "I am a lover of America."

    Explores the fiction, poetry, theatre and cinema that have represented the 9/11 attacks. Works by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a visually spectacular 'event' that has had enormous global implications

  17. 9/11 and the literature of terror
    Published: 2011
    Publisher:  Edinburgh University Press, Edinburgh

    Explores the fiction, poetry, theatre and cinema that have represented the 9/11 attacks. Works by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a... more

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    Explores the fiction, poetry, theatre and cinema that have represented the 9/11 attacks. Works by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a visually spectacular 'event' that has had enormous global implications Introduction: eyewitnesses, conspiracies and baudrillard -- "Beyond belief": McEwan, DeLillo and 110 stories -- "Total malignancy ... militant irony": Martin Amis, The second plane -- "You know how it ends": metafiction and 9/11 in Windows on the world -- "A wing and a prayer": Simon Armitage, Out of the blue -- "A certain blurring of the facts": Man on wire and 9/11 -- "He is consoling, she is distraught": men and women and 9/11 in The mercy seat and The guys -- "Everything seemed to mean something": signifying 9/11 in Don DeLillo's Falling man -- Conclusion: "I am a lover of America

     

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  18. 9/11 GOTHIC
    decrypting ghosts and trauma in new york city's terrorism novels
    Author: OLSON, DANEL
    Published: 2023
    Publisher:  LEXINGTON BOOKS, [S.l.]

    "9/11 Gothic explores ghostly presences in terrorism novels from New Yorkers Don DeLillo, Jonathan Safran Foer, Lynne Sharon Schwartz, Griffin Hansbury, and Patrick McGrath. Arguing how theories on trauma and Gothic combine to interpret ghosts, Danel... more

    Staats- und Universitätsbibliothek Bremen
    bestellt
    No inter-library loan

     

    "9/11 Gothic explores ghostly presences in terrorism novels from New Yorkers Don DeLillo, Jonathan Safran Foer, Lynne Sharon Schwartz, Griffin Hansbury, and Patrick McGrath. Arguing how theories on trauma and Gothic combine to interpret ghosts, Danel Olson discusses what supernatural meetings express about grief, guilt, mental instability, and suicidal urges"--

     

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