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Displaying results 1 to 3 of 3.

  1. <<The>> woman in me
    Willem de Kooning, Woman i-vi
    Author: Clark, Marlene
    Published: [2020]
    Publisher:  Academica Press, Washinton, DC

    Willem de Kooning's six numbered Woman paintings have incited a maelstrom of critical controversy. At their debut in 1953, the critics were incensed by the ugliness of the images themselves and by the inclusion of vestiges of the figure in... more

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Willem de Kooning's six numbered Woman paintings have incited a maelstrom of critical controversy. At their debut in 1953, the critics were incensed by the ugliness of the images themselves and by the inclusion of vestiges of the figure in abstraction. Consequently, they questioned De Kooning's attitude toward women and commitment to the Abstract Expressionist project. Countering such objections to De Kooning's psychological state and artistic goals, Marlene Clark's The Woman in Me: Willem de Kooning, Woman I-VI argues that these canvases could be read as self-portraits, negating claims of misogyny and explaining the presence of figuration amidst abstraction. On a number of occasions, De Kooning admitted that the images on these canvases were "me - but with big shoulders." The Woman in Me focuses on De Kooning's propensity to "play" with the sexed body in his paintings. Clark argues that earlier criticism may have missed a more philosophical dimension of De Kooning's paintings, one that explores the malleability of representations of biological sex and the male/female binary

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 168053100X; 9781680531008
    Subjects: Sex in art; Self-portraits, American / History and criticism; Women in art; Self-portraits, American; Criticism, interpretation, etc
    Other subjects: De Kooning, Willem / 1904-1997 / Criticism and interpretation; De Kooning, Willem
    Scope: 293 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  2. AIDS and representation
    queering portraiture during the AIDS crisis in America
    Author: Johnstone, Fiona
    Published: 2023
    Publisher:  Bloomsbury Visual Arts, London

    "AIDS & Representation explores portraits and self-portraits made by artists in response to the AIDS epidemic in America in the 1980s and 1990s. Addressing the work of artists including Mark Morrisroe, Robert Blanchon and Felix Gonzalez-Torres... more

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signature:
    kun 040.6 DL 3163
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "AIDS & Representation explores portraits and self-portraits made by artists in response to the AIDS epidemic in America in the 1980s and 1990s. Addressing the work of artists including Mark Morrisroe, Robert Blanchon and Felix Gonzalez-Torres through the interrelated themes of sickness and mortality, desire and sexual identity, love and loss, Fiona Johnstone shows how the self-representational practices of artists with HIV and AIDS offered a richly imaginative response to the limitations of early AIDS imagery. Johnstone argues that the AIDS epidemic changed the very nature of visual representation and artistic practice, necessitating a radical new approach to conceptualising and visualising the human form. An extended epilogue considers the ongoing art historicization of the epidemic, re-contextualising the book's themes in relation to contemporary photographic works. More than just a historical discussion of the art of the AIDS crisis, AIDS and Representation contributes to an emergent body of scholarship on the visual representation of illness. Expanding the established genre of the autopathography or illness narrative beyond the predominantly textual, this important contribution to art history and the medical humanities sensitively unpicks the entanglements between aesthetic form and the expression of lived experiences of critical and chronic ill health"--

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781788311885; 9781350375031
    RVK Categories: LH 84160
    Subjects: AIDS (Disease) in art; AIDS (Disease) and art; AIDS (Disease); Portraits, American; Self-portraits, American
    Scope: ix, 254 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seiten 233-251

    A Crisis of Representation: Constructing an Epidemic -- Putting a Face to AIDS: Critiquing Documentary Photography -- Mark Morrisroe: A Grandiose Aesthetic Encounter -- Robert Blanchon: Abjection, 'Absence' and Autobiography -- Felix Gonzalez-Torres: Falling out of Time -- Epilogue: In/Visible: Picturing HIV in Endemic Time.
  3. The woman in me
    Willem de Kooning, Woman I-VI
    Author: Clark, Marlene
    Published: [2020]
    Publisher:  Academica Press, Washinton

    Willem de Kooning's six numbered Woman paintings have incited a maelstrom of critical controversy. At their debut in 1953, the critics were incensed by the ugliness of the images themselves and by the inclusion of vestiges of the figure in... more

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2022 C 2665
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Willem de Kooning's six numbered Woman paintings have incited a maelstrom of critical controversy. At their debut in 1953, the critics were incensed by the ugliness of the images themselves and by the inclusion of vestiges of the figure in abstraction. Consequently, they questioned De Kooning's attitude toward women and commitment to the Abstract Expressionist project. Countering such objections to De Kooning's psychological state and artistic goals, Marlene Clark's The Woman in Me: Willem de Kooning, Woman I-VI argues that these canvases could be read as self-portraits, negating claims of misogyny and explaining the presence of figuration amidst abstraction. On a number of occasions, De Kooning admitted that the images on these canvases were "me - but with big shoulders." The Woman in Me focuses on De Kooning's propensity to "play" with the sexed body in his paintings. Clark argues that earlier criticism may have missed a more philosophical dimension of De Kooning's paintings, one that explores the malleability of representations of biological sex and the male/female binary

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781680531008
    Subjects: Sex in art; Self-portraits, American; Women in art; Self-portraits, American; Sex in art; Women in art; Criticism, interpretation, etc
    Other subjects: De Kooning, Willem (1904-1997); De Kooning, Willem
    Scope: 293 Seiten, 11 ungezählte Seiten Tafeln, Illustrationen, 24 cm
    Notes:

    Verlagsangaben z.T. vom Umschlag

    Includes bibliographical references and index