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  1. The hermeneutic imagination
    outline of a positive critique of scientism and sociology
    Published: 1982
    Publisher:  Routledge & Kegan Paul, London u.a.

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Erlangen-Nürnberg, Erziehungswissenschaftliche Zweigbibliothek Nürnberg
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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  2. The hermeneutic imagination
    outline of a positive critique of scientism and sociology
    Published: 1982
    Publisher:  Routledge & Kegan Paul, London u.a.

    Freie Universität Berlin, Universitätsbibliothek
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  3. The Artificial Paradise
    A Snapshot of Secular Eschatology in Post-War Sweden
    Published: 2021

    Index theologicus der Universitätsbibliothek Tübingen
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Svensk teologisk kvartalskrift; Lund : Bloms Boktryckeri, 1925; 97(2021), 2, Seite 155-170; Online-Ressource

    Subjects: Eschatology; Future, The; Myth; Redemption; Scientism; Secularization (Theology); Sweden; Utopias
  4. The Sublime Cosmic Abyss and the Bruno Exemplum in Cosmos
    A Spacetime Odyssey
    Author: Owen, Corey
    Published: [2020]

    This article investigates the persuasive practice involved in the sublime depiction of space and the execution of Giordano Bruno in Cosmos: A Spacetime Odyssey (2014). After a brief discussion of the aesthetic of the sublime, I explore how the... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    This article investigates the persuasive practice involved in the sublime depiction of space and the execution of Giordano Bruno in Cosmos: A Spacetime Odyssey (2014). After a brief discussion of the aesthetic of the sublime, I explore how the writers and producers of Cosmos, first, attempt to evoke an experience of the sublime and, second, adapt the trial and execution of Giordano Bruno in order to redirect the emotional arousal of the sublime experience, dividing the complex aesthetic experience into its positive and negative valences—awe and fear; they claim the former for scientism and project the latter onto non-scientific epistemologies, which, in this case, are represented by the Catholic Church. Ultimately, such a persuasive practice aims to regulate the boundaries of scientific identity and secure public patronage of scientific institutions; however, it risks alienating crucial audiences in a time when anti-intellectualism is flourishing.

     

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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Journal of religion and popular culture; Saskatoon, SK : University of Saskatchewan, 2002; 32(2020), 1, Seite 1-14; Online-Ressource

    Subjects: Cosmos: A Spacetime Odyssey; Depictions of the Counter-Reformation in Popular Culture; Rhetorical criticism; Scientism; The sublime
    Other subjects: Giordano Bruno