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  1. I Made You to Find Me
    The Coming of Age of the Woman Poet and the Politics of Poetic Address
    Author: Hedley, Jane
    Published: 2009
    Publisher:  The Ohio State University Press, Columbus

    When Anne Sexton, Adrienne Rich, Sylvia Plath, and Gwendolyn Brooks began to write poetry during the 1940s and 1950s, each had to wonder whether she could be taken seriously as a poet while speaking in a woman's voice. This book title, the last line... more

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    Verlag (kostenfrei)
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
    No inter-library loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    No inter-library loan
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    No inter-library loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    No inter-library loan
    Universitätsbibliothek Leipzig
    No inter-library loan
    Universitätsbibliothek Osnabrück
    No inter-library loan

     

    When Anne Sexton, Adrienne Rich, Sylvia Plath, and Gwendolyn Brooks began to write poetry during the 1940s and 1950s, each had to wonder whether she could be taken seriously as a poet while speaking in a woman's voice. This book title, the last line of one of Sexton's early poems, calls attention to how resourcefully the "I-You" relation had to be staged in order for this question to have an affirmative answer. Whereas Rich tried at first to speak to her own historical moment in the register of universality, Plath openly aspired to be "the Poetess of America." For Brooks, womanhood and "blackness" were inextricable markers of poetic identity. The author's approach engages biographical, formal, and rhetorical analysis as means to explore each poet's stated intentions, political stakes, and rhetorical strategies within their own historical context. Sexton's aggressively social persona called attention to the power dynamics of intimate relationships; Plath's poems lifted these relationships onto a different plane of reality, where their tragic potential could be more readily engaged. Rich's poems bear witness to the enormous difficulty, notwithstanding the crucial importance, of reciprocity, of making "you" to find "we." For Brooks, the crucial question has been whether she could presuppose an "American" audience without compromising her allegiance to "blackness."

     

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  2. Escribir la infancia
    narradoras mexicanas contemporáneas
    Contributor: Gutierrez de Velasco, Luzelena (MitwirkendeR); Domenella, Ana Rosa (MitwirkendeR); Pasternac, Nora (MitwirkendeR)
    Published: 1996
    Publisher:  Colegio de Mexico, Programa Interdisciplinario de Estudios de la Mujer, Mexico, D.F.

    Escribir la infancia aborda un tópico tradicional y al mismo tiempo vigente en diversas literaturas, pero dándole un sesgo espacio-temporal y de género específicos: la niñez recreada por escritoras mexicanas contemporáneas. En dieciséis estudios y... more

    Access:
    Verlag (kostenfrei)
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
    No inter-library loan
    Evangelische Hochschule Freiburg, Hochschulbibliothek
    No inter-library loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    No inter-library loan
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    No inter-library loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    No inter-library loan
    Universitätsbibliothek Leipzig
    No inter-library loan
    Universitätsbibliothek Osnabrück
    No inter-library loan

     

    Escribir la infancia aborda un tópico tradicional y al mismo tiempo vigente en diversas literaturas, pero dándole un sesgo espacio-temporal y de género específicos: la niñez recreada por escritoras mexicanas contemporáneas. En dieciséis estudios y una adenda se analiza la obra de escritoras nacidas en la primera mitad de nuestro siglo -algunas desaparecidas y otras aún en plena producción-, desde la única narradora de la Revolución mexicana -Nellie Campobello- hasta la versátil Carmen Boullosa, con estaciones en la obra de Rosario Castellanos, Josefina Vicens, Inés Arredondo, Elena Poniatowska, Elena Garro, Margo Glantz y María Luisa Puga, entre otras.

     

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  3. Sin imágenes falsas, sin falsos espejos
    narradoras mexicanas en el siglo XX
    Contributor: López González, Aralia (MitwirkendeR)
    Published: 1995
    Publisher:  Colegio de Mexico, Programa Interdisciplinario de Estudios de la Mujer, Mexico, D.F.

    Access:
    Verlag (kostenfrei)
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
    No inter-library loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    No inter-library loan
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    No inter-library loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    No inter-library loan
    Universitätsbibliothek Leipzig
    No inter-library loan
    Universitätsbibliothek Osnabrück
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file