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  1. From Cross to Ascension
    The Surprising Locus of Salvation in Luke-Acts
    Author: Whitaker, Robyn J.
    Published: [2017]

    Luke's particular portrayal of Jesus' crucifixion and its relationship to spectacle culture has received extensive scholarly treatment. Luke frames the crucified Jesus as a spectacle in a way that suggests his death is noble and Jesus himself is an... more

    Location:
    Index theologicus der Universitätsbibliothek Tübingen
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    No inter-library loan
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Luke's particular portrayal of Jesus' crucifixion and its relationship to spectacle culture has received extensive scholarly treatment. Luke frames the crucified Jesus as a spectacle in a way that suggests his death is noble and Jesus himself is an athlete or martyr in the arena. Missing from these conversations is how we might interpret Luke's resurrection and ascension in light of ancient spectacle culture and what impact these readings have upon the theology and soteriology of Luke-Acts. This paper argues that Luke shifts the reader's gaze from cross to ascension and in doing so firmly locates salvation in the ascension of Jesus, not his death or even resurrection. Comparisons with Greco-Roman understandings of benefaction and imperial apotheosis further highlight the unique locus of salvation in Luke's gospel.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Print
    Parent title: Enthalten in: Australian biblical review; Melbourne : [Verlag nicht ermittelbar], 1951; 65(2017), Seite 47-60

    Subjects: BIBLE. Luke; JESUS Christ; SALVATION
  2. Survivor, Warrior, Mother, Savior
    The Evolution of the Female Hero In Apocalyptic Science Fiction Film of the Late Cold War
    Author: Faithful, George
    Published: [2016]

    The late Cold War saw the advent of a new paradigm of woman as hero in apocalyptic English-language science fiction film at its intersection with the horror and action sub-genres. In contrast to the helpless, villainous, and overly sexualized female... more

    Location:
    Index theologicus der Universitätsbibliothek Tübingen
    Inter-library loan:
    No inter-library loan

     

    The late Cold War saw the advent of a new paradigm of woman as hero in apocalyptic English-language science fiction film at its intersection with the horror and action sub-genres. In contrast to the helpless, villainous, and overly sexualized female characters before them, the Alien films' Ellen Ripley and the Terminator franchise's Sarah Connor represented practical, courageous women who saved humanity through their actions. These ostensibly secular narratives were rich with religious themes such as incarnation, kenosis, resurrection, faith seeking understanding, messianic expectation, virgin birth, free will, fate, evil, prophetic forewarning, and salvation. They were foundational in establishing, in effect, a humanistic mythos.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Implicit religion; Sheffield : Equinox, 2004; 19(2016), 3, Seite 347-370; Online-Ressource

    Subjects: apocalypticism; cold war; COLD War, 1945-1991; CONNOR, Sarah (Fictitious character : Cameron & Hurd); Ellen Ripley; feminism; film; gender; implicit religion; James Cameron; Ridley Scott; RIPLEY (Fictitious character); SALVATION; Sarah Connor; science fiction; SCIENCE fiction films; secularization; WOMEN heroes