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Displaying results 1 to 10 of 10.

  1. The revolutionary "I"
    Wordsworth and the politics of self-presentation
    Author: Nichols, Ashton
    Published: 2000
    Publisher:  Macmillan [u.a.], Basingstoke [u.a.]

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    Universitätsbibliothek Regensburg
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  2. Romantic Austen
    sexual politics and the literary canon
    Author: Tuite, Clara
    Published: 2002
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "Romantic Austen: Sexual Politics and the Literary Canon is the first full-length scholarly monograph to examine Jane Austen's writings within the traditions of Romanticism. It argues that Austen's central position within the literary canon can be... more

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    "Romantic Austen: Sexual Politics and the Literary Canon is the first full-length scholarly monograph to examine Jane Austen's writings within the traditions of Romanticism. It argues that Austen's central position within the literary canon can be fully understood only by locating her work within the Romantic cultural traditions. Taking the contemporary Austen revival as its cue, the study presents a series of historically contexualized readings of Austen's juvenilia (Catharine, or The Bower and The History of England), Sense and Sensibility, Mansfield Park and Austen's posthumously published novel, Sanditon, to examine ways in which Romantic-period definitions of nation, culture and literature continue to function in contemporary readings of Austen and her period. An investigation of the sexual politics of national culture, heritage culture and literary canon-formation informs the study's discussion of the relationship between Romanticism, Austen and the literary canon."--BOOK JACKET.

     
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  3. Romanticism and Transcendence
    Wordsworth, Coleridge, and the Religious Imagination
    Author: Barth, J. Robert
    Published: 2003; © 2003
    Publisher:  University of Missouri Press, Columbia

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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  4. The revolutionary "I"
    Wordsworth and the politics of self-presentation
    Author: Nichols, Ashton
    Published: 2000
    Publisher:  Macmillan [u.a.], Basingstoke [u.a.]

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    Europa-Universität Viadrina, Universitätsbibliothek
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  5. The rise of the romantics
    1789 - 1815 ; Wordsworth, Coleridge and Jane Austen
    Author: Renwick, William L.
    Published: 1990
    Publisher:  Oxford Univ. Press, New York [u.a.]

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    Europa-Universität Viadrina, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0198122373
    RVK Categories: HG 250
    Edition: repr.
    Series: The Oxford history of English literature ; 11
    Subjects: English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism; Romanticism -- England; Englisch; Literatur
    Scope: VIII, 293 S.
    Notes:

    Früher mit dem Gesamtt.: The Oxford history of English literature ; 9
  6. Five long winters
    the trials of British romanticism
    Author: Bugg, John
    Published: 2013
    Publisher:  Stanford University Press, Palo Alto

  7. The Romantic Imagination
    Author: Bowra, C. M
    Published: [2014]; ©1949
    Publisher:  Harvard University Press, Cambridge, MA

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674733800
    Other identifier:
    Edition: Reprint 1957. Reprint 2014
    Series: The Charles Eliot Norton Lectures
    Subjects: Englische Literatur; English poetry; Romanticism; English poetry -- 19th century -- History and criticism; Romanticism -- England; LITERARY CRITICISM / General
    Scope: 1 online resource
  8. Romantic Austen
    sexual politics and the literary canon
    Author: Tuite, Clara
    Published: 2002
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "Romantic Austen: Sexual Politics and the Literary Canon is the first full-length scholarly monograph to examine Jane Austen's writings within the traditions of Romanticism. It argues that Austen's central position within the literary canon can be... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Europa-Universität Viadrina, Universitätsbibliothek
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    "Romantic Austen: Sexual Politics and the Literary Canon is the first full-length scholarly monograph to examine Jane Austen's writings within the traditions of Romanticism. It argues that Austen's central position within the literary canon can be fully understood only by locating her work within the Romantic cultural traditions. Taking the contemporary Austen revival as its cue, the study presents a series of historically contexualized readings of Austen's juvenilia (Catharine, or The Bower and The History of England), Sense and Sensibility, Mansfield Park and Austen's posthumously published novel, Sanditon, to examine ways in which Romantic-period definitions of nation, culture and literature continue to function in contemporary readings of Austen and her period. An investigation of the sexual politics of national culture, heritage culture and literary canon-formation informs the study's discussion of the relationship between Romanticism, Austen and the literary canon."--BOOK JACKET.

     
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  9. Hegel and the English Romantic Tradition.
    Author: Deakin, W
    Published: 2015
    Publisher:  Palgrave Macmillan UK, London

    Re-examining English Romanticism through Hegel's philosophy, this book outlines and expands upon Hegel's theory of recognition. Deakin critiques four canonical writers of the English Romantic tradition, Coleridge, Wordsworth, P.B. Shelley and Mary... more

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    Re-examining English Romanticism through Hegel's philosophy, this book outlines and expands upon Hegel's theory of recognition. Deakin critiques four canonical writers of the English Romantic tradition, Coleridge, Wordsworth, P.B. Shelley and Mary Shelley, arguing that they, as Hegel, are engaged in a struggle towards philosophical recognition. "Cover" -- "Half-Title" -- "Title" -- "Copyright" -- "Dedication" -- "Contents" -- "Introduction" -- "A discrimination of criticisms ..." -- "Why â€philosophical romanticism”?" -- "Romantic embodiment" -- "Chapter breakdown" -- "1 Hegelian Romanticism and the Symbiotic Alterity of Receptivity and Autonomy" -- "1.1 Introduction" -- "1.2 Hegel’s concept of recognition in an aesthetic light" -- "1.3 Hegel’s response to romantic art" -- "1.4 Hegel and romantic metaphysics" -- "1.5 Hegel’s Aesthetics in the modern context" -- "2 Philosophy, Theology and Intellectual Intuition in Coleridge’s Poetics" -- "2.1 Introduction" -- "2.2 Coleridge’s philosophical dichotomy" -- "2.3 Coleridge’s theological escape from aporia" -- "2.4 Symbol and allegory in Coleridge" -- "2.5 The deconstruction of allegory and symbol in â€Kubla Khan”" -- "2.6 The antagonists of the imagination in â€Kubla Khan”" -- "2.7 Coleridge’s â€unhappy consciousness” in â€Frost at Midnight”" -- "2.8 The aporetic recognition through joy in â€Dejection”" -- "2.9 Recognitive breakdown in â€Constancy to an Ideal Object”" -- "3 Wordsworth’s Metaphysical Equipoise" -- "3.1 Introduction" -- "3.2 Wordsworth and romantic metaphysics" -- "3.3 Wordsworth’s ladder" -- "3.4 Dialectical criticism of Wordsworth" -- "3.5 Contingency and embodiment" -- "3.6 Doubt and embodiment in â€Lines Written a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798”" -- "3.7 â€Home” at Grasmere: embodiment" -- "3.8 The unifying nature of the Wordsworthian symbol" -- "3.9 Conclusion" -- "4 Dialectical Collapse and Post-Romantic Recognition in Shelley" -- "4.1 Introduction" -- "4.2 Shelley’s quest for the imagination upon Mont Blanc" -- "4.3 Visionary alienation in â€Alastor”" -- "4.4 Eschatological projection in â€Adonais”". 5 The Contingent Limits of Romantic Myth-Making -- 5.1 Introduction -- 5.2 The romantic discourse of Wordsworth and Coleridge -- 5.3 Shelley's second-order discourse -- 5.4 Embodied scepticism: Frankenstein -- 5.5 Conclusion -- Notes -- Bibliography -- Index

     
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  10. British Romanticism and the Reception of Italian Old Master Art, 1793-1840
    Author: McCue, Maureen
    Published: 2014
    Publisher:  Taylor & Francis, Farnham

    As a result of Napoleon's campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors,... more

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    As a result of Napoleon's campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period's political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats, while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural, historical and literary readings of the responses to Italian art by early nineteenth-century writers, Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism Cover -- Contents -- List of Figures -- Acknowledgements -- List of Abbreviations -- Introduction -- 1 Attempting 'To Engraft Italian Art on English Nature' -- 2 Connoisseurship -- 3 Making Literature -- 4 Samuel Rogers's Italy -- Conclusion -- Bibliography -- Index

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781409468332
    Series: Studies in Art Historiography
    Studies in Art Historiography Ser
    Subjects: Art, Italian -- Influence; English literature -- 18th century -- History and criticism; Romanticism -- England; Art, Italian ; Influence; English literature ; 18th century ; History and criticism; Romanticism ; England; Electronic books
    Scope: 1 Online-Ressource (205 pages)
    Notes:

    Description based upon print version of record

    Cover; Contents; List of Figures; Acknowledgements; List of Abbreviations; Introduction; 1 Attempting 'To Engraft Italian Art on English Nature'; 2 Connoisseurship; 3 Making Literature; 4 Samuel Rogers's Italy; Conclusion; Bibliography; Index