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  1. Wollstonecraft's ghost
    the fate of the female philosopher in the Romantic period
    Author: McInnes, Andrew.
    Published: 2017
    Publisher:  Routledge,, London

    1. Imagining Mary : representations of Wollstonecraft in the works of Mary Hays and William Godwin -- 2. The death of the feminist in Amelia Opie's Adeline Mowbray, Elizabeth Hamilton's Modern philosophers and Maria Edgeworth's Belinda -- 3. England... more

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    1. Imagining Mary : representations of Wollstonecraft in the works of Mary Hays and William Godwin -- 2. The death of the feminist in Amelia Opie's Adeline Mowbray, Elizabeth Hamilton's Modern philosophers and Maria Edgeworth's Belinda -- 3. England in eighteen hundred and fourteen : the state of the nation in Frances Burney's The wanderer and Jane Austen's Mansfield Park -- 4. Hideous progeny : the female philosopher in Gothic, historical and silver fork fiction -- 5. Afterword : the afterlives of the female philosopher.

     
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  2. Wordsworth and the poetics of air
    atmospheric Romanticism in a time of climate change
    Author: Ford, Thomas H.
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    Before the ideas we now define as Romanticism took hold the word 'atmosphere' meant only the physical stuff of air; afterwards, it could mean almost anything, from a historical mood or spirit to the character or style of an artwork. Thomas H. Ford... more

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    Before the ideas we now define as Romanticism took hold the word 'atmosphere' meant only the physical stuff of air; afterwards, it could mean almost anything, from a historical mood or spirit to the character or style of an artwork. Thomas H. Ford traces this shift of meaning, which he sees as first occurring in the poetry of William Wordsworth. Gradually 'air' and 'atmosphere' took on the new status of metaphor as Wordsworth and other poets re-imagined poetry as a textual area of aerial communication - conveying the breath of a transitory moment to other times and places via the printed page. Reading Romantic poetry through this ecological and ecocritical lens Ford goes on to ask what the poems of the Romantic period mean for us in a new age of climate change, when the relationship between physical climates and cultural, political and literary atmospheres is once again being transformed Introduction: An ecophilology of atmosphere -- Atmospheric romanticism -- Atmospheric mediation -- Romantic meteorology -- Atmospheric aesthetics -- In the breathing chamber: "lines written a few miles above" -- Conclusion: Romantic poetry after climate change

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108569316
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    RVK Categories: HL 4905
    Series: Cambridge studies in Romanticism ; 121
    Subjects: Romanticism; Air in literature; Literature and science; Wordsworth, William ; 1770-1850 ; Criticism and interpretation; Literature and science ; England ; History ; 19th century; Air in literature; Romanticism ; England
    Other subjects: Wordsworth, William (1770-1850)
    Scope: 1 Online-Ressource (x, 269 Seiten), Illustrationen
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    Literaturverzeichnis: Seite 245 - 261
  3. Wollstonecraft's ghost
    the fate of the female philosopher in the Romantic period
    Author: McInnes, Andrew.
    Published: 2017
    Publisher:  Routledge,, London

    1. Imagining Mary : representations of Wollstonecraft in the works of Mary Hays and William Godwin -- 2. The death of the feminist in Amelia Opie's Adeline Mowbray, Elizabeth Hamilton's Modern philosophers and Maria Edgeworth's Belinda -- 3. England... more

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    1. Imagining Mary : representations of Wollstonecraft in the works of Mary Hays and William Godwin -- 2. The death of the feminist in Amelia Opie's Adeline Mowbray, Elizabeth Hamilton's Modern philosophers and Maria Edgeworth's Belinda -- 3. England in eighteen hundred and fourteen : the state of the nation in Frances Burney's The wanderer and Jane Austen's Mansfield Park -- 4. Hideous progeny : the female philosopher in Gothic, historical and silver fork fiction -- 5. Afterword : the afterlives of the female philosopher.

     
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  4. Mary Robinson and the genesis of Romanticism
    literary dialogues and debts, 1784-1821
    Author: Cross, Ashley
    Published: 2017
    Publisher:  Routledge,, New York

    1. Harping on lyrical exchange : Samuel Coleridge -- 2. Illegitimate influences : Charlotte Smith -- 3. The Morning post aesthetic : Robert Southey -- 4. Walsingham, Caleb Williams and queer panic : William Godwin -- 5. Vindicating the writing woman... more

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    1. Harping on lyrical exchange : Samuel Coleridge -- 2. Illegitimate influences : Charlotte Smith -- 3. The Morning post aesthetic : Robert Southey -- 4. Walsingham, Caleb Williams and queer panic : William Godwin -- 5. Vindicating the writing woman : Mary Wollstonecraft -- 6. From Lyrical ballads to Lyrical tales : Willam Wordsworth -- 7. Resurrecting Robinson : Charlotte Dacre -- 8. 'Sick of the same bruise': John Keats.

     
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  5. The Connected Condition
    Romanticism and the Dream of Communication
    Author: Igarashi, Yohei
    Published: 2019; ©2019
    Publisher:  Stanford University Press, Redwood City

    Cover -- Contents -- Introduction: The Dream of Communication -- 1 Scribble-Scrabble Genius: Coleridge, Transcription, and the Shorthand Effect -- 2 Wordsworth and Bureaucratic Form -- 3 Shelley amid the Age of Separations -- or, a Poetry of... more

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    Cover -- Contents -- Introduction: The Dream of Communication -- 1 Scribble-Scrabble Genius: Coleridge, Transcription, and the Shorthand Effect -- 2 Wordsworth and Bureaucratic Form -- 3 Shelley amid the Age of Separations -- or, a Poetry of Ambiversion for Networked Life -- 4 Keats's Ways: The Dark Passages of Mediation and Giving Up Hyperion -- Conclusion: Communication and Literary Competence, Anew -- Acknowledgments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781503610736
    Series: Stanford Text Technologies Ser.
    Stanford text technologies
    Subjects: Electronic books; Communication ; England ; History ; 18th century; English poetry ; 18th century ; History and criticism; Romanticism ; England
    Scope: 1 online resource (251 pages)
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  6. A Companion to Romance
    From Classical to Contemporary
    Author: Saunders, Corinne
    Published: 2004; ©2008.
    Publisher:  John Wiley & Sons, Incorporated, Chichester

    "Acknowledging the difficulty of defining "romance," Saunders and the contributors collectively produce a volume that offers a more comprehensive survey of the literature--including its historical, national, and generic varieties--than have previous... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    "Acknowledging the difficulty of defining "romance," Saunders and the contributors collectively produce a volume that offers a more comprehensive survey of the literature--including its historical, national, and generic varieties--than have previous standard works on the subject…Some of the essays--e.g., Helen Cooper's "Malory and the Early Prose Romances" and Richard Cronin's "Victorian Romance: Medievalism"--are exemplary in the quality of their writing, scholarship, and critical perception…Highly recommended." Choice "... It would be worth acquiring for an academic humanities collection and, from my own experience, would be particulary useful for English literature students at undergraduate and postgraduate level." Reference Review. Intro -- A COMPANION TO ROMANCE From Classical to Contemporary -- Contents -- List of Illustrations -- Acknowledgments -- Notes on Contributors -- Introduction -- 1. Ancient Romance -- 2. Insular Beginnings: Anglo-Norman Romance -- 3. The Popular English Metrical Romances -- 4. Arthurian Romance -- 5. Chaucer's Romances -- 6. Malory and the Early Prose Romances -- 7. Gendering Prose Romance in Renaissance England -- 8. Sidney and Spenser -- 9. Shakespeare's Romances -- 10. Chapbooks and Penny Histories -- 11. The Faerie Queene and Eighteenth-century Spenserianism -- 12. "Gothic" Romance: Its Origins and Cultural Functions -- 13. Women's Gothic Romance: Writers, Readers, and the Pleasures of the Form -- 14. Paradise and Cotton-mill: Rereading Eighteenth-century -- 15. "Inconsistent Rhapsodies": Samuel Richardson and the Politics of Romance -- 16. Romance and the Romantic Novel: Sir Walter Scott -- 17. Poetry of the Romantic Period: Coleridge and Keats -- 18. Victorian Romance: Tennyson -- 19. Victorian Romance: Medievalism -- 20. Romance and Victorian Autobiography: Margaret Oliphant, Edmund Gosse, and John Ruskin's "needle to the north" -- 21. Victorian Romance: Romance and Mystery -- 22. Nineteenth-century Adventure and Fantasy -- 23. Into the Twentieth Century: Imperial Romance from Haggard to Buchan -- 24. America and Romance -- 25. Myth, Legend, and Romance in Yeats, Pound, and Eliot -- 26. Twentieth-century Arthurian Romance -- 27. Romance in Fantasy Through the Twentieth Century -- 28. Quest Romance in Science Fiction -- 29. Between Worlds: Iris Murdoch, A. S. Byatt, and Romance -- 30. Popular Romance and its Readers -- Epilogue: Into the Twenty-first Century -- Index.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780470999165
    Edition: 1st ed.
    Series: Blackwell Companions to Literature and Culture Ser
    Blackwell companions to literature and culture ; 27
    Subjects: English literature ; History and criticism; Romances, English ; History and criticism; Romanticism ; England; Electronic books
    Scope: 1 online resource (582 pages)
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  7. Ecology and literature of the British Left
    the red and the green
    Published: 2012
    Publisher:  Ashgate, Farnham [u.a.]

    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter... more

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    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter divisions within and between societies, recent practitioners of ecofeminism, environmental justice, and social ecology have argued that the social, the economic and the environmental have to be seen as part of the same process. Taking up this challenge, the contributors trace the origins of an environmental sensibility and of the modern left to their roots in the late eighteenth and early nineteenth centuries, charting the ways in which the literary imagination responds to the political, industrial and agrarian revolutions. Topics include Samuel Taylor Coleridge's credentials as a green writer, the interaction between John Ruskin's religious and political ideas and his changing view of nature, William Morris and the Garden City movement, H. G. Wells and the Fabians, the devastated landscapes in the poetry and fiction of the First World War, and the leftist pastoral poetry of the 1930s. In historicizing and connecting environmentally sensitive literature with socialist thought, these essays explore the interactive vision of nature and society in the work of writers ranging from William Wordsworth and John Clare to John Berger and John Burnside. Cover -- Contents -- Notes on Contributors -- Acknowledgements -- Introduction: The Red and the Green -- 1 Contemporary Ecocriticism between Red and Green -- 2 Was Coleridge Green? -- 3 'Wastes of corn': Changes in Rural Land Use in Wordsworth's Early Poetry -- 4 John Clare's Weeds -- 5 John Clare & … & … & … Deleuze and Guattari's Rhizome -- 6 Graeco-Roman Pastoral and Social Class in Arthur Hugh Clough's Bothie and Thomas Hardy's Under The Greenwood Tree -- 7 Landscape, Labour and History in Later Nineteenth-Century Writing -- 8 Fallen Nature: Ruskin's Political Apocalypse -- 9 William Morris and the Garden City -- 10 H.G. Wells, Fabianism and the 'Shape of Things to Come' -- 11 Guardianship and Fellowship: Radicalism and the Ecological Imagination 1880-1940 -- 12 Felled Trees-Fallen Soldiers -- 13 Marxist Cricket? Some Versions of Pastoral in the Poetry of the Thirties -- 14 Eco-anarchism, the New Left and Romanticism -- 15 A Huge Lacuna vis-à-vis the Peasants: Red and Green in John Berger's Trilogy Into Their Labours -- 16 Green Links: Ecosocialism and Contemporary Scottish Writing -- Bibliography -- Index.

     
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  8. Early Romanticism and religious dissent
    Author: White, Daniel E.
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge

    Religious diversity and ferment characterize the period that gave rise to Romanticism in England. It is generally known that many individuals who contributed to the new literatures of the late eighteenth century came from Dissenting backgrounds, but... more

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    Religious diversity and ferment characterize the period that gave rise to Romanticism in England. It is generally known that many individuals who contributed to the new literatures of the late eighteenth century came from Dissenting backgrounds, but we nonetheless often underestimate the full significance of nonconformist beliefs and practices during this period. Daniel White provides a clear and useful introduction to Dissenting communities, focusing on Anna Barbauld and her familial network of heterodox 'liberal' Dissenters whose religious, literary, educational, political, and economic activities shaped the public culture of early Romanticism in England. He goes on to analyze the roles of nonconformity within the lives and writings of William Godwin, Mary Wollstonecraft, Samuel Taylor Coleridge, and Robert Southey, offering a Dissenting genealogy of the Romantic movement "True principles of religion and liberty": liberal dissent and the Warrington Academy -- Anna Barbauld and devotional tastes: extempore, particular, experimental -- The "Joineriana": Barbauld, the Aikin family circle, and the Dissenting public sphere -- Godwinian scenes and popular politics: Godwin, Wollstonecraft, and the legacies of Dissent -- "Properer for a sermon": Coleridgean ministries -- "A Saracenic mosque, not a Quaker meeting-house": Southey's Thalaba, Islam, and religious nonconformity

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484698
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    RVK Categories: HL 1091
    Series: Cambridge studies in Romanticism ; 65
    Subjects: Dissenters, Religious; Romanticism; English literature; English literature ; 18th century ; History and criticism; Romanticism ; England; Dissenters, Religious ; England ; History ; 18th century
    Scope: 1 Online-Ressource (xiii, 266 pages), digital, PDF file(s)
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  9. Transfiguring the arts and sciences
    knowledge and cultural institutions in the Romantic age
    Author: Klancher, Jon P.
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    In this important and innovative study Jon Klancher shows how the Romantic age produced a new discourse of the 'Arts and Sciences' by reconfiguring the Enlightenment's idea of knowledge and by creating new kinds of cultural institutions with... more

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    In this important and innovative study Jon Klancher shows how the Romantic age produced a new discourse of the 'Arts and Sciences' by reconfiguring the Enlightenment's idea of knowledge and by creating new kinds of cultural institutions with unprecedented public impact. He investigates the work of poets, lecturers, moral philosophers, scientists and literary critics - including Coleridge, Godwin, Bentham, Davy, Wordsworth, Robinson, Shelley and Hunt - and traces their response to book collectors and bibliographers, art-and-science administrators, painters, engravers, natural philosophers, radical journalists, editors and reviewers. Taking a historical and cross-disciplinary approach, he opens up Romantic literary and critical writing to transformations in the history of science, history of the book, art history, and the little-known history of arts-and-sciences administration that linked early-modern projects to nineteenth- and twentieth-century modes of organizing 'knowledges'. His conclusions transform the ways we think about knowledge, both in the Romantic period and in our own From the age of projects to the age of institutions -- The administrator as cultural producer: restructuring the arts and sciences -- Wild bibliography: the rise and fall of book history in the nineteenth century -- Print and institution in the making of art controversy -- History and organization in the romantic-age sciences -- The Coleridge institution -- Dissenting from the "arts and sciences" -- Epilogue: transatlantic crossings

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139245937
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    RVK Categories: HL 1131
    Series: Cambridge studies in Romanticism ; 100
    Subjects: Science and the humanities; Associations, institutions, etc; Books and reading; Romanticism; Knowledge, Theory of; Knowledge, Theory of ; England ; History ; 19th century; Romanticism ; England; Science and the humanities ; Great Britain ; History ; 19th century; Associations, institutions, etc ; England ; History; Books and reading ; England ; History ; 19th century; London (England) ; Intellectual life ; 19th century
    Scope: 1 Online-Ressource (x, 307 pages), digital, PDF file(s)
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  10. Romantic vagrancy
    Wordsworth and the simulation of freedom
    Author: Langan, Celeste
    Published: 1995
    Publisher:  Cambridge University Press, Cambridge

    A provocative account of Wordsworth's representation of walking as the exercise of imagination, Romantic Vagrancy traces a recurrent analogy between the poet in search of material and the literally dispossessed vagrants and beggars he encounters.... more

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    A provocative account of Wordsworth's representation of walking as the exercise of imagination, Romantic Vagrancy traces a recurrent analogy between the poet in search of material and the literally dispossessed vagrants and beggars he encounters. Reading Wordsworth - and Rousseau before him - from the perspective of recent debates about the political and social rights of the homeless, Celeste Langan argues that both literature and vagrancy are surprisingly rich and disturbing images of the 'negative freedom' at the heart of liberalism. Langan shows how the formal structure of the Romantic poem - the improvisational excursion - mirrors its apparent themes, often narratives of impoverishment or abandonment. According to Langan, the encounter between the beggar and the passer-by in Wordsworth's poetry does not simply reveal a social conscience or its lack; it represents the advent of the liberal subject, whose identity is stretched out between origin and destination, caught between economic and political forces and the workings of desire Acknowledgments -- List of abbreviations -- A methodological preamble -- Introduction -- Rousseau plays the beggar: the last words of citizen subject -- Money walks: Wordsworth and the right to wander -- Walking and talking at the same time: the 'two histories' of The Prelude (1805) -- The walking cure -- Index

     
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    ISBN: 9780511553509
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    Series: Cambridge studies in Romanticism ; 15
    Subjects: Homelessness in literature; Liberalism in literature; Walking in literature; Romanticism; Poets in literature; Literature and society; Wordsworth, William ; 1770-1850 ; Political and social views; Literature and society ; England ; History ; 19th century; Homelessness in literature; Liberalism in literature; Walking in literature; Romanticism ; England; Poets in literature
    Other subjects: Wordsworth, William (1770-1850)
    Scope: 1 Online-Ressource (x, 304 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  11. Coleridge on dreaming
    Romanticism, dreams and the medical imagination
    Author: Ford, Jennifer
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge

    This book is the first in-depth investigation of Coleridge's responses to his dreams and to contemporary debates on the nature of dreaming, a subject of perennial interest to poets, philosophers and scientists throughout the Romantic period.... more

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    This book is the first in-depth investigation of Coleridge's responses to his dreams and to contemporary debates on the nature of dreaming, a subject of perennial interest to poets, philosophers and scientists throughout the Romantic period. Coleridge wrote and read extensively on the subject, but his richly diverse and original ideas have hitherto received little attention, scattered as they are throughout his notebooks, letters and marginalia. Jennifer Ford's emphasis is on analysing the ways in which dreaming processes were construed, by Coleridge in his dream readings, and by his contemporaries in a range of poetic and medical works. This historical exploration of dreams and dreaming allows Ford to explore previously neglected contemporary debates on 'the medical imagination'. By avoiding purely biographical or psychoanalytic approaches, she reveals instead a rich historical context for the ways in which the most mysterious workings of the Romantic imagination were explored and understood 1. Dreaming in the eighteenth and nineteenth centuries -- 2. Dramatic dreaming spaces -- 3. The language of dreams -- 4. Genera and species of dreams -- 5. 'Nightmairs' -- 6. The mysterious problem of dreams -- 7. Translations of dream and body -- 8. The dreaming medical imagination

     
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    Language: English
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    ISBN: 9780511581861
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    Series: Cambridge studies in Romanticism ; 26
    Subjects: Poets, English; Poetry; Dreams; Dreams; Romanticism; Dreams in literature; Coleridge, Samuel Taylor ; 1772-1834 ; Knowledge ; Psychology; Dreams in literature; Poets, English ; 19th century ; Psychology; Poetry ; Psychological aspects; Dreams ; History ; 18th century; Dreams ; History ; 19th century; Romanticism ; England
    Other subjects: Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 Online-Ressource (xii, 256 pages), digital, PDF file(s)
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  12. The invention of evening
    perception and time in Romantic poetry
    Author: Miller, Christopher R.
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge

    Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this... more

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    Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs from the idyllic settings of Virgil to the urban twilights of T. S. Eliot, and flourished in the works of Coleridge, Wordsworth, Shelley and Keats. In fresh readings of familiar Romantic poems, Miller shows how evening settings enabled poets to represent the passage of time and to associate it with subtle movements of thought and perception. This leads to new ways of reading canonical works, and of thinking about the kinds of themes the lyric can express

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511720031
    Other identifier:
    RVK Categories: HL 1160 ; HL 1131 ; HL 1191
    Series: Cambridge studies in Romanticism ; 66
    Subjects: English poetry; Time in literature; Perception in literature; Romanticism; Coleridge, Samuel Taylor ; 1772-1834 ; Criticism and interpretation; Wordsworth, William ; 1770-1850 ; Criticism and interpretation; Shelley, Percy Bysshe ; 1792-1822 ; Criticism and interpretation; Keats, John ; 1795-1821 ; Criticism and interpretation; English poetry ; 19th century ; History and criticism; Time in literature; Perception in literature; Romanticism ; England
    Other subjects: Shelley, Percy Bysshe (1792-1822); Keats, John (1795-1821); Wordsworth, William (1770-1850); Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 Online-Ressource (ix, 262 pages), digital, PDF file(s)
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    1. The pre-history of romantic time -- 2. Coleridge's lyric "moment" -- 3. Wordsworth's evening voluntaries -- 4. Shelley's "woven hymns of night and day" -- 5. Keats and the "Luxury of twilight" -- 6. Later inventions.
  13. Byron and romanticism
    Author: McGann, Jerome J.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and... more

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    This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth century. McGann's receptiveness to dialogic forms of criticism is also illustrated in this collection, which contains an interview and concludes with a dialogue between McGann and the editor. Many of these essays have previously been available only in specialist scholarly journals. Now McGann's influential work on Byron can be appreciated more widely by new generations of students and scholars Milton and Byron -- Byron, mobility, and the poetics of historical ventriloquism -- My brain is feminine': Byron and the poetry of deception -- What difference do the circumstances of publication make to the interpretation of a literary work? -- Byron and the anonymous lyric -- Private poetry, public deception -- Hero with a thousand faces: the rhetoric of Byronism -- Byron and the lyric of sensibility -- Byron and Wordsworth -- A point of reference -- History, herstory, theirstory, ourstory -- Literature, meaning, and the discontinuity of fact -- Rethinking romanticism -- An interview with Jerome McGann -- Poetry, 1780-1832 -- Byron and romanticism, a dialogue (Jerome McGann and the editor, James Soderholm)

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Soderholm, James (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484384
    Other identifier:
    RVK Categories: HL 1131 ; HL 2265
    Series: Cambridge studies in Romanticism ; 50
    Subjects: Romanticism; Byron, George Gordon Byron ; Baron ; 1788-1824 ; Criticism and interpretation; Romanticism ; England
    Other subjects: Byron, George Gordon Byron Baron (1788-1824)
    Scope: 1 Online-Ressource (ix, 311 pages), digital, PDF file(s)
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    Cover; Half-title; Series-title; Title; Copyright; Contents; Acknowledgments; General analytical and historical introduction; THEORY AND METHOD; THINKING AND WRITING; BYRONIC TEXTUALITY; ONE WORD MORE; NOTES; CHAPTER 1 Milton and Byron; CHAPTER 2 Byron, mobility, and the poetics of historical ventriloquism; CHAPTER 3 "My brain is feminine": Byron and the poetry of deception; CHAPTER 4 What difference do the circumstances of publication make of the interpretation of a literary work?; CHAPTER 5 Byron and the anonymous lyric; CHAPTER 6 Private poetry, public deception

    CHAPTER 7 Hero with a thousand faces: the rhetoric of ByronismCHAPTER 8 Byron and the lyric of sensibility; CHAPTER 9 Byron and Wordsworth; CHAPTER 10 Apoint of reference; CHAPTER 11 History, herstory, theirstory, ourstory; CHAPTER 12 Literature, meaning, and the discontinuity of fact; CHAPTER 13 Rethinking Romanticism; CHAPTER 14 An interview with Jerome McGann; CHAPTER 15 Poetry, 1780-1832; CHAPTER 16 Byron and Romanticism, a dialogue (Jerome McGann and the editor, James Soderholm); Subject index; Authors index
  14. Ecology and literature of the British Left
    the red and the green
    Published: 2012
    Publisher:  Ashgate, Farnham [u.a.]

    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter... more

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    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter divisions within and between societies, recent practitioners of ecofeminism, environmental justice, and social ecology have argued that the social, the economic and the environmental have to be seen as part of the same process. Taking up this challenge, the contributors trace the origins of an environmental sensibility and of the modern left to their roots in the late eighteenth and early nineteenth centuries, charting the ways in which the literary imagination responds to the political, industrial and agrarian revolutions. Topics include Samuel Taylor Coleridge's credentials as a green writer, the interaction between John Ruskin's religious and political ideas and his changing view of nature, William Morris and the Garden City movement, H. G. Wells and the Fabians, the devastated landscapes in the poetry and fiction of the First World War, and the leftist pastoral poetry of the 1930s. In historicizing and connecting environmentally sensitive literature with socialist thought, these essays explore the interactive vision of nature and society in the work of writers ranging from William Wordsworth and John Clare to John Berger and John Burnside. Cover -- Contents -- Notes on Contributors -- Acknowledgements -- Introduction: The Red and the Green -- 1 Contemporary Ecocriticism between Red and Green -- 2 Was Coleridge Green? -- 3 'Wastes of corn': Changes in Rural Land Use in Wordsworth's Early Poetry -- 4 John Clare's Weeds -- 5 John Clare & … & … & … Deleuze and Guattari's Rhizome -- 6 Graeco-Roman Pastoral and Social Class in Arthur Hugh Clough's Bothie and Thomas Hardy's Under The Greenwood Tree -- 7 Landscape, Labour and History in Later Nineteenth-Century Writing -- 8 Fallen Nature: Ruskin's Political Apocalypse -- 9 William Morris and the Garden City -- 10 H.G. Wells, Fabianism and the 'Shape of Things to Come' -- 11 Guardianship and Fellowship: Radicalism and the Ecological Imagination 1880-1940 -- 12 Felled Trees-Fallen Soldiers -- 13 Marxist Cricket? Some Versions of Pastoral in the Poetry of the Thirties -- 14 Eco-anarchism, the New Left and Romanticism -- 15 A Huge Lacuna vis-à-vis the Peasants: Red and Green in John Berger's Trilogy Into Their Labours -- 16 Green Links: Ecosocialism and Contemporary Scottish Writing -- Bibliography -- Index.

     
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  15. Wordsworth and the poetics of air
    atmospheric Romanticism in a time of climate change
    Author: Ford, Thomas H.
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    Before the ideas we now define as Romanticism took hold the word 'atmosphere' meant only the physical stuff of air; afterwards, it could mean almost anything, from a historical mood or spirit to the character or style of an artwork. Thomas H. Ford... more

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    Before the ideas we now define as Romanticism took hold the word 'atmosphere' meant only the physical stuff of air; afterwards, it could mean almost anything, from a historical mood or spirit to the character or style of an artwork. Thomas H. Ford traces this shift of meaning, which he sees as first occurring in the poetry of William Wordsworth. Gradually 'air' and 'atmosphere' took on the new status of metaphor as Wordsworth and other poets re-imagined poetry as a textual area of aerial communication - conveying the breath of a transitory moment to other times and places via the printed page. Reading Romantic poetry through this ecological and ecocritical lens Ford goes on to ask what the poems of the Romantic period mean for us in a new age of climate change, when the relationship between physical climates and cultural, political and literary atmospheres is once again being transformed Introduction: An ecophilology of atmosphere -- Atmospheric romanticism -- Atmospheric mediation -- Romantic meteorology -- Atmospheric aesthetics -- In the breathing chamber: "lines written a few miles above" -- Conclusion: Romantic poetry after climate change

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108569316
    Other identifier:
    RVK Categories: HL 4905
    Series: Cambridge studies in Romanticism ; 121
    Subjects: Romanticism; Air in literature; Literature and science; Wordsworth, William ; 1770-1850 ; Criticism and interpretation; Literature and science ; England ; History ; 19th century; Air in literature; Romanticism ; England
    Other subjects: Wordsworth, William (1770-1850)
    Scope: 1 Online-Ressource (x, 269 Seiten), Illustrationen
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    Literaturverzeichnis: Seite 245 - 261
  16. The blind and blindness in literature of the Romantic period
    Author: Larrissy, Edward
    Published: 2007
    Publisher:  Edinburgh University Press, Edinburgh

    In the first full-length literary-historical study of its subject Edward Larrissy examines the philosophical and literary background to representations of blindness and the blind in the Romantic period more

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    In the first full-length literary-historical study of its subject Edward Larrissy examines the philosophical and literary background to representations of blindness and the blind in the Romantic period

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748632015
    RVK Categories: HL 1101 ; HL 1131
    Subjects: Blind in literature; Romanticism; English literature; English poetry; Blindness in literature; Blindness in literature; Blind in literature; Romanticism ; England; English literature ; 19th century ; History and criticism; English poetry ; 19th century ; History and criticism
    Scope: 1 Online-Ressource (229 pages), digital, PDF file(s)
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  17. Mary Robinson and the genesis of Romanticism
    literary dialogues and debts, 1784-1821
    Author: Cross, Ashley
    Published: 2017
    Publisher:  Routledge,, New York

    1. Harping on lyrical exchange : Samuel Coleridge -- 2. Illegitimate influences : Charlotte Smith -- 3. The Morning post aesthetic : Robert Southey -- 4. Walsingham, Caleb Williams and queer panic : William Godwin -- 5. Vindicating the writing woman... more

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    1. Harping on lyrical exchange : Samuel Coleridge -- 2. Illegitimate influences : Charlotte Smith -- 3. The Morning post aesthetic : Robert Southey -- 4. Walsingham, Caleb Williams and queer panic : William Godwin -- 5. Vindicating the writing woman : Mary Wollstonecraft -- 6. From Lyrical ballads to Lyrical tales : Willam Wordsworth -- 7. Resurrecting Robinson : Charlotte Dacre -- 8. 'Sick of the same bruise': John Keats.

     
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  18. The other Mary Shelley
    beyond Frankenstein
    Published: 1993
    Publisher:  Oxford University Press, New York

    This volume comprises 15 critical essays written by some of the most eminent Romantic scholars in academia. The essays survey the oeuvre of Mary Shelley as it developed beyond Frankenstein, and evaluate her career in terms of her intellectual and... more

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    This volume comprises 15 critical essays written by some of the most eminent Romantic scholars in academia. The essays survey the oeuvre of Mary Shelley as it developed beyond Frankenstein, and evaluate her career in terms of her intellectual and political accomplishments

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195077407; 9780195077407
    Subjects: Women and literature; Romanticism; Romanticism ; England; Shelley, Mary Wollstonecraft ; 1797-1851 ; Criticism and interpretation; Shelley, Mary Wollstonecraft ; 1797-1851; Women and literature ; England ; History ; 19th century; Electronic books
    Other subjects: Shelley, Mary Wollstonecraft (1797-1851); Shelley, Mary Wollstonecraft (1797-1851)
    Scope: Online-Ressource (x, 300 p), ill
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    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Contents; Introduction; I: ROMANTICISM AND RESISTANCE; Mary Shelley's Sympathy and Irony: The Editor and Her Corpus; Editorial Privilege: Mary Shelley and Percy Shelley's Audiences; Reading Mary Shelley's Journals: Romantic Subjectivity and Feminist Criticism; Mary Shelley and the Taming of the Byronic Hero: ""Transformation"" and The Deformed Transformed; The Last Man: Apocalypse Without Millennium; Proserpine and Midas: Gender, Genre, and Mythic Revisionism in Mary Shelley's Dramas; Beatrice in Valperga: A New Cassandra; God's Sister: History and Ideology in Valperga

    II: CULTURE AND CRITICISMSwayed by Contraries: Mary Shelley and the Everyday; Disfiguring Economies: Mary Shelley's Short Stories; Subversive Surfaces: The Limits of Domestic Affection in Mary Shelley's Later Fiction; Mary Shelley in Transit; The Last Man; Plaguing Politics: AIDS, Deconstruction, and The Last Man; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z
  19. Metaphysical Hazlitt
    bicentenary essays
    Published: 2005
    Publisher:  Routledge, London

    Presents William Hazlitt as a philosophical, and not simply a 'familiar' essayist. This collection of essays offers a comprehensive statement of the significance and transmission of Hazlitt's philosophical principles, in his own work and in that of... more

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    Presents William Hazlitt as a philosophical, and not simply a 'familiar' essayist. This collection of essays offers a comprehensive statement of the significance and transmission of Hazlitt's philosophical principles, in his own work and in that of his contemporaries and succeeding writers

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0415335663
    Series: Routledge studies in romanticism ; 5
    Routledge Studies in Romanticism Ser.
    Subjects: Romanticism; Philosophy in literature; Hazlitt, William ; 1778-1830 ; Criticism and interpretation; Philosophy in literature; Romanticism ; England; Electronic books
    Other subjects: Hazlitt, William (1778-1830)
    Scope: Online-Ressource (xviii, 188 p), 25 cm
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    Includes bibliographical references (p. [160]-182) and index

    Electronic reproduction; Available via World Wide Web

    Book Cover; Half-Title; Series Title; Title; Copyright; Dedication; Contents; Contributors; Foreword; Hazlitt's Essay on the Principlesof Human Action; Introduction; 1 Disinterested Imagining andImpersonal Feeling; 2 Hazlitt and the Idea ofIdentity; 3 'The Future in the Instant'; 4 Hazlitt and the Selfishness ofPassion; 5 Hazlitt and the 'Kings ofSpeech'; 6 The Road to Nether Stowey; 7 One Impulse; 8 Circle of Sympathy; 9 'Darkening Knowledge'; 10 Schelling and Hazlitt onDisinterestedness andFreedom; 11 'A Nature Towards OneAnother'; Notes; Bibliography; Index
  20. Transfiguring the Arts and Sciences
    Knowledge and Cultural Institutions in the Romantic Age
    Author: Klancher, Jon
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Discusses how Romantic-age writers and new cultural institutions transformed ideas of knowledge inherited from the early-modern period more

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    Discusses how Romantic-age writers and new cultural institutions transformed ideas of knowledge inherited from the early-modern period

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107029101
    Series: Cambridge Studies in Romanticism
    Subjects: Associations, institutions, etc ; England ; History; Books and reading ; England ; History ; 19th century; Knowledge, Theory of ; England ; History ; 19th century; London (England) ; Intellectual life ; 19th century; Romanticism ; England; Science and the humanities ; Great Britain ; History ; 19th century; Electronic books
    Scope: Online-Ressource (326 p)
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    Contents; Tables; Acknowledgements; Introduction; Romanticism and the contingency of institutions; Transfiguring the ""arts and sciences""; Part I Questions of the arts and sciences; Chapter 1 From the age of projects to the age of institutions; The cultural work of projecting; The discourse of institution in the Enlightenment; Institutions, academies, societies; Words and institutions in Romantic writing; Chapter 2 The administrator as cultural producer: restructuring the arts and sciences; Centers of action: knowledge and social welfare; Centers of attraction: a theater of arts and sciences

    Lecturing the ""arts and sciences""Transmuting enlightenment; Chapter 3 Wild bibliography: the rise and fall of book history in the nineteenth century; Civilizing, or bibliography and the ""arts and sciences""; Barbarism, or the bibliographical shockers; Black-letter reading; Extra-illustration; Wild bibliography and the ""religion of the book""; Undoing Romantic-age book history; Chapter 4 Print and institution in the making of art controversy; Artists into print: expertise and authorship; Institution and contradiction in the art world; Conjunctures: mediating the public art controversy

    Chapter 5 History and organization in the Romantic-age sciencesThe politics of scientific revolution: an encounter; Disciplinarity and ""organization""; Texts and instruments; Institutions and the differentiating of knowledges; What counts as knowledge; Part II Questions of the literary; Chapter 6 The Coleridge Institution; Writing and lecturing in the Coleridge Institution; Learning curves: Bentham and Coleridge revisited; Church and state, arts and sciences; Chapter 7 Dissenting from the ""arts and sciences""; History, romance, knowledge; The Dissenter's London: knowledge and sociability

    From Republic of Letters to literary fieldDissent in the arts; Dissenting vicissitudes: commerce and the ""arts and sciences""; Parliamentary reform and the knowledges; Poets and institutors; Epilogue: transatlantic crossings; Notes; Introduction; Chapter 1 From the age of projects to the age of institutions; Chapter 2 The administrator as cultural producer: restructuring the arts and sciences; Chapter 3 Wild bibliography: the rise and fall of book history in the nineteenth century; Chapter 4 Print and institution in the making of art controversy

    Chapter 5 History and organization in the Romantic-age sciencesChapter 6 The Coleridge Institution; Chapter 7 Dissenting from the ""arts and sciences""; Epilogue: transatlantic crossings; Bibliography; Primary sources; Secondary sources; Index
  21. Coleridge, Romanticism and the Orient
    cultural negotiations
    Published: 2013
    Publisher:  Bloomsbury Academic, New York

    While postcolonial studies of Romantic-period literature have flourished in recent years, scholars have long neglected the extent of Samuel Taylor Coleridge's engagement with the Orient in both his literary and philsophical writings. Bringing... more

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    While postcolonial studies of Romantic-period literature have flourished in recent years, scholars have long neglected the extent of Samuel Taylor Coleridge's engagement with the Orient in both his literary and philsophical writings. Bringing together leading international writers, Coleridge, Romanticism and the Orient is the first substantial exploration of Coleridge's literary and scholarly representations of the east and the ways in which these were influenced by and went on to influence his own work and the orientalism of the Romanticists more broadly. Bringing together postcolonial, phils

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781441149879
    Subjects: Romanticism; Coleridge, Samuel Taylor ; 1772-1834 ; Knowledge ; Orient..; Coleridge, Samuel Taylor ; 1772-1834 ; Criticism and interpretation..; Romanticism ; England; Electronic books
    Other subjects: Coleridge, Samuel Taylor (1772-1834); Coleridge, Samuel Taylor (1772-1834)
    Scope: Online-Ressource (xiii, 227 p), ill
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    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    CONTENTS; List of Figures; Acknowledgements; Symbols and Abbreviations; Notes on Contributors; Introduction David Vallins; Part One Coleridge, Romanticism and Oriental Cultures; 1 'Bid him bow down to that which is above him': The 'kowtow controversy' and Representations of Asian Ceremonials in Romantic Literature / Peter J. Kitson; 2 The 'dark tide of time': Coleridge and William Hodges' India / Deirdre Coleman; 3 Coleridge's Sequel to Thalaba and Robert Southey's Prequel to Christabel / Tim Fulford; 4 Coleridge, William Empson and Japan / Seamus Perry

    5 Oriental Aesthetes and Modernity: The Reception of Coleridge in Early Twentieth-Century Japan / Kaz OishiPart Two Coleridge, Philosophy, and the Orient; 6 Coleridge, Orient, Philosophy / Andrew Warren; 7 Immanence and Transcendence in Coleridge's Orient / David Vallins; 8 'The One Life Within Us and Abroad': Coleridge and Hinduism / Natalie Tal Harries; 9 On Artistic Disinterestedness: Coleridge, Schopenhauer and Japanese Esoteric Buddhism Compared / Setsuko Wake-Naota; Part Three 'Kubla Khan' and Romantic Orientalism

    10 The Integral Significance of the 1816 Preface to 'Kubla Khan' / Heidi Thomson11 The Mathematics of Dreams: The Psychological Infinity of the East and Geometric Structures in Coleridge's 'Kubla Khan' / Dometa Wiegand Brothers; 12 'Kubla Khan' and British Chinoiserie: The Geopolitics of the Chinese Garden / Kuri Katsuyama; Bibliography; Index
  22. Romance and realism
    a study in English bourgeois literature
    Author: Caudwell, Christopher
    Published: 1970
    Publisher:  Princeton University Press, Princeton, New Jersey

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    Contributor: Hynes, Samuel (editor.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400867691
    Series: Princeton Legacy Library
    Subjects: Realism in literature; Middle class in literature; English literature; Romanticism; English literature ; History and criticism; Middle class in literature; Realism in literature; Romanticism ; England; Electronic books
    Scope: Online-Ressource (149 pages)
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    Includes index
  23. British Romanticism and the Reception of Italian Old Master Art, 1793-1840
    Author: McCue, Maureen
    Published: 2014
    Publisher:  Taylor & Francis, Farnham

    As a result of Napoleon's campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors,... more

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    As a result of Napoleon's campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period's political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats, while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural, historical and literary readings of the responses to Italian art by early nineteenth-century writers, Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism Cover -- Contents -- List of Figures -- Acknowledgements -- List of Abbreviations -- Introduction -- 1 Attempting 'To Engraft Italian Art on English Nature' -- 2 Connoisseurship -- 3 Making Literature -- 4 Samuel Rogers's Italy -- Conclusion -- Bibliography -- Index

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781409468332
    Series: Studies in Art Historiography
    Studies in Art Historiography Ser
    Subjects: Art, Italian -- Influence; English literature -- 18th century -- History and criticism; Romanticism -- England; Art, Italian ; Influence; English literature ; 18th century ; History and criticism; Romanticism ; England; Electronic books
    Scope: 1 Online-Ressource (205 pages)
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    Description based upon print version of record

    Cover; Contents; List of Figures; Acknowledgements; List of Abbreviations; Introduction; 1 Attempting 'To Engraft Italian Art on English Nature'; 2 Connoisseurship; 3 Making Literature; 4 Samuel Rogers's Italy; Conclusion; Bibliography; Index
  24. Ecology and literature of the British Left
    the red and the green
    Published: 2012
    Publisher:  Ashgate, Farnham [u.a.]

    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter... more

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    Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter divisions within and between societies, recent practitioners of ecofeminism, environmental justice, and social ecology have argued that the social, the economic and the environmental have to be seen as part of the same process. Taking up this challenge, the contributors trace the origins of an environmental sensibility and of the modern left to their roots in the late eighteenth and early nineteenth centuries, charting the ways in which the literary imagination responds to the political, industrial and agrarian revolutions. Topics include Samuel Taylor Coleridge's credentials as a green writer, the interaction between John Ruskin's religious and political ideas and his changing view of nature, William Morris and the Garden City movement, H. G. Wells and the Fabians, the devastated landscapes in the poetry and fiction of the First World War, and the leftist pastoral poetry of the 1930s. In historicizing and connecting environmentally sensitive literature with socialist thought, these essays explore the interactive vision of nature and society in the work of writers ranging from William Wordsworth and John Clare to John Berger and John Burnside. Cover -- Contents -- Notes on Contributors -- Acknowledgements -- Introduction: The Red and the Green -- 1 Contemporary Ecocriticism between Red and Green -- 2 Was Coleridge Green? -- 3 'Wastes of corn': Changes in Rural Land Use in Wordsworth's Early Poetry -- 4 John Clare's Weeds -- 5 John Clare & … & … & … Deleuze and Guattari's Rhizome -- 6 Graeco-Roman Pastoral and Social Class in Arthur Hugh Clough's Bothie and Thomas Hardy's Under The Greenwood Tree -- 7 Landscape, Labour and History in Later Nineteenth-Century Writing -- 8 Fallen Nature: Ruskin's Political Apocalypse -- 9 William Morris and the Garden City -- 10 H.G. Wells, Fabianism and the 'Shape of Things to Come' -- 11 Guardianship and Fellowship: Radicalism and the Ecological Imagination 1880-1940 -- 12 Felled Trees-Fallen Soldiers -- 13 Marxist Cricket? Some Versions of Pastoral in the Poetry of the Thirties -- 14 Eco-anarchism, the New Left and Romanticism -- 15 A Huge Lacuna vis-à-vis the Peasants: Red and Green in John Berger's Trilogy Into Their Labours -- 16 Green Links: Ecosocialism and Contemporary Scottish Writing -- Bibliography -- Index.

     
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  25. The invention of evening
    perception and time in Romantic poetry
    Author: Miller, Christopher R.
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge

    Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this... more

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    Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs from the idyllic settings of Virgil to the urban twilights of T. S. Eliot, and flourished in the works of Coleridge, Wordsworth, Shelley and Keats. In fresh readings of familiar Romantic poems, Miller shows how evening settings enabled poets to represent the passage of time and to associate it with subtle movements of thought and perception. This leads to new ways of reading canonical works, and of thinking about the kinds of themes the lyric can express

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511720031
    Other identifier:
    RVK Categories: HL 1160 ; HL 1131 ; HL 1191
    Series: Cambridge studies in Romanticism ; 66
    Subjects: English poetry; Time in literature; Perception in literature; Romanticism; Coleridge, Samuel Taylor ; 1772-1834 ; Criticism and interpretation; Wordsworth, William ; 1770-1850 ; Criticism and interpretation; Shelley, Percy Bysshe ; 1792-1822 ; Criticism and interpretation; Keats, John ; 1795-1821 ; Criticism and interpretation; English poetry ; 19th century ; History and criticism; Time in literature; Perception in literature; Romanticism ; England
    Other subjects: Shelley, Percy Bysshe (1792-1822); Keats, John (1795-1821); Wordsworth, William (1770-1850); Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 Online-Ressource (ix, 262 pages), digital, PDF file(s)
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    1. The pre-history of romantic time -- 2. Coleridge's lyric "moment" -- 3. Wordsworth's evening voluntaries -- 4. Shelley's "woven hymns of night and day" -- 5. Keats and the "Luxury of twilight" -- 6. Later inventions.