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Displaying results 1 to 11 of 11.

  1. The doomed detective
    the contribution of the detective novel to postmodern American and Italian fiction
    Published: 1984
    Publisher:  Southern Illinois Univ. Pr., Carbondale u.a.

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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  2. The web of iniquity
    early detective fiction by American women
    Published: 1998
    Publisher:  Duke Univ. Press, Durham [u.a.]

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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  3. America noir
    underground writers and filmmakers of the postwar era
    Published: 2000
    Publisher:  Smithsonian Inst. Press, Washington [u.a.]

    "In America Noir David Cochran details how ten writers and filmmakers probed the Cold War's cultural contradictions and indirectly challenged its social pieties: the superiority of American democracy, the benevolence of free enterprise, and the... more

    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek Regensburg
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    "In America Noir David Cochran details how ten writers and filmmakers probed the Cold War's cultural contradictions and indirectly challenged its social pieties: the superiority of American democracy, the benevolence of free enterprise, and the sanctity of the suburban family." "Cochran argues that these artists pioneered a detached, ironic sensibility in fictions that radically juxtaposed cultural references and blurred the distinctions between "high" and "low" art. Their works would play a crucial role in the emergence of not only a 1960s counterculture but also the postmodernism of a later era."--BOOK JACKET.

     

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  4. The American roman noir
    Hammett, Cain, and Chandler
    Published: 1995
    Publisher:  Univ. of Georgia Press, Athens [u.a.]

    In The American Roman Noir, William Marling reads classic hard-boiled fiction and film in the contexts of narrative theories and American social and cultural history. His search for the origins of the dark narratives that emerged during the 1920s and... more

    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    In The American Roman Noir, William Marling reads classic hard-boiled fiction and film in the contexts of narrative theories and American social and cultural history. His search for the origins of the dark narratives that emerged during the 1920s and 1930s leads to a sweeping critique of Jazz-Age and Depression-era culture. Integrating economic history, biography, consumer product design, narrative analysis, and film scholarship, Marling makes new connections between events of the 1920s and 1930s and the modes, styles, and genres of their representation. At the center of Marling's approach is the concept of "prodigality": how narrative represents having, and having had, too much. Never before in this country, he argues, did wealth impinge on the national conscience as in the 1920s, and never was such conscience so sharply rebuked as in the 1930s. What, asks Marling, were the paradigms that explained accumulation and windfall, waste and failure? Marling first establishes a theoretical and historical context for the notion of prodigality. Among the topics he discusses are such watershed events as the trial of Sacco and Vanzetti and the premiere of the first sound movie, The Jazz Singer; technology's alteration of Americans' perceptive and figurative habits; and the shift from synecdochical to metonymical values entailed by a consumer society.

     

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  5. Detective agency
    women rewriting the hard-boiled tradition
    Published: 1999
    Publisher:  Univ. of California Press, Berkeley [u.a.]

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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  6. The doomed detective
    the contribution of the detective novel to postmodern American and Italian fiction
    Published: 1984
    Publisher:  Southern Illinois Univ. Pr., Carbondale u.a.

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  7. <<The>> web of iniquity
    early detective fiction by American women
  8. Detective agency
    women rewriting the hard-boiled tradition
    Published: 1999
    Publisher:  Univ. of California Press, Berkeley [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
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  9. <<The>> doomed detective
    the contribution of the detective novel to postmodern American and Italian fiction
  10. The American roman noir
    Hammett, Cain, and Chandler
    Published: 1995
    Publisher:  Univ. of Georgia Press, Athens [u.a.]

    In The American Roman Noir, William Marling reads classic hard-boiled fiction and film in the contexts of narrative theories and American social and cultural history. His search for the origins of the dark narratives that emerged during the 1920s and... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Europa-Universität Viadrina, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    In The American Roman Noir, William Marling reads classic hard-boiled fiction and film in the contexts of narrative theories and American social and cultural history. His search for the origins of the dark narratives that emerged during the 1920s and 1930s leads to a sweeping critique of Jazz-Age and Depression-era culture. Integrating economic history, biography, consumer product design, narrative analysis, and film scholarship, Marling makes new connections between events of the 1920s and 1930s and the modes, styles, and genres of their representation. At the center of Marling's approach is the concept of "prodigality": how narrative represents having, and having had, too much. Never before in this country, he argues, did wealth impinge on the national conscience as in the 1920s, and never was such conscience so sharply rebuked as in the 1930s. What, asks Marling, were the paradigms that explained accumulation and windfall, waste and failure? Marling first establishes a theoretical and historical context for the notion of prodigality. Among the topics he discusses are such watershed events as the trial of Sacco and Vanzetti and the premiere of the first sound movie, The Jazz Singer; technology's alteration of Americans' perceptive and figurative habits; and the shift from synecdochical to metonymical values entailed by a consumer society.

     

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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 082031658X; 9780820320816
    RVK Categories: HU 1811 ; HU 1814 ; HU 1818
    Subjects: Capitalisme et littérature - États-Unis; Culture populaire - États-Unis - Histoire - 20e siècle; Films de détective - États-Unis - Histoire et critique; Littérature et société - États-Unis - Histoire - 20e siècle; Roman américain - 20e siècle - Histoire et critique; Roman policier américain - 20e siècle - Histoire et critique; Geschichte; Detective and mystery stories, American -- History and criticism; American fiction -- 20th century -- History and criticism; Detective and mystery films -- United States -- History and criticism; Literature and society -- United States -- History -- 20th century; Popular culture -- United States -- History -- 20th century; Capitalism and literature -- United States; Schauerroman; Kriminalroman; Verschwendung <Motiv>; Film noir
    Other subjects: Cain, James M <1892-1977> - (James Mallahan) - Critique et interprétation; Chandler, Raymond <1888-1959> - Critique et interprétation; Hammett, Dashiell <1894-1961> - Critique et interprétation; Hammett, Dashiell, 1894-1961 -- Criticism and interpretation; Cain, James M., (James Mallahan), 1892-1977 -- Criticism and interpretation; Chandler, Raymond, 1888-1959 -- Criticism and interpretation; Hammett, Dashiell (1894-1961); Cain, James M. (1892-1977); Chandler, Raymond (1888-1959)
    Scope: XV, 306 S., zahlr. Ill., graph. Darst.
  11. America noir
    underground writers and filmmakers of the postwar era
    Published: 2000
    Publisher:  Smithsonian Inst. Press, Washington [u.a.]

    "In America Noir David Cochran details how ten writers and filmmakers probed the Cold War's cultural contradictions and indirectly challenged its social pieties: the superiority of American democracy, the benevolence of free enterprise, and the... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "In America Noir David Cochran details how ten writers and filmmakers probed the Cold War's cultural contradictions and indirectly challenged its social pieties: the superiority of American democracy, the benevolence of free enterprise, and the sanctity of the suburban family." "Cochran argues that these artists pioneered a detached, ironic sensibility in fictions that radically juxtaposed cultural references and blurred the distinctions between "high" and "low" art. Their works would play a crucial role in the emergence of not only a 1960s counterculture but also the postmodernism of a later era."--BOOK JACKET.

     

    Export to reference management software   RIS file
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    Content information