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  1. Dickens and the daughter of the house
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511008619; 0511037414; 0511052650; 0511116063; 0511484917; 9780511008610; 9780511037412; 9780511052651; 9780511116063; 9780511484919
    RVK Categories: HL 2585
    Series: Cambridge studies in nineteenth-century literature and culture ; 25
    Subjects: Women in literature; Femmes et littérature / Angleterre / Histoire / 19e siècle; Roman familial anglais / Histoire et critique; Pères et filles dans la littérature; Filles dans la littérature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Daughters in literature; Domestic fiction, English; Fathers and daughters in literature; Women and literature; Women in literature; Vader-dochter-relaties; Frau; Geschichte; Women and literature; Domestic fiction, English; Fathers and daughters in literature; Daughters in literature; Bürgerfamilie <Motiv>; Tochter <Motiv>; Roman
    Other subjects: Dickens, Charles / 1812-1870 / Criticism and interpretation; Dickens, Charles / 1812-1870 / Personnages / Filles; Dickens, Charles / 1812-1870 / Personnages / Femmes; Dickens, Charles / 1812-1870; Dickens, Charles (1812-1870); Dickens, Charles (1812-1870); Dickens, Charles (1812-1870)
    Scope: 1 Online-Ressource (xii, 232 pages)
    Notes:

    Includes bibliographical references (pages 208-229) and index

    Preliminaries; Contents; Acknowledgements; Introduction; CHAPTER ONE The uncanny daughter: Oliver Twist, Nicholas Nickleby, and the progress of Little Nell; CHAPTER TWO Dombey and Son: the daughter's nothing; CHAPTER THREE Hard Times and A Tale of Two Cities: The social inheritance of adultery; CHAPTER FOUR Bleak House and the dead mother's property; CHAPTER FIVE Amy Dorrit's prison notebooks; CHAPTER SIX In the shadow of Satis House: The woman's story in Great Expectations; CHAPTER SEVEN Our Mutual Friend and the daughter's book of the dead; Notes; Index

    Cambridge Studies in Nineteenth-Century Literature

    The daughter in Dickens' fiction is considered not as an emblem of tranquil domesticity and the hearth-fire, but as a bearer of cultural values - and as a potentially disruptive force. The daughter's secret inheritance, her 'portion', is to give Dickens a way of reading and writing his own culture differently

  2. The marked body
    domestic violence in mid-nineteenth-century literature
    Author: Lawson, Kate
    Published: ©2002
    Publisher:  State University of New York Press, Albany

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585478775; 0791453758; 0791453766; 9780585478777; 9780791453759; 9780791453766
    Subjects: Roman anglais / 19e siècle / Histoire et critique; Violence familiale dans la littérature; Roman familial anglais / Histoire et critique; Corps humain dans la littérature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Aurora Leigh (Browning, Elizabeth Barrett); Birthmark (Hawthorne, Nathaniel); Domestic fiction, English; English fiction; Family violence in literature; Human body in literature; English fiction; Family violence in literature; Domestic fiction, English; Human body in literature; Englisch; Literatur
    Other subjects: Browning, Elizabeth Barrett / 1806-1861; Hawthorne, Nathaniel / 1804-1864; Browning, Elizabeth Barrett / 1806-1861 / Aurora Leigh; Hawthorne, Nathaniel / 1804-1864 / Birthmark; Browning, Elizabeth Barrett (1806-1861): Aurora Leigh; Hawthorne, Nathaniel (1804-1864): Birthmark
    Scope: 1 Online-Ressource (viii, 204 pages)
    Notes:

    Includes bibliographical references (pages 181-193) and index

    "A frightful object": romance, obsession, and death in Nathaniel Hawthorne's "The birth-mark" -- Domestic violence, abjection, and the comic novel: Anthony Trollope's Barchester towers -- Violence, causality, and the "shock of history": George Eliot's "Janet's repentance" -- "The sins of the father" and "the female line": phantom visitations and cruelty in Elizabeth Gaskell's "The poor Clare" -- Rape, transgression, and the law: the body of Marian Erle in Elizabeth Barrett Browning's Aurora Leigh -- "Will she end like me?": violence and the uncanny in Wilkie Collin's Man and wife

  3. Writing against the family
    gender in Lawrence and Joyce
    Published: c1994
    Publisher:  Southern Illinois University Press, Carbondale, Ill.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585219028; 0809318814; 9780585219028; 9780809318810
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Féminisme et littérature / Grande-Bretagne / Histoire / 20e siècle; Roman familial anglais / Histoire et critique; Psychanalyse et littérature; Rôle selon le sexe dans la littérature; Famille dans la littérature; Domestic fiction, English; Families in literature; Feminism and literature; Gender identity in literature; Political and social views; Psychoanalysis and literature; Sex; Sex role in literature; Geschichte; Feminism and literature; Domestic fiction, English; Psychoanalysis and literature; Gender identity in literature; Sex role in literature; Families in literature; Familie; Feminismus; Familie <Motiv>; Geschlechterrolle <Motiv>; Geschlechterrolle
    Other subjects: Lawrence, D. H. / (David Herbert) / 1885-1930 / Pensée politique et sociale; Joyce, James / 1882-1941 / Pensée politique et sociale; Joyce, James / 1882-1941; Lawrence, D. H. / (David Herbert) / 1885-1930; Lawrence, David Herbert / 1885-1930; Joyce, James / 1882-1941; Lawrence, D. H. (1885-1930); Lawrence, D. H. (1885-1930); Joyce, James (1882-1941); Joyce, James (1882-1941); Lawrence, D. H. (1885-1930); Joyce, James (1882-1941)
    Scope: 1 Online-Ressource (x, 301 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 283-292) and index

    This first feminist book-length comparison of D.H. Lawrence and James Joyce offers striking new readings of a number of the novelists' most important works, including Lawrence's Man Who Died and Joyce's Finnegans Wake. Cynthia Lewiecki-Wilson argues that a feminist reader must necessarily read with and against theories of psychoanalysis to examine the assumptions about gender embedded within family relations and psychologies of gender found in the two authors' works. She challenges the belief that Lawrence and Joyce are opposites inhabiting contrary modernist camps, arguing instead that they are positioned along a continuum, with both engaged in a reimagination of gender relations. Lewiecki-Wilson demonstrates that both Lawrence and Joyce write against a background of family material using family plots and family settings.

    While previous discussions of family relations in literature have not questioned assumptions about the family and about sex roles within it, depending instead on an unexamined culture of gender, Lewiecki-Wilson submits the systems of meaning by which gender is construed to a feminist analysis. She reexamines Lawrence and Joyce from the point of view of feminist psychoanalysis, which, she argues, is not a set of beliefs or a single theory but a feminist practice that analyzes how systems of meaning construe gender and produce a psychology of gender. Arguing against a theory of representation based on gender, however, Lewiecki-Wilson concludes that Lawrence's and Joyce's texts, in different ways, test the idea of a female aesthetic. She analyzes Lawrence's portrait of family relations in Sons and Lovers, The Rainbow, and Women in Love and compares Joyce's Portrait of the Artist as a Young Man with Lawrence's autobiographical text.

    She then shows that Portrait begins a deconstruction of systems of meaning that continues and increases in Joyce's later work, including Ulysses, which, she argues, implicitly deconstructs gender as Joyce launches his attack on the dominant phallic economy. Lewiecki-Wilson concludes by identifying a common interest in Egyptology on the part of Lawrence, Joyce, and Freud and by showing that all three relate family material to Egyptian myth in their writings. She identifies Freud's essay "Leonardo da Vinci and a Memory of Childhood" as an important source for Joyce's Finnegans Wake, which portrays beneath the gendered individual a root androgyny and asserts an unfixed, evolutionary view of family relations

  4. Bleak houses
    marital violence in Victorian fiction
    Published: c2005
    Publisher:  Ohio University Press, Athens

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 082144199X; 9780821441992
    RVK Categories: HL 1331 ; HL 2585
    Subjects: Roman anglais / 19e siècle / Histoire et critique; Mariage dans la littérature; Roman familial anglais / Histoire et critique; Violence familiale dans la littérature; Femmes victimes de violence dans la littérature; Violence envers les enfants dans la littérature; Violence dans la littérature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English fiction; Marriage in literature; Domestic fiction, English; Family violence in literature; Abused women in literature; Child abuse in literature; Violence in literature; Ehescheidungsrecht; Ehe; Rechtsprechung; Ehe <Motiv>; Roman; Gewalt <Motiv>; Englisch; Frau <Motiv>; Misshandelte Frau
    Scope: 1 Online-Ressource (xiv, 271 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 255-262) and index

    Private violence in the public eye: the early writings of Charles Dickens -- Domestic violence and middle-class manliness: Dombey and Son -- From regency violence to Victorian feminism: The tenant of Wildfell Hall -- The abused woman and the community: "Janet's repentance" -- Strange revelations: the divorce court, the newspaper, and The woman in white -- The private eye and the public gaze: He knew he was right -- Marital violence and the new woman: The wing of Azrael -- "Are women protected?" Sherlock Holmes and the violent home

  5. Beyond sensation
    Mary Elizabeth Braddon in context
    Published: ©2000
    Publisher:  State University of New York Press, Albany

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585282781; 9780585282787
    RVK Categories: HL 1981 ; HL 4990
    Subjects: Roman psychologique anglais / Histoire et critique; Femmes et littérature / Angleterre / Histoire / 19e siècle; Roman familial anglais / Histoire et critique; Sensationnalisme dans la littérature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Lady Audley's secret (Braddon, M. E.); Domestic fiction, English; Psychological fiction, English; Sensationalism in literature; Women and literature; Geschichte; Psychological fiction, English; Women and literature; Domestic fiction, English; Sensationalism in literature
    Other subjects: Braddon, M. E. / (Mary Elizabeth) / 1837-1915 / Critique et interprétation; Braddon, M. E. / (Mary Elizabeth) / 1837-1915 / Lady Audley's secret; Braddon, M. E. / (Mary Elizabeth) / 1835-1915; Braddon, Mary Elizabeth / 1837-1915; Braddon, M. E. (1837-1915); Braddon, M. E. (1837-1915): Lady Audley's secret; Braddon, Mary Elizabeth (1835-1915)
    Scope: 1 Online-Ressource (xxviii, 302 pages)
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    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 281-285) and index

    Enclosure acts : framing women's bodies in Braddon's Lady Audley's secret / Elizabeth Langland -- Braddon's commentaries on the trials and legal secrets of Audley court / Gail Turley Houston -- Rebellious Sepoys and bigamous wives : the Indian mutiny and marriage law reform in Lady Audley's secret / Lillian Nayder -- Marketing sensation: Lady Audley's secret and consumer culture / Katherine Montwieler -- "An idle handle that was never turned, and a lazy rope so rotten" : the decay of the country estate in Lady Audley's secret / Aeron Haynie -- The espaliered girl : pruning the docile body in Aurora Floyd / Jeni Curtis -- The dangerous woman : M.E. Braddon's sensational (en)gendering of domestic law / Marlene Tromp -- Mary Elizabeth Braddon in Australia : queen of the colonies / Toni Johnson-Woods -- "Our author" : Braddon in the provincial weeklies / Jennifer Carnell and Graham Law -- Misalliance : M.E. Braddon's writing for the stage / Heidi J. Holder -- Braddon and victorian realism : Joshua Haggard's daughter / Pamela K. Gilbert -- Fiction becomes her : representations of female character in Mary Braddon's The Doctor's wife / Tabitha Sparks -- "Go and marry your doctor" : fetishism and "redundance" at the fin de sic̈le and the vampires of "Good Lady Ducayne" / Lauren M.E. Goodlad -- Spectral politics : M.E. Braddon and the spirits of social reform / Eve M. Lynch -- Electra-fying the female sleuth : detecting the father in Eleanor's victory and Thou art the man / Heidi H. Johnson -- Afterword / Lyn Pykett

    "Mary Elizabeth Braddon, journal editor and bestselling author of more than eighty novels during the late nineteenth and early twentieth centuries, was a key figure in the Victorian literary scene. This volume brings together new essays from a variety of perspectives that illuminate both the richness of Braddon's oeuvre and the variety of critical approaches of it." "Best known as the author of Lady Audley's Secret and Aurora Floyd, Braddon also wrote penny dreadfuls, realist novels, plays, short stories, reviews, and articles. The contributors move beyond her two most famous works and reflect a range of current issues and approaches, including gender, genre, imperialism, colonial reception, commodity culture, and publishing history."--Jacket

  6. The conversational circle
    re-reading the English novel, 1740-1775
    Published: 1996
    Publisher:  University Press of Kentucky, Lexington

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0813119901; 0813159075; 9780813119908; 9780813159072
    Subjects: Roman anglais / 18e siècle / Histoire et critique; Conversation dans la littérature; Littérature et société / Angleterre / Histoire / 18e siècle; Roman familial anglais / Histoire et critique; Communication orale dans la littérature; Interaction sociale dans la littérature; Amitié dans la littérature; Parole dans la littérature; Famille dans la littérature; Conversation in literature; Domestic fiction, English; English fiction; Families in literature; Friendship in literature; Literature and society; Oral communication in literature; Social interaction in literature; Speech in literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Geschichte; English fiction; Conversation in literature; Literature and society; Domestic fiction, English; Oral communication in literature; Social interaction in literature; Friendship in literature; Speech in literature; Families in literature; Soziale Integration; Gruppe; Sozialer Konsens; Englisch; Soziale Integration <Motiv>; Roman
    Scope: 1 Online-Ressource (165 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 137-160) and index

    Twentieth-century historians of the early novel, most prominently Ian Watt, Mikhail Bakhtin, and Terry Castle, have canonized fictions that portray the individual in sustained tension with the social environment. Such fictions privilege a strongly linear structure. Recent reexaminations of the canon, however, have revealed a number of early novels that do not fit this mold. In The Conversational Circle: Rereading the English Novel, 1740-1775, Betty Schellenberg identifies another kind of plot, one that focuses on the social group - the "conversational circle"--As a model that can affirm traditional values but just as often promotes an alternative sense of community. Schellenberg offers a model for exploring a range of novels that experiment with narrative patterns

    Introduction: Narrating Sociability in Mid-Eighteenth-Century England -- - 1 - Consensus, the Conversational Circle, and Mid-Eighteenth-Century Fiction -- - 2 - Constructing the Circle in Sarah Fielding's David Simple -- - 3 - Social Authority and the Domestic Circle in Samuel Richardson's Pamela Part II -- - 4 - Socializing Desire and Radiating the Exemplary in Samuel Richardson's Sir Charles Grandison -- - 5 - Silencing the Center in Henry Fielding's Amelia -- - 6 - Authorizing the Marginalized Circle in Sarah Scott's Millenium Hall -- - 7 - Mobilizing the Community, Immobilizing the Ideal in Tobias Smollett's Humphry Clinker -- - 8 - Disembodying the Social Circle in Sarah Fielding's Volume the Last -- - Conclusion: A Failed Plot? The Fate of the Conversational Circle in English Fiction