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  1. The Christ-haunted landscape
    faith and doubt in southern fiction
    Published: ©1994
    Publisher:  University Press of Mississippi, Jackson

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781604736816; 160473681X; 0878056696; 9780878056699; 087805670X; 9780878056705
    Subjects: LITERARY CRITICISM / American / General; FICTION / Anthologies (multiple authors); Littérature américaine / États-Unis (sud) / Histoire et critiques; États-Unis (sud) dans la littérature; Roman religieux américain / États-Unis (sud); Roman américain / Auteurs chrétiens / Histoire et critique; Roman américain / 20e siècle / Histoire et critique; Roman américain / États-Unis (sud) / Histoire et critique; Religion et littérature; Destin et fatalisme / Dans la littérature; Roman; Religion; Religion (Motiv); Romancier; Interview; American fiction; American fiction; American fiction; Christian fiction, American; Christianity and literature; Religion and literature; Belief and doubt in literature; Faith in literature; Religion; Interview; Roman; Religion <Motiv>; Romancier
    Scope: 1 Online-Ressource (xix, 408 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 396-398) and index

    1. Lee Smith. God Not Only Speaks But Sings. "Tongues of Fire" Interview -- 2. Reynolds Price. Saintly Outlaws. "Full Day" Interview -- 3. Larry Brown. Proceeding Out from Calamity. "A Roadside Resurrection" Interview -- 4. Sheila Bosworth. On Being Southern, Catholic, and Female. From Slow Poison. Interview -- 5. Sandra Hollin Flowers. Something's Got a Hold on Me. "Hope of Zion" Interview -- 6. Will Campbell. Mississippi Madness, Mississippi Magic. From Cecelia's Sin. Interview -- 7. Doris Betts. Resting on the Bedrock of Original Sin. "This Is the Only Time I'll Tell It" Interview -- 8. Randall Kenan. Ancient Spells and Incantations. "The Strange and Tragic Ballad of Mabel Pearsall" Interview -- 9. Mary Ward Brown. Celebrating the True and Lively Word. "A New Life" Interview -- 10. Harry Crews. The Writer as Shaman. From Scar Lover. Interview -- 11. Clyde Edgerton. A Garden of Paradoxes. From Raney. Interview -- 12. Allan Gurganus. When I'm Fog on a Coffin Lid. "It Had Wings."

    "Old-time religion" has been and still is a uniquely potent force in shaping the imaginations of southern fiction writers. A little more than a generation ago, Flannery O'Connor made a startling observation about herself and her fellow southerners: "By and large," she said, "people in the South still conceive of humanity in theological terms. While the South is hardly Christ-centered, it is most certainly Christ-haunted. The Southerner who isn't convinced of it is very much afraid that he may have been formed in the image and likeness of God." Still earlier in the century H.L. Mencken wrote that the South consisted of a "cesspool of Baptists, a miasma of Methodists, snake charmers, phony real estate operators, and syphilitic evangelists."

    This book explores the roles that various strands of southern religion, most prominently Evangelical Protestantism (both black and white) and Catholicism, have played in shaping contemporary southern fiction. The Christ-Haunted Landscape collects works by twelve southerners living and working in the South - Larry Brown, Reynolds Price, Allan Gurganus, Lee Smith, Clyde Edgerton, Harry Crews, Will Campbell, Doris Betts, Sheila Bosworth, Mary Ward Brown, Randall Kenan, and Sandra Hollin blowers. Susan Ketchin has included a descriptive profile and an original interview with each author, critical commentaries on each author's works as a whole, and representative fiction (short story or excerpt from a novel). Her introduction discusses the religious and cultural forces that have impact on today's imaginative writers whose fiction is enhanced by the legacy of Faulkner, O'Connor, and Percy

  2. Plantation airs
    racial paternalism and the transformations of class in southern fiction, 1945-1971
    Published: ©2007
    Publisher:  Louisiana State University Press, Baton Rouge

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0807135240; 0807144924; 9780807135242; 9780807144923
    Series: Southern literary studies
    Subjects: LITERARY CRITICISM / American / General; Roman américain / États-Unis (sud) / Histoire et critique; Race / Dans la littérature; Relations interethniques / Dans la littérature; Paternalisme / États-Unis (sud) / Histoire; American fiction; Paternalism in literature; Race relations in literature; Social classes in literature; Literature and society; American fiction; Race in literature; Paternalism; Poor in literature; Soziale Klasse <Motiv>; Paternalismus <Motiv>; Ethnische Beziehungen <Motiv>; Literatur
    Scope: 1 Online-Ressource (x, 203 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 187-196) and index

    Acknowledgments; Introduction THE PROBLEM OF FLEM SNOPES'S HAT Southern History, Racial Paternalism, and Class; 1 PATERNALISM, PROGRESS, AND "PET NEGROES" Zora Neale Hurston's Seraph on the Suwanee; 2 PLAYING LADY AND IMITATING ARISTOCRATS Race, Class, and Money in Eudora Welty's Delta Wedding and The Ponder Heart; 3 STOPPING ON A DIME Race, Class, and the "White Economy of Material Waste" in William Faulkner's The Mansion and The Reivers; 4 MECHANICS AND MULATTOES Class, Work, and Race in Ernest Gaines's Of Love and Dustand "Bloodline."

    In Plantation Airs, Brannon Costello argues persuasively for new attention to the often neglected issue of class in southern literary studies. Focusing on the relationship between racial paternalism and social class in American novels written after World War II, Costello asserts that well into the twentieth century, attitudes and behaviors associated with an idealized version of agrarian antebellum aristocracy--especially, those of racial paternalism--were believed to be essential for white southerners. The wealthy employed them to validate their identities as "aristocrats," while less